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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A146AD it is the complementary color #5EB952. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A146AD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A146AD shade: #A646A8, #B758BB, #C86ACE, #D97CE1 and #EA8EF4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A146AD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A146AD shade: #A146AD, #90349A, #7F2287, #6E1074 and #5D0061

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A146AD shade: #A146AD, #AD469E, #AD4682, #AD4666 and #AD464A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A146AD shade: #A146AD, #8646AD, #6A46AD, #4E46AD and #4646AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A146AD shade matches the following richer shades: #A146AD, #B133C1, #C01FD5 and #CF0BE9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A146AD shade: #A146AD, #925A9A, #836E86, #748272 and #65965E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A146AD shade: #6A46AD, #8646AD, #A146AD, #AD469E and #AD4682

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A146AD shade: #6B2F73, #863B90, #A146AD, #B360BE and #C17DCA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A146AD shade: #A146AD, #AD4F46 and #46AD78

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A146AD shade: #A146AD, #ADA146 and #46ADA1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A146AD shade: #A146AD, #AD4F46, #52AD46 and #46A5AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A146AD shade: #A146AD, #AD6E46, #52AD46 and #4686AD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 60 / 0 / 32

HEX #A146AD

RGB 161 70 173

HSL 293.01, 0.42%, 0.48%

LAB 45.6, 52.4, -38.38

 

Complementary color

CMYK 49 / 0 / 56 / 27

HEX #5EB952

RGB 94 185 82

HSL 113.01, 0.42%, 0.52%

LAB 67.79, -47.39, 43.47

 

CMYK 1 / 58 / 0 / 34

HEX #A646A8

RGB 166 70 168

HSL 298.78, 0.41%, 0.47%

LAB 46.06, 52.78, -34.65

 

CMYK 2 / 53 / 0 / 27

HEX #B758BB

RGB 183 88 187

HSL 297.58, 0.42%, 0.54%

LAB 52.55, 52.33, -35.4

 

CMYK 3 / 49 / 0 / 19

HEX #C86ACE

RGB 200 106 206

HSL 296.4, 0.51%, 0.61%

LAB 59.01, 51.71, -35.99

 

CMYK 4 / 45 / 0 / 12

HEX #D97CE1

RGB 217 124 225

HSL 295.25, 0.63%, 0.68%

LAB 65.44, 51.01, -36.46

 

CMYK 4 / 42 / 0 / 4

HEX #EA8EF4

RGB 234 142 244

HSL 294.12, 0.82%, 0.76%

LAB 71.81, 50.29, -36.86

 

CMYK 7 / 60 / 0 / 32

HEX #A146AD

RGB 161 70 173

HSL 293.01, 0.42%, 0.48%

LAB 45.6, 52.4, -38.38

 

CMYK 6 / 66 / 0 / 40

HEX #90349A

RGB 144 52 154

HSL 294.12, 0.5%, 0.4%

LAB 39.1, 52.58, -37.5

 

CMYK 6 / 75 / 0 / 47

HEX #7F2287

RGB 127 34 135

HSL 295.25, 0.6%, 0.33%

LAB 32.71, 52.18, -36.2

 

CMYK 5 / 86 / 0 / 55

HEX #6E1074

RGB 110 16 116

HSL 296.4, 0.76%, 0.26%

LAB 26.58, 50.66, -34.2

 

CMYK 4 / 100 / 0 / 62

HEX #5D0061

RGB 93 0 97

HSL 297.53, 1%, 0.19%

LAB 20.79, 47.68, -31.31

 

CMYK 7 / 60 / 0 / 32

HEX #A146AD

RGB 161 70 173

HSL 293.01, 0.42%, 0.48%

LAB 45.6, 52.4, -38.38

 

CMYK 0 / 60 / 9 / 32

HEX #AD469E

RGB 173 70 158

HSL 308.74, 0.42%, 0.48%

LAB 46.62, 52.96, -27.76

 

CMYK 0 / 60 / 25 / 32

HEX #AD4682

RGB 173 70 130

HSL 325.05, 0.42%, 0.48%

LAB 45.46, 48.68, -12.71

 

