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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A15484 it is the complementary color #5EAB7B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A15484. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A15484 shade: #A6547F, #B76692, #C878A5, #D98AB8 and #EA9CCB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A15484. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A15484 shade: #A15484, #904271, #7F305E, #6E1E4B and #5D0C38

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A15484 shade: #A05483, #A0546F, #A0545A and #A05454

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A15484 shade: #A05483, #A05498, #9354A0, #7F54A0 and #6B54A0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A15484 shade matches the following richer shades: #A05483, #B44088, #C72C8D, #DB1992 and #EF0597

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A15484 shade: #A05483, #8C687E, #787C79, #648F75 and #51A370

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A15484 shade: #9354A0, #A05498, #A05484, #A05470 and #A0545C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A15484 shade: #6A3757, #85466D, #A05483, #B16C97 and #BF87AA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A15484 shade: #A15484, #A07F54 and #54A09D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A15484 shade: #A15484, #84A054 and #5484A0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A15484 shade: #A15484, #A07F54, #54A070 and #5475A0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A15484 shade: #A15484, #A09654, #54A070 and #545EA0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 18 / 37

HEX #A15484

RGB 161 84 132

HSL 322.6, 0.31%, 0.48%

LAB 46.42, 38.08, -12.64

 

Complementary color

CMYK 45 / 0 / 28 / 33

HEX #5EAB7B

RGB 94 171 123

HSL 142.6, 0.31%, 0.52%

LAB 64.11, -34.83, 17.48

 

CMYK 0 / 49 / 23 / 35

HEX #A6547F

RGB 166 84 127

HSL 328.54, 0.33%, 0.49%

LAB 46.95, 39.01, -8.77

 

CMYK 0 / 44 / 20 / 28

HEX #B76692

RGB 183 102 146

HSL 327.41, 0.36%, 0.56%

LAB 53.65, 38.2, -9.8

 

CMYK 0 / 40 / 18 / 22

HEX #C878A5

RGB 200 120 165

HSL 326.25, 0.42%, 0.63%

LAB 60.27, 37.39, -10.67

 

CMYK 0 / 36 / 15 / 15

HEX #D98AB8

RGB 217 138 184

HSL 325.06, 0.51%, 0.7%

LAB 66.82, 36.6, -11.44

 

CMYK 0 / 33 / 13 / 8

HEX #EA9CCB

RGB 234 156 203

HSL 323.85, 0.65%, 0.76%

LAB 73.27, 35.86, -12.13

 

CMYK 0 / 48 / 18 / 37

HEX #A15484

RGB 161 84 132

HSL 322.6, 0.31%, 0.48%

LAB 46.42, 38.08, -12.64

 

CMYK 0 / 54 / 22 / 44

HEX #904271

RGB 144 66 113

HSL 323.85, 0.37%, 0.41%

LAB 39.61, 38.83, -11.57

 

CMYK 0 / 62 / 26 / 50

HEX #7F305E

RGB 127 48 94

HSL 325.06, 0.45%, 0.34%

LAB 32.78, 39.4, -10.17

 

CMYK 0 / 73 / 32 / 57

HEX #6E1E4B

RGB 110 30 75

HSL 326.25, 0.57%, 0.27%

LAB 26.01, 39.52, -8.22

 

CMYK 0 / 87 / 40 / 64

HEX #5D0C38

RGB 93 12 56

HSL 327.41, 0.77%, 0.21%

LAB 19.54, 38.55, -5.29

 

CMYK 0 / 48 / 18 / 37

HEX #A05483

RGB 160 84 131

HSL 322.89, 0.31%, 0.48%

LAB 46.25, 37.58, -12.32

 

CMYK 0 / 48 / 31 / 37

HEX #A0546F

RGB 160 84 111

HSL 338.68, 0.31%, 0.48%

LAB 45.58, 34.59, -1.19

 

CMYK 0 / 48 / 44 / 37

HEX #A0545A

RGB 160 84 90

HSL 355.26, 0.31%, 0.48%

LAB 45.01, 31.97, 10.79

 

