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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A11AB1 it is the complementary color #5EE54E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A11AB1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A11AB1 shade: #A61AAC, #B72CBF, #C83ED2, #D950E5 and #EA62F8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A11AB1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A11AB1 shade: #A11AB1, #90089E, #7F008B, #6E0078 and #5D0065

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A11AB1 shade: #A11AB1, #B11A98, #B11A70, #B11A47 and #B11A1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A11AB1 shade: #A11AB1, #781AB1, #501AB1, #271AB1 and #1A1AB1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A11AB1 shade matches the following richer shades: #A11AB1 and #AE0AC1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A11AB1 shade: #A11AB1, #942BA0, #873B90, #7A4C7F and #6D5C6F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A11AB1 shade: #4F1AB1, #771AB1, #9F1AB1, #B11A9A and #B11A72

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A11AB1 shade: #600F69, #80158D, #A11AB1, #C21FD5 and #D03CE1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A11AB1 shade: #A11AB1, #B1271A and #1AB163

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A11AB1 shade: #A11AB1, #B19F1A and #1AB19F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A11AB1 shade: #A11AB1, #B1271A, #2CB11A and #1AA4B1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A11AB1 shade: #A11AB1, #B1541A, #2CB11A and #1A77B1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 85 / 0 / 31

HEX #A11AB1

RGB 161 26 177

HSL 293.64, 0.74%, 0.4%

LAB 40.39, 68.51, -49.05

 

Complementary color

CMYK 59 / 0 / 66 / 10

HEX #5EE54E

RGB 94 229 78

HSL 113.64, 0.74%, 0.6%

LAB 81.27, -64.31, 60.45

 

CMYK 3 / 85 / 0 / 33

HEX #A61AAC

RGB 166 26 172

HSL 297.53, 0.74%, 0.39%

LAB 40.94, 68.59, -45.16

 

CMYK 4 / 77 / 0 / 25

HEX #B72CBF

RGB 183 44 191

HSL 296.73, 0.63%, 0.46%

LAB 46.49, 70.47, -47.32

 

CMYK 5 / 70 / 0 / 18

HEX #C83ED2

RGB 200 62 210

HSL 295.95, 0.62%, 0.53%

LAB 52.26, 71.43, -48.92

 

CMYK 5 / 65 / 0 / 10

HEX #D950E5

RGB 217 80 229

HSL 295.17, 0.74%, 0.61%

LAB 58.18, 71.78, -50.12

 

CMYK 6 / 60 / 0 / 3

HEX #EA62F8

RGB 234 98 248

HSL 294.4, 0.91%, 0.68%

LAB 64.17, 71.73, -51.04

 

CMYK 9 / 85 / 0 / 31

HEX #A11AB1

RGB 161 26 177

HSL 293.64, 0.74%, 0.4%

LAB 40.39, 68.51, -49.05

 

CMYK 9 / 95 / 0 / 38

HEX #90089E

RGB 144 8 158

HSL 294.4, 0.9%, 0.33%

LAB 35.15, 65.39, -46.25

 

CMYK 9 / 100 / 0 / 45

HEX #7F008B

RGB 127 0 139

HSL 294.82, 1%, 0.27%

LAB 30.34, 60.56, -42.49

 

CMYK 8 / 100 / 0 / 53

HEX #6E0078

RGB 110 0 120

HSL 295, 1%, 0.24%

LAB 25.78, 54.55, -38.05

 

CMYK 8 / 100 / 0 / 60

HEX #5D0065

RGB 93 0 101

HSL 295.25, 1%, 0.2%

LAB 21.08, 48.37, -33.48

 

CMYK 9 / 85 / 0 / 31

HEX #A11AB1

RGB 161 26 177

HSL 293.64, 0.74%, 0.4%

LAB 40.39, 68.51, -49.05

 

CMYK 0 / 85 / 14 / 31

HEX #B11A98

RGB 177 26 152

HSL 309.93, 0.74%, 0.4%

LAB 41.77, 67.75, -31.71

 

