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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A17A6A it is the complementary color #5E8595. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A17A6A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A17A6A shade: #A67A65, #B78C78, #C89E8B, #D9B09E and #EAC2B1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A17A6A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A17A6A shade: #A17A6A, #906857, #7F5644, #6E4431 and #5D321E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A17A6A shade: #A07868, #A06968 and #A06868

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A17A6A shade: #A07868, #A08868, #A09768, #9BA068 and #8BA068

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A17A6A shade matches the following richer shades: #A07868, #B47054, #C86840, #DC5F2D and #EF5719

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A17A6A shade: #A07868, #8C817C, #798990, #6591A3 and #5199B7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A17A6A shade: #A06876, #A06968, #A07868, #A08768 and #A09668

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A17A6A shade: #705246, #896556, #A07868, #B08F81 and #C0A69B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A17A6A shade: #A17A6A, #85A068 and #686FA0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A17A6A shade: #A17A6A, #68A078 and #7868A0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A17A6A shade: #A17A6A, #85A068, #6890A0 and #8368A0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A17A6A shade: #A17A6A, #74A068, #6890A0 and #9468A0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 34 / 37

HEX #A17A6A

RGB 161 122 106

HSL 17.45, 0.23%, 0.52%

LAB 54.59, 12.89, 14.64

 

Complementary color

CMYK 37 / 11 / 0 / 42

HEX #5E8595

RGB 94 133 149

HSL 197.45, 0.23%, 0.48%

LAB 53.3, -9.33, -12.9

 

CMYK 0 / 27 / 39 / 35

HEX #A67A65

RGB 166 122 101

HSL 19.38, 0.27%, 0.52%

LAB 55.04, 14.31, 18.22

 

CMYK 0 / 23 / 34 / 28

HEX #B78C78

RGB 183 140 120

HSL 19.05, 0.3%, 0.59%

LAB 61.81, 13.52, 16.99

 

CMYK 0 / 21 / 31 / 22

HEX #C89E8B

RGB 200 158 139

HSL 18.69, 0.36%, 0.66%

LAB 68.46, 12.84, 15.87

 

CMYK 0 / 19 / 27 / 15

HEX #D9B09E

RGB 217 176 158

HSL 18.31, 0.44%, 0.74%

LAB 75, 12.24, 14.84

 

CMYK 0 / 17 / 24 / 8

HEX #EAC2B1

RGB 234 194 177

HSL 17.89, 0.58%, 0.81%

LAB 81.43, 11.71, 13.88

 

CMYK 0 / 24 / 34 / 37

HEX #A17A6A

RGB 161 122 106

HSL 17.45, 0.23%, 0.52%

LAB 54.59, 12.89, 14.64

 

CMYK 0 / 28 / 40 / 44

HEX #906857

RGB 144 104 87

HSL 17.89, 0.25%, 0.45%

LAB 47.65, 13.7, 15.89

 

CMYK 0 / 32 / 46 / 50

HEX #7F5644

RGB 127 86 68

HSL 18.31, 0.3%, 0.38%

LAB 40.55, 14.68, 17.33

 

CMYK 0 / 38 / 55 / 57

HEX #6E4431

RGB 110 68 49

HSL 18.69, 0.38%, 0.31%

LAB 33.29, 15.89, 19

 

CMYK 0 / 46 / 68 / 64

HEX #5D321E

RGB 93 50 30

HSL 19.05, 0.51%, 0.24%

LAB 25.87, 17.38, 21

 

CMYK 0 / 25 / 35 / 37

HEX #A07868

RGB 160 120 104

HSL 17.14, 0.23%, 0.52%

LAB 53.93, 13.35, 14.86

 

CMYK 0 / 34 / 35 / 37

HEX #A06968

RGB 160 105 104

HSL 1.07, 0.23%, 0.52%

LAB 50.19, 21.92, 9.64

 

