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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A15D25 it is the complementary color #5EA2DA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A15D25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A15D25 shade: #A65D20, #B76F33, #C88146, #D99359 and #EAA56C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A15D25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A15D25 shade: #A15D25, #904B12, #7F3900, #6E2700 and #5D1500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A15D25 shade: #A25D24, #A23B24 and #A22424

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A15D25 shade: #A25D24, #A27F24, #A2A024, #81A224 and #5FA224

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A15D25 shade matches the following richer shades: #A25D24, #B25B14 and #C25A04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A15D25 shade: #A25D24, #925E34, #816044, #716255 and #616365

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A15D25 shade: #A2242F, #A23B24, #A25D24, #A27E24 and #A2A024

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A15D25 shade: #5E3615, #804A1D, #A25D24, #C3702C and #D48544

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A15D25 shade: #A15D25, #50A224 and #2B24A2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A15D25 shade: #A15D25, #24A25D and #5D24A2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A15D25 shade: #A15D25, #50A224, #2469A2 and #7624A2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A15D25 shade: #A15D25, #2BA224, #2469A2 and #9B24A2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 77 / 37

HEX #A15D25

RGB 161 93 37

HSL 27.1, 0.63%, 0.39%

LAB 46.36, 23.27, 42.45

 

Complementary color

CMYK 57 / 26 / 0 / 15

HEX #5EA2DA

RGB 94 162 218

HSL 207.1, 0.63%, 0.61%

LAB 64.39, -5.35, -34.96

 

CMYK 0 / 44 / 81 / 35

HEX #A65D20

RGB 166 93 32

HSL 27.31, 0.68%, 0.39%

LAB 47.03, 25.24, 45.6

 

CMYK 0 / 39 / 72 / 28

HEX #B76F33

RGB 183 111 51

HSL 27.27, 0.56%, 0.46%

LAB 53.68, 23.44, 44.22

 

CMYK 0 / 36 / 65 / 22

HEX #C88146

RGB 200 129 70

HSL 27.23, 0.54%, 0.53%

LAB 60.27, 21.88, 42.63

 

CMYK 0 / 32 / 59 / 15

HEX #D99359

RGB 217 147 89

HSL 27.19, 0.63%, 0.6%

LAB 66.78, 20.53, 41.03

 

CMYK 0 / 29 / 54 / 8

HEX #EAA56C

RGB 234 165 108

HSL 27.14, 0.75%, 0.67%

LAB 73.21, 19.35, 39.51

 

CMYK 0 / 42 / 77 / 37

HEX #A15D25

RGB 161 93 37

HSL 27.1, 0.63%, 0.39%

LAB 46.36, 23.27, 42.45

 

CMYK 0 / 48 / 88 / 44

HEX #904B12

RGB 144 75 18

HSL 27.14, 0.78%, 0.32%

LAB 39.59, 25.25, 43.5

 

CMYK 0 / 55 / 100 / 50

HEX #7F3900

RGB 127 57 0

HSL 26.93, 1%, 0.25%

LAB 32.78, 27.45, 43.69

 

CMYK 0 / 65 / 100 / 57

HEX #6E2700

RGB 110 39 0

HSL 21.27, 1%, 0.22%

LAB 26.06, 29.85, 37.16

 

CMYK 0 / 77 / 100 / 64

HEX #5D1500

RGB 93 21 0

HSL 13.55, 1%, 0.18%

LAB 19.49, 31.62, 29.3

 

CMYK 0 / 43 / 78 / 36

HEX #A25D24

RGB 162 93 36

HSL 27.14, 0.64%, 0.39%

LAB 46.5, 23.66, 43.09

 

CMYK 0 / 64 / 78 / 36

HEX #A23B24

RGB 162 59 36

HSL 10.95, 0.64%, 0.39%

LAB 39.47, 41.4, 35.95

 

CMYK 0 / 78 / 78 / 36

HEX #A22424

RGB 162 36 36

HSL 0, 0.64%, 0.39%

LAB 36.12, 50.56, 32.38

 

CMYK 0 / 43 / 78 / 36

HEX #A25D24

RGB 162 93 36

HSL 27.14, 0.64%, 0.39%

LAB 46.5, 23.66, 43.09

 

CMYK 0 / 22 / 78 / 36

HEX #A27F24

RGB 162 127 36

HSL 43.33, 0.64%, 0.39%

LAB 55.06, 4.42, 51.36

 

CMYK 0 / 1 / 78 / 36

HEX #A2A024

RGB 162 160 36

HSL 59.05, 0.64%, 0.39%

LAB 64.12, -13.49, 59.72

 

CMYK 20 / 0 / 78 / 36

HEX #81A224

RGB 129 162 36

HSL 75.71, 0.64%, 0.39%

LAB 62.2, -28.71, 57.03

 

CMYK 41 / 0 / 78 / 36

HEX #5FA224

RGB 95 162 36

HSL 91.9, 0.64%, 0.39%

LAB 60.25, -41.75, 54.5

 

CMYK 0 / 43 / 78 / 36

HEX #A25D24

RGB 162 93 36

HSL 27.14, 0.64%, 0.39%

LAB 46.5, 23.66, 43.09

 

CMYK 0 / 49 / 89 / 30

HEX #B25B14

RGB 178 91 20

HSL 26.96, 0.8%, 0.39%

LAB 48.26, 31.08, 51.96

 

CMYK 0 / 54 / 98 / 24

HEX #C25A04

RGB 194 90 4

HSL 27.16, 0.96%, 0.39%

LAB 50.44, 37.88, 58.67

 

CMYK 0 / 43 / 78 / 36

HEX #A25D24

RGB 162 93 36

HSL 27.14, 0.64%, 0.39%

LAB 46.5, 23.66, 43.09

 

