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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A177ED it is the complementary color #5E8812. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A177ED. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A177ED shade: #A677E8, #B789FB, #C89BFF, #D9ADFF and #EABFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A177ED. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A177ED shade: #A177ED, #9065DA, #7F53C7, #6E41B4 and #5D2FA1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A177ED shade: #A177ED, #C177ED, #E177ED, #ED77D9 and #ED77BA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A177ED shade: #A177ED, #8177ED and #7777ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A177ED shade matches the following richer shades: #A177ED and #9D6BF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A177ED shade: #A177ED, #A583E1, #A890D4, #AC9CC8 and #AFA9BB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A177ED shade: #778DED, #8177ED, #A077ED, #C077ED and #DF77ED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A177ED shade: #6F2EE3, #8853E8, #A177ED, #BA9CF2 and #D3C0F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A177ED shade: #A177ED, #ED77AC and #7DED77

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A177ED shade: #A177ED, #EDA077 and #77EDA0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A177ED shade: #A177ED, #ED77AC, #C4ED77 and #77EDB8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A177ED shade: #A177ED, #ED7789, #C4ED77 and #77EDDB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 50 / 0 / 7

HEX #A177ED

RGB 161 119 237

HSL 261.36, 0.77%, 0.7%

LAB 58.87, 40.99, -53.9

 

Complementary color

CMYK 31 / 0 / 87 / 47

HEX #5E8812

RGB 94 136 18

HSL 81.36, 0.77%, 0.3%

LAB 51.87, -31.49, 52.09

 

CMYK 28 / 49 / 0 / 9

HEX #A677E8

RGB 166 119 232

HSL 264.96, 0.71%, 0.69%

LAB 59.09, 41.04, -50.73

 

CMYK 27 / 45 / 0 / 2

HEX #B789FB

RGB 183 137 251

HSL 264.21, 0.93%, 0.76%

LAB 65.69, 40.13, -50.66

 

CMYK 22 / 39 / 0 / 0

HEX #C89BFF

RGB 200 155 255

HSL 267, 1%, 0.8%

LAB 71.52, 35.84, -43.56

 

CMYK 15 / 32 / 0 / 0

HEX #D9ADFF

RGB 217 173 255

HSL 272.2, 1%, 0.84%

LAB 77.2, 31.01, -34.61

 

CMYK 8 / 25 / 0 / 0

HEX #EABFFF

RGB 234 191 255

HSL 280.31, 1%, 0.87%

LAB 82.9, 26.56, -25.72

 

CMYK 32 / 50 / 0 / 7

HEX #A177ED

RGB 161 119 237

HSL 261.36, 0.77%, 0.7%

LAB 58.87, 40.99, -53.9

 

CMYK 34 / 54 / 0 / 15

HEX #9065DA

RGB 144 101 218

HSL 262.05, 0.61%, 0.63%

LAB 52.17, 42.02, -54.02

 

CMYK 36 / 58 / 0 / 22

HEX #7F53C7

RGB 127 83 199

HSL 262.76, 0.51%, 0.55%

LAB 45.39, 43.1, -54.13

 

CMYK 39 / 64 / 0 / 29

HEX #6E41B4

RGB 110 65 180

HSL 263.48, 0.47%, 0.48%

LAB 38.54, 44.19, -54.19

 

CMYK 42 / 71 / 0 / 37

HEX #5D2FA1

RGB 93 47 161

HSL 264.21, 0.55%, 0.41%

LAB 31.65, 45.17, -54.09

 

CMYK 32 / 50 / 0 / 7

HEX #A177ED

RGB 161 119 237

HSL 261.36, 0.77%, 0.7%

LAB 58.87, 40.99, -53.9

 

CMYK 19 / 50 / 0 / 7

HEX #C177ED

RGB 193 119 237

HSL 277.63, 0.77%, 0.7%

LAB 62.21, 49.32, -48.39

 

CMYK 5 / 50 / 0 / 7

HEX #E177ED

RGB 225 119 237

HSL 293.9, 0.77%, 0.7%

LAB 65.99, 57.95, -42.17

 

CMYK 0 / 50 / 8 / 7

HEX #ED77D9

RGB 237 119 217

HSL 310.17, 0.77%, 0.7%

LAB 66.68, 57.86, -29.89

 

CMYK 0 / 50 / 22 / 7

HEX #ED77BA

RGB 237 119 186

HSL 325.93, 0.77%, 0.7%

LAB 65.55, 53.16, -14.22

 

CMYK 32 / 50 / 0 / 7

HEX #A177ED

RGB 161 119 237

HSL 261.36, 0.77%, 0.7%

LAB 58.87, 40.99, -53.9

 

CMYK 46 / 50 / 0 / 7

HEX #8177ED

RGB 129 119 237

HSL 245.08, 0.77%, 0.7%

LAB 56.06, 33.32, -58.54

 

CMYK 50 / 50 / 0 / 7

HEX #7777ED

RGB 119 119 237

HSL 240, 0.77%, 0.7%

LAB 55.31, 31.13, -59.79

 

CMYK 32 / 50 / 0 / 7

HEX #A177ED

RGB 161 119 237

HSL 261.36, 0.77%, 0.7%

LAB 58.87, 40.99, -53.9

 

CMYK 37 / 57 / 0 / 2

HEX #9D6BF9

RGB 157 107 249

HSL 261.13, 0.92%, 0.7%

LAB 56.61, 49.67, -64.2

 

CMYK 32 / 50 / 0 / 7

HEX #A177ED

RGB 161 119 237

HSL 261.36, 0.77%, 0.7%

LAB 58.87, 40.99, -53.9

 

