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Color name
HEX #A1626C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A1626C it is the complementary color #5E9D93. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A1626C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A1626C shade: #A66267, #B7747A, #C8868D, #D998A0 and #EAAAB3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A1626C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A1626C shade: #A1626C, #905059, #7F3E46, #6E2C33 and #5D1A20

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A1626C shade: #A1626C and #A16262

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A1626C shade: #A1626C, #A1627D, #A1628E, #A1629F and #9262A1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A1626C shade matches the following richer shades: #A1626C, #B54E5E, #C93A51, #DD2643 and #F21135

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A1626C shade: #A1626C, #8D777A, #788B88, #649F96 and #50B3A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A1626C shade: #A1628E, #A1627D, #A1626D, #A16962 and #A17962

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A1626C shade: #6E4249, #88525A, #A1626C, #B07C84 and #C0969D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A1626C shade: #A1626C, #9FA162 and #6286A1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A1626C shade: #A1626C, #6DA162 and #626DA1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A1626C shade: #A1626C, #9FA162, #62A196 and #6462A1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A1626C shade: #A1626C, #8CA162, #62A196 and #7762A1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 33 / 37

HEX #A1626C

RGB 161 98 108

HSL 350.48, 0.25%, 0.51%

LAB 48.75, 26.82, 5.24

 

Complementary color

CMYK 40 / 0 / 6 / 38

HEX #5E9D93

RGB 94 157 147

HSL 170.48, 0.25%, 0.49%

LAB 60.43, -22.71, -1.16

 

CMYK 0 / 41 / 38 / 35

HEX #A66267

RGB 166 98 103

HSL 355.59, 0.28%, 0.52%

LAB 49.28, 28.12, 9.06

 

CMYK 0 / 37 / 33 / 28

HEX #B7747A

RGB 183 116 122

HSL 354.63, 0.32%, 0.59%

LAB 56.05, 27.15, 7.77

 

CMYK 0 / 33 / 30 / 22

HEX #C8868D

RGB 200 134 141

HSL 353.64, 0.38%, 0.65%

LAB 62.72, 26.27, 6.64

 

CMYK 0 / 30 / 26 / 15

HEX #D998A0

RGB 217 152 160

HSL 352.62, 0.46%, 0.72%

LAB 69.29, 25.48, 5.63

 

CMYK 0 / 27 / 24 / 8

HEX #EAAAB3

RGB 234 170 179

HSL 351.56, 0.6%, 0.79%

LAB 75.76, 24.76, 4.7

 

CMYK 0 / 39 / 33 / 37

HEX #A1626C

RGB 161 98 108

HSL 350.48, 0.25%, 0.51%

LAB 48.75, 26.82, 5.24

 

CMYK 0 / 44 / 38 / 44

HEX #905059

RGB 144 80 89

HSL 351.56, 0.29%, 0.44%

LAB 41.83, 27.82, 6.58

 

CMYK 0 / 51 / 45 / 50

HEX #7F3E46

RGB 127 62 70

HSL 352.62, 0.34%, 0.37%

LAB 34.8, 28.9, 8.22

 

CMYK 0 / 60 / 54 / 57

HEX #6E2C33

RGB 110 44 51

HSL 353.64, 0.43%, 0.3%

LAB 27.72, 30, 10.33

 

CMYK 0 / 72 / 66 / 64

HEX #5D1A20

RGB 93 26 32

HSL 354.63, 0.56%, 0.23%

LAB 20.71, 30.89, 13.24

 

CMYK 0 / 39 / 33 / 37

HEX #A1626C

RGB 161 98 108

HSL 350.48, 0.25%, 0.51%

LAB 48.75, 26.82, 5.24

 

CMYK 0 / 39 / 39 / 37

HEX #A16262

RGB 161 98 98

HSL 0, 0.25%, 0.51%

LAB 48.5, 25.53, 10.87

 

