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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A168CA it is the complementary color #5E9735. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A168CA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A168CA shade: #A668C5, #B77AD8, #C88CEB, #D99EFE and #EAB0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A168CA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A168CA shade: #A168CA, #9056B7, #7F44A4, #6E3291 and #5D207E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A168CA shade: #A068C9, #BB68C9, #C968BE, #C968A3 and #C96889

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A168CA shade: #A068C9, #8668C9, #6C68C9 and #6868C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A168CA shade matches the following richer shades: #A068C9, #A357DA, #A647EA and #A936FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A168CA shade: #A068C9, #9E78B9, #9B89A8, #989998 and #96AA87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A168CA shade: #6B68C9, #8568C9, #9F68C9, #B968C9 and #C968C0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A168CA shade: #783AA5, #8D49BF, #A068C9, #B486D4 and #C7A5DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A168CA shade: #A168CA, #C9687E and #68C978

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A168CA shade: #A168CA, #C99F68 and #68C99F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A168CA shade: #A168CA, #C9687E, #92C968 and #68C9B3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A168CA shade: #A168CA, #C96E68, #92C968 and #68C3C9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 49 / 0 / 21

HEX #A168CA

RGB 161 104 202

HSL 274.9, 0.48%, 0.6%

LAB 53.75, 40.94, -42.31

 

Complementary color

CMYK 38 / 0 / 65 / 41

HEX #5E9735

RGB 94 151 53

HSL 94.9, 0.48%, 0.4%

LAB 56.85, -36.08, 44.4

 

CMYK 16 / 47 / 0 / 23

HEX #A668C5

RGB 166 104 197

HSL 280, 0.44%, 0.59%

LAB 54.07, 41.24, -38.91

 

CMYK 15 / 44 / 0 / 15

HEX #B77AD8

RGB 183 122 216

HSL 278.94, 0.55%, 0.66%

LAB 60.73, 40.43, -39.08

 

CMYK 15 / 40 / 0 / 8

HEX #C88CEB

RGB 200 140 235

HSL 277.89, 0.7%, 0.74%

LAB 67.3, 39.64, -39.22

 

CMYK 15 / 38 / 0 / 0

HEX #D99EFE

RGB 217 158 254

HSL 276.88, 0.98%, 0.81%

LAB 73.78, 38.89, -39.37

 

CMYK 8 / 31 / 0 / 0

HEX #EAB0FF

RGB 234 176 255

HSL 284.05, 1%, 0.85%

LAB 79.48, 34.56, -30.96

 

CMYK 20 / 49 / 0 / 21

HEX #A168CA

RGB 161 104 202

HSL 274.9, 0.48%, 0.6%

LAB 53.75, 40.94, -42.31

 

CMYK 21 / 53 / 0 / 28

HEX #9056B7

RGB 144 86 183

HSL 275.88, 0.4%, 0.53%

LAB 46.98, 41.81, -42.2

 

CMYK 23 / 59 / 0 / 36

HEX #7F44A4

RGB 127 68 164

HSL 276.88, 0.41%, 0.45%

LAB 40.13, 42.64, -42.02

 

CMYK 24 / 66 / 0 / 43

HEX #6E3291

RGB 110 50 145

HSL 277.89, 0.49%, 0.38%

LAB 33.22, 43.33, -41.7

 

CMYK 26 / 75 / 0 / 51

HEX #5D207E

RGB 93 32 126

HSL 278.94, 0.59%, 0.31%

LAB 26.35, 43.62, -41.08

 

CMYK 20 / 48 / 0 / 21

HEX #A068C9

RGB 160 104 201

HSL 274.64, 0.47%, 0.6%

LAB 53.59, 40.44, -42

 

CMYK 7 / 48 / 0 / 21

HEX #BB68C9

RGB 187 104 201

HSL 291.34, 0.47%, 0.6%

LAB 56.76, 48.08, -36.79

 