CMYK 0 / 48 / 48 / 37

HEX #A05454

RGB 160 84 84

HSL 0, 0.31%, 0.48%

LAB 44.88, 31.32, 14.24

 

CMYK 0 / 48 / 18 / 37

HEX #A05483

RGB 160 84 131

HSL 322.89, 0.31%, 0.48%

LAB 46.25, 37.58, -12.32

 

CMYK 0 / 48 / 5 / 37

HEX #A05498

RGB 160 84 152

HSL 306.32, 0.31%, 0.48%

LAB 47.08, 41.18, -23.63

 

CMYK 8 / 48 / 0 / 37

HEX #9354A0

RGB 147 84 160

HSL 289.74, 0.31%, 0.48%

LAB 45.75, 38.73, -30.59

 

CMYK 21 / 48 / 0 / 37

HEX #7F54A0

RGB 127 84 160

HSL 273.95, 0.31%, 0.48%

LAB 43.35, 32.75, -34.53

 

CMYK 33 / 48 / 0 / 37

HEX #6B54A0

RGB 107 84 160

HSL 258.16, 0.31%, 0.48%

LAB 41.22, 26.98, -38.02

 

CMYK 0 / 48 / 18 / 37

HEX #A05483

RGB 160 84 131

HSL 322.89, 0.31%, 0.48%

LAB 46.25, 37.58, -12.32

 

CMYK 0 / 64 / 24 / 29

HEX #B44088

RGB 180 64 136

HSL 322.76, 0.48%, 0.48%

LAB 45.84, 54.25, -15.68

 

CMYK 0 / 78 / 29 / 22

HEX #C72C8D

RGB 199 44 141

HSL 322.45, 0.64%, 0.48%

LAB 46.8, 66.93, -16.94

 

CMYK 0 / 89 / 33 / 14

HEX #DB1992

RGB 219 25 146

HSL 322.58, 0.8%, 0.48%

LAB 49.29, 76.1, -15.82

 

CMYK 0 / 98 / 37 / 6

HEX #EF0597

RGB 239 5 151

HSL 322.56, 0.96%, 0.48%

LAB 52.61, 82.77, -13.41

 

CMYK 0 / 48 / 18 / 37

HEX #A05483

RGB 160 84 131

HSL 322.89, 0.31%, 0.48%

LAB 46.25, 37.58, -12.32

 

CMYK 0 / 26 / 10 / 45

HEX #8C687E

RGB 140 104 126

HSL 323.33, 0.15%, 0.48%

LAB 48.24, 18.17, -6.58

 

CMYK 3 / 0 / 2 / 51

HEX #787C79

RGB 120 124 121

HSL 135, 0.02%, 0.48%

LAB 51.6, -2.1, 1.11

 

CMYK 30 / 0 / 18 / 44

HEX #648F75

RGB 100 143 117

HSL 143.72, 0.18%, 0.48%

LAB 55.72, -20.5, 9.17

 

CMYK 50 / 0 / 31 / 36

HEX #51A370

RGB 81 163 112

HSL 142.68, 0.34%, 0.48%

LAB 60.88, -36.92, 19.01

 

CMYK 8 / 48 / 0 / 37

HEX #9354A0

RGB 147 84 160

HSL 289.74, 0.31%, 0.48%

LAB 45.75, 38.73, -30.59

 

CMYK 0 / 48 / 5 / 37

HEX #A05498

RGB 160 84 152

HSL 306.32, 0.31%, 0.48%

LAB 47.08, 41.18, -23.63

 

CMYK 0 / 48 / 18 / 37

HEX #A05484

RGB 160 84 132

HSL 322.11, 0.31%, 0.48%

LAB 46.28, 37.74, -12.86

 

CMYK 0 / 48 / 30 / 37

HEX #A05470

RGB 160 84 112

HSL 337.89, 0.31%, 0.48%

LAB 45.61, 34.73, -1.75

 