CMYK 0 / 39 / 33 / 37

HEX #A1626C

RGB 161 98 108

HSL 350.48, 0.25%, 0.51%

LAB 48.75, 26.82, 5.24

 

CMYK 0 / 39 / 22 / 37

HEX #A1627D

RGB 161 98 125

HSL 334.29, 0.25%, 0.51%

LAB 49.24, 29.3, -4.22

 

CMYK 0 / 39 / 12 / 37

HEX #A1628E

RGB 161 98 142

HSL 318.1, 0.25%, 0.51%

LAB 49.82, 32.11, -13.49

 

CMYK 0 / 39 / 1 / 37

HEX #A1629F

RGB 161 98 159

HSL 301.9, 0.25%, 0.51%

LAB 50.47, 35.22, -22.53

 

CMYK 9 / 39 / 0 / 37

HEX #9262A1

RGB 146 98 161

HSL 285.71, 0.25%, 0.51%

LAB 48.78, 30.77, -26.45

 

CMYK 0 / 39 / 33 / 37

HEX #A1626C

RGB 161 98 108

HSL 350.48, 0.25%, 0.51%

LAB 48.75, 26.82, 5.24

 

CMYK 0 / 57 / 48 / 29

HEX #B54E5E

RGB 181 78 94

HSL 350.68, 0.41%, 0.51%

LAB 47.08, 43.26, 11.71

 

CMYK 0 / 71 / 60 / 21

HEX #C93A51

RGB 201 58 81

HSL 350.35, 0.57%, 0.51%

LAB 47.02, 57.38, 20.1

 

CMYK 0 / 83 / 70 / 13

HEX #DD2643

RGB 221 38 67

HSL 350.49, 0.73%, 0.51%

LAB 48.47, 68.24, 31.17

 

CMYK 0 / 93 / 78 / 5

HEX #F21135

RGB 242 17 53

HSL 350.4, 0.9%, 0.51%

LAB 51.31, 76.47, 43.65

 

CMYK 0 / 39 / 33 / 37

HEX #A1626C

RGB 161 98 108

HSL 350.48, 0.25%, 0.51%

LAB 48.75, 26.82, 5.24

 

CMYK 0 / 16 / 13 / 45

HEX #8D777A

RGB 141 119 122

HSL 351.82, 0.09%, 0.51%

LAB 52.13, 9.05, 1.53

 

CMYK 14 / 0 / 2 / 45

HEX #788B88

RGB 120 139 136

HSL 170.53, 0.08%, 0.51%

LAB 56.32, -7.45, -0.71

 

CMYK 37 / 0 / 6 / 38

HEX #649F96

RGB 100 159 150

HSL 170.85, 0.24%, 0.51%

LAB 61.4, -21.33, -1.39

 

CMYK 55 / 0 / 9 / 30

HEX #50B3A3

RGB 80 179 163

HSL 170.3, 0.39%, 0.51%

LAB 66.97, -32.88, -0.6

 

CMYK 0 / 39 / 12 / 37

HEX #A1628E

RGB 161 98 142

HSL 318.1, 0.25%, 0.51%

LAB 49.82, 32.11, -13.49

 

CMYK 0 / 39 / 22 / 37

HEX #A1627D

RGB 161 98 125

HSL 334.29, 0.25%, 0.51%

LAB 49.24, 29.3, -4.22

 

CMYK 0 / 39 / 32 / 37

HEX #A1626D

RGB 161 98 109

HSL 349.52, 0.25%, 0.51%

LAB 48.78, 26.96, 4.68

 

CMYK 0 / 35 / 39 / 37

HEX #A16962

RGB 161 105 98

HSL 6.67, 0.25%, 0.51%

LAB 50.17, 21.56, 13.19

 

CMYK 0 / 25 / 39 / 37

HEX #A17962

RGB 161 121 98

HSL 21.9, 0.25%, 0.51%

LAB 54.17, 12.43, 18.67

 