CMYK 0 / 60 / 41 / 32

HEX #AD4666

RGB 173 70 102

HSL 341.36, 0.42%, 0.48%

LAB 44.55, 45.16, 3.06

 

CMYK 0 / 60 / 57 / 32

HEX #AD464A

RGB 173 70 74

HSL 357.67, 0.42%, 0.48%

LAB 43.89, 42.5, 19.33

 

CMYK 7 / 60 / 0 / 32

HEX #A146AD

RGB 161 70 173

HSL 293.01, 0.42%, 0.48%

LAB 45.6, 52.4, -38.38

 

CMYK 23 / 60 / 0 / 32

HEX #8646AD

RGB 134 70 173

HSL 277.28, 0.42%, 0.48%

LAB 41.95, 45.45, -44.41

 

CMYK 39 / 60 / 0 / 32

HEX #6A46AD

RGB 106 70 173

HSL 260.97, 0.42%, 0.48%

LAB 38.66, 38.61, -49.86

 

CMYK 55 / 60 / 0 / 32

HEX #4E46AD

RGB 78 70 173

HSL 244.66, 0.42%, 0.48%

LAB 36.02, 32.57, -54.26

 

CMYK 60 / 60 / 0 / 32

HEX #4646AD

RGB 70 70 173

HSL 240, 0.42%, 0.48%

LAB 35.4, 31.07, -55.3

 

CMYK 7 / 60 / 0 / 32

HEX #A146AD

RGB 161 70 173

HSL 293.01, 0.42%, 0.48%

LAB 45.6, 52.4, -38.38

 

CMYK 8 / 74 / 0 / 24

HEX #B133C1

RGB 177 51 193

HSL 293.24, 0.58%, 0.48%

LAB 46.4, 67.42, -48.68

 

CMYK 10 / 85 / 0 / 16

HEX #C01FD5

RGB 192 31 213

HSL 293.08, 0.75%, 0.48%

LAB 48.25, 78.83, -57.13

 

CMYK 11 / 95 / 0 / 9

HEX #CF0BE9

RGB 207 11 233

HSL 292.97, 0.91%, 0.48%

LAB 51.14, 87.05, -63.73

 

CMYK 7 / 60 / 0 / 32

HEX #A146AD

RGB 161 70 173

HSL 293.01, 0.42%, 0.48%

LAB 45.6, 52.4, -38.38

 

CMYK 5 / 42 / 0 / 40

HEX #925A9A

RGB 146 90 154

HSL 292.5, 0.26%, 0.48%

LAB 46.65, 33.85, -25.62

 

CMYK 2 / 18 / 0 / 47

HEX #836E86

RGB 131 110 134

HSL 292.5, 0.1%, 0.48%

LAB 49.13, 12.85, -10.11

 

CMYK 11 / 0 / 12 / 49

HEX #748272

RGB 116 130 114

HSL 112.5, 0.07%, 0.48%

LAB 52.83, -8.38, 6.93

 

CMYK 33 / 0 / 37 / 41

HEX #65965E

RGB 101 150 94

HSL 112.5, 0.23%, 0.48%

LAB 57.45, -27.92, 24.45

 

CMYK 39 / 60 / 0 / 32

HEX #6A46AD

RGB 106 70 173

HSL 260.97, 0.42%, 0.48%

LAB 38.66, 38.61, -49.86

 

CMYK 23 / 60 / 0 / 32

HEX #8646AD

RGB 134 70 173

HSL 277.28, 0.42%, 0.48%

LAB 41.95, 45.45, -44.41

 

CMYK 7 / 60 / 0 / 32

HEX #A146AD

RGB 161 70 173

HSL 293.01, 0.42%, 0.48%

LAB 45.6, 52.4, -38.38

 

CMYK 0 / 60 / 9 / 32

HEX #AD469E

RGB 173 70 158

HSL 308.74, 0.42%, 0.48%

LAB 46.62, 52.96, -27.76

 

