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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A0E71C it is the complementary color #5F18E3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A0E71C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A0E71C shade: #A5E717, #B6F92A, #C7FF3D, #D8FF50 and #E9FF63

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A0E71C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A0E71C shade: #A0E71C, #8FD509, #7EC300, #6DB100 and #5C9F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A0E71C shade: #A0E71C, #D7E71C, #E7C01C, #E78A1C and #E7531C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A0E71C shade: #A0E71C, #69E71C, #33E71C, #1CE73C and #1CE773

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A0E71C shade matches the following richer shades: #A0E71C and #A6FB08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A0E71C shade: #A0E71C, #9AD331, #94BE45, #8EAA59 and #88966D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A0E71C shade: #E7BE1C, #D9E71C, #A3E71C, #6DE71C and #37E71C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A0E71C shade: #6EA010, #88C614, #A0E71C, #B0EB42 and #BFEF67

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A0E71C shade: #A0E71C, #1CE788 and #D91CE7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A0E71C shade: #A0E71C, #1CA3E7 and #E71CA3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A0E71C shade: #A0E71C, #1CE788, #601CE7 and #E71C7B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A0E71C shade: #A0E71C, #1CE7C5, #601CE7 and #E71C3E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 88 / 9

HEX #A0E71C

RGB 160 231 28

HSL 80.99, 0.81%, 0.51%

LAB 84.33, -47.8, 78.98

 

Complementary color

CMYK 58 / 89 / 0 / 11

HEX #5F18E3

RGB 95 24 227

HSL 260.99, 0.81%, 0.49%

LAB 35.27, 70.92, -86.93

 

CMYK 29 / 0 / 90 / 9

HEX #A5E717

RGB 165 231 23

HSL 79.04, 0.82%, 0.5%

LAB 84.59, -46.08, 80.1

 

CMYK 27 / 0 / 83 / 2

HEX #B6F92A

RGB 182 249 42

HSL 79.42, 0.95%, 0.57%

LAB 90.72, -46.94, 82.11

 

CMYK 22 / 0 / 76 / 0

HEX #C7FF3D

RGB 199 255 61

HSL 77.32, 1%, 0.62%

LAB 93.45, -42.48, 80.05

 

CMYK 15 / 0 / 69 / 0

HEX #D8FF50

RGB 216 255 80

HSL 73.37, 1%, 0.66%

LAB 94.61, -35.06, 75.39

 

CMYK 9 / 0 / 61 / 0

HEX #E9FF63

RGB 233 255 99

HSL 68.46, 1%, 0.69%

LAB 95.89, -27.3, 69.87

 

CMYK 31 / 0 / 88 / 9

HEX #A0E71C

RGB 160 231 28

HSL 80.99, 0.81%, 0.51%

LAB 84.33, -47.8, 78.98

 

CMYK 33 / 0 / 96 / 16

HEX #8FD509

RGB 143 213 9

HSL 80.59, 0.92%, 0.44%

LAB 78.14, -46.8, 76.1

 

CMYK 35 / 0 / 100 / 24

HEX #7EC300

RGB 126 195 0

HSL 81.23, 1%, 0.38%

LAB 71.87, -45.59, 71.73

 

CMYK 38 / 0 / 100 / 31

HEX #6DB100

RGB 109 177 0

HSL 83.05, 1%, 0.35%

LAB 65.51, -44.21, 66.44

 

CMYK 42 / 0 / 100 / 38

HEX #5C9F00

RGB 92 159 0

HSL 85.28, 1%, 0.31%

LAB 59.04, -42.78, 61.07

 

CMYK 31 / 0 / 88 / 9

HEX #A0E71C

RGB 160 231 28

HSL 80.99, 0.81%, 0.51%

LAB 84.33, -47.8, 78.98

 

CMYK 7 / 0 / 88 / 9

HEX #D7E71C

RGB 215 231 28

HSL 64.73, 0.81%, 0.51%

LAB 87.82, -26.3, 83.26

 

