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Color name
HEX #A14C35

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A14C35 it is the complementary color #5EB3CA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A14C35. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A14C35 shade: #A64C30, #B75E43, #C87056, #D98269 and #EA947C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A14C35. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A14C35 shade: #A14C35, #903A22, #7F280F, #6E1600 and #5D0400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A14C35 shade: #A04C35 and #A03535

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A14C35 shade: #A04C35, #A06935, #A08635, #9EA035 and #81A035

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A14C35 shade matches the following richer shades: #A04C35, #B14224, #C33812 and #D42E01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A14C35 shade: #A04C35, #8F5646, #7D6058, #6C6A69 and #5B747A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A14C35 shade: #A03559, #A0353C, #A04A35, #A06735 and #A08435

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A14C35 shade: #622E20, #813D2B, #A04C35, #BF5B40 and #C9755F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A14C35 shade: #A14C35, #75A035 and #354AA0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A14C35 shade: #A14C35, #35A04A and #4A35A0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A14C35 shade: #A14C35, #75A035, #358BA0 and #6035A0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A14C35 shade: #A14C35, #55A035, #358BA0 and #8035A0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 67 / 37

HEX #A14C35

RGB 161 76 53

HSL 12.78, 0.5%, 0.42%

LAB 42.77, 33.42, 30.02

 

Complementary color

CMYK 53 / 11 / 0 / 21

HEX #5EB3CA

RGB 94 179 202

HSL 192.78, 0.5%, 0.58%

LAB 68.67, -19.31, -19.55

 

CMYK 0 / 54 / 71 / 35

HEX #A64C30

RGB 166 76 48

HSL 14.24, 0.55%, 0.42%

LAB 43.49, 35.12, 33.9

 

CMYK 0 / 49 / 63 / 28

HEX #B75E43

RGB 183 94 67

HSL 13.97, 0.46%, 0.49%

LAB 50.07, 33.61, 31.63

 

CMYK 0 / 44 / 57 / 22

HEX #C87056

RGB 200 112 86

HSL 13.68, 0.51%, 0.56%

LAB 56.62, 32.22, 29.61

 

CMYK 0 / 40 / 52 / 15

HEX #D98269

RGB 217 130 105

HSL 13.39, 0.6%, 0.63%

LAB 63.12, 30.96, 27.83

 

CMYK 0 / 37 / 47 / 8

HEX #EA947C

RGB 234 148 124

HSL 13.09, 0.72%, 0.7%

LAB 69.56, 29.82, 26.24

 

CMYK 0 / 53 / 67 / 37

HEX #A14C35

RGB 161 76 53

HSL 12.78, 0.5%, 0.42%

LAB 42.77, 33.42, 30.02

 

CMYK 0 / 60 / 76 / 44

HEX #903A22

RGB 144 58 34

HSL 13.09, 0.62%, 0.35%

LAB 36.12, 34.95, 32.54

 

CMYK 0 / 69 / 88 / 50

HEX #7F280F

RGB 127 40 15

HSL 13.39, 0.79%, 0.28%

LAB 29.57, 36.39, 35.12

 

CMYK 0 / 80 / 100 / 57

HEX #6E1600

RGB 110 22 0

HSL 12, 1%, 0.22%

LAB 23.3, 37.32, 34.5

 

CMYK 0 / 96 / 100 / 64

HEX #5D0400

RGB 93 4 0

HSL 2.58, 1%, 0.18%

LAB 17.53, 37.15, 26.99

 

CMYK 0 / 53 / 67 / 37

HEX #A04C35

RGB 160 76 53

HSL 12.9, 0.5%, 0.42%

LAB 42.61, 33.02, 29.8

 

CMYK 0 / 67 / 67 / 37

HEX #A03535

RGB 160 53 53

HSL 0, 0.5%, 0.42%

LAB 38.33, 44.23, 24.6

 

CMYK 0 / 53 / 67 / 37

HEX #A04C35

RGB 160 76 53

HSL 12.9, 0.5%, 0.42%

LAB 42.61, 33.02, 29.8

 

CMYK 0 / 34 / 67 / 37

HEX #A06935

RGB 160 105 53

HSL 29.16, 0.5%, 0.42%

LAB 49.29, 16.9, 37.56

 

CMYK 0 / 16 / 67 / 37

HEX #A08635

RGB 160 134 53

HSL 45.42, 0.5%, 0.42%

LAB 56.86, 0.49, 45.87

 

CMYK 1 / 0 / 67 / 37

HEX #9EA035

RGB 158 160 53

HSL 61.12, 0.5%, 0.42%

LAB 63.89, -14.4, 53.17

 

CMYK 19 / 0 / 67 / 37

HEX #81A035

RGB 129 160 53

HSL 77.38, 0.5%, 0.42%

LAB 61.71, -26.73, 50.22

 

CMYK 0 / 53 / 67 / 37

HEX #A04C35

RGB 160 76 53

HSL 12.9, 0.5%, 0.42%

LAB 42.61, 33.02, 29.8

 

CMYK 0 / 63 / 80 / 31

HEX #B14224

RGB 177 66 36

HSL 12.77, 0.66%, 0.42%

LAB 43.32, 43.68, 40.71

 

CMYK 0 / 71 / 91 / 24

HEX #C33812

RGB 195 56 18

HSL 12.88, 0.83%, 0.42%

LAB 44.91, 53.63, 51.38

 

CMYK 0 / 78 / 100 / 17

HEX #D42E01

RGB 212 46 1

HSL 12.8, 0.99%, 0.42%

LAB 46.91, 62.04, 59.23

 

CMYK 0 / 53 / 67 / 37

HEX #A04C35

RGB 160 76 53

HSL 12.9, 0.5%, 0.42%

LAB 42.61, 33.02, 29.8

 

