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Color name
HEX #A126D8

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A126D8 it is the complementary color #5ED927. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A126D8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A126D8 shade: #A626D3, #B738E6, #C84AF9, #D95CFF and #EA6EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A126D8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A126D8 shade: #A126D8, #9014C5, #7F02B2, #6E009F and #5D008C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A126D8 shade: #A126D8, #D126D8, #D826AF, #D8267F and #D8264F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A126D8 shade: #A126D8, #7126D8, #4126D8 and #2626D8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A126D8 shade matches the following richer shades: #A126D8 and #A911ED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A126D8 shade: #A126D8, #993AC4, #914FAF, #89649A and #827886

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A126D8 shade: #4126D8, #7026D8, #A026D8, #CF26D8 and #D826B2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A126D8 shade: #6D1992, #8720B5, #A126D8, #B049DE and #BF6CE5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A126D8 shade: #A126D8, #D8263B and #26D858

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A126D8 shade: #A126D8, #D8A026 and #26D8A0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A126D8 shade: #A126D8, #D8263B, #5ED826 and #26D8C3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A126D8 shade: #A126D8, #D84626, #5ED826 and #26B8D8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 82 / 0 / 15

HEX #A126D8

RGB 161 38 216

HSL 281.46, 0.7%, 0.5%

LAB 44.12, 72.71, -65.77

 

Complementary color

CMYK 57 / 0 / 82 / 15

HEX #5ED927

RGB 94 217 39

HSL 101.46, 0.7%, 0.5%

LAB 77.37, -62.81, 69.52

 

CMYK 21 / 82 / 0 / 17

HEX #A626D3

RGB 166 38 211

HSL 284.39, 0.69%, 0.49%

LAB 44.51, 72.56, -62.22

 

CMYK 20 / 76 / 0 / 10

HEX #B738E6

RGB 183 56 230

HSL 283.79, 0.78%, 0.56%

LAB 50.23, 73.69, -63.69

 

CMYK 20 / 70 / 0 / 2

HEX #C84AF9

RGB 200 74 249

HSL 283.2, 0.94%, 0.63%

LAB 56.1, 74.13, -64.74

 

CMYK 15 / 64 / 0 / 0

HEX #D95CFF

RGB 217 92 255

HSL 286.01, 1%, 0.68%

LAB 61.33, 71.63, -59.55

 

CMYK 8 / 57 / 0 / 0

HEX #EA6EFF

RGB 234 110 255

HSL 291.31, 1%, 0.72%

LAB 66.42, 67.78, -51.33

 

CMYK 25 / 82 / 0 / 15

HEX #A126D8

RGB 161 38 216

HSL 281.46, 0.7%, 0.5%

LAB 44.12, 72.71, -65.77

 

CMYK 27 / 90 / 0 / 23

HEX #9014C5

RGB 144 20 197

HSL 282.03, 0.82%, 0.43%

LAB 38.66, 70.61, -63.77

 

CMYK 29 / 99 / 0 / 30

HEX #7F02B2

RGB 127 2 178

HSL 282.61, 0.98%, 0.35%

LAB 33.5, 67.3, -61.09

 

CMYK 31 / 100 / 0 / 38

HEX #6E009F

RGB 110 0 159

HSL 281.51, 1%, 0.31%

LAB 28.95, 61.79, -57.19

 

CMYK 34 / 100 / 0 / 45

HEX #5D008C

RGB 93 0 140

HSL 279.86, 1%, 0.27%

LAB 24.39, 55.88, -53.06

 

CMYK 25 / 82 / 0 / 15

HEX #A126D8

RGB 161 38 216

HSL 281.46, 0.7%, 0.5%

LAB 44.12, 72.71, -65.77

 

CMYK 3 / 82 / 0 / 15

HEX #D126D8

RGB 209 38 216

HSL 297.64, 0.7%, 0.5%

LAB 51.72, 80.84, -53.12

 

CMYK 0 / 82 / 19 / 15

HEX #D826AF

RGB 216 38 175

HSL 313.82, 0.7%, 0.5%

LAB 50.78, 76.41, -30.8

 

CMYK 0 / 82 / 41 / 15

HEX #D8267F

RGB 216 38 127

HSL 330, 0.7%, 0.5%

LAB 48.91, 71.1, -4.97

 

CMYK 0 / 82 / 63 / 15

HEX #D8264F

RGB 216 38 79

HSL 346.18, 0.7%, 0.5%

LAB 47.69, 67.51, 22.72

 

CMYK 25 / 82 / 0 / 15

HEX #A126D8

RGB 161 38 216

HSL 281.46, 0.7%, 0.5%

LAB 44.12, 72.71, -65.77

 

CMYK 48 / 82 / 0 / 15

HEX #7126D8

RGB 113 38 216

HSL 265.28, 0.7%, 0.5%

LAB 37.58, 65.94, -76.73

 

CMYK 70 / 82 / 0 / 15

HEX #4126D8

RGB 65 38 216

HSL 249.1, 0.7%, 0.5%

LAB 32.85, 61.24, -84.7

 

CMYK 82 / 82 / 0 / 15

HEX #2626D8

RGB 38 38 216

HSL 240, 0.7%, 0.5%

LAB 31.25, 59.7, -87.41

 

CMYK 25 / 82 / 0 / 15

HEX #A126D8

RGB 161 38 216

HSL 281.46, 0.7%, 0.5%

LAB 44.12, 72.71, -65.77

 

CMYK 29 / 93 / 0 / 7

HEX #A911ED

RGB 169 17 237

HSL 281.45, 0.87%, 0.5%

LAB 45.57, 81.92, -75.32

 

CMYK 25 / 82 / 0 / 15

HEX #A126D8

RGB 161 38 216

HSL 281.46, 0.7%, 0.5%

LAB 44.12, 72.71, -65.77

 

