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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A135BE it is the complementary color #5ECA41. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A135BE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A135BE shade: #A635B9, #B747CC, #C859DF, #D96BF2 and #EA7DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A135BE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A135BE shade: #A135BE, #9023AB, #7F1198, #6E0085 and #5D0072

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A135BE shade: #A135BE, #BE35B6, #BE3592, #BE356D and #BE3548

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A135BE shade: #A135BE, #7C35BE, #5735BE and #3535BE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A135BE shade matches the following richer shades: #A135BE, #AD22D2 and #B80EE6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A135BE shade: #A135BE, #9649AB, #8B5D97, #7F7183 and #74856F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A135BE shade: #5835BE, #7C35BE, #A135BE, #BE35B8 and #BE3593

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A135BE shade: #6B237E, #862C9E, #A135BE, #B350CD and #C170D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A135BE shade: #A135BE, #BE3538 and #35BE6A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A135BE shade: #A135BE, #BEA135 and #35BEA1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A135BE shade: #A135BE, #BE3538, #53BE35 and #35BEBC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A135BE shade: #A135BE, #BE5C35, #53BE35 and #3598BE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 72 / 0 / 25

HEX #A135BE

RGB 161 53 190

HSL 287.3, 0.56%, 0.48%

LAB 44, 62.85, -50.9

 

Complementary color

CMYK 53 / 0 / 68 / 21

HEX #5ECA41

RGB 94 202 65

HSL 107.3, 0.56%, 0.52%

LAB 72.89, -55.74, 56.63

 

CMYK 10 / 71 / 0 / 27

HEX #A635B9

RGB 166 53 185

HSL 291.36, 0.55%, 0.47%

LAB 44.46, 62.97, -47.21

 

CMYK 10 / 65 / 0 / 20

HEX #B747CC

RGB 183 71 204

HSL 290.53, 0.57%, 0.54%

LAB 50.61, 63.18, -48.26

 

CMYK 10 / 60 / 0 / 13

HEX #C859DF

RGB 200 89 223

HSL 289.7, 0.68%, 0.61%

LAB 56.83, 62.97, -49.03

 

CMYK 10 / 56 / 0 / 5

HEX #D96BF2

RGB 217 107 242

HSL 288.89, 0.84%, 0.68%

LAB 63.08, 62.51, -49.6

 

CMYK 8 / 51 / 0 / 0

HEX #EA7DFF

RGB 234 125 255

HSL 290.31, 1%, 0.75%

LAB 69.03, 60.79, -47.21

 

CMYK 15 / 72 / 0 / 25

HEX #A135BE

RGB 161 53 190

HSL 287.3, 0.56%, 0.48%

LAB 44, 62.85, -50.9

 

CMYK 16 / 80 / 0 / 33

HEX #9023AB

RGB 144 35 171

HSL 288.09, 0.66%, 0.4%

LAB 37.97, 62.03, -49.52

 

CMYK 16 / 89 / 0 / 40

HEX #7F1198

RGB 127 17 152

HSL 288.89, 0.8%, 0.33%

LAB 32.21, 60.09, -47.48

 

CMYK 17 / 100 / 0 / 48

HEX #6E0085

RGB 110 0 133

HSL 289.62, 1%, 0.26%

LAB 26.76, 56.85, -44.69

 

CMYK 18 / 100 / 0 / 55

HEX #5D0072

RGB 93 0 114

HSL 288.95, 1%, 0.22%

LAB 22.1, 50.74, -40.31

 

CMYK 15 / 72 / 0 / 25

HEX #A135BE

RGB 161 53 190

HSL 287.3, 0.56%, 0.48%

LAB 44, 62.85, -50.9

 

CMYK 0 / 72 / 4 / 25

HEX #BE35B6

RGB 190 53 182

HSL 303.5, 0.56%, 0.48%

LAB 48.1, 67.72, -39.43

 

