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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A0E66A it is the complementary color #5F1995. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A0E66A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A0E66A shade: #A5E665, #B6F878, #C7FF8B, #D8FF9E and #E9FFB1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A0E66A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A0E66A shade: #A0E66A, #8FD457, #7EC244, #6DB031 and #5C9E1E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A0E66A shade: #A0E56A, #C1E56A, #E2E56A, #E5C76A and #E5A66A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A0E66A shade: #A0E56A, #7FE56A, #6AE577, #6AE598 and #6AE5B9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A0E66A shade matches the following richer shades: #A0E56A and #9EF35C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A0E66A shade: #A0E56A, #A2D778, #A3C986, #A5BB94 and #A7ADA2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A0E66A shade: #E3E56A, #C2E56A, #A2E56A, #81E56A and #6AE575

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A0E66A shade: #73D924, #89DF47, #A0E56A, #B6EB8E and #CDF1B1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A0E66A shade: #A0E66A, #6AE5C7 and #E56AD3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A0E66A shade: #A0E66A, #6AA2E5 and #E56AA2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A0E66A shade: #A0E66A, #6AE5C7, #AE6AE5 and #E56A89

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A0E66A shade: #A0E66A, #6ADFE5, #AE6AE5 and #E5706A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 54 / 10

HEX #A0E66A

RGB 160 230 106

HSL 93.87, 0.71%, 0.66%

LAB 84.54, -42.52, 52.85

 

Complementary color

CMYK 36 / 83 / 0 / 42

HEX #5F1995

RGB 95 25 149

HSL 273.87, 0.71%, 0.34%

LAB 27.57, 52.06, -53.42

 

CMYK 28 / 0 / 56 / 10

HEX #A5E665

RGB 165 230 101

HSL 90.23, 0.72%, 0.65%

LAB 84.76, -41.27, 55.43

 

CMYK 27 / 0 / 52 / 3

HEX #B6F878

RGB 182 248 120

HSL 90.94, 0.9%, 0.72%

LAB 90.98, -41.33, 54.38

 

CMYK 22 / 0 / 45 / 0

HEX #C7FF8B

RGB 199 255 139

HSL 88.97, 1%, 0.77%

LAB 94.11, -36.42, 49.57

 

CMYK 15 / 0 / 38 / 0

HEX #D8FF9E

RGB 216 255 158

HSL 84.12, 1%, 0.81%

LAB 95.41, -28.13, 42.29

 

CMYK 9 / 0 / 31 / 0

HEX #E9FFB1

RGB 233 255 177

HSL 76.92, 1%, 0.85%

LAB 96.83, -19.61, 34.98

 

CMYK 30 / 0 / 54 / 10

HEX #A0E66A

RGB 160 230 106

HSL 93.87, 0.71%, 0.66%

LAB 84.54, -42.52, 52.85

 

CMYK 33 / 0 / 59 / 17

HEX #8FD457

RGB 143 212 87

HSL 93.12, 0.59%, 0.59%

LAB 78.24, -42.46, 53.87

 

CMYK 35 / 0 / 65 / 24

HEX #7EC244

RGB 126 194 68

HSL 92.38, 0.51%, 0.51%

LAB 71.85, -42.29, 54.71

 

CMYK 38 / 0 / 72 / 31

HEX #6DB031

RGB 109 176 49

HSL 91.65, 0.56%, 0.44%

LAB 65.38, -41.98, 55.2

 

CMYK 42 / 0 / 81 / 38

HEX #5C9E1E

RGB 92 158 30

HSL 90.94, 0.68%, 0.37%

LAB 58.81, -41.44, 54.98

 

CMYK 30 / 0 / 54 / 10

HEX #A0E56A

RGB 160 229 106

HSL 93.66, 0.7%, 0.66%

LAB 84.25, -42.09, 52.51

 

CMYK 16 / 0 / 54 / 10

HEX #C1E56A

RGB 193 229 106

HSL 77.56, 0.7%, 0.66%

LAB 86.21, -30.04, 55.3

 