CMYK 0 / 40 / 34 / 57

HEX #6E4249

RGB 110 66 73

HSL 350.45, 0.25%, 0.35%

LAB 33.33, 20.05, 3.87

 

CMYK 0 / 40 / 34 / 47

HEX #88525A

RGB 136 82 90

HSL 351.11, 0.25%, 0.43%

LAB 41.23, 23.63, 4.96

 

CMYK 0 / 39 / 33 / 37

HEX #A1626C

RGB 161 98 108

HSL 350.48, 0.25%, 0.51%

LAB 48.75, 26.82, 5.24

 

CMYK 0 / 30 / 25 / 31

HEX #B07C84

RGB 176 124 132

HSL 350.77, 0.25%, 0.59%

LAB 57.38, 21.39, 3.76

 

CMYK 0 / 22 / 18 / 25

HEX #C0969D

RGB 192 150 157

HSL 350, 0.25%, 0.67%

LAB 66.1, 16.81, 2.36

 

CMYK 0 / 39 / 33 / 37

HEX #A1626C

RGB 161 98 108

HSL 350.48, 0.25%, 0.51%

LAB 48.75, 26.82, 5.24

 

CMYK 1 / 0 / 39 / 37

HEX #9FA162

RGB 159 161 98

HSL 61.9, 0.25%, 0.51%

LAB 64.76, -10.53, 32.55

 

CMYK 39 / 17 / 0 / 37

HEX #6286A1

RGB 98 134 161

HSL 205.71, 0.25%, 0.51%

LAB 54.26, -5.47, -18.37

 

CMYK 0 / 39 / 33 / 37

HEX #A1626C

RGB 161 98 108

HSL 350.48, 0.25%, 0.51%

LAB 48.75, 26.82, 5.24

 

CMYK 32 / 0 / 39 / 37

HEX #6DA162

RGB 109 161 98

HSL 109.52, 0.25%, 0.51%

LAB 61.33, -29.81, 27.45

 

CMYK 39 / 32 / 0 / 37

HEX #626DA1

RGB 98 109 161

HSL 229.52, 0.25%, 0.51%

LAB 47.11, 9.33, -29.39

 

CMYK 0 / 39 / 33 / 37

HEX #A1626C

RGB 161 98 108

HSL 350.48, 0.25%, 0.51%

LAB 48.75, 26.82, 5.24

 

CMYK 1 / 0 / 39 / 37

HEX #9FA162

RGB 159 161 98

HSL 61.9, 0.25%, 0.51%

LAB 64.76, -10.53, 32.55

 

CMYK 39 / 0 / 7 / 37

HEX #62A196

RGB 98 161 150

HSL 169.52, 0.25%, 0.51%

LAB 61.9, -22.92, -0.67

 

CMYK 38 / 39 / 0 / 37

HEX #6462A1

RGB 100 98 161

HSL 241.9, 0.25%, 0.51%

LAB 44.26, 16.66, -33.86

 

CMYK 0 / 39 / 33 / 37

HEX #A1626C

RGB 161 98 108

HSL 350.48, 0.25%, 0.51%

LAB 48.75, 26.82, 5.24

 

CMYK 13 / 0 / 39 / 37

HEX #8CA162

RGB 140 161 98

HSL 80, 0.25%, 0.51%

LAB 63.3, -18.21, 30.39

 

CMYK 39 / 0 / 7 / 37

HEX #62A196

RGB 98 161 150

HSL 169.52, 0.25%, 0.51%

LAB 61.9, -22.92, -0.67

 

CMYK 26 / 39 / 0 / 37

HEX #7762A1

RGB 119 98 161

HSL 260, 0.25%, 0.51%

LAB 45.95, 22.27, -31.09

 

Description

Color code: HEX #A1626C | qconv.com Color code: HEX #A1626C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 98 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 98 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 33 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 33% 37% C M Y K

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Provide designers and agencies with accurate color values.

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