CMYK 0 / 72 / 23 / 25

HEX #BE3592

RGB 190 53 146

HSL 319.27, 0.56%, 0.48%

LAB 46.4, 62.51, -20.7

 

CMYK 0 / 72 / 43 / 25

HEX #BE356D

RGB 190 53 109

HSL 335.47, 0.56%, 0.48%

LAB 45.08, 58.24, -0.13

 

CMYK 0 / 72 / 62 / 25

HEX #BE3548

RGB 190 53 72

HSL 351.68, 0.56%, 0.48%

LAB 44.18, 55.22, 21.49

 

CMYK 15 / 72 / 0 / 25

HEX #A135BE

RGB 161 53 190

HSL 287.3, 0.56%, 0.48%

LAB 44, 62.85, -50.9

 

CMYK 35 / 72 / 0 / 25

HEX #7C35BE

RGB 124 53 190

HSL 271.09, 0.56%, 0.48%

LAB 38.81, 55.48, -59.55

 

CMYK 54 / 72 / 0 / 25

HEX #5735BE

RGB 87 53 190

HSL 254.89, 0.56%, 0.48%

LAB 34.58, 49.13, -66.63

 

CMYK 72 / 72 / 0 / 25

HEX #3535BE

RGB 53 53 190

HSL 240, 0.56%, 0.48%

LAB 31.85, 44.81, -71.21

 

CMYK 15 / 72 / 0 / 25

HEX #A135BE

RGB 161 53 190

HSL 287.3, 0.56%, 0.48%

LAB 44, 62.85, -50.9

 

CMYK 18 / 84 / 0 / 18

HEX #AD22D2

RGB 173 34 210

HSL 287.39, 0.72%, 0.48%

LAB 45.19, 74.52, -60.49

 

CMYK 20 / 94 / 0 / 10

HEX #B80EE6

RGB 184 14 230

HSL 287.22, 0.89%, 0.48%

LAB 47.26, 82.99, -68.49

 

CMYK 15 / 72 / 0 / 25

HEX #A135BE

RGB 161 53 190

HSL 287.3, 0.56%, 0.48%

LAB 44, 62.85, -50.9

 

CMYK 12 / 57 / 0 / 33

HEX #9649AB

RGB 150 73 171

HSL 287.14, 0.4%, 0.48%

LAB 44.5, 47.64, -39.03

 

CMYK 8 / 38 / 0 / 41

HEX #8B5D97

RGB 139 93 151

HSL 287.59, 0.24%, 0.48%

LAB 46.38, 29.24, -24.33

 

CMYK 3 / 14 / 0 / 49

HEX #7F7183

RGB 127 113 131

HSL 286.67, 0.07%, 0.48%

LAB 49.45, 8.98, -7.89

 

CMYK 13 / 0 / 17 / 48

HEX #74856F

RGB 116 133 111

HSL 106.36, 0.09%, 0.48%

LAB 53.64, -10.61, 9.81

 

CMYK 54 / 72 / 0 / 25

HEX #5835BE

RGB 88 53 190

HSL 255.33, 0.56%, 0.48%

LAB 34.68, 49.29, -66.47

 

CMYK 35 / 72 / 0 / 25

HEX #7C35BE

RGB 124 53 190

HSL 271.09, 0.56%, 0.48%

LAB 38.81, 55.48, -59.55

 

CMYK 15 / 72 / 0 / 25

HEX #A135BE

RGB 161 53 190

HSL 287.3, 0.56%, 0.48%

LAB 44, 62.85, -50.9

 

CMYK 0 / 72 / 3 / 25

HEX #BE35B8

RGB 190 53 184

HSL 302.63, 0.56%, 0.48%

LAB 48.2, 68.03, -40.43

 

CMYK 0 / 72 / 23 / 25

HEX #BE3593

RGB 190 53 147

HSL 318.83, 0.56%, 0.48%

LAB 46.45, 62.64, -21.24

 

