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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A0DEFF it is the complementary color #5F2100. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A0DEFF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A0DEFF shade: #A5DEFA, #B6F0FF, #C7FFFF, #D8FFFF and #E9FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A0DEFF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A0DEFF shade: #A0DEFF, #8FCCEC, #7EBAD9, #6DA8C6 and #5C96B3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A0DEFF shade: #9EDDFF, #9EC3FF, #9EA9FF, #AD9EFF and #C79EFF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A0DEFF shade: #9EDDFF, #9EC3FF, #9EA9FF and #9E9EFF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A0DEFF shade matches the following richer shades: #9EDDFF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A0DEFF shade: #9EDDFF, #A5DAF7, #ADD8EF, #B5D6E7 and #BDD3DF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A0DEFF shade: #9EFFEB, #9EF8FF, #9EDEFF, #9EC4FF and #9EABFF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A0DEFF shade: #4BC0FF, #74CFFF, #9EDDFF, #C7EBFF and #F0FAFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A0DEFF shade: #A0DEFF, #D19EFF and #FFF89E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A0DEFF shade: #A0DEFF, #FF9EDE and #DEFF9E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A0DEFF shade: #A0DEFF, #D19EFF, #FFBE9E and #CBFF9E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A0DEFF shade: #A0DEFF, #EE9EFF, #FFBE9E and #AEFF9E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 13 / 0 / 0

HEX #A0DEFF

RGB 160 222 255

HSL 200.84, 1%, 0.81%

LAB 85.47, -11.66, -22.29

 

Complementary color

CMYK 0 / 65 / 100 / 63

HEX #5F2100

RGB 95 33 0

HSL 20.84, 1%, 0.19%

LAB 22.02, 26.7, 32.21

 

CMYK 34 / 11 / 0 / 2

HEX #A5DEFA

RGB 165 222 250

HSL 199.76, 0.89%, 0.81%

LAB 85.58, -11.56, -19.47

 

CMYK 29 / 6 / 0 / 0

HEX #B6F0FF

RGB 182 240 255

HSL 192.33, 1%, 0.86%

LAB 91.45, -14.87, -13.17

 

CMYK 22 / 0 / 0 / 0

HEX #C7FFFF

RGB 199 255 255

HSL 180, 1%, 0.89%

LAB 96.36, -17.48, -5.78

 

CMYK 15 / 0 / 0 / 0

HEX #D8FFFF

RGB 216 255 255

HSL 180, 1%, 0.92%

LAB 97.36, -12.41, -4.18

 

CMYK 9 / 0 / 0 / 0

HEX #E9FFFF

RGB 233 255 255

HSL 180, 1%, 0.96%

LAB 98.46, -7.11, -2.45

 

CMYK 37 / 13 / 0 / 0

HEX #A0DEFF

RGB 160 222 255

HSL 200.84, 1%, 0.81%

LAB 85.47, -11.66, -22.29

 

CMYK 39 / 14 / 0 / 7

HEX #8FCCEC

RGB 143 204 236

HSL 200.65, 0.71%, 0.74%

LAB 79.09, -11.52, -21.97

 

CMYK 42 / 14 / 0 / 15

HEX #7EBAD9

RGB 126 186 217

HSL 200.44, 0.54%, 0.67%

LAB 72.6, -11.36, -21.65

 

CMYK 45 / 15 / 0 / 22

HEX #6DA8C6

RGB 109 168 198

HSL 200.22, 0.44%, 0.6%

LAB 66.01, -11.16, -21.33

 

CMYK 49 / 16 / 0 / 30

HEX #5C96B3

RGB 92 150 179

HSL 200, 0.36%, 0.53%

LAB 59.29, -10.9, -21.01

 

CMYK 38 / 13 / 0 / 0

HEX #9EDDFF

RGB 158 221 255

HSL 201.03, 1%, 0.81%

LAB 85.1, -11.66, -22.86

 

CMYK 38 / 24 / 0 / 0

HEX #9EC3FF

RGB 158 195 255

HSL 217.11, 1%, 0.81%

LAB 78.18, 2.11, -33.45

 

CMYK 38 / 34 / 0 / 0

HEX #9EA9FF

RGB 158 169 255

HSL 233.2, 1%, 0.81%

LAB 71.46, 16.53, -43.89

 

CMYK 32 / 38 / 0 / 0

HEX #AD9EFF

RGB 173 158 255

HSL 249.28, 1%, 0.81%

LAB 69.87, 26.71, -46.32

 

CMYK 22 / 38 / 0 / 0

HEX #C79EFF

RGB 199 158 255

HSL 265.36, 1%, 0.81%

LAB 72.11, 33.92, -42.65

 

CMYK 38 / 13 / 0 / 0

HEX #9EDDFF

RGB 158 221 255

HSL 201.03, 1%, 0.81%

LAB 85.1, -11.66, -22.86

 

CMYK 38 / 24 / 0 / 0

HEX #9EC3FF

RGB 158 195 255

HSL 217.11, 1%, 0.81%

LAB 78.18, 2.11, -33.45

 

CMYK 38 / 34 / 0 / 0

HEX #9EA9FF

RGB 158 169 255

HSL 233.2, 1%, 0.81%

LAB 71.46, 16.53, -43.89

 

CMYK 38 / 38 / 0 / 0

HEX #9E9EFF

RGB 158 158 255

HSL 240, 1%, 0.81%

LAB 68.71, 22.76, -48.22

 

CMYK 38 / 13 / 0 / 0

HEX #9EDDFF

RGB 158 221 255

HSL 201.03, 1%, 0.81%

LAB 85.1, -11.66, -22.86

 

