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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A1349E it is the complementary color #5ECB61. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A1349E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A1349E shade: #A63499, #B746AC, #C858BF, #D96AD2 and #EA7CE5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A1349E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A1349E shade: #A1349E, #90228B, #7F1078, #6E0065 and #5D0052

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A1349E shade: #A1349E, #A13481, #A13463, #A13446 and #A13434

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A1349E shade: #A1349E, #8734A1, #6934A1, #4C34A1 and #3434A1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A1349E shade matches the following richer shades: #A1349E, #B323AF, #C411BF and #D500CF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A1349E shade: #A1349E, #90458E, #7F577D, #6D686D and #5C795D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A1349E shade: #6934A1, #8634A1, #A1349F, #A13482 and #A13465

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A1349E shade: #632061, #822A80, #A1349E, #C03EBD and #CA5DC7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A1349E shade: #A1349E, #A14C34 and #34A177

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A1349E shade: #A1349E, #9FA134 and #349FA1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A1349E shade: #A1349E, #A14C34, #34A136 and #348AA1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A1349E shade: #A1349E, #A16C34, #34A136 and #3469A1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 2 / 37

HEX #A1349E

RGB 161 52 158

HSL 301.65, 0.51%, 0.42%

LAB 42, 57.44, -35.14

 

Complementary color

CMYK 54 / 0 / 52 / 20

HEX #5ECB61

RGB 94 203 97

HSL 121.65, 0.51%, 0.58%

LAB 73.52, -52.64, 43.17

 

CMYK 0 / 69 / 8 / 35

HEX #A63499

RGB 166 52 153

HSL 306.84, 0.52%, 0.43%

LAB 42.56, 57.84, -31.21

 

CMYK 0 / 62 / 6 / 28

HEX #B746AC

RGB 183 70 172

HSL 305.84, 0.45%, 0.5%

LAB 48.79, 57.97, -32.54

 

CMYK 0 / 56 / 5 / 22

HEX #C858BF

RGB 200 88 191

HSL 304.82, 0.5%, 0.56%

LAB 55.09, 57.7, -33.55

 

CMYK 0 / 51 / 3 / 15

HEX #D96AD2

RGB 217 106 210

HSL 303.78, 0.59%, 0.63%

LAB 61.41, 57.21, -34.35

 

CMYK 0 / 47 / 2 / 8

HEX #EA7CE5

RGB 234 124 229

HSL 302.73, 0.72%, 0.7%

LAB 67.7, 56.6, -35

 

CMYK 0 / 68 / 2 / 37

HEX #A1349E

RGB 161 52 158

HSL 301.65, 0.51%, 0.42%

LAB 42, 57.44, -35.14

 

CMYK 0 / 76 / 3 / 44

HEX #90228B

RGB 144 34 139

HSL 302.73, 0.62%, 0.35%

LAB 35.86, 56.69, -33.49

 

CMYK 0 / 87 / 6 / 50

HEX #7F1078

RGB 127 16 120

HSL 303.78, 0.78%, 0.28%

LAB 30.01, 54.79, -31.1

 

CMYK 0 / 100 / 8 / 57

HEX #6E0065

RGB 110 0 101

HSL 304.91, 1%, 0.22%

LAB 24.5, 51.47, -27.82

 

CMYK 0 / 100 / 12 / 64

HEX #5D0052

RGB 93 0 82

HSL 307.1, 1%, 0.18%

LAB 19.79, 45.24, -22.86

 

CMYK 0 / 68 / 2 / 37

HEX #A1349E

RGB 161 52 158

HSL 301.65, 0.51%, 0.42%

LAB 42, 57.44, -35.14

 

CMYK 0 / 68 / 20 / 37

HEX #A13481

RGB 161 52 129

HSL 317.61, 0.51%, 0.42%

LAB 40.6, 52.86, -19.7

 

CMYK 0 / 68 / 39 / 37

HEX #A13463

RGB 161 52 99

HSL 334.13, 0.51%, 0.42%

LAB 39.47, 48.99, -2.74

 

