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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A15B73 it is the complementary color #5EA48C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A15B73. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A15B73 shade: #A65B6E, #B76D81, #C87F94, #D991A7 and #EAA3BA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A15B73. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A15B73 shade: #A15B73, #904960, #7F374D, #6E253A and #5D1327

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A15B73 shade: #9F5971, #9F595F and #9F5959

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A15B73 shade: #9F5971, #9F5984, #9F5997, #95599F and #82599F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A15B73 shade matches the following richer shades: #9F5971, #B4456B, #C83165, #DC1D5E and #F00958

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A15B73 shade: #9F5971, #8B6E78, #77827E, #639685 and #4FAA8B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A15B73 shade: #9F5997, #9F5985, #9F5972, #9F595F and #9F6659

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A15B73 shade: #6B3C4C, #854B5F, #9F5971, #B07287 and #BF8D9E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A15B73 shade: #A15B73, #9F9559 and #598E9F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A15B73 shade: #A15B73, #729F59 and #59729F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A15B73 shade: #A15B73, #9F9559, #599F87 and #59649F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A15B73 shade: #A15B73, #959F59, #599F87 and #64599F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 29 / 37

HEX #A15B73

RGB 161 91 115

HSL 339.43, 0.28%, 0.49%

LAB 47.36, 31.7, -0.99

 

Complementary color

CMYK 43 / 0 / 15 / 36

HEX #5EA48C

RGB 94 164 140

HSL 159.43, 0.28%, 0.51%

LAB 62.36, -27.88, 5.59

 

CMYK 0 / 45 / 34 / 35

HEX #A65B6E

RGB 166 91 110

HSL 344.8, 0.3%, 0.5%

LAB 47.9, 32.87, 2.89

 

CMYK 0 / 40 / 30 / 28

HEX #B76D81

RGB 183 109 129

HSL 343.78, 0.34%, 0.57%

LAB 54.65, 31.94, 1.66

 

CMYK 0 / 37 / 26 / 22

HEX #C87F94

RGB 200 127 148

HSL 342.74, 0.4%, 0.64%

LAB 61.3, 31.06, 0.6

 

CMYK 0 / 33 / 23 / 15

HEX #D991A7

RGB 217 145 167

HSL 341.67, 0.49%, 0.71%

LAB 67.87, 30.26, -0.34

 

CMYK 0 / 30 / 21 / 8

HEX #EAA3BA

RGB 234 163 186

HSL 340.56, 0.63%, 0.78%

LAB 74.34, 29.51, -1.2

 

CMYK 0 / 43 / 29 / 37

HEX #A15B73

RGB 161 91 115

HSL 339.43, 0.28%, 0.49%

LAB 47.36, 31.7, -0.99

 

CMYK 0 / 49 / 33 / 44

HEX #904960

RGB 144 73 96

HSL 340.56, 0.33%, 0.43%

LAB 40.47, 32.63, 0.29

 

CMYK 0 / 57 / 39 / 50

HEX #7F374D

RGB 127 55 77

HSL 341.67, 0.4%, 0.36%

LAB 33.52, 33.55, 1.9

 

CMYK 0 / 66 / 47 / 57

HEX #6E253A

RGB 110 37 58

HSL 342.74, 0.5%, 0.29%

LAB 26.57, 34.29, 4.03

 

CMYK 0 / 80 / 58 / 64

HEX #5D1327

RGB 93 19 39

HSL 343.78, 0.66%, 0.22%

LAB 19.8, 34.44, 7.11

 

CMYK 0 / 44 / 29 / 38

HEX #9F5971

RGB 159 89 113

HSL 339.43, 0.28%, 0.49%

LAB 46.59, 31.78, -0.94

 

CMYK 0 / 44 / 40 / 38

HEX #9F595F

RGB 159 89 95

HSL 354.86, 0.28%, 0.49%

LAB 46.1, 29.41, 9.25

 

