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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A150DC it is the complementary color #5EAF23. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A150DC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A150DC shade: #A650D7, #B762EA, #C874FD, #D986FF and #EA98FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A150DC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A150DC shade: #A150DC, #903EC9, #7F2CB6, #6E1AA3 and #5D0890

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A150DC shade: #A150DC, #C750DC, #DC50CB, #DC50A6 and #DC5080

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A150DC shade: #A150DC, #7B50DC, #5550DC and #5050DC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A150DC shade matches the following richer shades: #A150DC, #A43FED and #A62EFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A150DC shade: #A150DC, #9E61CB, #9C72BA, #9983A9 and #969498

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A150DC shade: #5550DC, #7A50DC, #9F50DC, #C550DC and #DC50CE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A150DC shade: #7824B6, #8E2DD5, #A150DC, #B372E3 and #C695EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A150DC shade: #A150DC, #DC5071 and #50DC67

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A150DC shade: #A150DC, #DC9F50 and #50DC9F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A150DC shade: #A150DC, #DC5071, #8DDC50 and #50DCBB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A150DC shade: #A150DC, #DC5950, #8DDC50 and #50D3DC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 64 / 0 / 14

HEX #A150DC

RGB 161 80 220

HSL 274.71, 0.67%, 0.59%

LAB 50.08, 57.45, -58.42

 

Complementary color

CMYK 46 / 0 / 80 / 31

HEX #5EAF23

RGB 94 175 35

HSL 94.71, 0.67%, 0.41%

LAB 64.29, -47.46, 58.61

 

CMYK 23 / 63 / 0 / 16

HEX #A650D7

RGB 166 80 215

HSL 278.22, 0.63%, 0.58%

LAB 50.39, 57.47, -55.03

 

CMYK 22 / 58 / 0 / 8

HEX #B762EA

RGB 183 98 234

HSL 277.5, 0.76%, 0.65%

LAB 56.82, 56.84, -55.34

 

CMYK 21 / 54 / 0 / 1

HEX #C874FD

RGB 200 116 253

HSL 276.79, 0.97%, 0.72%

LAB 63.23, 56.1, -55.55

 

CMYK 15 / 47 / 0 / 0

HEX #D986FF

RGB 217 134 255

HSL 281.16, 1%, 0.76%

LAB 68.77, 51.76, -47.76

 

CMYK 8 / 40 / 0 / 0

HEX #EA98FF

RGB 234 152 255

HSL 287.77, 1%, 0.8%

LAB 74.3, 47.22, -38.97

 

CMYK 27 / 64 / 0 / 14

HEX #A150DC

RGB 161 80 220

HSL 274.71, 0.67%, 0.59%

LAB 50.08, 57.45, -58.42

 

CMYK 28 / 69 / 0 / 21

HEX #903EC9

RGB 144 62 201

HSL 275.4, 0.56%, 0.52%

LAB 43.64, 57.93, -58.01

 

CMYK 30 / 76 / 0 / 29

HEX #7F2CB6

RGB 127 44 182

HSL 276.09, 0.61%, 0.44%

LAB 37.28, 57.98, -57.3

 

CMYK 33 / 84 / 0 / 36

HEX #6E1AA3

RGB 110 26 163

HSL 276.79, 0.72%, 0.37%

LAB 31.11, 57.24, -56.09

 

CMYK 35 / 94 / 0 / 44

HEX #5D0890

RGB 93 8 144

HSL 277.5, 0.89%, 0.3%

LAB 25.3, 55.1, -54.05

 

CMYK 27 / 64 / 0 / 14

HEX #A150DC

RGB 161 80 220

HSL 274.71, 0.67%, 0.59%

LAB 50.08, 57.45, -58.42

 

CMYK 10 / 64 / 0 / 14

HEX #C750DC

RGB 199 80 220

HSL 291, 0.67%, 0.59%

LAB 55.12, 66.07, -50.06

 