CMYK 1 / 0 / 54 / 10

HEX #E2E56A

RGB 226 229 106

HSL 61.46, 0.7%, 0.66%

LAB 88.57, -17.12, 58.63

 

CMYK 0 / 13 / 54 / 10

HEX #E5C76A

RGB 229 199 106

HSL 45.37, 0.7%, 0.66%

LAB 81.04, -0.77, 49.92

 

CMYK 0 / 28 / 54 / 10

HEX #E5A66A

RGB 229 166 106

HSL 29.27, 0.7%, 0.66%

LAB 72.87, 16.62, 40

 

CMYK 30 / 0 / 54 / 10

HEX #A0E56A

RGB 160 229 106

HSL 93.66, 0.7%, 0.66%

LAB 84.25, -42.09, 52.51

 

CMYK 45 / 0 / 54 / 10

HEX #7FE56A

RGB 127 229 106

HSL 109.76, 0.7%, 0.66%

LAB 82.7, -52.68, 50.28

 

CMYK 54 / 0 / 48 / 10

HEX #6AE577

RGB 106 229 119

HSL 126.34, 0.7%, 0.66%

LAB 82.07, -56.69, 43.21

 

CMYK 54 / 0 / 34 / 10

HEX #6AE598

RGB 106 229 152

HSL 142.44, 0.7%, 0.66%

LAB 82.58, -51.36, 27.37

 

CMYK 54 / 0 / 19 / 10

HEX #6AE5B9

RGB 106 229 185

HSL 158.54, 0.7%, 0.66%

LAB 83.23, -44.73, 11.11

 

CMYK 30 / 0 / 54 / 10

HEX #A0E56A

RGB 160 229 106

HSL 93.66, 0.7%, 0.66%

LAB 84.25, -42.09, 52.51

 

CMYK 35 / 0 / 62 / 5

HEX #9EF35C

RGB 158 243 92

HSL 93.77, 0.86%, 0.66%

LAB 88.04, -50.04, 62.88

 

CMYK 30 / 0 / 54 / 10

HEX #A0E56A

RGB 160 229 106

HSL 93.66, 0.7%, 0.66%

LAB 84.25, -42.09, 52.51

 

CMYK 25 / 0 / 44 / 16

HEX #A2D778

RGB 162 215 120

HSL 93.47, 0.54%, 0.66%

LAB 80.54, -33.49, 41.34

 

CMYK 19 / 0 / 33 / 21

HEX #A3C986

RGB 163 201 134

HSL 94.03, 0.38%, 0.66%

LAB 76.85, -24.6, 29.47

 

CMYK 12 / 0 / 21 / 27

HEX #A5BB94

RGB 165 187 148

HSL 93.85, 0.22%, 0.66%

LAB 73.34, -14.69, 17.29

 

CMYK 3 / 0 / 6 / 32

HEX #A7ADA2

RGB 167 173 162

HSL 92.73, 0.06%, 0.66%

LAB 69.97, -4.18, 4.91

 

CMYK 1 / 0 / 54 / 10

HEX #E3E56A

RGB 227 229 106

HSL 60.98, 0.7%, 0.66%

LAB 88.64, -16.72, 58.74

 

CMYK 15 / 0 / 54 / 10

HEX #C2E56A

RGB 194 229 106

HSL 77.07, 0.7%, 0.66%

LAB 86.28, -29.66, 55.4

 

CMYK 29 / 0 / 54 / 10

HEX #A2E56A

RGB 162 229 106

HSL 92.68, 0.7%, 0.66%

LAB 84.36, -41.39, 52.67

 

CMYK 44 / 0 / 54 / 10

HEX #81E56A

RGB 129 229 106

HSL 108.78, 0.7%, 0.66%

LAB 82.78, -52.09, 50.4

 

CMYK 54 / 0 / 49 / 10

HEX #6AE575

RGB 106 229 117

HSL 125.37, 0.7%, 0.66%

LAB 82.05, -56.97, 44.14

 