CMYK 0 / 44 / 44 / 38

HEX #9F5959

RGB 159 89 89

HSL 0, 0.28%, 0.49%

LAB 45.96, 28.71, 12.68

 

CMYK 0 / 44 / 29 / 38

HEX #9F5971

RGB 159 89 113

HSL 339.43, 0.28%, 0.49%

LAB 46.59, 31.78, -0.94

 

CMYK 0 / 44 / 17 / 38

HEX #9F5984

RGB 159 89 132

HSL 323.14, 0.28%, 0.49%

LAB 47.21, 34.69, -11.48

 

CMYK 0 / 44 / 5 / 38

HEX #9F5997

RGB 159 89 151

HSL 306.86, 0.28%, 0.49%

LAB 47.94, 38.01, -21.71

 

CMYK 6 / 44 / 0 / 38

HEX #95599F

RGB 149 89 159

HSL 291.43, 0.28%, 0.49%

LAB 47.02, 36.38, -27.98

 

CMYK 18 / 44 / 0 / 38

HEX #82599F

RGB 130 89 159

HSL 275.14, 0.28%, 0.49%

LAB 44.79, 30.5, -31.63

 

CMYK 0 / 44 / 29 / 38

HEX #9F5971

RGB 159 89 113

HSL 339.43, 0.28%, 0.49%

LAB 46.59, 31.78, -0.94

 

CMYK 0 / 62 / 41 / 29

HEX #B4456B

RGB 180 69 107

HSL 339.46, 0.45%, 0.49%

LAB 45.66, 48.49, 1.74

 

CMYK 0 / 76 / 50 / 22

HEX #C83165

RGB 200 49 101

HSL 339.34, 0.61%, 0.49%

LAB 46.2, 61.67, 6.65

 

CMYK 0 / 87 / 57 / 14

HEX #DC1D5E

RGB 220 29 94

HSL 339.58, 0.77%, 0.49%

LAB 48.14, 71.29, 14.25

 

CMYK 0 / 96 / 63 / 6

HEX #F00958

RGB 240 9 88

HSL 339.48, 0.93%, 0.49%

LAB 51.18, 78.1, 22.71

 

CMYK 0 / 44 / 29 / 38

HEX #9F5971

RGB 159 89 113

HSL 339.43, 0.28%, 0.49%

LAB 46.59, 31.78, -0.94

 

CMYK 0 / 21 / 14 / 45

HEX #8B6E78

RGB 139 110 120

HSL 339.31, 0.12%, 0.49%

LAB 49.49, 13.17, -1.17

 

CMYK 8 / 0 / 3 / 49

HEX #77827E

RGB 119 130 126

HSL 158.18, 0.04%, 0.49%

LAB 53.38, -4.87, 0.77

 

CMYK 34 / 0 / 11 / 41

HEX #639685

RGB 99 150 133

HSL 160, 0.2%, 0.49%

LAB 58.19, -20.97, 3.56

 

CMYK 54 / 0 / 18 / 33

HEX #4FAA8B

RGB 79 170 139

HSL 159.56, 0.37%, 0.49%

LAB 63.57, -34.78, 7.8

 

CMYK 0 / 44 / 5 / 38

HEX #9F5997

RGB 159 89 151

HSL 306.86, 0.28%, 0.49%

LAB 47.94, 38.01, -21.71

 

CMYK 0 / 44 / 16 / 38

HEX #9F5985

RGB 159 89 133

HSL 322.29, 0.28%, 0.49%

LAB 47.25, 34.86, -12.02

 

CMYK 0 / 44 / 28 / 38

HEX #9F5972

RGB 159 89 114

HSL 338.57, 0.28%, 0.49%

LAB 46.62, 31.92, -1.5

 

CMYK 0 / 44 / 40 / 38

HEX #9F595F

RGB 159 89 95

HSL 354.86, 0.28%, 0.49%

LAB 46.1, 29.41, 9.25

 

CMYK 0 / 36 / 44 / 38

HEX #9F6659

RGB 159 102 89

HSL 11.14, 0.28%, 0.49%

LAB 49, 21.39, 16.86

 

