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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A13E45 it is the complementary color #5EC1BA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A13E45. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A13E45 shade: #A63E40, #B75053, #C86266, #D97479 and #EA868C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A13E45. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A13E45 shade: #A13E45, #902C32, #7F1A1F, #6E080C and #5D0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A13E45 shade: #A13E45 and #A13E3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A13E45 shade: #A13E45, #A13E60, #A13E7B, #A13E95 and #923EA1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A13E45 shade matches the following richer shades: #A13E45, #B32C36, #C51A26 and #D80817

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A13E45 shade: #A13E45, #8F5055, #7D6364, #6B7574 and #588784

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A13E45 shade: #A13E7B, #A13E61, #A13E47, #A1503E and #A16B3E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A13E45 shade: #66272C, #833338, #A13E45, #BA4F56 and #C66C73

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A13E45 shade: #A13E45, #96A13E and #3E6EA1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A13E45 shade: #A13E45, #47A13E and #3E47A1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A13E45 shade: #A13E45, #96A13E, #3EA199 and #4A3EA1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A13E45 shade: #A13E45, #78A13E, #3EA199 and #673EA1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 57 / 37

HEX #A13E45

RGB 161 62 69

HSL 355.76, 0.44%, 0.44%

LAB 40.33, 41.61, 17.31

 

Complementary color

CMYK 51 / 0 / 4 / 24

HEX #5EC1BA

RGB 94 193 186

HSL 175.76, 0.44%, 0.56%

LAB 72.27, -30.67, -5.38

 

CMYK 0 / 63 / 61 / 35

HEX #A63E40

RGB 166 62 64

HSL 358.85, 0.46%, 0.45%

LAB 41.09, 43.02, 21.56

 

CMYK 0 / 56 / 55 / 28

HEX #B75053

RGB 183 80 83

HSL 358.25, 0.42%, 0.52%

LAB 47.53, 42, 19.03

 

CMYK 0 / 51 / 49 / 22

HEX #C86266

RGB 200 98 102

HSL 357.65, 0.48%, 0.58%

LAB 54, 40.91, 16.94

 

CMYK 0 / 47 / 44 / 15

HEX #D97479

RGB 217 116 121

HSL 357.03, 0.57%, 0.65%

LAB 60.45, 39.83, 15.17

 

CMYK 0 / 43 / 40 / 8

HEX #EA868C

RGB 234 134 140

HSL 356.4, 0.7%, 0.72%

LAB 66.85, 38.8, 13.64

 

CMYK 0 / 61 / 57 / 37

HEX #A13E45

RGB 161 62 69

HSL 355.76, 0.44%, 0.44%

LAB 40.33, 41.61, 17.31

 

CMYK 0 / 69 / 65 / 44

HEX #902C32

RGB 144 44 50

HSL 356.4, 0.53%, 0.37%

LAB 33.9, 42.38, 20.28

 

CMYK 0 / 80 / 76 / 50

HEX #7F1A1F

RGB 127 26 31

HSL 357.03, 0.66%, 0.3%

LAB 27.71, 42.57, 24.08

 

CMYK 0 / 93 / 89 / 57

HEX #6E080C

RGB 110 8 12

HSL 357.65, 0.86%, 0.23%

LAB 22, 41.55, 28.21

 

CMYK 0 / 100 / 100 / 64

HEX #5D0000

RGB 93 0 0

HSL 0, 1%, 0.18%

LAB 17.12, 38.32, 26.49

 

CMYK 0 / 61 / 57 / 37

HEX #A13E45

RGB 161 62 69

HSL 355.76, 0.44%, 0.44%

LAB 40.33, 41.61, 17.31

 

CMYK 0 / 61 / 61 / 37

HEX #A13E3E

RGB 161 62 62

HSL 0, 0.44%, 0.44%

LAB 40.2, 41.08, 21.46

 

CMYK 0 / 61 / 57 / 37

HEX #A13E45

RGB 161 62 69

HSL 355.76, 0.44%, 0.44%

LAB 40.33, 41.61, 17.31

 

CMYK 0 / 61 / 40 / 37

HEX #A13E60

RGB 161 62 96

HSL 339.39, 0.44%, 0.44%

LAB 41, 44.23, 1.39

 

CMYK 0 / 61 / 24 / 37

HEX #A13E7B

RGB 161 62 123

HSL 323.03, 0.44%, 0.44%

LAB 41.93, 47.69, -13.98

 

CMYK 0 / 61 / 7 / 37

HEX #A13E95

RGB 161 62 149

HSL 307.27, 0.44%, 0.44%

LAB 43.05, 51.74, -28.08

 

CMYK 9 / 61 / 0 / 37

HEX #923EA1

RGB 146 62 161

HSL 290.91, 0.44%, 0.44%

LAB 41.42, 49.94, -38.01

 

CMYK 0 / 61 / 57 / 37

HEX #A13E45

RGB 161 62 69

HSL 355.76, 0.44%, 0.44%

LAB 40.33, 41.61, 17.31

 

CMYK 0 / 75 / 70 / 30

HEX #B32C36

RGB 179 44 54

HSL 355.56, 0.61%, 0.44%

LAB 40.66, 53.96, 27.64

 

CMYK 0 / 87 / 81 / 23

HEX #C51A26

RGB 197 26 38

HSL 355.79, 0.77%, 0.44%

LAB 42.38, 63.26, 39.97

 

CMYK 0 / 96 / 89 / 15

HEX #D80817

RGB 216 8 23

HSL 355.67, 0.93%, 0.44%

LAB 45.41, 70.21, 51.66

 

CMYK 0 / 61 / 57 / 37

HEX #A13E45

RGB 161 62 69

HSL 355.76, 0.44%, 0.44%

LAB 40.33, 41.61, 17.31

 