CMYK 47 / 0 / 83 / 15

HEX #73D924

RGB 115 217 36

HSL 93.81, 0.72%, 0.5%

LAB 78.11, -57.08, 71.19

 

CMYK 39 / 0 / 68 / 13

HEX #89DF47

RGB 137 223 71

HSL 93.95, 0.7%, 0.58%

LAB 81.04, -50.46, 63.41

 

CMYK 30 / 0 / 54 / 10

HEX #A0E56A

RGB 160 229 106

HSL 93.66, 0.7%, 0.66%

LAB 84.25, -42.09, 52.51

 

CMYK 23 / 0 / 40 / 8

HEX #B6EB8E

RGB 182 235 142

HSL 94.19, 0.7%, 0.74%

LAB 87.64, -32.9, 39.73

 

CMYK 15 / 0 / 27 / 5

HEX #CDF1B1

RGB 205 241 177

HSL 93.75, 0.7%, 0.82%

LAB 91.26, -22.8, 27.16

 

CMYK 30 / 0 / 54 / 10

HEX #A0E66A

RGB 160 230 106

HSL 93.87, 0.71%, 0.66%

LAB 84.54, -42.52, 52.85

 

CMYK 54 / 0 / 13 / 10

HEX #6AE5C7

RGB 106 229 199

HSL 165.37, 0.7%, 0.66%

LAB 83.56, -41.56, 4.21

 

CMYK 0 / 54 / 8 / 10

HEX #E56AD3

RGB 229 106 211

HSL 308.78, 0.7%, 0.66%

LAB 63.07, 60.72, -32.2

 

CMYK 30 / 0 / 54 / 10

HEX #A0E66A

RGB 160 230 106

HSL 93.87, 0.71%, 0.66%

LAB 84.54, -42.52, 52.85

 

CMYK 54 / 29 / 0 / 10

HEX #6AA2E5

RGB 106 162 229

HSL 212.68, 0.7%, 0.66%

LAB 65.41, 0.56, -39.41

 

CMYK 0 / 54 / 29 / 10

HEX #E56AA2

RGB 229 106 162

HSL 332.68, 0.7%, 0.66%

LAB 61.29, 53.63, -7.03

 

CMYK 30 / 0 / 54 / 10

HEX #A0E66A

RGB 160 230 106

HSL 93.87, 0.71%, 0.66%

LAB 84.54, -42.52, 52.85

 

CMYK 54 / 0 / 13 / 10

HEX #6AE5C7

RGB 106 229 199

HSL 165.37, 0.7%, 0.66%

LAB 83.56, -41.56, 4.21

 

CMYK 24 / 54 / 0 / 10

HEX #AE6AE5

RGB 174 106 229

HSL 273.17, 0.7%, 0.66%

LAB 57.04, 49.44, -52.26

 

CMYK 0 / 54 / 40 / 10

HEX #E56A89

RGB 229 106 137

HSL 344.88, 0.7%, 0.66%

LAB 60.58, 50.7, 6.37

 

CMYK 30 / 0 / 54 / 10

HEX #A0E66A

RGB 160 230 106

HSL 93.87, 0.71%, 0.66%

LAB 84.54, -42.52, 52.85

 

CMYK 54 / 3 / 0 / 10

HEX #6ADFE5

RGB 106 223 229

HSL 182.93, 0.7%, 0.66%

LAB 82.65, -31.29, -13.02

 

CMYK 24 / 54 / 0 / 10

HEX #AE6AE5

RGB 174 106 229

HSL 273.17, 0.7%, 0.66%

LAB 57.04, 49.44, -52.26

 

CMYK 0 / 51 / 54 / 10

HEX #E5706A

RGB 229 112 106

HSL 2.93, 0.7%, 0.66%

LAB 61.03, 44.85, 24.82

 

Description

Color code: HEX #A0E66A | qconv.com Color code: HEX #A0E66A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 230 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 230 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 54 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 54% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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