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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A1724E it is the complementary color #5E8DB1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A1724E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A1724E shade: #A67249, #B7845C, #C8966F, #D9A882 and #EABA95

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A1724E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A1724E shade: #A1724E, #90603B, #7F4E28, #6E3C15 and #5D2A02

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A1724E shade: #A1724D, #A15B4D and #A14D4D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A1724E shade: #A1724D, #A1884D, #A19F4D, #8DA14D and #76A14D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A1724E shade matches the following richer shades: #A1724D, #B56F3A, #C86D27, #DB6A13 and #EF6700

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A1724E shade: #A1724D, #8E7461, #7B7774, #677A88 and #547C9B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A1724E shade: #A14D56, #A15B4D, #A1724D, #A1884D and #A19F4D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A1724E shade: #6A4A33, #855E40, #A1724D, #B48764 and #C19C80

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A1724E shade: #A1724E, #6CA14D and #504DA1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A1724E shade: #A1724E, #4DA172 and #724DA1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A1724E shade: #A1724E, #6CA14D, #4D7DA1 and #834DA1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A1724E shade: #A1724E, #53A14D, #4D7DA1 and #9C4DA1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 52 / 37

HEX #A1724E

RGB 161 114 78

HSL 26.02, 0.35%, 0.47%

LAB 52.02, 14.23, 27.24

 

Complementary color

CMYK 47 / 20 / 0 / 31

HEX #5E8DB1

RGB 94 141 177

HSL 206.02, 0.35%, 0.53%

LAB 56.69, -5.96, -23.85

 

CMYK 0 / 31 / 56 / 35

HEX #A67249

RGB 166 114 73

HSL 26.45, 0.39%, 0.47%

LAB 52.53, 15.93, 30.8

 

CMYK 0 / 28 / 50 / 28

HEX #B7845C

RGB 183 132 92

HSL 26.37, 0.39%, 0.54%

LAB 59.29, 14.81, 29.26

 

CMYK 0 / 25 / 45 / 22

HEX #C8966F

RGB 200 150 111

HSL 26.29, 0.45%, 0.61%

LAB 65.93, 13.86, 27.84

 

CMYK 0 / 23 / 40 / 15

HEX #D9A882

RGB 217 168 130

HSL 26.21, 0.53%, 0.68%

LAB 72.47, 13.04, 26.54

 

CMYK 0 / 21 / 36 / 8

HEX #EABA95

RGB 234 186 149

HSL 26.12, 0.67%, 0.75%

LAB 78.91, 12.32, 25.34

 

CMYK 0 / 29 / 52 / 37

HEX #A1724E

RGB 161 114 78

HSL 26.02, 0.35%, 0.47%

LAB 52.02, 14.23, 27.24

 

CMYK 0 / 33 / 59 / 44

HEX #90603B

RGB 144 96 59

HSL 26.12, 0.42%, 0.4%

LAB 45.1, 15.43, 28.85

 

CMYK 0 / 39 / 69 / 50

HEX #7F4E28

RGB 127 78 40

HSL 26.21, 0.52%, 0.33%

LAB 38.05, 16.89, 30.61

 

CMYK 0 / 45 / 81 / 57

HEX #6E3C15

RGB 110 60 21

HSL 26.29, 0.68%, 0.26%

LAB 30.88, 18.7, 32.33

 

CMYK 0 / 55 / 98 / 64

HEX #5D2A02

RGB 93 42 2

HSL 26.37, 0.96%, 0.19%

LAB 23.63, 20.84, 32.95

 

CMYK 0 / 29 / 52 / 37

HEX #A1724D

RGB 161 114 77

HSL 26.43, 0.35%, 0.47%

LAB 52, 14.13, 27.78

 

CMYK 0 / 43 / 52 / 37

HEX #A15B4D

RGB 161 91 77

HSL 10, 0.35%, 0.47%

LAB 46.44, 27.16, 20.57

 

