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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A0E85B it is the complementary color #5F17A4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A0E85B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A0E85B shade: #A5E856, #B6FA69, #C7FF7C, #D8FF8F and #E9FFA2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A0E85B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A0E85B shade: #A0E85B, #8FD648, #7EC435, #6DB222 and #5CA00F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A0E85B shade: #9FE759, #C5E759, #E7E359, #E7BD59 and #E79759

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A0E85B shade: #9FE759, #78E759, #59E760, #59E787 and #59E7AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A0E85B shade matches the following richer shades: #9FE759 and #9EF64A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A0E85B shade: #9FE759, #9FD869, #9FC878, #A0B987 and #A0AA96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A0E85B shade: #E7E259, #C6E759, #A0E759, #7AE759 and #59E75E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A0E85B shade: #75D01D, #8AE235, #9FE759, #B4EC7D and #C9F1A2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A0E85B shade: #A0E85B, #59E7BC and #E759D9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A0E85B shade: #A0E85B, #59A0E7 and #E759A0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A0E85B shade: #A0E85B, #59E7BC, #A059E7 and #E75984

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A0E85B shade: #A0E85B, #59E7E7, #A059E7 and #E75959

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 61 / 9

HEX #A0E85B

RGB 160 232 91

HSL 90.64, 0.75%, 0.63%

LAB 84.97, -44.81, 59.94

 

Complementary color

CMYK 42 / 86 / 0 / 36

HEX #5F17A4

RGB 95 23 164

HSL 270.64, 0.75%, 0.37%

LAB 28.71, 56.2, -60.71

 

CMYK 29 / 0 / 63 / 9

HEX #A5E856

RGB 165 232 86

HSL 87.53, 0.76%, 0.62%

LAB 85.19, -43.46, 62.34

 

CMYK 27 / 0 / 58 / 2

HEX #B6FA69

RGB 182 250 105

HSL 88.14, 0.94%, 0.7%

LAB 91.39, -43.64, 61.51

 

CMYK 22 / 0 / 51 / 0

HEX #C7FF7C

RGB 199 255 124

HSL 85.65, 1%, 0.74%

LAB 93.93, -38.01, 56.32

 

CMYK 15 / 0 / 44 / 0

HEX #D8FF8F

RGB 216 255 143

HSL 80.89, 1%, 0.78%

LAB 95.2, -29.87, 49.27

 

CMYK 9 / 0 / 36 / 0

HEX #E9FFA2

RGB 233 255 162

HSL 74.19, 1%, 0.82%

LAB 96.6, -21.48, 42.09

 

CMYK 31 / 0 / 61 / 9

HEX #A0E85B

RGB 160 232 91

HSL 90.64, 0.75%, 0.63%

LAB 84.97, -44.81, 59.94

 

CMYK 33 / 0 / 66 / 16

HEX #8FD648

RGB 143 214 72

HSL 90, 0.63%, 0.56%

LAB 78.69, -44.59, 60.65

 

CMYK 36 / 0 / 73 / 23

HEX #7EC435

RGB 126 196 53

HSL 89.37, 0.57%, 0.49%

LAB 72.34, -44.24, 60.99

 

CMYK 39 / 0 / 81 / 30

HEX #6DB222

RGB 109 178 34

HSL 88.75, 0.68%, 0.42%

LAB 65.91, -43.68, 60.64

 

CMYK 43 / 0 / 91 / 37

HEX #5CA00F

RGB 92 160 15

HSL 88.14, 0.83%, 0.34%

LAB 59.39, -42.85, 59.08

 

CMYK 31 / 0 / 61 / 9

HEX #9FE759

RGB 159 231 89

HSL 90.42, 0.75%, 0.63%

LAB 84.61, -44.9, 60.37

 

CMYK 15 / 0 / 61 / 9

HEX #C5E759

RGB 197 231 89

HSL 74.37, 0.75%, 0.63%

LAB 86.87, -30.82, 63.49

 

