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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A15DC1 it is the complementary color #5EA23E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A15DC1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A15DC1 shade: #A65DBC, #B76FCF, #C881E2, #D993F5 and #EAA5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A15DC1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A15DC1 shade: #A15DC1, #904BAE, #7F399B, #6E2788 and #5D1575

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A15DC1 shade: #A05CC1, #BC5CC1, #C15CAB, #C15C8F and #C15C74

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A15DC1 shade: #A05CC1, #855CC1, #6A5CC1 and #5C5CC1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A15DC1 shade matches the following richer shades: #A05CC1, #A74AD3, #AE38E5 and #B425F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A15DC1 shade: #A05CC1, #9A6EAF, #93809C, #8D928A and #86A478

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A15DC1 shade: #695CC1, #845CC1, #9F5CC1, #BA5CC1 and #C15CAD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A15DC1 shade: #753793, #8D43B1, #A05CC1, #B27ACC and #C398D7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A15DC1 shade: #A15DC1, #C15C69 and #5CC177

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A15DC1 shade: #A15DC1, #C19F5C and #5CC19F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A15DC1 shade: #A15DC1, #C15C69, #7DC15C and #5CC1B3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A15DC1 shade: #A15DC1, #C16D5C, #7DC15C and #5CB0C1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 52 / 0 / 24

HEX #A15DC1

RGB 161 93 193

HSL 280.8, 0.45%, 0.56%

LAB 50.99, 44.9, -41.52

 

Complementary color

CMYK 42 / 0 / 62 / 36

HEX #5EA23E

RGB 94 162 62

HSL 100.8, 0.45%, 0.44%

LAB 60.4, -40.03, 44.27

 

CMYK 12 / 51 / 0 / 26

HEX #A65DBC

RGB 166 93 188

HSL 286.11, 0.41%, 0.55%

LAB 51.34, 45.24, -38.03

 

CMYK 12 / 46 / 0 / 19

HEX #B76FCF

RGB 183 111 207

HSL 285, 0.5%, 0.62%

LAB 57.98, 44.46, -38.32

 

CMYK 12 / 43 / 0 / 11

HEX #C881E2

RGB 200 129 226

HSL 283.92, 0.63%, 0.7%

LAB 64.54, 43.68, -38.56

 

CMYK 11 / 40 / 0 / 4

HEX #D993F5

RGB 217 147 245

HSL 282.86, 0.83%, 0.77%

LAB 71.02, 42.92, -38.78

 

CMYK 8 / 35 / 0 / 0

HEX #EAA5FF

RGB 234 165 255

HSL 286, 1%, 0.82%

LAB 77.05, 40.4, -34.69

 

CMYK 17 / 52 / 0 / 24

HEX #A15DC1

RGB 161 93 193

HSL 280.8, 0.45%, 0.56%

LAB 50.99, 44.9, -41.52

 

CMYK 17 / 57 / 0 / 32

HEX #904BAE

RGB 144 75 174

HSL 281.82, 0.4%, 0.49%

LAB 44.26, 45.66, -41.24

 

CMYK 18 / 63 / 0 / 39

HEX #7F399B

RGB 127 57 155

HSL 282.86, 0.46%, 0.42%

LAB 37.49, 46.27, -40.82

 

CMYK 19 / 71 / 0 / 47

HEX #6E2788

RGB 110 39 136

HSL 283.92, 0.55%, 0.34%

LAB 30.74, 46.53, -40.13

 

CMYK 21 / 82 / 0 / 54

HEX #5D1575

RGB 93 21 117

HSL 285, 0.7%, 0.27%

LAB 24.15, 45.98, -38.9

 

CMYK 17 / 52 / 0 / 24

HEX #A05CC1

RGB 160 92 193

HSL 280.4, 0.45%, 0.56%

LAB 50.66, 45.16, -42.04

 

CMYK 3 / 52 / 0 / 24

HEX #BC5CC1

RGB 188 92 193

HSL 297.03, 0.45%, 0.56%

LAB 54.23, 52.87, -36.17

 