CMYK 0 / 17 / 88 / 9

HEX #E7C01C

RGB 231 192 28

HSL 48.47, 0.81%, 0.51%

LAB 78.91, -0.12, 76.75

 

CMYK 0 / 40 / 88 / 9

HEX #E78A1C

RGB 231 138 28

HSL 32.51, 0.81%, 0.51%

LAB 65.94, 28.4, 66.57

 

CMYK 0 / 64 / 88 / 9

HEX #E7531C

RGB 231 83 28

HSL 16.26, 0.81%, 0.51%

LAB 55.34, 55.13, 58.35

 

CMYK 31 / 0 / 88 / 9

HEX #A0E71C

RGB 160 231 28

HSL 80.99, 0.81%, 0.51%

LAB 84.33, -47.8, 78.98

 

CMYK 55 / 0 / 88 / 9

HEX #69E71C

RGB 105 231 28

HSL 97.24, 0.81%, 0.51%

LAB 81.97, -65.23, 76.04

 

CMYK 78 / 0 / 88 / 9

HEX #33E71C

RGB 51 231 28

HSL 113.2, 0.81%, 0.51%

LAB 80.71, -75.83, 74.46

 

CMYK 88 / 0 / 74 / 9

HEX #1CE73C

RGB 28 231 60

HSL 129.46, 0.81%, 0.51%

LAB 80.59, -76.38, 65.96

 

CMYK 88 / 0 / 50 / 9

HEX #1CE773

RGB 28 231 115

HSL 145.71, 0.81%, 0.51%

LAB 81.09, -70.12, 43.57

 

CMYK 31 / 0 / 88 / 9

HEX #A0E71C

RGB 160 231 28

HSL 80.99, 0.81%, 0.51%

LAB 84.33, -47.8, 78.98

 

CMYK 34 / 0 / 97 / 2

HEX #A6FB08

RGB 166 251 8

HSL 80.99, 0.97%, 0.51%

LAB 90.38, -54.17, 86.29

 

CMYK 31 / 0 / 88 / 9

HEX #A0E71C

RGB 160 231 28

HSL 80.99, 0.81%, 0.51%

LAB 84.33, -47.8, 78.98

 

CMYK 27 / 0 / 77 / 17

HEX #9AD331

RGB 154 211 49

HSL 81.11, 0.65%, 0.51%

LAB 78.27, -40.7, 68.53

 

CMYK 22 / 0 / 64 / 25

HEX #94BE45

RGB 148 190 69

HSL 80.83, 0.48%, 0.51%

LAB 71.93, -32.26, 54.75

 

CMYK 16 / 0 / 48 / 33

HEX #8EAA59

RGB 142 170 89

HSL 80.74, 0.32%, 0.51%

LAB 65.92, -23.08, 38.39

 

CMYK 9 / 0 / 27 / 41

HEX #88966D

RGB 136 150 109

HSL 80.49, 0.16%, 0.51%

LAB 60.02, -12.46, 20.01

 

CMYK 0 / 18 / 88 / 9

HEX #E7BE1C

RGB 231 190 28

HSL 47.88, 0.81%, 0.51%

LAB 78.4, 0.92, 76.35

 

CMYK 6 / 0 / 88 / 9

HEX #D9E71C

RGB 217 231 28

HSL 64.14, 0.81%, 0.51%

LAB 87.96, -25.48, 83.44

 

CMYK 29 / 0 / 88 / 9

HEX #A3E71C

RGB 163 231 28

HSL 80.1, 0.81%, 0.51%

LAB 84.5, -46.7, 79.18

 

CMYK 53 / 0 / 88 / 9

HEX #6DE71C

RGB 109 231 28

HSL 96.06, 0.81%, 0.51%

LAB 82.1, -64.16, 76.21

 

CMYK 76 / 0 / 88 / 9

HEX #37E71C

RGB 55 231 28

HSL 112.02, 0.81%, 0.51%

LAB 80.77, -75.3, 74.54

 