CMYK 0 / 52 / 52 / 37

HEX #A14D4D

RGB 161 77 77

HSL 0, 0.35%, 0.47%

LAB 43.39, 34.77, 16.5

 

CMYK 0 / 29 / 52 / 37

HEX #A1724D

RGB 161 114 77

HSL 26.43, 0.35%, 0.47%

LAB 52, 14.13, 27.78

 

CMYK 0 / 16 / 52 / 37

HEX #A1884D

RGB 161 136 77

HSL 42.14, 0.35%, 0.47%

LAB 57.77, 1.7, 34.97

 

CMYK 0 / 1 / 52 / 37

HEX #A19F4D

RGB 161 159 77

HSL 58.57, 0.35%, 0.47%

LAB 64.09, -10.79, 42.53

 

CMYK 12 / 0 / 52 / 37

HEX #8DA14D

RGB 141 161 77

HSL 74.29, 0.35%, 0.47%

LAB 63.08, -20.23, 40.95

 

CMYK 27 / 0 / 52 / 37

HEX #76A14D

RGB 118 161 77

HSL 90.71, 0.35%, 0.47%

LAB 61.55, -29.34, 38.75

 

CMYK 0 / 29 / 52 / 37

HEX #A1724D

RGB 161 114 77

HSL 26.43, 0.35%, 0.47%

LAB 52, 14.13, 27.78

 

CMYK 0 / 39 / 68 / 29

HEX #B56F3A

RGB 181 111 58

HSL 25.85, 0.51%, 0.47%

LAB 53.49, 22.97, 40.43

 

CMYK 0 / 46 / 81 / 22

HEX #C86D27

RGB 200 109 39

HSL 26.09, 0.67%, 0.47%

LAB 55.44, 31.17, 52.21

 

CMYK 0 / 52 / 91 / 14

HEX #DB6A13

RGB 219 106 19

HSL 26.1, 0.84%, 0.47%

LAB 57.48, 39.9, 61.88

 

CMYK 0 / 57 / 100 / 6

HEX #EF6700

RGB 239 103 0

HSL 25.86, 1%, 0.47%

LAB 59.93, 48.78, 68.68

 

CMYK 0 / 29 / 52 / 37

HEX #A1724D

RGB 161 114 77

HSL 26.43, 0.35%, 0.47%

LAB 52, 14.13, 27.78

 

CMYK 0 / 18 / 32 / 44

HEX #8E7461

RGB 142 116 97

HSL 25.33, 0.19%, 0.47%

LAB 50.81, 7.22, 14.33

 

CMYK 0 / 3 / 6 / 52

HEX #7B7774

RGB 123 119 116

HSL 25.71, 0.03%, 0.47%

LAB 50.29, 0.94, 2.18

 

CMYK 24 / 10 / 0 / 47

HEX #677A88

RGB 103 122 136

HSL 205.45, 0.14%, 0.47%

LAB 50.19, -3.62, -9.93

 

CMYK 46 / 20 / 0 / 39

HEX #547C9B

RGB 84 124 155

HSL 206.2, 0.3%, 0.47%

LAB 50.29, -5.26, -21.02

 

CMYK 0 / 52 / 47 / 37

HEX #A14D56

RGB 161 77 86

HSL 353.57, 0.35%, 0.47%

LAB 43.59, 35.66, 11.27

 

CMYK 0 / 43 / 52 / 37

HEX #A15B4D

RGB 161 91 77

HSL 10, 0.35%, 0.47%

LAB 46.44, 27.16, 20.57

 

CMYK 0 / 29 / 52 / 37

HEX #A1724D

RGB 161 114 77

HSL 26.43, 0.35%, 0.47%

LAB 52, 14.13, 27.78

 

CMYK 0 / 16 / 52 / 37

HEX #A1884D

RGB 161 136 77

HSL 42.14, 0.35%, 0.47%

LAB 57.77, 1.7, 34.97

 

CMYK 0 / 1 / 52 / 37

HEX #A19F4D

RGB 161 159 77

HSL 58.57, 0.35%, 0.47%

LAB 64.09, -10.79, 42.53

 