CMYK 0 / 52 / 11 / 24

HEX #C15CAB

RGB 193 92 171

HSL 313.07, 0.45%, 0.56%

LAB 53.95, 50.5, -23.83

 

CMYK 0 / 52 / 26 / 24

HEX #C15C8F

RGB 193 92 143

HSL 329.7, 0.45%, 0.56%

LAB 52.92, 46.27, -8.97

 

CMYK 0 / 52 / 40 / 24

HEX #C15C74

RGB 193 92 116

HSL 345.74, 0.45%, 0.56%

LAB 52.12, 42.87, 5.88

 

CMYK 17 / 52 / 0 / 24

HEX #A05CC1

RGB 160 92 193

HSL 280.4, 0.45%, 0.56%

LAB 50.66, 45.16, -42.04

 

CMYK 31 / 52 / 0 / 24

HEX #855CC1

RGB 133 92 193

HSL 264.36, 0.45%, 0.56%

LAB 47.61, 37.95, -47.07

 

CMYK 45 / 52 / 0 / 24

HEX #6A5CC1

RGB 106 92 193

HSL 248.32, 0.45%, 0.56%

LAB 45.04, 31.28, -51.34

 

CMYK 52 / 52 / 0 / 24

HEX #5C5CC1

RGB 92 92 193

HSL 240, 0.45%, 0.56%

LAB 43.92, 28.16, -53.2

 

CMYK 17 / 52 / 0 / 24

HEX #A05CC1

RGB 160 92 193

HSL 280.4, 0.45%, 0.56%

LAB 50.66, 45.16, -42.04

 

CMYK 21 / 65 / 0 / 17

HEX #A74AD3

RGB 167 74 211

HSL 280.73, 0.61%, 0.56%

LAB 49.27, 59.63, -54.54

 

CMYK 24 / 76 / 0 / 10

HEX #AE38E5

RGB 174 56 229

HSL 280.92, 0.77%, 0.56%

LAB 48.86, 71.88, -65.39

 

CMYK 27 / 85 / 0 / 3

HEX #B425F7

RGB 180 37 247

HSL 280.86, 0.93%, 0.56%

LAB 49.18, 81.72, -74.97

 

CMYK 17 / 52 / 0 / 24

HEX #A05CC1

RGB 160 92 193

HSL 280.4, 0.45%, 0.56%

LAB 50.66, 45.16, -42.04

 

CMYK 12 / 37 / 0 / 31

HEX #9A6EAF

RGB 154 110 175

HSL 280.62, 0.29%, 0.56%

LAB 53.08, 29.47, -27.9

 

CMYK 6 / 18 / 0 / 39

HEX #93809C

RGB 147 128 156

HSL 280.71, 0.12%, 0.56%

LAB 56.13, 12.64, -12.3

 

CMYK 3 / 0 / 5 / 43

HEX #8D928A

RGB 141 146 138

HSL 97.5, 0.04%, 0.56%

LAB 59.94, -3.37, 3.6

 

CMYK 18 / 0 / 27 / 36

HEX #86A478

RGB 134 164 120

HSL 100.91, 0.19%, 0.56%

LAB 64.14, -18.8, 19.52

 

CMYK 46 / 52 / 0 / 24

HEX #695CC1

RGB 105 92 193

HSL 247.72, 0.45%, 0.56%

LAB 44.95, 31.05, -51.48

 

CMYK 32 / 52 / 0 / 24

HEX #845CC1

RGB 132 92 193

HSL 263.76, 0.45%, 0.56%

LAB 47.51, 37.69, -47.24

 

CMYK 18 / 52 / 0 / 24

HEX #9F5CC1

RGB 159 92 193

HSL 279.8, 0.45%, 0.56%

LAB 50.54, 44.89, -42.24

 

CMYK 4 / 52 / 0 / 24

HEX #BA5CC1

RGB 186 92 193

HSL 295.84, 0.45%, 0.56%

LAB 53.97, 52.32, -36.61

 