CMYK 0 / 60 / 25 / 32

HEX #AD4682

RGB 173 70 130

HSL 325.05, 0.42%, 0.48%

LAB 45.46, 48.68, -12.71

 

CMYK 7 / 59 / 0 / 55

HEX #6B2F73

RGB 107 47 115

HSL 292.94, 0.42%, 0.32%

LAB 30.39, 37.44, -27.54

 

CMYK 7 / 59 / 0 / 44

HEX #863B90

RGB 134 59 144

HSL 292.94, 0.42%, 0.4%

LAB 38.22, 44.83, -32.93

 

CMYK 7 / 60 / 0 / 32

HEX #A146AD

RGB 161 70 173

HSL 293.01, 0.42%, 0.48%

LAB 45.6, 52.4, -38.38

 

CMYK 6 / 49 / 0 / 25

HEX #B360BE

RGB 179 96 190

HSL 292.98, 0.42%, 0.56%

LAB 53.67, 47.77, -35.41

 

CMYK 4 / 38 / 0 / 21

HEX #C17DCA

RGB 193 125 202

HSL 292.99, 0.42%, 0.64%

LAB 61.89, 38.94, -29.33

 

CMYK 7 / 60 / 0 / 32

HEX #A146AD

RGB 161 70 173

HSL 293.01, 0.42%, 0.48%

LAB 45.6, 52.4, -38.38

 

CMYK 0 / 54 / 60 / 32

HEX #AD4F46

RGB 173 79 70

HSL 5.24, 0.42%, 0.48%

LAB 45.52, 37.74, 23.87

 

CMYK 60 / 0 / 31 / 32

HEX #46AD78

RGB 70 173 120

HSL 149.13, 0.42%, 0.48%

LAB 63.79, -42.33, 18.54

 

CMYK 7 / 60 / 0 / 32

HEX #A146AD

RGB 161 70 173

HSL 293.01, 0.42%, 0.48%

LAB 45.6, 52.4, -38.38

 

CMYK 0 / 7 / 60 / 32

HEX #ADA146

RGB 173 161 70

HSL 53.01, 0.42%, 0.48%

LAB 65.61, -7.26, 47.9

 

CMYK 60 / 0 / 7 / 32

HEX #46ADA1

RGB 70 173 161

HSL 173.01, 0.42%, 0.48%

LAB 64.77, -32.56, -2.74

 

CMYK 7 / 60 / 0 / 32

HEX #A146AD

RGB 161 70 173

HSL 293.01, 0.42%, 0.48%

LAB 45.6, 52.4, -38.38

 

CMYK 0 / 54 / 60 / 32

HEX #AD4F46

RGB 173 79 70

HSL 5.24, 0.42%, 0.48%

LAB 45.52, 37.74, 23.87

 

CMYK 53 / 0 / 60 / 32

HEX #52AD46

RGB 82 173 70

HSL 113.01, 0.42%, 0.48%

LAB 63.44, -47.39, 43.92

 

CMYK 60 / 5 / 0 / 32

HEX #46A5AD

RGB 70 165 173

HSL 184.66, 0.42%, 0.48%

LAB 62.7, -25.3, -12.53

 

CMYK 7 / 60 / 0 / 32

HEX #A146AD

RGB 161 70 173

HSL 293.01, 0.42%, 0.48%

LAB 45.6, 52.4, -38.38

 

CMYK 0 / 36 / 60 / 32

HEX #AD6E46

RGB 173 110 70

HSL 23.3, 0.42%, 0.48%

LAB 52.37, 20.94, 32.45

 

CMYK 53 / 0 / 60 / 32

HEX #52AD46

RGB 82 173 70

HSL 113.01, 0.42%, 0.48%

LAB 63.44, -47.39, 43.92

 

CMYK 60 / 23 / 0 / 32

HEX #4686AD

RGB 70 134 173

HSL 202.72, 0.42%, 0.48%

LAB 53.35, -8.67, -26.8

 

Description

Color code: HEX #A146AD | qconv.com Color code: HEX #A146AD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 70 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 70 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 60 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 60% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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