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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A0EAED it is the complementary color #5F1512. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A0EAED. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A0EAED shade: #A5EAE8, #B6FCFB, #C7FFFF, #D8FFFF and #E9FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A0EAED. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A0EAED shade: #A0EAED, #8FD8DA, #7EC6C7, #6DB4B4 and #5CA2A1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A0EAED shade: #A0EAED, #A0D5ED, #A0C0ED, #A0ACED and #A9A0ED

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A0EAED shade: #A0EAED, #A0D5ED, #A0C0ED, #A0ACED and #A0A0ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A0EAED shade matches the following richer shades: #A0EAED and #97F2F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A0EAED shade: #A0EAED, #A9E1E3, #B2D9DA, #BBD0D1 and #C5C8C8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A0EAED shade: #A0EDC6, #A0EDDB, #A0EAED, #A0D6ED and #A0C1ED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A0EAED shade: #5BDADF, #7EE2E6, #A0EAED, #C3F1F3 and #E6F9FA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A0EAED shade: #A0EAED, #B2A0ED and #EDD1A0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A0EAED shade: #A0EAED, #EDA0EA and #EAEDA0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A0EAED shade: #A0EAED, #B2A0ED, #EDA3A0 and #DBEDA0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A0EAED shade: #A0EAED, #C9A0ED, #EDA3A0 and #C4EDA0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 1 / 0 / 7

HEX #A0EAED

RGB 160 234 237

HSL 182.34, 0.68%, 0.78%

LAB 88.18, -22.02, -8.76

 

Complementary color

CMYK 0 / 78 / 81 / 63

HEX #5F1512

RGB 95 21 18

HSL 2.34, 0.68%, 0.22%

LAB 20.1, 32.96, 21.99

 

CMYK 29 / 0 / 1 / 8

HEX #A5EAE8

RGB 165 234 232

HSL 178.26, 0.62%, 0.78%

LAB 88.29, -21.79, -5.94

 

CMYK 28 / 0 / 0 / 1

HEX #B6FCFB

RGB 182 252 251

HSL 179.14, 0.92%, 0.85%

LAB 94.54, -21.69, -6.51

 

CMYK 22 / 0 / 0 / 0

HEX #C7FFFF

RGB 199 255 255

HSL 180, 1%, 0.89%

LAB 96.36, -17.48, -5.78

 

CMYK 15 / 0 / 0 / 0

HEX #D8FFFF

RGB 216 255 255

HSL 180, 1%, 0.92%

LAB 97.36, -12.41, -4.18

 

CMYK 9 / 0 / 0 / 0

HEX #E9FFFF

RGB 233 255 255

HSL 180, 1%, 0.96%

LAB 98.46, -7.11, -2.45

 

CMYK 32 / 1 / 0 / 7

HEX #A0EAED

RGB 160 234 237

HSL 182.34, 0.68%, 0.78%

LAB 88.18, -22.02, -8.76

 

CMYK 34 / 1 / 0 / 15

HEX #8FD8DA

RGB 143 216 218

HSL 181.6, 0.5%, 0.71%

LAB 81.85, -22.09, -8.21

 

CMYK 37 / 1 / 0 / 22

HEX #7EC6C7

RGB 126 198 199

HSL 180.82, 0.39%, 0.64%

LAB 75.42, -22.16, -7.63

 

CMYK 39 / 0 / 0 / 29

HEX #6DB4B4

RGB 109 180 180

HSL 180, 0.32%, 0.57%

LAB 68.89, -22.22, -7.03

 

CMYK 43 / 0 / 1 / 36

HEX #5CA2A1

RGB 92 162 161

HSL 179.14, 0.28%, 0.5%

LAB 62.24, -22.26, -6.39

 

CMYK 32 / 1 / 0 / 7

HEX #A0EAED

RGB 160 234 237

HSL 182.34, 0.68%, 0.78%

LAB 88.18, -22.02, -8.76

 

CMYK 32 / 10 / 0 / 7

HEX #A0D5ED

RGB 160 213 237

HSL 198.7, 0.68%, 0.78%

LAB 82.47, -11.42, -17.29

 