CMYK 0 / 52 / 10 / 24

HEX #C15CAD

RGB 193 92 173

HSL 311.88, 0.45%, 0.56%

LAB 54.04, 50.82, -24.86

 

CMYK 20 / 63 / 0 / 42

HEX #753793

RGB 117 55 147

HSL 280.43, 0.46%, 0.4%

LAB 35.24, 42.98, -39.63

 

CMYK 20 / 62 / 0 / 31

HEX #8D43B1

RGB 141 67 177

HSL 280.36, 0.45%, 0.48%

LAB 42.54, 49.6, -45.78

 

CMYK 17 / 52 / 0 / 24

HEX #A05CC1

RGB 160 92 193

HSL 280.4, 0.45%, 0.56%

LAB 50.66, 45.16, -42.04

 

CMYK 13 / 40 / 0 / 20

HEX #B27ACC

RGB 178 122 204

HSL 280.98, 0.45%, 0.64%

LAB 59.66, 36.39, -34.05

 

CMYK 9 / 29 / 0 / 16

HEX #C398D7

RGB 195 152 215

HSL 280.95, 0.44%, 0.72%

LAB 68.73, 27.36, -26.03

 

CMYK 17 / 52 / 0 / 24

HEX #A15DC1

RGB 161 93 193

HSL 280.8, 0.45%, 0.56%

LAB 50.99, 44.9, -41.52

 

CMYK 0 / 52 / 46 / 24

HEX #C15C69

RGB 193 92 105

HSL 352.28, 0.45%, 0.56%

LAB 51.85, 41.69, 12.04

 

CMYK 52 / 0 / 38 / 24

HEX #5CC177

RGB 92 193 119

HSL 136.04, 0.45%, 0.56%

LAB 70.7, -45.77, 28.5

 

CMYK 17 / 52 / 0 / 24

HEX #A15DC1

RGB 161 93 193

HSL 280.8, 0.45%, 0.56%

LAB 50.99, 44.9, -41.52

 

CMYK 0 / 18 / 52 / 24

HEX #C19F5C

RGB 193 159 92

HSL 39.8, 0.45%, 0.56%

LAB 67.21, 4.19, 39.4

 

CMYK 52 / 0 / 18 / 24

HEX #5CC19F

RGB 92 193 159

HSL 159.8, 0.45%, 0.56%

LAB 71.5, -37.7, 8.2

 

CMYK 17 / 52 / 0 / 24

HEX #A15DC1

RGB 161 93 193

HSL 280.8, 0.45%, 0.56%

LAB 50.99, 44.9, -41.52

 

CMYK 0 / 52 / 46 / 24

HEX #C15C69

RGB 193 92 105

HSL 352.28, 0.45%, 0.56%

LAB 51.85, 41.69, 12.04

 

CMYK 35 / 0 / 52 / 24

HEX #7DC15C

RGB 125 193 92

HSL 100.4, 0.45%, 0.56%

LAB 71.74, -39.81, 43.74

 

CMYK 52 / 0 / 7 / 24

HEX #5CC1B3

RGB 92 193 179

HSL 171.68, 0.45%, 0.56%

LAB 72.01, -32.89, -1.95

 

CMYK 17 / 52 / 0 / 24

HEX #A15DC1

RGB 161 93 193

HSL 280.8, 0.45%, 0.56%

LAB 50.99, 44.9, -41.52

 

CMYK 0 / 44 / 52 / 24

HEX #C16D5C

RGB 193 109 92

HSL 10.1, 0.45%, 0.56%

LAB 55.12, 31.56, 24.08

 

CMYK 35 / 0 / 52 / 24

HEX #7DC15C

RGB 125 193 92

HSL 100.4, 0.45%, 0.56%

LAB 71.74, -39.81, 43.74

 

CMYK 52 / 9 / 0 / 24

HEX #5CB0C1

RGB 92 176 193

HSL 190.1, 0.45%, 0.56%

LAB 67.41, -20.74, -16.5

 

Description

Color code: HEX #A15DC1 | qconv.com Color code: HEX #A15DC1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 93 green and 193 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 93 193 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 52 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 52% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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