CMYK 0 / 2 / 61 / 9

HEX #E7E359

RGB 231 227 89

HSL 58.31, 0.75%, 0.63%

LAB 88.28, -15.32, 65.74

 

CMYK 0 / 18 / 61 / 9

HEX #E7BD59

RGB 231 189 89

HSL 42.25, 0.75%, 0.63%

LAB 78.52, 4, 55.06

 

CMYK 0 / 35 / 61 / 9

HEX #E79759

RGB 231 151 89

HSL 26.2, 0.75%, 0.63%

LAB 69.36, 24.14, 44.51

 

CMYK 31 / 0 / 61 / 9

HEX #9FE759

RGB 159 231 89

HSL 90.42, 0.75%, 0.63%

LAB 84.61, -44.9, 60.37

 

CMYK 48 / 0 / 61 / 9

HEX #78E759

RGB 120 231 89

HSL 106.9, 0.75%, 0.63%

LAB 82.84, -57.3, 57.91

 

CMYK 61 / 0 / 58 / 9

HEX #59E760

RGB 89 231 96

HSL 122.96, 0.75%, 0.63%

LAB 81.9, -64.28, 53.55

 

CMYK 61 / 0 / 42 / 9

HEX #59E787

RGB 89 231 135

HSL 139.44, 0.75%, 0.63%

LAB 82.39, -58.8, 35.64

 

CMYK 61 / 0 / 25 / 9

HEX #59E7AD

RGB 89 231 173

HSL 155.49, 0.75%, 0.63%

LAB 83.07, -51.58, 17.09

 

CMYK 31 / 0 / 61 / 9

HEX #9FE759

RGB 159 231 89

HSL 90.42, 0.75%, 0.63%

LAB 84.61, -44.9, 60.37

 

CMYK 36 / 0 / 70 / 4

HEX #9EF64A

RGB 158 246 74

HSL 90.7, 0.91%, 0.63%

LAB 88.77, -52.61, 70.56

 

CMYK 31 / 0 / 61 / 9

HEX #9FE759

RGB 159 231 89

HSL 90.42, 0.75%, 0.63%

LAB 84.61, -44.9, 60.37

 

CMYK 26 / 0 / 51 / 15

HEX #9FD869

RGB 159 216 105

HSL 90.81, 0.59%, 0.63%

LAB 80.46, -36.75, 48.46

 

CMYK 21 / 0 / 40 / 22

HEX #9FC878

RGB 159 200 120

HSL 90.75, 0.42%, 0.63%

LAB 76.09, -27.5, 35.65

 

CMYK 14 / 0 / 27 / 27

HEX #A0B987

RGB 160 185 135

HSL 90, 0.26%, 0.63%

LAB 72.18, -17.57, 22.63

 

CMYK 6 / 0 / 12 / 33

HEX #A0AA96

RGB 160 170 150

HSL 90, 0.11%, 0.63%

LAB 68.33, -7.26, 9.11

 

CMYK 0 / 2 / 61 / 9

HEX #E7E259

RGB 231 226 89

HSL 57.89, 0.75%, 0.63%

LAB 88.02, -14.83, 65.46

 

CMYK 14 / 0 / 61 / 9

HEX #C6E759

RGB 198 231 89

HSL 73.94, 0.75%, 0.63%

LAB 86.94, -30.43, 63.58

 

CMYK 31 / 0 / 61 / 9

HEX #A0E759

RGB 160 231 89

HSL 90, 0.75%, 0.63%

LAB 84.66, -44.55, 60.44

 

CMYK 47 / 0 / 61 / 9

HEX #7AE759

RGB 122 231 89

HSL 106.06, 0.75%, 0.63%

LAB 82.92, -56.73, 58.02

 

CMYK 61 / 0 / 59 / 9

HEX #59E75E

RGB 89 231 94

HSL 122.11, 0.75%, 0.63%

LAB 81.88, -64.5, 54.4

 