CMYK 0 / 36 / 64 / 43

HEX #925E34

RGB 146 94 52

HSL 26.81, 0.47%, 0.39%

LAB 44.75, 16.93, 32.4

 

CMYK 0 / 26 / 47 / 49

HEX #816044

RGB 129 96 68

HSL 27.54, 0.31%, 0.39%

LAB 43.43, 9.62, 21.18

 

CMYK 0 / 13 / 25 / 56

HEX #716255

RGB 113 98 85

HSL 27.86, 0.14%, 0.39%

LAB 42.62, 3.75, 9.61

 

CMYK 4 / 2 / 0 / 60

HEX #616365

RGB 97 99 101

HSL 210, 0.02%, 0.39%

LAB 41.85, -0.35, -1.41

 

CMYK 0 / 78 / 71 / 36

HEX #A2242F

RGB 162 36 47

HSL 354.76, 0.64%, 0.39%

LAB 36.27, 51.04, 25.87

 

CMYK 0 / 64 / 78 / 36

HEX #A23B24

RGB 162 59 36

HSL 10.95, 0.64%, 0.39%

LAB 39.47, 41.4, 35.95

 

CMYK 0 / 43 / 78 / 36

HEX #A25D24

RGB 162 93 36

HSL 27.14, 0.64%, 0.39%

LAB 46.5, 23.66, 43.09

 

CMYK 0 / 22 / 78 / 36

HEX #A27E24

RGB 162 126 36

HSL 42.86, 0.64%, 0.39%

LAB 54.79, 4.98, 51.11

 

CMYK 0 / 1 / 78 / 36

HEX #A2A024

RGB 162 160 36

HSL 59.05, 0.64%, 0.39%

LAB 64.12, -13.49, 59.72

 

CMYK 0 / 43 / 78 / 63

HEX #5E3615

RGB 94 54 21

HSL 27.12, 0.63%, 0.23%

LAB 26.94, 14.78, 27.53

 

CMYK 0 / 42 / 77 / 50

HEX #804A1D

RGB 128 74 29

HSL 27.27, 0.63%, 0.31%

LAB 37.07, 19.07, 35.42

 

CMYK 0 / 43 / 78 / 36

HEX #A25D24

RGB 162 93 36

HSL 27.14, 0.64%, 0.39%

LAB 46.5, 23.66, 43.09

 

CMYK 0 / 43 / 77 / 24

HEX #C3702C

RGB 195 112 44

HSL 27.02, 0.63%, 0.47%

LAB 55.45, 27.66, 49.81

 

CMYK 0 / 37 / 68 / 17

HEX #D48544

RGB 212 133 68

HSL 27.08, 0.63%, 0.55%

LAB 62.67, 24.62, 46.74

 

CMYK 0 / 42 / 77 / 37

HEX #A15D25

RGB 161 93 37

HSL 27.1, 0.63%, 0.39%

LAB 46.36, 23.27, 42.45

 

CMYK 51 / 0 / 78 / 36

HEX #50A224

RGB 80 162 36

HSL 99.05, 0.64%, 0.39%

LAB 59.59, -46.64, 53.64

 

CMYK 73 / 78 / 0 / 36

HEX #2B24A2

RGB 43 36 162

HSL 243.33, 0.64%, 0.39%

LAB 24.9, 44.17, -65.96

 

CMYK 0 / 42 / 77 / 37

HEX #A15D25

RGB 161 93 37

HSL 27.1, 0.63%, 0.39%

LAB 46.36, 23.27, 42.45

 

CMYK 78 / 0 / 43 / 36

HEX #24A25D

RGB 36 162 93

HSL 147.14, 0.64%, 0.39%

LAB 58.98, -49.29, 26.57

 

CMYK 43 / 78 / 0 / 36

HEX #5D24A2

RGB 93 36 162

HSL 267.14, 0.64%, 0.39%

LAB 29.91, 50.62, -57.55

 

CMYK 0 / 42 / 77 / 37

HEX #A15D25

RGB 161 93 37

HSL 27.1, 0.63%, 0.39%

LAB 46.36, 23.27, 42.45

 

CMYK 51 / 0 / 78 / 36

HEX #50A224

RGB 80 162 36

HSL 99.05, 0.64%, 0.39%

LAB 59.59, -46.64, 53.64

 

CMYK 78 / 35 / 0 / 36

HEX #2469A2

RGB 36 105 162

HSL 207.14, 0.64%, 0.39%

LAB 42.89, -0.94, -36.83

 

CMYK 27 / 78 / 0 / 36

HEX #7624A2

RGB 118 36 162

HSL 279.05, 0.64%, 0.39%

LAB 33.4, 55, -51.71

 

CMYK 0 / 42 / 77 / 37

HEX #A15D25

RGB 161 93 37

HSL 27.1, 0.63%, 0.39%

LAB 46.36, 23.27, 42.45

 

CMYK 73 / 0 / 78 / 36

HEX #2BA224

RGB 43 162 36

HSL 116.67, 0.64%, 0.39%

LAB 58.49, -55.56, 52.2

 

CMYK 78 / 35 / 0 / 36

HEX #2469A2

RGB 36 105 162

HSL 207.14, 0.64%, 0.39%

LAB 42.89, -0.94, -36.83

 

CMYK 4 / 78 / 0 / 36

HEX #9B24A2

RGB 155 36 162

HSL 296.67, 0.64%, 0.39%

LAB 39.31, 62.28, -41.89

 

Description

Color code: HEX #A15D25 | qconv.com Color code: HEX #A15D25 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 93 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 93 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 77 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 77% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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