CMYK 32 / 19 / 0 / 7

HEX #A0C0ED

RGB 160 192 237

HSL 215.06, 0.68%, 0.78%

LAB 76.85, -0.31, -25.82

 

CMYK 32 / 27 / 0 / 7

HEX #A0ACED

RGB 160 172 237

HSL 230.65, 0.68%, 0.78%

LAB 71.62, 10.69, -33.87

 

CMYK 29 / 32 / 0 / 7

HEX #A9A0ED

RGB 169 160 237

HSL 247.01, 0.68%, 0.78%

LAB 69.25, 19.98, -37.5

 

CMYK 32 / 1 / 0 / 7

HEX #A0EAED

RGB 160 234 237

HSL 182.34, 0.68%, 0.78%

LAB 88.18, -22.02, -8.76

 

CMYK 32 / 10 / 0 / 7

HEX #A0D5ED

RGB 160 213 237

HSL 198.7, 0.68%, 0.78%

LAB 82.47, -11.42, -17.29

 

CMYK 32 / 19 / 0 / 7

HEX #A0C0ED

RGB 160 192 237

HSL 215.06, 0.68%, 0.78%

LAB 76.85, -0.31, -25.82

 

CMYK 32 / 27 / 0 / 7

HEX #A0ACED

RGB 160 172 237

HSL 230.65, 0.68%, 0.78%

LAB 71.62, 10.69, -33.87

 

CMYK 32 / 32 / 0 / 7

HEX #A0A0ED

RGB 160 160 237

HSL 240, 0.68%, 0.78%

LAB 68.55, 17.44, -38.63

 

CMYK 32 / 1 / 0 / 7

HEX #A0EAED

RGB 160 234 237

HSL 182.34, 0.68%, 0.78%

LAB 88.18, -22.02, -8.76

 

CMYK 39 / 2 / 0 / 4

HEX #97F2F6

RGB 151 242 246

HSL 182.53, 0.84%, 0.78%

LAB 90.2, -26.12, -10.51

 

CMYK 32 / 1 / 0 / 7

HEX #A0EAED

RGB 160 234 237

HSL 182.34, 0.68%, 0.78%

LAB 88.18, -22.02, -8.76

 

CMYK 26 / 1 / 0 / 11

HEX #A9E1E3

RGB 169 225 227

HSL 182.07, 0.51%, 0.78%

LAB 85.92, -17.3, -6.79

 

CMYK 18 / 0 / 0 / 15

HEX #B2D9DA

RGB 178 217 218

HSL 181.5, 0.35%, 0.78%

LAB 84.05, -12.49, -4.74

 

CMYK 11 / 0 / 0 / 18

HEX #BBD0D1

RGB 187 208 209

HSL 182.73, 0.19%, 0.78%

LAB 81.99, -6.83, -2.91

 

CMYK 1 / 0 / 0 / 22

HEX #C5C8C8

RGB 197 200 200

HSL 180, 0.03%, 0.78%

LAB 80.38, -1.03, -0.37

 

CMYK 32 / 0 / 16 / 7

HEX #A0EDC6

RGB 160 237 198

HSL 149.61, 0.68%, 0.78%

LAB 88.03, -31.8, 11.43

 

CMYK 32 / 0 / 8 / 7

HEX #A0EDDB

RGB 160 237 219

HSL 165.97, 0.68%, 0.78%

LAB 88.52, -27.49, 1.18

 

CMYK 32 / 1 / 0 / 7

HEX #A0EAED

RGB 160 234 237

HSL 182.34, 0.68%, 0.78%

LAB 88.18, -22.02, -8.76

 

CMYK 32 / 10 / 0 / 7

HEX #A0D6ED

RGB 160 214 237

HSL 197.92, 0.68%, 0.78%

LAB 82.74, -11.94, -16.88

 

CMYK 32 / 19 / 0 / 7

HEX #A0C1ED

RGB 160 193 237

HSL 214.29, 0.68%, 0.78%

LAB 77.12, -0.85, -25.42

 