CMYK 0 / 85 / 37 / 31

HEX #B11A70

RGB 177 26 112

HSL 325.83, 0.74%, 0.4%

LAB 40.01, 62.89, -9.79

 

CMYK 0 / 85 / 60 / 31

HEX #B11A47

RGB 177 26 71

HSL 342.12, 0.74%, 0.4%

LAB 38.8, 59.4, 14.51

 

CMYK 0 / 85 / 83 / 31

HEX #B11A1E

RGB 177 26 30

HSL 358.41, 0.74%, 0.4%

LAB 38.16, 57.53, 38.86

 

CMYK 9 / 85 / 0 / 31

HEX #A11AB1

RGB 161 26 177

HSL 293.64, 0.74%, 0.4%

LAB 40.39, 68.51, -49.05

 

CMYK 32 / 85 / 0 / 31

HEX #781AB1

RGB 120 26 177

HSL 277.35, 0.74%, 0.4%

LAB 33.79, 61.77, -60.07

 

CMYK 55 / 85 / 0 / 31

HEX #501AB1

RGB 80 26 177

HSL 261.46, 0.74%, 0.4%

LAB 28.43, 56.61, -69.06

 

CMYK 78 / 85 / 0 / 31

HEX #271AB1

RGB 39 26 177

HSL 245.17, 0.74%, 0.4%

LAB 24.78, 53.32, -75.22

 

CMYK 85 / 85 / 0 / 31

HEX #1A1AB1

RGB 26 26 177

HSL 240, 0.74%, 0.4%

LAB 24.11, 52.74, -76.36

 

CMYK 9 / 85 / 0 / 31

HEX #A11AB1

RGB 161 26 177

HSL 293.64, 0.74%, 0.4%

LAB 40.39, 68.51, -49.05

 

CMYK 10 / 95 / 0 / 24

HEX #AE0AC1

RGB 174 10 193

HSL 293.77, 0.9%, 0.4%

LAB 42.86, 75.73, -54.38

 

CMYK 9 / 85 / 0 / 31

HEX #A11AB1

RGB 161 26 177

HSL 293.64, 0.74%, 0.4%

LAB 40.39, 68.51, -49.05

 

CMYK 7 / 73 / 0 / 37

HEX #942BA0

RGB 148 43 160

HSL 293.85, 0.58%, 0.4%

LAB 38.83, 58.16, -41.51

 

CMYK 6 / 59 / 0 / 44

HEX #873B90

RGB 135 59 144

HSL 293.65, 0.42%, 0.4%

LAB 38.36, 45.11, -32.69

 

CMYK 4 / 40 / 0 / 50

HEX #7A4C7F

RGB 122 76 127

HSL 294.12, 0.25%, 0.4%

LAB 39.31, 28.41, -20.94

 

CMYK 2 / 17 / 0 / 56

HEX #6D5C6F

RGB 109 92 111

HSL 293.68, 0.09%, 0.4%

LAB 41.3, 10.65, -8.22

 

CMYK 55 / 85 / 0 / 31

HEX #4F1AB1

RGB 79 26 177

HSL 261.06, 0.74%, 0.4%

LAB 28.31, 56.5, -69.26

 

CMYK 33 / 85 / 0 / 31

HEX #771AB1

RGB 119 26 177

HSL 276.95, 0.74%, 0.4%

LAB 33.64, 61.62, -60.32

 

CMYK 10 / 85 / 0 / 31

HEX #9F1AB1

RGB 159 26 177

HSL 292.85, 0.74%, 0.4%

LAB 40.05, 68.16, -49.61

 

CMYK 0 / 85 / 13 / 31

HEX #B11A9A

RGB 177 26 154

HSL 309.14, 0.74%, 0.4%

LAB 41.87, 68.03, -32.75

 

CMYK 0 / 85 / 36 / 31

HEX #B11A72

RGB 177 26 114

HSL 325.03, 0.74%, 0.4%

LAB 40.08, 63.1, -10.93

 

