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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A17BC6 it is the complementary color #5E8439. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A17BC6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A17BC6 shade: #A67BC1, #B78DD4, #C89FE7, #D9B1FA and #EAC3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A17BC6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A17BC6 shade: #A17BC6, #9069B3, #7F57A0, #6E458D and #5D337A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A17BC6 shade: #A17AC6, #B57AC6, #C67AC2, #C67AAE and #C67A9A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A17BC6 shade: #A17AC6, #8C7AC6 and #7A7AC6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A17BC6 shade matches the following richer shades: #A17AC6, #A16BD5, #A15CE4 and #A14DF4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A17BC6 shade: #A17AC6, #A08AB7, #A099A7, #A0A898 and #A0B789

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A17BC6 shade: #7A7DC6, #8C7AC6, #A07AC6, #B47AC6 and #C67AC3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A17BC6 shade: #7847A7, #8C5EBA, #A17AC6, #B597D2 and #CAB4DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A17BC6 shade: #A17BC6, #C67A91 and #7AC682

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A17BC6 shade: #A17BC6, #C6A07A and #7AC6A0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A17BC6 shade: #A17BC6, #C67A91, #A0C67A and #7AC6AF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A17BC6 shade: #A17BC6, #C67A7A, #A0C67A and #7AC6C6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 38 / 0 / 22

HEX #A17BC6

RGB 161 123 198

HSL 270.4, 0.4%, 0.63%

LAB 57.87, 29.35, -33.57

 

Complementary color

CMYK 29 / 0 / 57 / 48

HEX #5E8439

RGB 94 132 57

HSL 90.4, 0.4%, 0.37%

LAB 50.89, -26.78, 35.77

 

CMYK 14 / 36 / 0 / 24

HEX #A67BC1

RGB 166 123 193

HSL 276.86, 0.36%, 0.62%

LAB 58.15, 29.77, -30.25

 

CMYK 14 / 33 / 0 / 17

HEX #B78DD4

RGB 183 141 212

HSL 275.49, 0.45%, 0.69%

LAB 64.86, 29.06, -30.42

 

CMYK 13 / 31 / 0 / 9

HEX #C89FE7

RGB 200 159 231

HSL 274.17, 0.6%, 0.76%

LAB 71.45, 28.41, -30.59

 

CMYK 13 / 29 / 0 / 2

HEX #D9B1FA

RGB 217 177 250

HSL 272.88, 0.88%, 0.84%

LAB 77.93, 27.8, -30.78

 

CMYK 8 / 24 / 0 / 0

HEX #EAC3FF

RGB 234 195 255

HSL 279, 1%, 0.88%

LAB 83.83, 24.42, -24.3

 

CMYK 19 / 38 / 0 / 22

HEX #A17BC6

RGB 161 123 198

HSL 270.4, 0.4%, 0.63%

LAB 57.87, 29.35, -33.57

 

CMYK 20 / 41 / 0 / 30

HEX #9069B3

RGB 144 105 179

HSL 271.62, 0.33%, 0.56%

LAB 51.02, 30.14, -33.5

 

CMYK 21 / 46 / 0 / 37

HEX #7F57A0

RGB 127 87 160

HSL 272.88, 0.3%, 0.48%

LAB 44.04, 31, -33.43

 

CMYK 22 / 51 / 0 / 45

HEX #6E458D

RGB 110 69 141

HSL 274.17, 0.34%, 0.41%

LAB 36.92, 31.91, -33.36

 

CMYK 24 / 58 / 0 / 52

HEX #5D337A

RGB 93 51 122

HSL 275.49, 0.41%, 0.34%

LAB 29.66, 32.84, -33.24

 

CMYK 19 / 38 / 0 / 22

HEX #A17AC6

RGB 161 122 198

HSL 270.79, 0.4%, 0.63%

LAB 57.63, 29.92, -33.94

 

CMYK 9 / 38 / 0 / 22

HEX #B57AC6

RGB 181 122 198

HSL 286.58, 0.4%, 0.63%

LAB 59.73, 36.06, -30.52

 