CMYK 27 / 42 / 0 / 12

HEX #A583E1

RGB 165 131 225

HSL 261.7, 0.61%, 0.7%

LAB 61.37, 32.34, -43.24

 

CMYK 21 / 32 / 0 / 17

HEX #A890D4

RGB 168 144 212

HSL 261.18, 0.44%, 0.7%

LAB 64.18, 22.75, -31.58

 

CMYK 14 / 22 / 0 / 22

HEX #AC9CC8

RGB 172 156 200

HSL 261.82, 0.29%, 0.7%

LAB 67.06, 14.54, -20.44

 

CMYK 6 / 10 / 0 / 27

HEX #AFA9BB

RGB 175 169 187

HSL 260, 0.12%, 0.7%

LAB 70.23, 5.61, -8.45

 

CMYK 50 / 41 / 0 / 7

HEX #778DED

RGB 119 141 237

HSL 228.81, 0.77%, 0.7%

LAB 60.86, 18.06, -50.94

 

CMYK 46 / 50 / 0 / 7

HEX #8177ED

RGB 129 119 237

HSL 245.08, 0.77%, 0.7%

LAB 56.06, 33.32, -58.54

 

CMYK 32 / 50 / 0 / 7

HEX #A077ED

RGB 160 119 237

HSL 260.85, 0.77%, 0.7%

LAB 58.77, 40.74, -54.06

 

CMYK 19 / 50 / 0 / 7

HEX #C077ED

RGB 192 119 237

HSL 277.12, 0.77%, 0.7%

LAB 62.1, 49.06, -48.57

 

CMYK 6 / 50 / 0 / 7

HEX #DF77ED

RGB 223 119 237

HSL 292.88, 0.77%, 0.7%

LAB 65.75, 57.41, -42.58

 

CMYK 51 / 80 / 0 / 11

HEX #6F2EE3

RGB 111 46 227

HSL 261.55, 0.76%, 0.54%

LAB 39.38, 65.47, -80.08

 

CMYK 41 / 64 / 0 / 9

HEX #8853E8

RGB 136 83 232

HSL 261.34, 0.76%, 0.62%

LAB 48.57, 53.63, -67.79

 

CMYK 32 / 50 / 0 / 7

HEX #A177ED

RGB 161 119 237

HSL 261.36, 0.77%, 0.7%

LAB 58.87, 40.99, -53.9

 

CMYK 23 / 36 / 0 / 5

HEX #BA9CF2

RGB 186 156 242

HSL 260.93, 0.77%, 0.78%

LAB 69.91, 28.31, -39.09

 

CMYK 14 / 22 / 0 / 4

HEX #D3C0F6

RGB 211 192 246

HSL 261.11, 0.75%, 0.86%

LAB 80.85, 16.98, -24.22

 

CMYK 32 / 50 / 0 / 7

HEX #A177ED

RGB 161 119 237

HSL 261.36, 0.77%, 0.7%

LAB 58.87, 40.99, -53.9

 

CMYK 0 / 50 / 27 / 7

HEX #ED77AC

RGB 237 119 172

HSL 333.05, 0.77%, 0.7%

LAB 65.1, 51.25, -6.95

 

CMYK 47 / 0 / 50 / 7

HEX #7DED77

RGB 125 237 119

HSL 116.95, 0.77%, 0.7%

LAB 85.13, -54.85, 47.14

 

CMYK 32 / 50 / 0 / 7

HEX #A177ED

RGB 161 119 237

HSL 261.36, 0.77%, 0.7%

LAB 58.87, 40.99, -53.9

 

CMYK 0 / 32 / 50 / 7

HEX #EDA077

RGB 237 160 119

HSL 20.85, 0.77%, 0.7%

LAB 72.55, 24.17, 32.94

 

CMYK 50 / 0 / 32 / 7

HEX #77EDA0

RGB 119 237 160

HSL 140.85, 0.77%, 0.7%

LAB 85.52, -50.1, 27.32

 

CMYK 32 / 50 / 0 / 7

HEX #A177ED

RGB 161 119 237

HSL 261.36, 0.77%, 0.7%

LAB 58.87, 40.99, -53.9

 

CMYK 0 / 50 / 27 / 7

HEX #ED77AC

RGB 237 119 172

HSL 333.05, 0.77%, 0.7%

LAB 65.1, 51.25, -6.95

 

CMYK 17 / 0 / 50 / 7

HEX #C4ED77

RGB 196 237 119

HSL 80.85, 0.77%, 0.7%

LAB 88.75, -31.4, 52.38

 

CMYK 50 / 0 / 22 / 7

HEX #77EDB8

RGB 119 237 184

HSL 153.05, 0.77%, 0.7%

LAB 85.98, -45.47, 15.58

 

CMYK 32 / 50 / 0 / 7

HEX #A177ED

RGB 161 119 237

HSL 261.36, 0.77%, 0.7%

LAB 58.87, 40.99, -53.9

 

CMYK 0 / 50 / 42 / 7

HEX #ED7789

RGB 237 119 137

HSL 350.85, 0.77%, 0.7%

LAB 64.16, 47.13, 11.62

 

CMYK 17 / 0 / 50 / 7

HEX #C4ED77

RGB 196 237 119

HSL 80.85, 0.77%, 0.7%

LAB 88.75, -31.4, 52.38

 

CMYK 50 / 0 / 8 / 7

HEX #77EDDB

RGB 119 237 219

HSL 170.85, 0.77%, 0.7%

LAB 86.8, -37.67, -1.54

 

Description

Color code: HEX #A177ED | qconv.com Color code: HEX #A177ED | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 119 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 119 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 50 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 50% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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