CMYK 31 / 0 / 90 / 37

HEX #6EA010

RGB 110 160 16

HSL 80.83, 0.82%, 0.35%

LAB 60.33, -36.18, 60.07

 

CMYK 31 / 0 / 90 / 22

HEX #88C614

RGB 136 198 20

HSL 80.9, 0.82%, 0.43%

LAB 73.33, -42.84, 70.71

 

CMYK 31 / 0 / 88 / 9

HEX #A0E71C

RGB 160 231 28

HSL 80.99, 0.81%, 0.51%

LAB 84.33, -47.8, 78.98

 

CMYK 25 / 0 / 72 / 8

HEX #B0EB42

RGB 176 235 66

HSL 80.95, 0.81%, 0.59%

LAB 86.52, -42.1, 71.4

 

CMYK 20 / 0 / 57 / 6

HEX #BFEF67

RGB 191 239 103

HSL 81.18, 0.81%, 0.67%

LAB 88.82, -35.67, 59.6

 

CMYK 31 / 0 / 88 / 9

HEX #A0E71C

RGB 160 231 28

HSL 80.99, 0.81%, 0.51%

LAB 84.33, -47.8, 78.98

 

CMYK 88 / 0 / 41 / 9

HEX #1CE788

RGB 28 231 136

HSL 151.92, 0.81%, 0.51%

LAB 81.39, -66.59, 33.64

 

CMYK 6 / 88 / 0 / 9

HEX #D91CE7

RGB 217 28 231

HSL 295.86, 0.81%, 0.51%

LAB 53.33, 86.34, -58.98

 

CMYK 31 / 0 / 88 / 9

HEX #A0E71C

RGB 160 231 28

HSL 80.99, 0.81%, 0.51%

LAB 84.33, -47.8, 78.98

 

CMYK 88 / 29 / 0 / 9

HEX #1CA3E7

RGB 28 163 231

HSL 200.1, 0.81%, 0.51%

LAB 63.52, -10.05, -43.63

 

CMYK 0 / 88 / 29 / 9

HEX #E71CA3

RGB 231 28 163

HSL 320.1, 0.81%, 0.51%

LAB 52.36, 79.99, -21.07

 

CMYK 31 / 0 / 88 / 9

HEX #A0E71C

RGB 160 231 28

HSL 80.99, 0.81%, 0.51%

LAB 84.33, -47.8, 78.98

 

CMYK 88 / 0 / 41 / 9

HEX #1CE788

RGB 28 231 136

HSL 151.92, 0.81%, 0.51%

LAB 81.39, -66.59, 33.64

 

CMYK 58 / 88 / 0 / 9

HEX #601CE7

RGB 96 28 231

HSL 260.1, 0.81%, 0.51%

LAB 36.15, 70.93, -87.74

 

CMYK 0 / 88 / 47 / 9

HEX #E71C7B

RGB 231 28 123

HSL 331.92, 0.81%, 0.51%

LAB 50.98, 76.21, 0.84

 

CMYK 31 / 0 / 88 / 9

HEX #A0E71C

RGB 160 231 28

HSL 80.99, 0.81%, 0.51%

LAB 84.33, -47.8, 78.98

 

CMYK 88 / 0 / 15 / 9

HEX #1CE7C5

RGB 28 231 197

HSL 169.95, 0.81%, 0.51%

LAB 82.61, -53.07, 3.7

 

CMYK 58 / 88 / 0 / 9

HEX #601CE7

RGB 96 28 231

HSL 260.1, 0.81%, 0.51%

LAB 36.15, 70.93, -87.74

 

CMYK 0 / 88 / 73 / 9

HEX #E71C3E

RGB 231 28 62

HSL 349.95, 0.81%, 0.51%

LAB 49.7, 72.59, 36.08

 

Description

Color code: HEX #A0E71C | qconv.com Color code: HEX #A0E71C | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 231 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 231 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 88 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 88% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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