CMYK 0 / 48 / 43 / 37

HEX #A0545C

RGB 160 84 92

HSL 353.68, 0.31%, 0.48%

LAB 45.06, 32.19, 9.64

 

CMYK 0 / 48 / 18 / 58

HEX #6A3757

RGB 106 55 87

HSL 322.35, 0.32%, 0.32%

LAB 30.6, 27.27, -9.26

 

CMYK 0 / 47 / 18 / 48

HEX #85466D

RGB 133 70 109

HSL 322.86, 0.31%, 0.4%

LAB 38.67, 32.25, -10.65

 

CMYK 0 / 48 / 18 / 37

HEX #A05483

RGB 160 84 131

HSL 322.89, 0.31%, 0.48%

LAB 46.25, 37.58, -12.32

 

CMYK 0 / 39 / 15 / 31

HEX #B16C97

RGB 177 108 151

HSL 322.61, 0.31%, 0.56%

LAB 54.35, 33.68, -11.75

 

CMYK 0 / 29 / 11 / 25

HEX #BF87AA

RGB 191 135 170

HSL 322.5, 0.3%, 0.64%

LAB 62.77, 26.9, -9.9

 

CMYK 0 / 48 / 18 / 37

HEX #A15484

RGB 161 84 132

HSL 322.6, 0.31%, 0.48%

LAB 46.42, 38.08, -12.64

 

CMYK 0 / 21 / 48 / 37

HEX #A07F54

RGB 160 127 84

HSL 33.95, 0.31%, 0.48%

LAB 55.37, 7.01, 28.15

 

CMYK 48 / 0 / 2 / 37

HEX #54A09D

RGB 84 160 157

HSL 177.63, 0.31%, 0.48%

LAB 61.19, -24.26, -5.74

 

CMYK 0 / 48 / 18 / 37

HEX #A15484

RGB 161 84 132

HSL 322.6, 0.31%, 0.48%

LAB 46.42, 38.08, -12.64

 

CMYK 18 / 0 / 48 / 37

HEX #84A054

RGB 132 160 84

HSL 82.11, 0.31%, 0.48%

LAB 62.24, -22.6, 36.26

 

CMYK 48 / 18 / 0 / 37

HEX #5484A0

RGB 84 132 160

HSL 202.11, 0.31%, 0.48%

LAB 52.87, -8.38, -19.99

 

CMYK 0 / 48 / 18 / 37

HEX #A15484

RGB 161 84 132

HSL 322.6, 0.31%, 0.48%

LAB 46.42, 38.08, -12.64

 

CMYK 0 / 21 / 48 / 37

HEX #A07F54

RGB 160 127 84

HSL 33.95, 0.31%, 0.48%

LAB 55.37, 7.01, 28.15

 

CMYK 48 / 0 / 30 / 37

HEX #54A070

RGB 84 160 112

HSL 142.11, 0.31%, 0.48%

LAB 60.07, -34.74, 17.91

 

CMYK 48 / 27 / 0 / 37

HEX #5475A0

RGB 84 117 160

HSL 213.95, 0.31%, 0.48%

LAB 48.44, 0.38, -26.81

 

CMYK 0 / 48 / 18 / 37

HEX #A15484

RGB 161 84 132

HSL 322.6, 0.31%, 0.48%

LAB 46.42, 38.08, -12.64

 

CMYK 0 / 6 / 48 / 37

HEX #A09654

RGB 160 150 84

HSL 52.11, 0.31%, 0.48%

LAB 61.59, -5.74, 35.95

 

CMYK 48 / 0 / 30 / 37

HEX #54A070

RGB 84 160 112

HSL 142.11, 0.31%, 0.48%

LAB 60.07, -34.74, 17.91

 

CMYK 48 / 41 / 0 / 37

HEX #545EA0

RGB 84 94 160

HSL 232.11, 0.31%, 0.48%

LAB 41.89, 14.56, -37.09

 

Description

Color code: HEX #A15484 | qconv.com Color code: HEX #A15484 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 84 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 84 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 18 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 18% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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