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Color name
HEX #A125CA

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A125CA it is the complementary color #5EDA35. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A125CA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A125CA shade: #A625C5, #B737D8, #C849EB, #D95BFE and #EA6DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A125CA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A125CA shade: #A125CA, #9013B7, #7F01A4, #6E0091 and #5D007E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A125CA shade: #A125CA, #CA25C7, #CA259A, #CA256D and #CA2541

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A125CA shade: #A125CA, #7425CA, #4825CA and #2525CA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A125CA shade matches the following richer shades: #A125CA and #AB11DD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A125CA shade: #A125CA, #9738B7, #8D4BA3, #845F90 and #7A727C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A125CA shade: #4825CA, #7525CA, #A125CA, #CA25C7 and #CA259B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A125CA shade: #691884, #851EA7, #A125CA, #B43DDB and #C160E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A125CA shade: #A125CA, #CA252D and #25CA5F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A125CA shade: #A125CA, #CAA125 and #25CAA1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A125CA shade: #A125CA, #CA252D, #4ECA25 and #25CAC2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A125CA shade: #A125CA, #CA4E25, #4ECA25 and #25A1CA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 82 / 0 / 21

HEX #A125CA

RGB 161 37 202

HSL 285.09, 0.69%, 0.47%

LAB 43.01, 70.31, -59.49

 

Complementary color

CMYK 57 / 0 / 76 / 15

HEX #5EDA35

RGB 94 218 53

HSL 105.09, 0.69%, 0.53%

LAB 77.74, -62.4, 65.85

 

CMYK 16 / 81 / 0 / 23

HEX #A625C5

RGB 166 37 197

HSL 288.38, 0.68%, 0.46%

LAB 43.45, 70.25, -55.84

 

CMYK 15 / 75 / 0 / 15

HEX #B737D8

RGB 183 55 216

HSL 287.7, 0.67%, 0.53%

LAB 49.2, 71.41, -57.39

 

CMYK 15 / 69 / 0 / 8

HEX #C849EB

RGB 200 73 235

HSL 287.04, 0.8%, 0.6%

LAB 55.12, 71.86, -58.51

 

CMYK 15 / 64 / 0 / 0

HEX #D95BFE

RGB 217 91 254

HSL 286.38, 0.99%, 0.68%

LAB 61.12, 71.86, -59.33

 

CMYK 8 / 57 / 0 / 0

HEX #EA6DFF

RGB 234 109 255

HSL 291.37, 1%, 0.71%

LAB 66.25, 68.22, -51.59

 

CMYK 20 / 82 / 0 / 21

HEX #A125CA

RGB 161 37 202

HSL 285.09, 0.69%, 0.47%

LAB 43.01, 70.31, -59.49

 

CMYK 21 / 90 / 0 / 28

HEX #9013B7

RGB 144 19 183

HSL 285.73, 0.81%, 0.4%

LAB 37.51, 68.15, -57.41

 

CMYK 23 / 99 / 0 / 36

HEX #7F01A4

RGB 127 1 164

HSL 286.38, 0.99%, 0.32%

LAB 32.29, 64.82, -54.65

 

CMYK 24 / 100 / 0 / 43

HEX #6E0091

RGB 110 0 145

HSL 285.52, 1%, 0.28%

LAB 27.73, 59.08, -50.58

 

CMYK 26 / 100 / 0 / 51

HEX #5D007E

RGB 93 0 126

HSL 284.29, 1%, 0.25%

LAB 23.11, 53.06, -46.33

 

CMYK 20 / 82 / 0 / 21

HEX #A125CA

RGB 161 37 202

HSL 285.09, 0.69%, 0.47%

LAB 43.01, 70.31, -59.49

 

CMYK 0 / 82 / 1 / 21

HEX #CA25C7

RGB 202 37 199

HSL 301.09, 0.69%, 0.47%

LAB 49.5, 77.17, -46.97

 

CMYK 0 / 82 / 24 / 21

HEX #CA259A

RGB 202 37 154

HSL 317.45, 0.69%, 0.47%

LAB 47.25, 70.98, -24.02

 

CMYK 0 / 82 / 46 / 21

HEX #CA256D

RGB 202 37 109

HSL 333.82, 0.69%, 0.47%

LAB 45.61, 66.25, 0.92

 

CMYK 0 / 82 / 68 / 21

HEX #CA2541

RGB 202 37 65

HSL 349.82, 0.69%, 0.47%

LAB 44.61, 63.23, 26.79

 

CMYK 20 / 82 / 0 / 21

HEX #A125CA

RGB 161 37 202

HSL 285.09, 0.69%, 0.47%

LAB 43.01, 70.31, -59.49

 

CMYK 43 / 82 / 0 / 21

HEX #7425CA

RGB 116 37 202

HSL 268.73, 0.69%, 0.47%

LAB 36.56, 63.36, -70.29

 

CMYK 64 / 82 / 0 / 21

HEX #4825CA

RGB 72 37 202

HSL 252.73, 0.69%, 0.47%

LAB 31.73, 58.3, -78.41

 

CMYK 82 / 82 / 0 / 21

HEX #2525CA

RGB 37 37 202

HSL 240, 0.69%, 0.47%

LAB 29.36, 55.89, -82.4

 

CMYK 20 / 82 / 0 / 21

HEX #A125CA

RGB 161 37 202

HSL 285.09, 0.69%, 0.47%

LAB 43.01, 70.31, -59.49

 

CMYK 23 / 92 / 0 / 13

HEX #AB11DD

RGB 171 17 221

HSL 285.29, 0.86%, 0.47%

LAB 44.63, 79.27, -67.73

 