CMYK 0 / 35 / 35 / 37

HEX #A06868

RGB 160 104 104

HSL 0, 0.23%, 0.52%

LAB 49.95, 22.49, 9.3

 

CMYK 0 / 25 / 35 / 37

HEX #A07868

RGB 160 120 104

HSL 17.14, 0.23%, 0.52%

LAB 53.93, 13.35, 14.86

 

CMYK 0 / 15 / 35 / 37

HEX #A08868

RGB 160 136 104

HSL 34.29, 0.23%, 0.52%

LAB 58.11, 4.28, 20.57

 

CMYK 0 / 6 / 35 / 37

HEX #A09768

RGB 160 151 104

HSL 50.36, 0.23%, 0.52%

LAB 62.17, -4.02, 25.99

 

CMYK 3 / 0 / 35 / 37

HEX #9BA068

RGB 155 160 104

HSL 65.36, 0.23%, 0.52%

LAB 64.25, -10.9, 28.63

 

CMYK 13 / 0 / 35 / 37

HEX #8BA068

RGB 139 160 104

HSL 82.5, 0.23%, 0.52%

LAB 63.04, -17.28, 26.82

 

CMYK 0 / 25 / 35 / 37

HEX #A07868

RGB 160 120 104

HSL 17.14, 0.23%, 0.52%

LAB 53.93, 13.35, 14.86

 

CMYK 0 / 38 / 53 / 29

HEX #B47054

RGB 180 112 84

HSL 17.5, 0.39%, 0.52%

LAB 53.95, 23.95, 26.79

 

CMYK 0 / 48 / 68 / 22

HEX #C86840

RGB 200 104 64

HSL 17.65, 0.55%, 0.52%

LAB 54.61, 34.94, 39.25

 

CMYK 0 / 57 / 80 / 14

HEX #DC5F2D

RGB 220 95 45

HSL 17.14, 0.71%, 0.52%

LAB 55.67, 46.28, 50.83

 

CMYK 0 / 64 / 90 / 6

HEX #EF5719

RGB 239 87 25

HSL 17.38, 0.87%, 0.52%

LAB 57.31, 56.14, 61.46

 

CMYK 0 / 25 / 35 / 37

HEX #A07868

RGB 160 120 104

HSL 17.14, 0.23%, 0.52%

LAB 53.93, 13.35, 14.86

 

CMYK 0 / 8 / 11 / 45

HEX #8C817C

RGB 140 129 124

HSL 18.75, 0.07%, 0.52%

LAB 54.79, 3.25, 4.2

 

CMYK 16 / 5 / 0 / 44

HEX #798990

RGB 121 137 144

HSL 198.26, 0.09%, 0.52%

LAB 56.06, -4.23, -5.7

 

CMYK 38 / 11 / 0 / 36

HEX #6591A3

RGB 101 145 163

HSL 197.42, 0.25%, 0.52%

LAB 57.71, -10.26, -14.26

 

CMYK 56 / 16 / 0 / 28

HEX #5199B7

RGB 81 153 183

HSL 197.65, 0.41%, 0.52%

LAB 59.84, -13.85, -22.46

 

CMYK 0 / 35 / 26 / 37

HEX #A06876

RGB 160 104 118

HSL 345, 0.23%, 0.52%

LAB 50.31, 24.46, 1.51

 

CMYK 0 / 34 / 35 / 37

HEX #A06968

RGB 160 105 104

HSL 1.07, 0.23%, 0.52%

LAB 50.19, 21.92, 9.64

 

CMYK 0 / 25 / 35 / 37

HEX #A07868

RGB 160 120 104

HSL 17.14, 0.23%, 0.52%

LAB 53.93, 13.35, 14.86

 

CMYK 0 / 16 / 35 / 37

HEX #A08768

RGB 160 135 104

HSL 33.21, 0.23%, 0.52%

LAB 57.85, 4.84, 20.21

 

CMYK 0 / 6 / 35 / 37

HEX #A09668

RGB 160 150 104

HSL 49.29, 0.23%, 0.52%

LAB 61.9, -3.47, 25.63

 