CMYK 0 / 68 / 57 / 37

HEX #A13446

RGB 161 52 70

HSL 350.09, 0.51%, 0.42%

LAB 38.68, 46.19, 14.47

 

CMYK 0 / 68 / 68 / 37

HEX #A13434

RGB 161 52 52

HSL 0, 0.51%, 0.42%

LAB 38.34, 44.95, 25.26

 

CMYK 0 / 68 / 2 / 37

HEX #A1349E

RGB 161 52 158

HSL 301.65, 0.51%, 0.42%

LAB 42, 57.44, -35.14

 

CMYK 16 / 68 / 0 / 37

HEX #8734A1

RGB 135 52 161

HSL 285.69, 0.51%, 0.42%

LAB 38.16, 51.81, -43.29

 

CMYK 35 / 68 / 0 / 37

HEX #6934A1

RGB 105 52 161

HSL 269.17, 0.51%, 0.42%

LAB 34.05, 45.06, -50.13

 

CMYK 53 / 68 / 0 / 37

HEX #4C34A1

RGB 76 52 161

HSL 253.21, 0.51%, 0.42%

LAB 30.8, 39.27, -55.56

 

CMYK 68 / 68 / 0 / 37

HEX #3434A1

RGB 52 52 161

HSL 240, 0.51%, 0.42%

LAB 28.8, 35.46, -58.92

 

CMYK 0 / 68 / 2 / 37

HEX #A1349E

RGB 161 52 158

HSL 301.65, 0.51%, 0.42%

LAB 42, 57.44, -35.14

 

CMYK 0 / 80 / 2 / 30

HEX #B323AF

RGB 179 35 175

HSL 301.67, 0.67%, 0.42%

LAB 44.06, 69.51, -41.82

 

CMYK 0 / 91 / 3 / 23

HEX #C411BF

RGB 196 17 191

HSL 301.68, 0.84%, 0.42%

LAB 46.84, 78.3, -46.62

 

CMYK 0 / 100 / 3 / 16

HEX #D500CF

RGB 213 0 207

HSL 301.69, 1%, 0.42%

LAB 50.28, 84.93, -50.24

 

CMYK 0 / 68 / 2 / 37

HEX #A1349E

RGB 161 52 158

HSL 301.65, 0.51%, 0.42%

LAB 42, 57.44, -35.14

 

CMYK 0 / 52 / 1 / 44

HEX #90458E

RGB 144 69 142

HSL 301.6, 0.35%, 0.42%

LAB 41.44, 42.26, -26.56

 

CMYK 0 / 31 / 2 / 50

HEX #7F577D

RGB 127 87 125

HSL 303, 0.19%, 0.42%

LAB 42.47, 23.24, -14.81

 

CMYK 0 / 5 / 0 / 57

HEX #6D686D

RGB 109 104 109

HSL 300, 0.02%, 0.42%

LAB 44.6, 2.97, -2.11

 

CMYK 24 / 0 / 23 / 53

HEX #5C795D

RGB 92 121 93

HSL 122.07, 0.14%, 0.42%

LAB 47.93, -16.46, 12.02

 

CMYK 35 / 68 / 0 / 37

HEX #6934A1

RGB 105 52 161

HSL 269.17, 0.51%, 0.42%

LAB 34.05, 45.06, -50.13

 

CMYK 17 / 68 / 0 / 37

HEX #8634A1

RGB 134 52 161

HSL 285.14, 0.51%, 0.42%

LAB 38.02, 51.58, -43.54

 

CMYK 0 / 68 / 1 / 37

HEX #A1349F

RGB 161 52 159

HSL 301.1, 0.51%, 0.42%

LAB 42.06, 57.61, -35.66

 

CMYK 0 / 68 / 19 / 37

HEX #A13482

RGB 161 52 130

HSL 317.06, 0.51%, 0.42%

LAB 40.65, 53.01, -20.25

 