CMYK 0 / 30 / 52 / 58

HEX #6A4A33

RGB 106 74 51

HSL 25.09, 0.35%, 0.31%

LAB 34.4, 10.58, 19.1

 

CMYK 0 / 29 / 52 / 48

HEX #855E40

RGB 133 94 64

HSL 26.09, 0.35%, 0.39%

LAB 43.3, 12.16, 23.45

 

CMYK 0 / 29 / 52 / 37

HEX #A1724D

RGB 161 114 77

HSL 26.43, 0.35%, 0.47%

LAB 52, 14.13, 27.78

 

CMYK 0 / 25 / 44 / 29

HEX #B48764

RGB 180 135 100

HSL 26.25, 0.35%, 0.55%

LAB 59.84, 12.71, 25.49

 

CMYK 0 / 19 / 34 / 24

HEX #C19C80

RGB 193 156 128

HSL 25.85, 0.34%, 0.63%

LAB 67.03, 9.73, 19.86

 

CMYK 0 / 29 / 52 / 37

HEX #A1724E

RGB 161 114 78

HSL 26.02, 0.35%, 0.47%

LAB 52.02, 14.23, 27.24

 

CMYK 33 / 0 / 52 / 37

HEX #6CA14D

RGB 108 161 77

HSL 97.86, 0.35%, 0.47%

LAB 60.97, -33.04, 37.92

 

CMYK 50 / 52 / 0 / 37

HEX #504DA1

RGB 80 77 161

HSL 242.14, 0.35%, 0.47%

LAB 37.09, 24.72, -45.36

 

CMYK 0 / 29 / 52 / 37

HEX #A1724E

RGB 161 114 78

HSL 26.02, 0.35%, 0.47%

LAB 52.02, 14.23, 27.24

 

CMYK 52 / 0 / 29 / 37

HEX #4DA172

RGB 77 161 114

HSL 146.43, 0.35%, 0.47%

LAB 60.14, -36.66, 16.87

 

CMYK 29 / 52 / 0 / 37

HEX #724DA1

RGB 114 77 161

HSL 266.43, 0.35%, 0.47%

LAB 40.34, 33.38, -39.97

 

CMYK 0 / 29 / 52 / 37

HEX #A1724E

RGB 161 114 78

HSL 26.02, 0.35%, 0.47%

LAB 52.02, 14.23, 27.24

 

CMYK 33 / 0 / 52 / 37

HEX #6CA14D

RGB 108 161 77

HSL 97.86, 0.35%, 0.47%

LAB 60.97, -33.04, 37.92

 

CMYK 52 / 22 / 0 / 37

HEX #4D7DA1

RGB 77 125 161

HSL 205.71, 0.35%, 0.47%

LAB 50.47, -5.77, -24.28

 

CMYK 19 / 52 / 0 / 37

HEX #834DA1

RGB 131 77 161

HSL 278.57, 0.35%, 0.47%

LAB 42.32, 38.12, -36.72

 

CMYK 0 / 29 / 52 / 37

HEX #A1724E

RGB 161 114 78

HSL 26.02, 0.35%, 0.47%

LAB 52.02, 14.23, 27.24

 

CMYK 48 / 0 / 52 / 37

HEX #53A14D

RGB 83 161 77

HSL 115.71, 0.35%, 0.47%

LAB 59.77, -41.31, 36.18

 

CMYK 52 / 22 / 0 / 37

HEX #4D7DA1

RGB 77 125 161

HSL 205.71, 0.35%, 0.47%

LAB 50.47, -5.77, -24.28

 

CMYK 3 / 52 / 0 / 37

HEX #9C4DA1

RGB 156 77 161

HSL 296.43, 0.35%, 0.47%

LAB 45.56, 45.3, -31.38

 

Description

Color code: HEX #A1724E | qconv.com Color code: HEX #A1724E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 114 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 114 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 52 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 52% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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