CMYK 44 / 0 / 86 / 18

HEX #75D01D

RGB 117 208 29

HSL 90.5, 0.76%, 0.46%

LAB 75.44, -53.28, 70.44

 

CMYK 39 / 0 / 77 / 11

HEX #8AE235

RGB 138 226 53

HSL 90.52, 0.75%, 0.55%

LAB 81.87, -52.47, 70.41

 

CMYK 31 / 0 / 61 / 9

HEX #9FE759

RGB 159 231 89

HSL 90.42, 0.75%, 0.63%

LAB 84.61, -44.9, 60.37

 

CMYK 24 / 0 / 47 / 7

HEX #B4EC7D

RGB 180 236 125

HSL 90.27, 0.74%, 0.71%

LAB 87.57, -36.13, 47.89

 

CMYK 17 / 0 / 33 / 5

HEX #C9F1A2

RGB 201 241 162

HSL 90.38, 0.74%, 0.79%

LAB 90.75, -26.35, 34.03

 

CMYK 31 / 0 / 61 / 9

HEX #A0E85B

RGB 160 232 91

HSL 90.64, 0.75%, 0.63%

LAB 84.97, -44.81, 59.94

 

CMYK 61 / 0 / 19 / 9

HEX #59E7BC

RGB 89 231 188

HSL 161.83, 0.75%, 0.63%

LAB 83.39, -48.27, 9.69

 

CMYK 0 / 61 / 6 / 9

HEX #E759D9

RGB 231 89 217

HSL 305.92, 0.75%, 0.63%

LAB 60.91, 69.56, -38.93

 

CMYK 31 / 0 / 61 / 9

HEX #A0E85B

RGB 160 232 91

HSL 90.64, 0.75%, 0.63%

LAB 84.97, -44.81, 59.94

 

CMYK 61 / 31 / 0 / 9

HEX #59A0E7

RGB 89 160 231

HSL 210, 0.75%, 0.63%

LAB 64.19, -1.05, -42.47

 

CMYK 0 / 61 / 31 / 9

HEX #E759A0

RGB 231 89 160

HSL 330, 0.75%, 0.63%

LAB 58.67, 61.61, -9.74

 

CMYK 31 / 0 / 61 / 9

HEX #A0E85B

RGB 160 232 91

HSL 90.64, 0.75%, 0.63%

LAB 84.97, -44.81, 59.94

 

CMYK 61 / 0 / 19 / 9

HEX #59E7BC

RGB 89 231 188

HSL 161.83, 0.75%, 0.63%

LAB 83.39, -48.27, 9.69

 

CMYK 31 / 61 / 0 / 9

HEX #A059E7

RGB 160 89 231

HSL 270, 0.75%, 0.63%

LAB 52.27, 55.33, -61.11

 

CMYK 0 / 61 / 43 / 9

HEX #E75984

RGB 231 89 132

HSL 341.83, 0.75%, 0.63%

LAB 57.85, 58.54, 5.4

 

CMYK 31 / 0 / 61 / 9

HEX #A0E85B

RGB 160 232 91

HSL 90.64, 0.75%, 0.63%

LAB 84.97, -44.81, 59.94

 

CMYK 61 / 0 / 0 / 9

HEX #59E7E7

RGB 89 231 231

HSL 180, 0.75%, 0.63%

LAB 84.51, -37.5, -11.35

 

CMYK 31 / 61 / 0 / 9

HEX #A059E7

RGB 160 89 231

HSL 270, 0.75%, 0.63%

LAB 52.27, 55.33, -61.11

 

CMYK 0 / 61 / 61 / 9

HEX #E75959

RGB 231 89 89

HSL 0, 0.75%, 0.63%

LAB 56.93, 55.04, 29.25

 

Description

Color code: HEX #A0E85B | qconv.com Color code: HEX #A0E85B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 232 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 232 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 61 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 61% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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