CMYK 0 / 48 / 5 / 21

HEX #C968BE

RGB 201 104 190

HSL 306.8, 0.47%, 0.6%

LAB 58.07, 50.14, -28.34

 

CMYK 0 / 48 / 19 / 21

HEX #C968A3

RGB 201 104 163

HSL 323.51, 0.47%, 0.6%

LAB 57.04, 45.76, -14.37

 

CMYK 0 / 48 / 32 / 21

HEX #C96889

RGB 201 104 137

HSL 339.59, 0.47%, 0.6%

LAB 56.21, 42.12, -0.45

 

CMYK 20 / 48 / 0 / 21

HEX #A068C9

RGB 160 104 201

HSL 274.64, 0.47%, 0.6%

LAB 53.59, 40.44, -42

 

CMYK 33 / 48 / 0 / 21

HEX #8668C9

RGB 134 104 201

HSL 258.56, 0.47%, 0.6%

LAB 50.9, 33.36, -46.43

 

CMYK 46 / 48 / 0 / 21

HEX #6C68C9

RGB 108 104 201

HSL 242.47, 0.47%, 0.6%

LAB 48.64, 26.85, -50.16

 

CMYK 48 / 48 / 0 / 21

HEX #6868C9

RGB 104 104 201

HSL 240, 0.47%, 0.6%

LAB 48.34, 25.92, -50.67

 

CMYK 20 / 48 / 0 / 21

HEX #A068C9

RGB 160 104 201

HSL 274.64, 0.47%, 0.6%

LAB 53.59, 40.44, -42

 

CMYK 25 / 60 / 0 / 15

HEX #A357DA

RGB 163 87 218

HSL 274.81, 0.64%, 0.6%

LAB 51.46, 54.03, -55.05

 

CMYK 29 / 70 / 0 / 8

HEX #A647EA

RGB 166 71 234

HSL 274.97, 0.8%, 0.6%

LAB 50.16, 65.64, -66.17

 

CMYK 33 / 78 / 0 / 2

HEX #A936FB

RGB 169 54 251

HSL 275.03, 0.96%, 0.6%

LAB 49.54, 76.19, -76.69

 

CMYK 20 / 48 / 0 / 21

HEX #A068C9

RGB 160 104 201

HSL 274.64, 0.47%, 0.6%

LAB 53.59, 40.44, -42

 

CMYK 15 / 35 / 0 / 27

HEX #9E78B9

RGB 158 120 185

HSL 275.08, 0.32%, 0.6%

LAB 56.29, 27.21, -28.64

 

CMYK 8 / 18 / 0 / 34

HEX #9B89A8

RGB 155 137 168

HSL 274.84, 0.15%, 0.6%

LAB 59.6, 12.77, -13.87

 

CMYK 1 / 0 / 1 / 40

HEX #989998

RGB 152 153 152

HSL 120, 0%, 0.6%

LAB 63.11, -0.55, 0.39

 

CMYK 12 / 0 / 21 / 33

HEX #96AA87

RGB 150 170 135

HSL 94.29, 0.17%, 0.6%

LAB 67.26, -13.52, 15.76

 

CMYK 47 / 48 / 0 / 21

HEX #6B68C9

RGB 107 104 201

HSL 241.86, 0.47%, 0.6%

LAB 48.57, 26.62, -50.29

 

CMYK 34 / 48 / 0 / 21

HEX #8568C9

RGB 133 104 201

HSL 257.94, 0.47%, 0.6%

LAB 50.81, 33.1, -46.58

 

CMYK 21 / 48 / 0 / 21

HEX #9F68C9

RGB 159 104 201

HSL 274.02, 0.47%, 0.6%

LAB 53.48, 40.16, -42.18

 

CMYK 8 / 48 / 0 / 21

HEX #B968C9

RGB 185 104 201

HSL 290.1, 0.47%, 0.6%

LAB 56.52, 47.51, -37.19

 

CMYK 0 / 48 / 4 / 21

HEX #C968C0

RGB 201 104 192

HSL 305.57, 0.47%, 0.6%

LAB 58.15, 50.49, -29.35

 