CMYK 0 / 44 / 41 / 44

HEX #8F5055

RGB 143 80 85

HSL 355.24, 0.28%, 0.44%

LAB 41.58, 26.92, 8.69

 

CMYK 0 / 21 / 20 / 51

HEX #7D6364

RGB 125 99 100

HSL 357.69, 0.12%, 0.44%

LAB 44.52, 10.64, 3.42

 

CMYK 9 / 0 / 1 / 54

HEX #6B7574

RGB 107 117 116

HSL 174, 0.04%, 0.44%

LAB 48.4, -3.95, -0.74

 

CMYK 35 / 0 / 2 / 47

HEX #588784

RGB 88 135 132

HSL 176.17, 0.21%, 0.44%

LAB 53.02, -16.62, -3.47

 

CMYK 0 / 61 / 24 / 37

HEX #A13E7B

RGB 161 62 123

HSL 323.03, 0.44%, 0.44%

LAB 41.93, 47.69, -13.98

 

CMYK 0 / 61 / 40 / 37

HEX #A13E61

RGB 161 62 97

HSL 338.79, 0.44%, 0.44%

LAB 41.03, 44.34, 0.81

 

CMYK 0 / 61 / 56 / 37

HEX #A13E47

RGB 161 62 71

HSL 354.55, 0.44%, 0.44%

LAB 40.37, 41.77, 16.13

 

CMYK 0 / 50 / 61 / 37

HEX #A1503E

RGB 161 80 62

HSL 10.91, 0.44%, 0.44%

LAB 43.74, 31.91, 25.97

 

CMYK 0 / 34 / 61 / 37

HEX #A16B3E

RGB 161 107 62

HSL 27.27, 0.44%, 0.44%

LAB 50.03, 16.84, 33.64

 

CMYK 0 / 62 / 57 / 60

HEX #66272C

RGB 102 39 44

HSL 355.24, 0.45%, 0.28%

LAB 25.13, 28.84, 11.24

 

CMYK 0 / 61 / 57 / 49

HEX #833338

RGB 131 51 56

HSL 356.25, 0.44%, 0.36%

LAB 32.87, 34.89, 14.65

 

CMYK 0 / 61 / 57 / 37

HEX #A13E45

RGB 161 62 69

HSL 355.76, 0.44%, 0.44%

LAB 40.33, 41.61, 17.31

 

CMYK 0 / 58 / 54 / 27

HEX #BA4F56

RGB 186 79 86

HSL 356.07, 0.44%, 0.52%

LAB 47.88, 43.82, 17.78

 

CMYK 0 / 45 / 42 / 22

HEX #C66C73

RGB 198 108 115

HSL 355.33, 0.44%, 0.6%

LAB 56.06, 36.32, 12.14

 

CMYK 0 / 61 / 57 / 37

HEX #A13E45

RGB 161 62 69

HSL 355.76, 0.44%, 0.44%

LAB 40.33, 41.61, 17.31

 

CMYK 7 / 0 / 61 / 37

HEX #96A13E

RGB 150 161 62

HSL 66.67, 0.44%, 0.44%

LAB 63.61, -17.76, 48.81

 

CMYK 61 / 32 / 0 / 37

HEX #3E6EA1

RGB 62 110 161

HSL 210.91, 0.44%, 0.44%

LAB 45.29, -0.15, -32.4

 

CMYK 0 / 61 / 57 / 37

HEX #A13E45

RGB 161 62 69

HSL 355.76, 0.44%, 0.44%

LAB 40.33, 41.61, 17.31

 

CMYK 56 / 0 / 61 / 37

HEX #47A13E

RGB 71 161 62

HSL 114.55, 0.44%, 0.44%

LAB 59.14, -46.57, 42.59

 

CMYK 61 / 56 / 0 / 37

HEX #3E47A1

RGB 62 71 161

HSL 234.55, 0.44%, 0.44%

LAB 34.2, 24.85, -50.09

 

CMYK 0 / 61 / 57 / 37

HEX #A13E45

RGB 161 62 69

HSL 355.76, 0.44%, 0.44%

LAB 40.33, 41.61, 17.31

 

CMYK 7 / 0 / 61 / 37

HEX #96A13E

RGB 150 161 62

HSL 66.67, 0.44%, 0.44%

LAB 63.61, -17.76, 48.81

 

CMYK 61 / 0 / 5 / 37

HEX #3EA199

RGB 62 161 153

HSL 175.15, 0.44%, 0.44%

LAB 60.62, -30.48, -4.41

 

CMYK 54 / 61 / 0 / 37

HEX #4A3EA1

RGB 74 62 161

HSL 247.27, 0.44%, 0.44%

LAB 32.86, 32.9, -52.21

 

CMYK 0 / 61 / 57 / 37

HEX #A13E45

RGB 161 62 69

HSL 355.76, 0.44%, 0.44%

LAB 40.33, 41.61, 17.31

 

CMYK 25 / 0 / 61 / 37

HEX #78A13E

RGB 120 161 62

HSL 84.85, 0.44%, 0.44%

LAB 61.51, -30.1, 45.91

 

CMYK 61 / 0 / 5 / 37

HEX #3EA199

RGB 62 161 153

HSL 175.15, 0.44%, 0.44%

LAB 60.62, -30.48, -4.41

 

CMYK 36 / 61 / 0 / 37

HEX #673EA1

RGB 103 62 161

HSL 264.85, 0.44%, 0.44%

LAB 35.79, 39.22, -47.33

 

Description

Color code: HEX #A13E45 | qconv.com Color code: HEX #A13E45 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 62 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 62 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 57 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 57% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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