CMYK 0 / 64 / 8 / 14

HEX #DC50CB

RGB 220 80 203

HSL 307.29, 0.67%, 0.59%

LAB 57.33, 68.23, -36.71

 

CMYK 0 / 64 / 25 / 14

HEX #DC50A6

RGB 220 80 166

HSL 323.14, 0.67%, 0.59%

LAB 55.79, 62.94, -17.75

 

CMYK 0 / 64 / 42 / 14

HEX #DC5080

RGB 220 80 128

HSL 339.43, 0.67%, 0.59%

LAB 54.57, 58.54, 2.8

 

CMYK 27 / 64 / 0 / 14

HEX #A150DC

RGB 161 80 220

HSL 274.71, 0.67%, 0.59%

LAB 50.08, 57.45, -58.42

 

CMYK 44 / 64 / 0 / 14

HEX #7B50DC

RGB 123 80 220

HSL 258.43, 0.67%, 0.59%

LAB 45.79, 49.49, -65.55

 

CMYK 61 / 64 / 0 / 14

HEX #5550DC

RGB 85 80 220

HSL 242.14, 0.67%, 0.59%

LAB 42.51, 42.84, -71.03

 

CMYK 64 / 64 / 0 / 14

HEX #5050DC

RGB 80 80 220

HSL 240, 0.67%, 0.59%

LAB 42.17, 42.11, -71.61

 

CMYK 27 / 64 / 0 / 14

HEX #A150DC

RGB 161 80 220

HSL 274.71, 0.67%, 0.59%

LAB 50.08, 57.45, -58.42

 

CMYK 31 / 73 / 0 / 7

HEX #A43FED

RGB 164 63 237

HSL 274.83, 0.83%, 0.59%

LAB 48.96, 69.18, -69.82

 

CMYK 35 / 82 / 0 / 0

HEX #A62EFE

RGB 166 46 254

HSL 274.62, 0.99%, 0.59%

LAB 48.53, 78.83, -80.03

 

CMYK 27 / 64 / 0 / 14

HEX #A150DC

RGB 161 80 220

HSL 274.71, 0.67%, 0.59%

LAB 50.08, 57.45, -58.42

 

CMYK 22 / 52 / 0 / 20

HEX #9E61CB

RGB 158 97 203

HSL 274.53, 0.5%, 0.59%

LAB 51.98, 44.17, -45.7

 

CMYK 16 / 39 / 0 / 27

HEX #9C72BA

RGB 156 114 186

HSL 275, 0.34%, 0.59%

LAB 54.71, 30.24, -31.69

 

CMYK 9 / 22 / 0 / 34

HEX #9983A9

RGB 153 131 169

HSL 274.74, 0.18%, 0.59%

LAB 57.91, 15.74, -17.02

 

CMYK 1 / 3 / 0 / 40

HEX #969498

RGB 150 148 152

HSL 270, 0.02%, 0.59%

LAB 61.59, 1.51, -1.85

 

CMYK 61 / 64 / 0 / 14

HEX #5550DC

RGB 85 80 220

HSL 242.14, 0.67%, 0.59%

LAB 42.51, 42.84, -71.03

 

CMYK 45 / 64 / 0 / 14

HEX #7A50DC

RGB 122 80 220

HSL 258, 0.67%, 0.59%

LAB 45.69, 49.29, -65.72

 

CMYK 28 / 64 / 0 / 14

HEX #9F50DC

RGB 159 80 220

HSL 273.86, 0.67%, 0.59%

LAB 49.83, 57.01, -58.83

 

CMYK 10 / 64 / 0 / 14

HEX #C550DC

RGB 197 80 220

HSL 290.14, 0.67%, 0.59%

LAB 54.84, 65.61, -50.53

 

CMYK 0 / 64 / 6 / 14

HEX #DC50CE

RGB 220 80 206

HSL 306, 0.67%, 0.59%

LAB 57.47, 68.7, -38.2

 