CMYK 59 / 2 / 0 / 13

HEX #5BDADF

RGB 91 218 223

HSL 182.27, 0.67%, 0.62%

LAB 80.57, -33.29, -12.99

 

CMYK 45 / 2 / 0 / 10

HEX #7EE2E6

RGB 126 226 230

HSL 182.31, 0.68%, 0.7%

LAB 84.25, -28.25, -11.08

 

CMYK 32 / 1 / 0 / 7

HEX #A0EAED

RGB 160 234 237

HSL 182.34, 0.68%, 0.78%

LAB 88.18, -22.02, -8.76

 

CMYK 20 / 1 / 0 / 5

HEX #C3F1F3

RGB 195 241 243

HSL 182.5, 0.67%, 0.86%

LAB 92.12, -14.22, -5.84

 

CMYK 8 / 0 / 0 / 2

HEX #E6F9FA

RGB 230 249 250

HSL 183, 0.67%, 0.94%

LAB 96.61, -5.99, -2.62

 

CMYK 32 / 1 / 0 / 7

HEX #A0EAED

RGB 160 234 237

HSL 182.34, 0.68%, 0.78%

LAB 88.18, -22.02, -8.76

 

CMYK 25 / 32 / 0 / 7

HEX #B2A0ED

RGB 178 160 237

HSL 254.03, 0.68%, 0.78%

LAB 69.98, 22.58, -36.31

 

CMYK 0 / 12 / 32 / 7

HEX #EDD1A0

RGB 237 209 160

HSL 38.18, 0.68%, 0.78%

LAB 85.07, 2.76, 27.92

 

CMYK 32 / 1 / 0 / 7

HEX #A0EAED

RGB 160 234 237

HSL 182.34, 0.68%, 0.78%

LAB 88.18, -22.02, -8.76

 

CMYK 0 / 32 / 1 / 7

HEX #EDA0EA

RGB 237 160 234

HSL 302.34, 0.68%, 0.78%

LAB 75.51, 40.02, -25.68

 

CMYK 1 / 0 / 32 / 7

HEX #EAEDA0

RGB 234 237 160

HSL 62.34, 0.68%, 0.78%

LAB 91.95, -12.58, 37.04

 

CMYK 32 / 1 / 0 / 7

HEX #A0EAED

RGB 160 234 237

HSL 182.34, 0.68%, 0.78%

LAB 88.18, -22.02, -8.76

 

CMYK 25 / 32 / 0 / 7

HEX #B2A0ED

RGB 178 160 237

HSL 254.03, 0.68%, 0.78%

LAB 69.98, 22.58, -36.31

 

CMYK 0 / 31 / 32 / 7

HEX #EDA3A0

RGB 237 163 160

HSL 2.34, 0.68%, 0.78%

LAB 74.02, 27.03, 12.67

 

CMYK 8 / 0 / 32 / 7

HEX #DBEDA0

RGB 219 237 160

HSL 74.03, 0.68%, 0.78%

LAB 90.86, -18.17, 35.4

 

CMYK 32 / 1 / 0 / 7

HEX #A0EAED

RGB 160 234 237

HSL 182.34, 0.68%, 0.78%

LAB 88.18, -22.02, -8.76

 

CMYK 15 / 32 / 0 / 7

HEX #C9A0ED

RGB 201 160 237

HSL 271.95, 0.68%, 0.78%

LAB 72.01, 29.44, -33

 

CMYK 0 / 31 / 32 / 7

HEX #EDA3A0

RGB 237 163 160

HSL 2.34, 0.68%, 0.78%

LAB 74.02, 27.03, 12.67

 

CMYK 17 / 0 / 32 / 7

HEX #C4EDA0

RGB 196 237 160

HSL 91.95, 0.68%, 0.78%

LAB 89.32, -26.49, 33.08

 

Description

Color code: HEX #A0EAED | qconv.com Color code: HEX #A0EAED | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 234 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 234 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 1 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 1% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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