CMYK 0 / 27 / 38 / 56

HEX #705246

RGB 112 82 70

HSL 17.14, 0.23%, 0.36%

LAB 37.7, 10.74, 11.94

 

CMYK 0 / 26 / 37 / 46

HEX #896556

RGB 137 101 86

HSL 17.65, 0.23%, 0.44%

LAB 46.04, 12.36, 14.16

 

CMYK 0 / 25 / 35 / 37

HEX #A07868

RGB 160 120 104

HSL 17.14, 0.23%, 0.52%

LAB 53.93, 13.35, 14.86

 

CMYK 0 / 19 / 27 / 31

HEX #B08F81

RGB 176 143 129

HSL 17.87, 0.23%, 0.6%

LAB 62.05, 10.29, 12.14

 

CMYK 0 / 14 / 19 / 25

HEX #C0A69B

RGB 192 166 155

HSL 17.84, 0.23%, 0.68%

LAB 70.07, 7.7, 9.18

 

CMYK 0 / 24 / 34 / 37

HEX #A17A6A

RGB 161 122 106

HSL 17.45, 0.23%, 0.52%

LAB 54.59, 12.89, 14.64

 

CMYK 17 / 0 / 35 / 37

HEX #85A068

RGB 133 160 104

HSL 88.93, 0.23%, 0.52%

LAB 62.62, -19.6, 26.18

 

CMYK 35 / 31 / 0 / 37

HEX #686FA0

RGB 104 111 160

HSL 232.5, 0.23%, 0.52%

LAB 48.07, 9.57, -27.28

 

CMYK 0 / 24 / 34 / 37

HEX #A17A6A

RGB 161 122 106

HSL 17.45, 0.23%, 0.52%

LAB 54.59, 12.89, 14.64

 

CMYK 35 / 0 / 25 / 37

HEX #68A078

RGB 104 160 120

HSL 137.14, 0.23%, 0.52%

LAB 61.17, -27.17, 15.14

 

CMYK 25 / 35 / 0 / 37

HEX #7868A0

RGB 120 104 160

HSL 257.14, 0.23%, 0.52%

LAB 47.54, 18.7, -28.01

 

CMYK 0 / 24 / 34 / 37

HEX #A17A6A

RGB 161 122 106

HSL 17.45, 0.23%, 0.52%

LAB 54.59, 12.89, 14.64

 

CMYK 17 / 0 / 35 / 37

HEX #85A068

RGB 133 160 104

HSL 88.93, 0.23%, 0.52%

LAB 62.62, -19.6, 26.18

 

CMYK 35 / 10 / 0 / 37

HEX #6890A0

RGB 104 144 160

HSL 197.14, 0.23%, 0.52%

LAB 57.49, -9.64, -12.86

 

CMYK 18 / 35 / 0 / 37

HEX #8368A0

RGB 131 104 160

HSL 268.93, 0.23%, 0.52%

LAB 48.59, 22.2, -26.29

 

CMYK 0 / 24 / 34 / 37

HEX #A17A6A

RGB 161 122 106

HSL 17.45, 0.23%, 0.52%

LAB 54.59, 12.89, 14.64

 

CMYK 28 / 0 / 35 / 37

HEX #74A068

RGB 116 160 104

HSL 107.14, 0.23%, 0.52%

LAB 61.53, -25.92, 24.55

 

CMYK 35 / 10 / 0 / 37

HEX #6890A0

RGB 104 144 160

HSL 197.14, 0.23%, 0.52%

LAB 57.49, -9.64, -12.86

 

CMYK 7 / 35 / 0 / 37

HEX #9468A0

RGB 148 104 160

HSL 287.14, 0.23%, 0.52%

LAB 50.38, 27.76, -23.39

 

Description

Color code: HEX #A17A6A | qconv.com Color code: HEX #A17A6A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 122 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 122 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 34 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 34% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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