CMYK 0 / 44 / 29 / 58

HEX #6B3C4C

RGB 107 60 76

HSL 339.57, 0.28%, 0.33%

LAB 31.53, 22.89, -0.73

 

CMYK 0 / 44 / 29 / 48

HEX #854B5F

RGB 133 75 95

HSL 339.31, 0.28%, 0.41%

LAB 39.32, 27.21, -0.96

 

CMYK 0 / 44 / 29 / 38

HEX #9F5971

RGB 159 89 113

HSL 339.43, 0.28%, 0.49%

LAB 46.59, 31.78, -0.94

 

CMYK 0 / 35 / 23 / 31

HEX #B07287

RGB 176 114 135

HSL 339.68, 0.28%, 0.57%

LAB 55.09, 27.45, -1.31

 

CMYK 0 / 26 / 17 / 25

HEX #BF8D9E

RGB 191 141 158

HSL 339.6, 0.28%, 0.65%

LAB 63.83, 21.58, -1.52

 

CMYK 0 / 43 / 29 / 37

HEX #A15B73

RGB 161 91 115

HSL 339.43, 0.28%, 0.49%

LAB 47.36, 31.7, -0.99

 

CMYK 0 / 6 / 44 / 38

HEX #9F9559

RGB 159 149 89

HSL 51.43, 0.28%, 0.49%

LAB 61.3, -5.1, 32.94

 

CMYK 44 / 11 / 0 / 38

HEX #598E9F

RGB 89 142 159

HSL 194.57, 0.28%, 0.49%

LAB 56.06, -12.96, -14.53

 

CMYK 0 / 43 / 29 / 37

HEX #A15B73

RGB 161 91 115

HSL 339.43, 0.28%, 0.49%

LAB 47.36, 31.7, -0.99

 

CMYK 28 / 0 / 44 / 38

HEX #729F59

RGB 114 159 89

HSL 98.57, 0.28%, 0.49%

LAB 60.87, -28.37, 31.69

 

CMYK 44 / 28 / 0 / 38

HEX #59729F

RGB 89 114 159

HSL 218.57, 0.28%, 0.49%

LAB 47.83, 3.2, -27.15

 

CMYK 0 / 43 / 29 / 37

HEX #A15B73

RGB 161 91 115

HSL 339.43, 0.28%, 0.49%

LAB 47.36, 31.7, -0.99

 

CMYK 0 / 6 / 44 / 38

HEX #9F9559

RGB 159 149 89

HSL 51.43, 0.28%, 0.49%

LAB 61.3, -5.1, 32.94

 

CMYK 44 / 0 / 15 / 38

HEX #599F87

RGB 89 159 135

HSL 159.43, 0.28%, 0.49%

LAB 60.49, -27.94, 5.68

 

CMYK 44 / 37 / 0 / 38

HEX #59649F

RGB 89 100 159

HSL 230.57, 0.28%, 0.49%

LAB 43.86, 11.79, -33.36

 

CMYK 0 / 43 / 29 / 37

HEX #A15B73

RGB 161 91 115

HSL 339.43, 0.28%, 0.49%

LAB 47.36, 31.7, -0.99

 

CMYK 6 / 0 / 44 / 38

HEX #959F59

RGB 149 159 89

HSL 68.57, 0.28%, 0.49%

LAB 63.27, -14.63, 35.22

 

CMYK 44 / 0 / 15 / 38

HEX #599F87

RGB 89 159 135

HSL 159.43, 0.28%, 0.49%

LAB 60.49, -27.94, 5.68

 

CMYK 37 / 44 / 0 / 38

HEX #64599F

RGB 100 89 159

HSL 249.43, 0.28%, 0.49%

LAB 41.78, 21.67, -36.59

 

Description

Color code: HEX #A15B73 | qconv.com Color code: HEX #A15B73 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 91 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 91 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 29 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 29% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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