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Color name
HEX #A15020

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A15020 it is the complementary color #5EAFDF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A15020. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A15020 shade: #A6501B, #B7622E, #C87441, #D98654 and #EA9867

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A15020. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A15020 shade: #A15020, #903E0D, #7F2C00, #6E1A00 and #5D0800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A15020 shade: #A1501F, #A12D1F and #A11F1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A15020 shade: #A1501F, #A1731F, #A1961F, #8AA11F and #67A11F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A15020 shade matches the following richer shades: #A1501F, #B14C10 and #C14800

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A15020 shade: #A1501F, #92542F, #82583F, #725C4F and #63605E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A15020 shade: #A11F35, #A12C1F, #A14F1F, #A1721F and #A1941F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A15020 shade: #5C2E12, #7F3F19, #A1501F, #C46126 and #D8763B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A15020 shade: #A15020, #58A11F and #1F24A1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A15020 shade: #A15020, #1FA14F and #4F1FA1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A15020 shade: #A15020, #58A11F, #1F72A1 and #691FA1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A15020 shade: #A15020, #31A11F, #1F72A1 and #901FA1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 80 / 37

HEX #A15020

RGB 161 80 32

HSL 22.33, 0.67%, 0.38%

LAB 43.39, 30.23, 41.87

 

Complementary color

CMYK 58 / 22 / 0 / 13

HEX #5EAFDF

RGB 94 175 223

HSL 202.33, 0.67%, 0.62%

LAB 68.29, -10.96, -31.67

 

CMYK 0 / 52 / 84 / 35

HEX #A6501B

RGB 166 80 27

HSL 22.88, 0.72%, 0.38%

LAB 44.12, 32.13, 45.1

 

CMYK 0 / 46 / 75 / 28

HEX #B7622E

RGB 183 98 46

HSL 22.77, 0.6%, 0.45%

LAB 50.69, 30.28, 43.52

 

CMYK 0 / 42 / 68 / 22

HEX #C87441

RGB 200 116 65

HSL 22.67, 0.55%, 0.52%

LAB 57.22, 28.63, 41.72

 

CMYK 0 / 38 / 61 / 15

HEX #D98654

RGB 217 134 84

HSL 22.56, 0.64%, 0.59%

LAB 63.71, 27.16, 39.94

 

CMYK 0 / 35 / 56 / 8

HEX #EA9867

RGB 234 152 103

HSL 22.44, 0.76%, 0.66%

LAB 70.13, 25.85, 38.28

 

CMYK 0 / 50 / 80 / 37

HEX #A15020

RGB 161 80 32

HSL 22.33, 0.67%, 0.38%

LAB 43.39, 30.23, 41.87

 

CMYK 0 / 57 / 91 / 44

HEX #903E0D

RGB 144 62 13

HSL 22.44, 0.83%, 0.31%

LAB 36.75, 32.19, 43.06

 

CMYK 0 / 65 / 100 / 50

HEX #7F2C00

RGB 127 44 0

HSL 20.79, 1%, 0.25%

LAB 30.19, 34.19, 41.9

 

CMYK 0 / 76 / 100 / 57

HEX #6E1A00

RGB 110 26 0

HSL 14.18, 1%, 0.22%

LAB 23.85, 35.81, 35.05

 

CMYK 0 / 91 / 100 / 64

HEX #5D0800

RGB 93 8 0

HSL 5.16, 1%, 0.18%

LAB 17.92, 36.01, 27.46

 

CMYK 0 / 50 / 81 / 37

HEX #A1501F

RGB 161 80 31

HSL 22.62, 0.68%, 0.38%

LAB 43.38, 30.19, 42.33

 

CMYK 0 / 72 / 81 / 37

HEX #A12D1F

RGB 161 45 31

HSL 6.46, 0.68%, 0.38%

LAB 37.03, 46.84, 36.12

 

CMYK 0 / 81 / 81 / 37

HEX #A11F1F

RGB 161 31 31

HSL 0, 0.68%, 0.38%

LAB 35.31, 51.61, 34.38

 

CMYK 0 / 50 / 81 / 37

HEX #A1501F

RGB 161 80 31

HSL 22.62, 0.68%, 0.38%

LAB 43.38, 30.19, 42.33

 

CMYK 0 / 29 / 81 / 37

HEX #A1731F

RGB 161 115 31

HSL 38.77, 0.68%, 0.38%

LAB 51.77, 10.54, 50.17

 

CMYK 0 / 7 / 81 / 37

HEX #A1961F

RGB 161 150 31

HSL 54.92, 0.68%, 0.38%

LAB 61.21, -8.85, 58.63

 

CMYK 14 / 0 / 81 / 37

HEX #8AA11F

RGB 138 161 31

HSL 70.62, 0.68%, 0.38%

LAB 62.5, -24.66, 59.07

 

CMYK 36 / 0 / 81 / 37

HEX #67A11F

RGB 103 161 31

HSL 86.77, 0.68%, 0.38%

LAB 60.31, -38.72, 56.27

 

CMYK 0 / 50 / 81 / 37

HEX #A1501F

RGB 161 80 31

HSL 22.62, 0.68%, 0.38%

LAB 43.38, 30.19, 42.33

 

CMYK 0 / 57 / 91 / 31

HEX #B14C10

RGB 177 76 16

HSL 22.36, 0.83%, 0.38%

LAB 45.02, 38.35, 50.71

 

CMYK 0 / 63 / 100 / 24

HEX #C14800

RGB 193 72 0

HSL 22.38, 1%, 0.38%

LAB 46.94, 46.1, 57.55

 

CMYK 0 / 50 / 81 / 37

HEX #A1501F

RGB 161 80 31

HSL 22.62, 0.68%, 0.38%

LAB 43.38, 30.19, 42.33

 