CMYK 34 / 80 / 0 / 29

HEX #7824B6

RGB 120 36 182

HSL 274.52, 0.67%, 0.43%

LAB 35.27, 59.74, -60.62

 

CMYK 33 / 79 / 0 / 16

HEX #8E2DD5

RGB 142 45 213

HSL 274.64, 0.67%, 0.51%

LAB 41.89, 66.94, -67.79

 

CMYK 27 / 64 / 0 / 14

HEX #A150DC

RGB 161 80 220

HSL 274.71, 0.67%, 0.59%

LAB 50.08, 57.45, -58.42

 

CMYK 21 / 50 / 0 / 11

HEX #B372E3

RGB 179 114 227

HSL 274.51, 0.67%, 0.67%

LAB 59.13, 46.04, -47.8

 

CMYK 15 / 36 / 0 / 8

HEX #C695EA

RGB 198 149 234

HSL 274.59, 0.67%, 0.75%

LAB 69.07, 33.93, -35.94

 

CMYK 27 / 64 / 0 / 14

HEX #A150DC

RGB 161 80 220

HSL 274.71, 0.67%, 0.59%

LAB 50.08, 57.45, -58.42

 

CMYK 0 / 64 / 49 / 14

HEX #DC5071

RGB 220 80 113

HSL 345.86, 0.67%, 0.59%

LAB 54.18, 57.12, 11.17

 

CMYK 64 / 0 / 53 / 14

HEX #50DC67

RGB 80 220 103

HSL 129.86, 0.67%, 0.59%

LAB 78.39, -61.38, 46.13

 

CMYK 27 / 64 / 0 / 14

HEX #A150DC

RGB 161 80 220

HSL 274.71, 0.67%, 0.59%

LAB 50.08, 57.45, -58.42

 

CMYK 0 / 28 / 64 / 14

HEX #DC9F50

RGB 220 159 80

HSL 33.86, 0.67%, 0.59%

LAB 69.89, 14.7, 49.25

 

CMYK 64 / 0 / 28 / 14

HEX #50DC9F

RGB 80 220 159

HSL 153.86, 0.67%, 0.59%

LAB 79.27, -51.71, 19.08

 

CMYK 27 / 64 / 0 / 14

HEX #A150DC

RGB 161 80 220

HSL 274.71, 0.67%, 0.59%

LAB 50.08, 57.45, -58.42

 

CMYK 0 / 64 / 49 / 14

HEX #DC5071

RGB 220 80 113

HSL 345.86, 0.67%, 0.59%

LAB 54.18, 57.12, 11.17

 

CMYK 36 / 0 / 64 / 14

HEX #8DDC50

RGB 141 220 80

HSL 93.86, 0.67%, 0.59%

LAB 80.42, -47.18, 59.25

 

CMYK 64 / 0 / 15 / 14

HEX #50DCBB

RGB 80 220 187

HSL 165.86, 0.67%, 0.59%

LAB 79.89, -45.38, 5.16

 

CMYK 27 / 64 / 0 / 14

HEX #A150DC

RGB 161 80 220

HSL 274.71, 0.67%, 0.59%

LAB 50.08, 57.45, -58.42

 

CMYK 0 / 60 / 64 / 14

HEX #DC5950

RGB 220 89 80

HSL 3.86, 0.67%, 0.59%

LAB 55.01, 50.71, 31.61

 

CMYK 36 / 0 / 64 / 14

HEX #8DDC50

RGB 141 220 80

HSL 93.86, 0.67%, 0.59%

LAB 80.42, -47.18, 59.25

 

CMYK 64 / 4 / 0 / 14

HEX #50D3DC

RGB 80 211 220

HSL 183.86, 0.67%, 0.59%

LAB 78.15, -32.61, -15.05

 

Description

Color code: HEX #A150DC | qconv.com Color code: HEX #A150DC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 80 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 80 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 64 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 64% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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