CMYK 27 / 65 / 0 / 35

HEX #783AA5

RGB 120 58 165

HSL 274.77, 0.48%, 0.44%

LAB 37.36, 46.35, -47.09

 

CMYK 26 / 62 / 0 / 25

HEX #8D49BF

RGB 141 73 191

HSL 274.58, 0.48%, 0.52%

LAB 44.5, 49.75, -50.83

 

CMYK 20 / 48 / 0 / 21

HEX #A068C9

RGB 160 104 201

HSL 274.64, 0.47%, 0.6%

LAB 53.59, 40.44, -42

 

CMYK 15 / 37 / 0 / 17

HEX #B486D4

RGB 180 134 212

HSL 275.38, 0.48%, 0.68%

LAB 62.93, 32.05, -33.43

 

CMYK 11 / 26 / 0 / 13

HEX #C7A5DF

RGB 199 165 223

HSL 275.17, 0.48%, 0.76%

LAB 72.48, 23.12, -24.64

 

CMYK 20 / 49 / 0 / 21

HEX #A168CA

RGB 161 104 202

HSL 274.9, 0.48%, 0.6%

LAB 53.75, 40.94, -42.31

 

CMYK 0 / 48 / 37 / 21

HEX #C9687E

RGB 201 104 126

HSL 346.39, 0.47%, 0.6%

LAB 55.91, 40.76, 5.55

 

CMYK 48 / 0 / 40 / 21

HEX #68C978

RGB 104 201 120

HSL 129.9, 0.47%, 0.6%

LAB 73.59, -45.8, 31.87

 

CMYK 20 / 49 / 0 / 21

HEX #A168CA

RGB 161 104 202

HSL 274.9, 0.48%, 0.6%

LAB 53.75, 40.94, -42.31

 

CMYK 0 / 21 / 48 / 21

HEX #C99F68

RGB 201 159 104

HSL 34.02, 0.47%, 0.6%

LAB 68.18, 8.66, 34.52

 

CMYK 48 / 0 / 21 / 21

HEX #68C99F

RGB 104 201 159

HSL 154.02, 0.47%, 0.6%

LAB 74.33, -38.45, 12.28

 

CMYK 20 / 49 / 0 / 21

HEX #A168CA

RGB 161 104 202

HSL 274.9, 0.48%, 0.6%

LAB 53.75, 40.94, -42.31

 

CMYK 0 / 48 / 37 / 21

HEX #C9687E

RGB 201 104 126

HSL 346.39, 0.47%, 0.6%

LAB 55.91, 40.76, 5.55

 

CMYK 27 / 0 / 48 / 21

HEX #92C968

RGB 146 201 104

HSL 94.02, 0.47%, 0.6%

LAB 75.38, -34.68, 42.6

 

CMYK 48 / 0 / 11 / 21

HEX #68C9B3

RGB 104 201 179

HSL 166.39, 0.47%, 0.6%

LAB 74.81, -33.94, 2.18

 

CMYK 20 / 49 / 0 / 21

HEX #A168CA

RGB 161 104 202

HSL 274.9, 0.48%, 0.6%

LAB 53.75, 40.94, -42.31

 

CMYK 0 / 45 / 48 / 21

HEX #C96E68

RGB 201 110 104

HSL 3.71, 0.47%, 0.6%

LAB 56.65, 35.26, 19.41

 

CMYK 27 / 0 / 48 / 21

HEX #92C968

RGB 146 201 104

HSL 94.02, 0.47%, 0.6%

LAB 75.38, -34.68, 42.6

 

CMYK 48 / 3 / 0 / 21

HEX #68C3C9

RGB 104 195 201

HSL 183.71, 0.47%, 0.6%

LAB 73.67, -25.52, -11.43

 

Description

Color code: HEX #A168CA | qconv.com Color code: HEX #A168CA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 104 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 104 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 49 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 49% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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