CMYK 38 / 13 / 0 / 0

HEX #9EDDFF

RGB 158 221 255

HSL 201.03, 1%, 0.81%

LAB 85.1, -11.66, -22.86

 

CMYK 33 / 12 / 0 / 3

HEX #A5DAF7

RGB 165 218 247

HSL 201.22, 0.84%, 0.81%

LAB 84.41, -10.23, -19.64

 

CMYK 28 / 10 / 0 / 6

HEX #ADD8EF

RGB 173 216 239

HSL 200.91, 0.67%, 0.81%

LAB 84.08, -8.84, -15.85

 

CMYK 22 / 7 / 0 / 9

HEX #B5D6E7

RGB 181 214 231

HSL 200.4, 0.51%, 0.81%

LAB 83.8, -7.24, -11.98

 

CMYK 15 / 5 / 0 / 13

HEX #BDD3DF

RGB 189 211 223

HSL 201.18, 0.35%, 0.81%

LAB 83.3, -4.91, -8.42

 

CMYK 38 / 0 / 8 / 0

HEX #9EFFEB

RGB 158 255 235

HSL 167.63, 1%, 0.81%

LAB 93.79, -33.05, 0.53

 

CMYK 38 / 3 / 0 / 0

HEX #9EF8FF

RGB 158 248 255

HSL 184.33, 1%, 0.81%

LAB 92.41, -25.15, -11.87

 

CMYK 38 / 13 / 0 / 0

HEX #9EDEFF

RGB 158 222 255

HSL 200.41, 1%, 0.81%

LAB 85.37, -12.17, -22.45

 

CMYK 38 / 23 / 0 / 0

HEX #9EC4FF

RGB 158 196 255

HSL 216.49, 1%, 0.81%

LAB 78.44, 1.57, -33.04

 

CMYK 38 / 33 / 0 / 0

HEX #9EABFF

RGB 158 171 255

HSL 231.96, 1%, 0.81%

LAB 71.97, 15.4, -43.1

 

CMYK 71 / 25 / 0 / 0

HEX #4BC0FF

RGB 75 192 255

HSL 201, 1%, 0.65%

LAB 73.81, -13.06, -40.5

 

CMYK 55 / 19 / 0 / 0

HEX #74CFFF

RGB 116 207 255

HSL 200.72, 1%, 0.73%

LAB 79.36, -14.08, -31.8

 

CMYK 38 / 13 / 0 / 0

HEX #9EDDFF

RGB 158 221 255

HSL 201.03, 1%, 0.81%

LAB 85.1, -11.66, -22.86

 

CMYK 22 / 8 / 0 / 0

HEX #C7EBFF

RGB 199 235 255

HSL 201.43, 1%, 0.89%

LAB 91.13, -7.45, -13.54

 

CMYK 6 / 2 / 0 / 0

HEX #F0FAFF

RGB 240 250 255

HSL 200, 1%, 0.97%

LAB 97.68, -2.36, -3.54

 

CMYK 37 / 13 / 0 / 0

HEX #A0DEFF

RGB 160 222 255

HSL 200.84, 1%, 0.81%

LAB 85.47, -11.66, -22.29

 

CMYK 18 / 38 / 0 / 0

HEX #D19EFF

RGB 209 158 255

HSL 271.55, 1%, 0.81%

LAB 73.04, 36.78, -41.12

 

CMYK 0 / 3 / 38 / 0

HEX #FFF89E

RGB 255 248 158

HSL 55.67, 1%, 0.81%

LAB 96.35, -10.28, 44.06

 

CMYK 37 / 13 / 0 / 0

HEX #A0DEFF

RGB 160 222 255

HSL 200.84, 1%, 0.81%

LAB 85.47, -11.66, -22.29

 

CMYK 0 / 38 / 13 / 0

HEX #FF9EDE

RGB 255 158 222

HSL 320.41, 1%, 0.81%

LAB 76.67, 44.77, -17.19

 

CMYK 13 / 0 / 38 / 0

HEX #DEFF9E

RGB 222 255 158

HSL 80.41, 1%, 0.81%

LAB 95.8, -25.97, 42.87

 

CMYK 37 / 13 / 0 / 0

HEX #A0DEFF

RGB 160 222 255

HSL 200.84, 1%, 0.81%

LAB 85.47, -11.66, -22.29

 

CMYK 18 / 38 / 0 / 0

HEX #D19EFF

RGB 209 158 255

HSL 271.55, 1%, 0.81%

LAB 73.04, 36.78, -41.12

 

CMYK 0 / 25 / 38 / 0

HEX #FFBE9E

RGB 255 190 158

HSL 19.79, 1%, 0.81%

LAB 82.14, 19.36, 25.29

 

CMYK 20 / 0 / 38 / 0

HEX #CBFF9E

RGB 203 255 158

HSL 92.16, 1%, 0.81%

LAB 94.6, -32.73, 41.09

 

CMYK 37 / 13 / 0 / 0

HEX #A0DEFF

RGB 160 222 255

HSL 200.84, 1%, 0.81%

LAB 85.47, -11.66, -22.29

 

CMYK 7 / 38 / 0 / 0

HEX #EE9EFF

RGB 238 158 255

HSL 289.48, 1%, 0.81%

LAB 75.98, 45.27, -36.33

 

CMYK 0 / 25 / 38 / 0

HEX #FFBE9E

RGB 255 190 158

HSL 19.79, 1%, 0.81%

LAB 82.14, 19.36, 25.29

 

CMYK 32 / 0 / 38 / 0

HEX #AEFF9E

RGB 174 255 158

HSL 110.1, 1%, 0.81%

LAB 93.01, -42.41, 38.71

 

Description

Color code: HEX #A0DEFF | qconv.com Color code: HEX #A0DEFF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 222 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 222 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 13 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 13% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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