CMYK 20 / 82 / 0 / 21

HEX #A125CA

RGB 161 37 202

HSL 285.09, 0.69%, 0.47%

LAB 43.01, 70.31, -59.49

 

CMYK 17 / 69 / 0 / 28

HEX #9738B7

RGB 151 56 183

HSL 284.88, 0.53%, 0.47%

LAB 42.5, 58.17, -49.29

 

CMYK 13 / 54 / 0 / 36

HEX #8D4BA3

RGB 141 75 163

HSL 285, 0.37%, 0.47%

LAB 43.27, 42.47, -36.32

 

CMYK 8 / 34 / 0 / 44

HEX #845F90

RGB 132 95 144

HSL 285.31, 0.21%, 0.47%

LAB 45.78, 24.23, -21.15

 

CMYK 2 / 8 / 0 / 51

HEX #7A727C

RGB 122 114 124

HSL 288, 0.04%, 0.47%

LAB 49.04, 5.08, -4.39

 

CMYK 64 / 82 / 0 / 21

HEX #4825CA

RGB 72 37 202

HSL 252.73, 0.69%, 0.47%

LAB 31.73, 58.3, -78.41

 

CMYK 42 / 82 / 0 / 21

HEX #7525CA

RGB 117 37 202

HSL 269.09, 0.69%, 0.47%

LAB 36.69, 63.5, -70.07

 

CMYK 20 / 82 / 0 / 21

HEX #A125CA

RGB 161 37 202

HSL 285.09, 0.69%, 0.47%

LAB 43.01, 70.31, -59.49

 

CMYK 0 / 82 / 1 / 21

HEX #CA25C7

RGB 202 37 199

HSL 301.09, 0.69%, 0.47%

LAB 49.5, 77.17, -46.97

 

CMYK 0 / 82 / 23 / 21

HEX #CA259B

RGB 202 37 155

HSL 317.09, 0.69%, 0.47%

LAB 47.3, 71.11, -24.55

 

CMYK 20 / 82 / 0 / 48

HEX #691884

RGB 105 24 132

HSL 285, 0.69%, 0.31%

LAB 27.63, 50.43, -42.68

 

CMYK 20 / 82 / 0 / 35

HEX #851EA7

RGB 133 30 167

HSL 285.11, 0.7%, 0.39%

LAB 35.41, 60.74, -51.35

 

CMYK 20 / 82 / 0 / 21

HEX #A125CA

RGB 161 37 202

HSL 285.09, 0.69%, 0.47%

LAB 43.01, 70.31, -59.49

 

CMYK 18 / 72 / 0 / 14

HEX #B43DDB

RGB 180 61 219

HSL 285.19, 0.69%, 0.55%

LAB 49.68, 69.28, -58.35

 

CMYK 14 / 57 / 0 / 12

HEX #C160E1

RGB 193 96 225

HSL 285.12, 0.68%, 0.63%

LAB 57.21, 58.4, -49.61

 

CMYK 20 / 82 / 0 / 21

HEX #A125CA

RGB 161 37 202

HSL 285.09, 0.69%, 0.47%

LAB 43.01, 70.31, -59.49

 

CMYK 0 / 82 / 78 / 21

HEX #CA252D

RGB 202 37 45

HSL 357.09, 0.69%, 0.47%

LAB 44.33, 62.4, 38.35

 

CMYK 82 / 0 / 53 / 21

HEX #25CA5F

RGB 37 202 95

HSL 141.09, 0.69%, 0.47%

LAB 71.87, -62.93, 41.82

 

CMYK 20 / 82 / 0 / 21

HEX #A125CA

RGB 161 37 202

HSL 285.09, 0.69%, 0.47%

LAB 43.01, 70.31, -59.49

 

CMYK 0 / 20 / 82 / 21

HEX #CAA125

RGB 202 161 37

HSL 45.09, 0.69%, 0.47%

LAB 68.15, 3.78, 64.42

 

CMYK 82 / 0 / 20 / 21

HEX #25CAA1

RGB 37 202 161

HSL 165.09, 0.69%, 0.47%

LAB 73.03, -49.8, 9.13

 

CMYK 20 / 82 / 0 / 21

HEX #A125CA

RGB 161 37 202

HSL 285.09, 0.69%, 0.47%

LAB 43.01, 70.31, -59.49

 

CMYK 0 / 82 / 78 / 21

HEX #CA252D

RGB 202 37 45

HSL 357.09, 0.69%, 0.47%

LAB 44.33, 62.4, 38.35

 

CMYK 61 / 0 / 82 / 21

HEX #4ECA25

RGB 78 202 37

HSL 105.09, 0.69%, 0.47%

LAB 72.22, -61.65, 65.17

 

CMYK 82 / 0 / 4 / 21

HEX #25CAC2

RGB 37 202 194

HSL 177.09, 0.69%, 0.47%

LAB 73.89, -40.99, -7.48

 

CMYK 20 / 82 / 0 / 21

HEX #A125CA

RGB 161 37 202

HSL 285.09, 0.69%, 0.47%

LAB 43.01, 70.31, -59.49

 

CMYK 0 / 61 / 82 / 21

HEX #CA4E25

RGB 202 78 37

HSL 14.91, 0.69%, 0.47%

LAB 49.66, 47.33, 47.82

 

CMYK 61 / 0 / 82 / 21

HEX #4ECA25

RGB 78 202 37

HSL 105.09, 0.69%, 0.47%

LAB 72.22, -61.65, 65.17

 

CMYK 82 / 20 / 0 / 21

HEX #25A1CA

RGB 37 161 202

HSL 194.91, 0.69%, 0.47%

LAB 61.78, -18.5, -30.25

 

Description

Color code: HEX #A125CA | qconv.com Color code: HEX #A125CA | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 37 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 37 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 82 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 82% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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