CMYK 15 / 72 / 0 / 51

HEX #6B237E

RGB 107 35 126

HSL 287.47, 0.57%, 0.32%

LAB 28.99, 45.46, -36.71

 

CMYK 15 / 72 / 0 / 38

HEX #862C9E

RGB 134 44 158

HSL 287.37, 0.56%, 0.4%

LAB 36.63, 54.34, -43.96

 

CMYK 15 / 72 / 0 / 25

HEX #A135BE

RGB 161 53 190

HSL 287.3, 0.56%, 0.48%

LAB 44, 62.85, -50.9

 

CMYK 13 / 61 / 0 / 20

HEX #B350CD

RGB 179 80 205

HSL 287.52, 0.56%, 0.56%

LAB 51.53, 58.49, -47.41

 

CMYK 10 / 48 / 0 / 16

HEX #C170D6

RGB 193 112 214

HSL 287.65, 0.55%, 0.64%

LAB 59.69, 48.21, -39.51

 

CMYK 15 / 72 / 0 / 25

HEX #A135BE

RGB 161 53 190

HSL 287.3, 0.56%, 0.48%

LAB 44, 62.85, -50.9

 

CMYK 0 / 72 / 71 / 25

HEX #BE3538

RGB 190 53 56

HSL 358.69, 0.56%, 0.48%

LAB 43.91, 54.33, 30.84

 

CMYK 72 / 0 / 44 / 25

HEX #35BE6A

RGB 53 190 106

HSL 143.21, 0.56%, 0.48%

LAB 68.48, -54.9, 32.14

 

CMYK 15 / 72 / 0 / 25

HEX #A135BE

RGB 161 53 190

HSL 287.3, 0.56%, 0.48%

LAB 44, 62.85, -50.9

 

CMYK 0 / 15 / 72 / 25

HEX #BEA135

RGB 190 161 53

HSL 47.3, 0.56%, 0.48%

LAB 67.05, -0.87, 57.29

 

CMYK 72 / 0 / 15 / 25

HEX #35BEA1

RGB 53 190 161

HSL 167.3, 0.56%, 0.48%

LAB 69.58, -43.01, 4.22

 

CMYK 15 / 72 / 0 / 25

HEX #A135BE

RGB 161 53 190

HSL 287.3, 0.56%, 0.48%

LAB 44, 62.85, -50.9

 

CMYK 0 / 72 / 71 / 25

HEX #BE3538

RGB 190 53 56

HSL 358.69, 0.56%, 0.48%

LAB 43.91, 54.33, 30.84

 

CMYK 56 / 0 / 72 / 25

HEX #53BE35

RGB 83 190 53

HSL 106.86, 0.56%, 0.48%

LAB 68.7, -55.2, 56.74

 

CMYK 72 / 0 / 1 / 25

HEX #35BEBC

RGB 53 190 188

HSL 179.12, 0.56%, 0.48%

LAB 70.33, -35.65, -9.48

 

CMYK 15 / 72 / 0 / 25

HEX #A135BE

RGB 161 53 190

HSL 287.3, 0.56%, 0.48%

LAB 44, 62.85, -50.9

 

CMYK 0 / 52 / 72 / 25

HEX #BE5C35

RGB 190 92 53

HSL 17.08, 0.56%, 0.48%

LAB 50.52, 36.61, 40.08

 

CMYK 56 / 0 / 72 / 25

HEX #53BE35

RGB 83 190 53

HSL 106.86, 0.56%, 0.48%

LAB 68.7, -55.2, 56.74

 

CMYK 72 / 20 / 0 / 25

HEX #3598BE

RGB 53 152 190

HSL 196.64, 0.56%, 0.48%

LAB 58.91, -15.94, -27.93

 

Description

Color code: HEX #A135BE | qconv.com Color code: HEX #A135BE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 53 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 53 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 72 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 72% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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