CMYK 0 / 40 / 51 / 44

HEX #8F5646

RGB 143 86 70

HSL 13.15, 0.34%, 0.42%

LAB 42.67, 21.81, 19.31

 

CMYK 0 / 23 / 30 / 51

HEX #7D6058

RGB 125 96 88

HSL 12.97, 0.17%, 0.42%

LAB 43.4, 10.51, 9.09

 

CMYK 0 / 2 / 3 / 58

HEX #6C6A69

RGB 108 106 105

HSL 20, 0.01%, 0.42%

LAB 44.96, 0.58, 0.83

 

CMYK 25 / 5 / 0 / 52

HEX #5B747A

RGB 91 116 122

HSL 191.61, 0.15%, 0.42%

LAB 47.13, -7.6, -6.3

 

CMYK 0 / 67 / 44 / 37

HEX #A03559

RGB 160 53 89

HSL 339.81, 0.5%, 0.42%

LAB 39.14, 47.17, 3.07

 

CMYK 0 / 67 / 63 / 37

HEX #A0353C

RGB 160 53 60

HSL 356.07, 0.5%, 0.42%

LAB 38.46, 44.68, 20.42

 

CMYK 0 / 54 / 67 / 37

HEX #A04A35

RGB 160 74 53

HSL 11.78, 0.5%, 0.42%

LAB 42.2, 34.08, 29.31

 

CMYK 0 / 36 / 67 / 37

HEX #A06735

RGB 160 103 53

HSL 28.04, 0.5%, 0.42%

LAB 48.8, 18.04, 37

 

CMYK 0 / 18 / 67 / 37

HEX #A08435

RGB 160 132 53

HSL 44.3, 0.5%, 0.42%

LAB 56.32, 1.61, 45.29

 

CMYK 0 / 53 / 67 / 62

HEX #622E20

RGB 98 46 32

HSL 12.73, 0.51%, 0.25%

LAB 25.73, 22.22, 19.76

 

CMYK 0 / 53 / 67 / 49

HEX #813D2B

RGB 129 61 43

HSL 12.56, 0.5%, 0.34%

LAB 34.35, 27.78, 24.61

 

CMYK 0 / 53 / 67 / 37

HEX #A04C35

RGB 160 76 53

HSL 12.9, 0.5%, 0.42%

LAB 42.61, 33.02, 29.8

 

CMYK 0 / 52 / 66 / 25

HEX #BF5B40

RGB 191 91 64

HSL 12.76, 0.5%, 0.5%

LAB 50.6, 38.12, 34.24

 

CMYK 0 / 42 / 53 / 21

HEX #C9755F

RGB 201 117 95

HSL 12.45, 0.5%, 0.58%

LAB 58.01, 30.7, 26.35

 

CMYK 0 / 53 / 67 / 37

HEX #A14C35

RGB 161 76 53

HSL 12.78, 0.5%, 0.42%

LAB 42.77, 33.42, 30.02

 

CMYK 27 / 0 / 67 / 37

HEX #75A035

RGB 117 160 53

HSL 84.11, 0.5%, 0.42%

LAB 60.94, -31.55, 49.18

 

CMYK 67 / 54 / 0 / 37

HEX #354AA0

RGB 53 74 160

HSL 228.22, 0.5%, 0.42%

LAB 34.38, 20.93, -49.22

 

CMYK 0 / 53 / 67 / 37

HEX #A14C35

RGB 161 76 53

HSL 12.78, 0.5%, 0.42%

LAB 42.77, 33.42, 30.02

 

CMYK 67 / 0 / 54 / 37

HEX #35A04A

RGB 53 160 74

HSL 131.78, 0.5%, 0.42%

LAB 58.41, -48.88, 35.8

 

CMYK 54 / 67 / 0 / 37

HEX #4A35A0

RGB 74 53 160

HSL 251.78, 0.5%, 0.42%

LAB 30.74, 38.02, -55.07

 

CMYK 0 / 53 / 67 / 37

HEX #A14C35

RGB 161 76 53

HSL 12.78, 0.5%, 0.42%

LAB 42.77, 33.42, 30.02

 

CMYK 27 / 0 / 67 / 37

HEX #75A035

RGB 117 160 53

HSL 84.11, 0.5%, 0.42%

LAB 60.94, -31.55, 49.18

 

CMYK 67 / 13 / 0 / 37

HEX #358BA0

RGB 53 139 160

HSL 191.78, 0.5%, 0.42%

LAB 53.77, -18.77, -18.71

 

CMYK 40 / 67 / 0 / 37

HEX #6035A0

RGB 96 53 160

HSL 264.11, 0.5%, 0.42%

LAB 33.07, 42.35, -51.16

 

CMYK 0 / 53 / 67 / 37

HEX #A14C35

RGB 161 76 53

HSL 12.78, 0.5%, 0.42%

LAB 42.77, 33.42, 30.02

 

CMYK 47 / 0 / 67 / 37

HEX #55A035

RGB 85 160 53

HSL 102.06, 0.5%, 0.42%

LAB 59.28, -42.99, 46.91

 

CMYK 67 / 13 / 0 / 37

HEX #358BA0

RGB 53 139 160

HSL 191.78, 0.5%, 0.42%

LAB 53.77, -18.77, -18.71

 

CMYK 20 / 67 / 0 / 37

HEX #8035A0

RGB 128 53 160

HSL 282.06, 0.5%, 0.42%

LAB 37.25, 49.51, -44.21

 

Description

Color code: HEX #A14C35 | qconv.com Color code: HEX #A14C35 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 76 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 76 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 67 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 67% 37% C M Y K

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