CMYK 0 / 68 / 37 / 37

HEX #A13465

RGB 161 52 101

HSL 333.03, 0.51%, 0.42%

LAB 39.53, 49.21, -3.9

 

CMYK 0 / 68 / 2 / 61

HEX #632061

RGB 99 32 97

HSL 301.79, 0.51%, 0.26%

LAB 25.41, 38.98, -23.89

 

CMYK 0 / 68 / 2 / 49

HEX #822A80

RGB 130 42 128

HSL 301.36, 0.51%, 0.34%

LAB 33.9, 48.53, -29.93

 

CMYK 0 / 68 / 2 / 37

HEX #A1349E

RGB 161 52 158

HSL 301.65, 0.51%, 0.42%

LAB 42, 57.44, -35.14

 

CMYK 0 / 68 / 2 / 25

HEX #C03EBD

RGB 192 62 189

HSL 301.38, 0.51%, 0.5%

LAB 49.89, 66.16, -40.66

 

CMYK 0 / 54 / 1 / 21

HEX #CA5DC7

RGB 202 93 199

HSL 301.65, 0.51%, 0.58%

LAB 56.59, 57.3, -35.77

 

CMYK 0 / 68 / 2 / 37

HEX #A1349E

RGB 161 52 158

HSL 301.65, 0.51%, 0.42%

LAB 42, 57.44, -35.14

 

CMYK 0 / 53 / 68 / 37

HEX #A14C34

RGB 161 76 52

HSL 13.21, 0.51%, 0.42%

LAB 42.75, 33.36, 30.58

 

CMYK 68 / 0 / 26 / 37

HEX #34A177

RGB 52 161 119

HSL 156.88, 0.51%, 0.42%

LAB 59.48, -40.95, 13.05

 

CMYK 0 / 68 / 2 / 37

HEX #A1349E

RGB 161 52 158

HSL 301.65, 0.51%, 0.42%

LAB 42, 57.44, -35.14

 

CMYK 1 / 0 / 68 / 37

HEX #9FA134

RGB 159 161 52

HSL 61.1, 0.51%, 0.42%

LAB 64.25, -14.55, 53.96

 

CMYK 68 / 1 / 0 / 37

HEX #349FA1

RGB 52 159 161

HSL 181.1, 0.51%, 0.42%

LAB 59.98, -28.88, -9.91

 

CMYK 0 / 68 / 2 / 37

HEX #A1349E

RGB 161 52 158

HSL 301.65, 0.51%, 0.42%

LAB 42, 57.44, -35.14

 

CMYK 0 / 53 / 68 / 37

HEX #A14C34

RGB 161 76 52

HSL 13.21, 0.51%, 0.42%

LAB 42.75, 33.36, 30.58

 

CMYK 68 / 0 / 66 / 37

HEX #34A136

RGB 52 161 54

HSL 121.1, 0.51%, 0.42%

LAB 58.5, -51.94, 45.3

 

CMYK 68 / 14 / 0 / 37

HEX #348AA1

RGB 52 138 161

HSL 192.66, 0.51%, 0.42%

LAB 53.47, -18.08, -19.75

 

CMYK 0 / 68 / 2 / 37

HEX #A1349E

RGB 161 52 158

HSL 301.65, 0.51%, 0.42%

LAB 42, 57.44, -35.14

 

CMYK 0 / 33 / 68 / 37

HEX #A16C34

RGB 161 108 52

HSL 30.83, 0.51%, 0.42%

LAB 50.16, 15.57, 39.07

 

CMYK 68 / 0 / 66 / 37

HEX #34A136

RGB 52 161 54

HSL 121.1, 0.51%, 0.42%

LAB 58.5, -51.94, 45.3

 

CMYK 68 / 35 / 0 / 37

HEX #3469A1

RGB 52 105 161

HSL 210.83, 0.51%, 0.42%

LAB 43.37, 1.06, -35.45

 

Description

Color code: HEX #A1349E | qconv.com Color code: HEX #A1349E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 52 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 52 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 2 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 2% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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