CMYK 0 / 42 / 68 / 43

HEX #92542F

RGB 146 84 47

HSL 22.42, 0.51%, 0.38%

LAB 42.24, 22.35, 32.24

 

CMYK 0 / 32 / 52 / 49

HEX #82583F

RGB 130 88 63

HSL 22.39, 0.35%, 0.38%

LAB 41.35, 14.28, 21.45

 

CMYK 0 / 19 / 31 / 55

HEX #725C4F

RGB 114 92 79

HSL 22.29, 0.18%, 0.38%

LAB 40.89, 6.85, 10.86

 

CMYK 0 / 3 / 5 / 61

HEX #63605E

RGB 99 96 94

HSL 24, 0.03%, 0.38%

LAB 40.94, 0.78, 1.56

 

CMYK 0 / 81 / 67 / 37

HEX #A11F35

RGB 161 31 53

HSL 349.85, 0.68%, 0.38%

LAB 35.62, 52.58, 21.24

 

CMYK 0 / 73 / 81 / 37

HEX #A12C1F

RGB 161 44 31

HSL 6, 0.68%, 0.38%

LAB 36.89, 47.22, 35.98

 

CMYK 0 / 51 / 81 / 37

HEX #A14F1F

RGB 161 79 31

HSL 22.15, 0.68%, 0.38%

LAB 43.16, 30.73, 42.13

 

CMYK 0 / 29 / 81 / 37

HEX #A1721F

RGB 161 114 31

HSL 38.31, 0.68%, 0.38%

LAB 51.51, 11.11, 49.93

 

CMYK 0 / 8 / 81 / 37

HEX #A1941F

RGB 161 148 31

HSL 54, 0.68%, 0.38%

LAB 60.65, -7.78, 58.14

 

CMYK 0 / 50 / 80 / 64

HEX #5C2E12

RGB 92 46 18

HSL 22.7, 0.67%, 0.22%

LAB 24.55, 18.59, 26.59

 

CMYK 0 / 50 / 80 / 50

HEX #7F3F19

RGB 127 63 25

HSL 22.35, 0.67%, 0.3%

LAB 34.27, 24.8, 34.56

 

CMYK 0 / 50 / 81 / 37

HEX #A1501F

RGB 161 80 31

HSL 22.62, 0.68%, 0.38%

LAB 43.38, 30.19, 42.33

 

CMYK 0 / 51 / 81 / 23

HEX #C46126

RGB 196 97 38

HSL 22.41, 0.68%, 0.46%

LAB 52.31, 35.8, 49.5

 

CMYK 0 / 45 / 73 / 15

HEX #D8763B

RGB 216 118 59

HSL 22.55, 0.67%, 0.54%

LAB 59.77, 33.77, 48.14

 

CMYK 0 / 50 / 80 / 37

HEX #A15020

RGB 161 80 32

HSL 22.33, 0.67%, 0.38%

LAB 43.39, 30.23, 41.87

 

CMYK 45 / 0 / 81 / 37

HEX #58A11F

RGB 88 161 31

HSL 93.69, 0.68%, 0.38%

LAB 59.58, -43.99, 55.33

 

CMYK 81 / 78 / 0 / 37

HEX #1F24A1

RGB 31 36 161

HSL 237.69, 0.68%, 0.38%

LAB 24.08, 42.9, -66.72

 

CMYK 0 / 50 / 80 / 37

HEX #A15020

RGB 161 80 32

HSL 22.33, 0.67%, 0.38%

LAB 43.39, 30.23, 41.87

 

CMYK 81 / 0 / 51 / 37

HEX #1FA14F

RGB 31 161 79

HSL 142.15, 0.68%, 0.38%

LAB 58.36, -52.02, 33.11

 

CMYK 51 / 81 / 0 / 37

HEX #4F1FA1

RGB 79 31 161

HSL 262.15, 0.68%, 0.38%

LAB 27.34, 50.39, -61.21

 

CMYK 0 / 50 / 80 / 37

HEX #A15020

RGB 161 80 32

HSL 22.33, 0.67%, 0.38%

LAB 43.39, 30.23, 41.87

 

CMYK 45 / 0 / 81 / 37

HEX #58A11F

RGB 88 161 31

HSL 93.69, 0.68%, 0.38%

LAB 59.58, -43.99, 55.33

 

CMYK 81 / 29 / 0 / 37

HEX #1F72A1

RGB 31 114 161

HSL 201.69, 0.68%, 0.38%

LAB 45.5, -7.35, -32.15

 

CMYK 35 / 81 / 0 / 37

HEX #691FA1

RGB 105 31 161

HSL 274.15, 0.68%, 0.38%

LAB 30.78, 54.33, -55.45

 

CMYK 0 / 50 / 80 / 37

HEX #A15020

RGB 161 80 32

HSL 22.33, 0.67%, 0.38%

LAB 43.39, 30.23, 41.87

 

CMYK 70 / 0 / 81 / 37

HEX #31A11F

RGB 49 161 31

HSL 111.69, 0.68%, 0.38%

LAB 58.27, -54.44, 53.62

 

CMYK 81 / 29 / 0 / 37

HEX #1F72A1

RGB 31 114 161

HSL 201.69, 0.68%, 0.38%

LAB 45.5, -7.35, -32.15

 

CMYK 11 / 81 / 0 / 37

HEX #901FA1

RGB 144 31 161

HSL 292.15, 0.68%, 0.38%

LAB 36.9, 61.37, -45.25

 

Description

Color code: HEX #A15020 | qconv.com Color code: HEX #A15020 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 80 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 80 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 80 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 80% 37% C M Y K

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Provide designers and agencies with accurate color values.

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