CMYK 9 / 86 / 0 / 59

HEX #600F69

RGB 96 15 105

HSL 294, 0.75%, 0.24%

LAB 23.16, 46.07, -32.72

 

CMYK 9 / 85 / 0 / 45

HEX #80158D

RGB 128 21 141

HSL 293.5, 0.74%, 0.32%

LAB 31.92, 57.38, -41.18

 

CMYK 9 / 85 / 0 / 31

HEX #A11AB1

RGB 161 26 177

HSL 293.64, 0.74%, 0.4%

LAB 40.39, 68.51, -49.05

 

CMYK 9 / 85 / 0 / 16

HEX #C21FD5

RGB 194 31 213

HSL 293.74, 0.75%, 0.48%

LAB 48.58, 79.17, -56.58

 

CMYK 8 / 73 / 0 / 12

HEX #D03CE1

RGB 208 60 225

HSL 293.82, 0.73%, 0.56%

LAB 54.11, 76.27, -54.42

 

CMYK 9 / 85 / 0 / 31

HEX #A11AB1

RGB 161 26 177

HSL 293.64, 0.74%, 0.4%

LAB 40.39, 68.51, -49.05

 

CMYK 0 / 78 / 85 / 31

HEX #B1271A

RGB 177 39 26

HSL 5.17, 0.74%, 0.4%

LAB 39.37, 53.93, 42.06

 

CMYK 85 / 0 / 44 / 31

HEX #1AB163

RGB 26 177 99

HSL 149.01, 0.74%, 0.4%

LAB 63.81, -54.75, 29.65

 

CMYK 9 / 85 / 0 / 31

HEX #A11AB1

RGB 161 26 177

HSL 293.64, 0.74%, 0.4%

LAB 40.39, 68.51, -49.05

 

CMYK 0 / 10 / 85 / 31

HEX #B19F1A

RGB 177 159 26

HSL 52.85, 0.74%, 0.4%

LAB 65.14, -6.6, 63.94

 

CMYK 85 / 0 / 10 / 31

HEX #1AB19F

RGB 26 177 159

HSL 172.85, 0.74%, 0.4%

LAB 65.09, -40.67, -1.26

 

CMYK 9 / 85 / 0 / 31

HEX #A11AB1

RGB 161 26 177

HSL 293.64, 0.74%, 0.4%

LAB 40.39, 68.51, -49.05

 

CMYK 0 / 78 / 85 / 31

HEX #B1271A

RGB 177 39 26

HSL 5.17, 0.74%, 0.4%

LAB 39.37, 53.93, 42.06

 

CMYK 75 / 0 / 85 / 31

HEX #2CB11A

RGB 44 177 26

HSL 112.85, 0.74%, 0.4%

LAB 63.39, -60.77, 59.64

 

CMYK 85 / 7 / 0 / 31

HEX #1AA4B1

RGB 26 164 177

HSL 185.17, 0.74%, 0.4%

LAB 61.61, -29.21, -16.52

 

CMYK 9 / 85 / 0 / 31

HEX #A11AB1

RGB 161 26 177

HSL 293.64, 0.74%, 0.4%

LAB 40.39, 68.51, -49.05

 

CMYK 0 / 53 / 85 / 31

HEX #B1541A

RGB 177 84 26

HSL 23.05, 0.74%, 0.4%

LAB 46.66, 34.5, 48.4

 

CMYK 75 / 0 / 85 / 31

HEX #2CB11A

RGB 44 177 26

HSL 112.85, 0.74%, 0.4%

LAB 63.39, -60.77, 59.64

 

CMYK 85 / 33 / 0 / 31

HEX #1A77B1

RGB 26 119 177

HSL 203.05, 0.74%, 0.4%

LAB 47.74, -4.77, -37.98

 

Description

Color code: HEX #A11AB1 | qconv.com Color code: HEX #A11AB1 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 26 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 26 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 85 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 85% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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