CMYK 22 / 70 / 0 / 23

HEX #993AC4

RGB 153 58 196

HSL 281.3, 0.54%, 0.5%

LAB 43.92, 60.42, -54.59

 

CMYK 17 / 55 / 0 / 31

HEX #914FAF

RGB 145 79 175

HSL 281.25, 0.38%, 0.5%

LAB 45.23, 44.05, -40.28

 

CMYK 11 / 35 / 0 / 40

HEX #89649A

RGB 137 100 154

HSL 281.11, 0.21%, 0.5%

LAB 47.96, 25.15, -23.68

 

CMYK 3 / 10 / 0 / 47

HEX #827886

RGB 130 120 134

HSL 282.86, 0.06%, 0.5%

LAB 51.72, 6.59, -6.24

 

CMYK 70 / 82 / 0 / 15

HEX #4126D8

RGB 65 38 216

HSL 249.1, 0.7%, 0.5%

LAB 32.85, 61.24, -84.7

 

CMYK 48 / 82 / 0 / 15

HEX #7026D8

RGB 112 38 216

HSL 264.94, 0.7%, 0.5%

LAB 37.46, 65.82, -76.93

 

CMYK 26 / 82 / 0 / 15

HEX #A026D8

RGB 160 38 216

HSL 281.12, 0.7%, 0.5%

LAB 43.97, 72.55, -66.02

 

CMYK 4 / 82 / 0 / 15

HEX #CF26D8

RGB 207 38 216

HSL 296.97, 0.7%, 0.5%

LAB 51.39, 80.49, -53.67

 

CMYK 0 / 82 / 18 / 15

HEX #D826B2

RGB 216 38 178

HSL 312.81, 0.7%, 0.5%

LAB 50.92, 76.79, -32.34

 

CMYK 25 / 83 / 0 / 43

HEX #6D1992

RGB 109 25 146

HSL 281.65, 0.71%, 0.34%

LAB 29.47, 53.75, -48.38

 

CMYK 25 / 82 / 0 / 29

HEX #8720B5

RGB 135 32 181

HSL 281.48, 0.7%, 0.42%

LAB 36.97, 63.27, -57.17

 

CMYK 25 / 82 / 0 / 15

HEX #A126D8

RGB 161 38 216

HSL 281.46, 0.7%, 0.5%

LAB 44.12, 72.71, -65.77

 

CMYK 21 / 67 / 0 / 13

HEX #B049DE

RGB 176 73 222

HSL 281.48, 0.69%, 0.58%

LAB 51, 64.29, -57.96

 

CMYK 17 / 53 / 0 / 10

HEX #BF6CE5

RGB 191 108 229

HSL 281.16, 0.7%, 0.66%

LAB 59.4, 52.78, -48.4

 

CMYK 25 / 82 / 0 / 15

HEX #A126D8

RGB 161 38 216

HSL 281.46, 0.7%, 0.5%

LAB 44.12, 72.71, -65.77

 

CMYK 0 / 82 / 73 / 15

HEX #D8263B

RGB 216 38 59

HSL 352.92, 0.7%, 0.5%

LAB 47.37, 66.55, 34.38

 

CMYK 82 / 0 / 59 / 15

HEX #26D858

RGB 38 216 88

HSL 136.85, 0.7%, 0.5%

LAB 76.21, -68.3, 50.24

 

CMYK 25 / 82 / 0 / 15

HEX #A126D8

RGB 161 38 216

HSL 281.46, 0.7%, 0.5%

LAB 44.12, 72.71, -65.77

 

CMYK 0 / 26 / 82 / 15

HEX #D8A026

RGB 216 160 38

HSL 41.12, 0.7%, 0.5%

LAB 69.38, 10.49, 65.75

 

CMYK 82 / 0 / 26 / 15

HEX #26D8A0

RGB 38 216 160

HSL 161.12, 0.7%, 0.5%

LAB 77.32, -55.49, 15.73

 

CMYK 25 / 82 / 0 / 15

HEX #A126D8

RGB 161 38 216

HSL 281.46, 0.7%, 0.5%

LAB 44.12, 72.71, -65.77

 

CMYK 0 / 82 / 73 / 15

HEX #D8263B

RGB 216 38 59

HSL 352.92, 0.7%, 0.5%

LAB 47.37, 66.55, 34.38

 

CMYK 56 / 0 / 82 / 15

HEX #5ED826

RGB 94 216 38

HSL 101.12, 0.7%, 0.5%

LAB 77.06, -62.51, 69.49

 

CMYK 82 / 0 / 10 / 15

HEX #26D8C3

RGB 38 216 195

HSL 172.92, 0.7%, 0.5%

LAB 78.15, -46.73, -1.73

 

CMYK 25 / 82 / 0 / 15

HEX #A126D8

RGB 161 38 216

HSL 281.46, 0.7%, 0.5%

LAB 44.12, 72.71, -65.77

 

CMYK 0 / 68 / 82 / 15

HEX #D84626

RGB 216 70 38

HSL 10.79, 0.7%, 0.5%

LAB 50.83, 55.61, 49.3

 

CMYK 56 / 0 / 82 / 15

HEX #5ED826

RGB 94 216 38

HSL 101.12, 0.7%, 0.5%

LAB 77.06, -62.51, 69.49

 

CMYK 82 / 15 / 0 / 15

HEX #26B8D8

RGB 38 184 216

HSL 190.79, 0.7%, 0.5%

LAB 69.22, -25.64, -26.52

 

Description

Color code: HEX #A126D8 | qconv.com Color code: HEX #A126D8 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 38 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 38 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 82 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 82% 0% 15% C M Y K

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Provide designers and agencies with accurate color values.

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