CMYK 0 / 38 / 2 / 22

HEX #C67AC2

RGB 198 122 194

HSL 303.16, 0.4%, 0.63%

LAB 61.5, 40.6, -25.36

 

CMYK 0 / 38 / 12 / 22

HEX #C67AAE

RGB 198 122 174

HSL 318.95, 0.4%, 0.63%

LAB 60.76, 37.1, -15.11

 

CMYK 0 / 38 / 22 / 22

HEX #C67A9A

RGB 198 122 154

HSL 334.74, 0.4%, 0.63%

LAB 60.12, 33.93, -4.61

 

CMYK 19 / 38 / 0 / 22

HEX #A17AC6

RGB 161 122 198

HSL 270.79, 0.4%, 0.63%

LAB 57.63, 29.92, -33.94

 

CMYK 29 / 38 / 0 / 22

HEX #8C7AC6

RGB 140 122 198

HSL 254.21, 0.4%, 0.63%

LAB 55.66, 23.7, -37.17

 

CMYK 38 / 38 / 0 / 22

HEX #7A7AC6

RGB 122 122 198

HSL 240, 0.4%, 0.63%

LAB 54.17, 18.67, -39.61

 

CMYK 19 / 38 / 0 / 22

HEX #A17AC6

RGB 161 122 198

HSL 270.79, 0.4%, 0.63%

LAB 57.63, 29.92, -33.94

 

CMYK 24 / 50 / 0 / 16

HEX #A16BD5

RGB 161 107 213

HSL 270.57, 0.56%, 0.63%

LAB 54.97, 41.83, -46.64

 

CMYK 29 / 60 / 0 / 11

HEX #A15CE4

RGB 161 92 228

HSL 270.44, 0.72%, 0.63%

LAB 52.77, 53.34, -58.62

 

CMYK 34 / 68 / 0 / 4

HEX #A14DF4

RGB 161 77 244

HSL 270.18, 0.88%, 0.63%

LAB 51.17, 64.29, -70.17

 

CMYK 19 / 38 / 0 / 22

HEX #A17AC6

RGB 161 122 198

HSL 270.79, 0.4%, 0.63%

LAB 57.63, 29.92, -33.94

 

CMYK 13 / 25 / 0 / 28

HEX #A08AB7

RGB 160 138 183

HSL 269.33, 0.24%, 0.63%

LAB 60.84, 17.1, -20.48

 

CMYK 4 / 8 / 0 / 35

HEX #A099A7

RGB 160 153 167

HSL 270, 0.07%, 0.63%

LAB 64.2, 5.25, -6.39

 

CMYK 5 / 0 / 10 / 34

HEX #A0A898

RGB 160 168 152

HSL 90, 0.08%, 0.63%

LAB 67.83, -5.83, 7.29

 

CMYK 13 / 0 / 25 / 28

HEX #A0B789

RGB 160 183 137

HSL 90, 0.24%, 0.63%

LAB 71.65, -16.24, 20.84

 

CMYK 38 / 37 / 0 / 22

HEX #7A7DC6

RGB 122 125 198

HSL 237.63, 0.4%, 0.63%

LAB 54.95, 16.88, -38.38

 

CMYK 29 / 38 / 0 / 22

HEX #8C7AC6

RGB 140 122 198

HSL 254.21, 0.4%, 0.63%

LAB 55.66, 23.7, -37.17

 

CMYK 19 / 38 / 0 / 22

HEX #A07AC6

RGB 160 122 198

HSL 270, 0.4%, 0.63%

LAB 57.53, 29.62, -34.1

 

CMYK 9 / 38 / 0 / 22

HEX #B47AC6

RGB 180 122 198

HSL 285.79, 0.4%, 0.63%

LAB 59.62, 35.75, -30.7

 

CMYK 0 / 38 / 2 / 22

HEX #C67AC3

RGB 198 122 195

HSL 302.37, 0.4%, 0.63%

LAB 61.54, 40.79, -25.87

 

CMYK 28 / 57 / 0 / 35

HEX #7847A7

RGB 120 71 167

HSL 270.63, 0.4%, 0.47%

LAB 40.06, 39.91, -43.96

 

CMYK 25 / 49 / 0 / 27

HEX #8C5EBA

RGB 140 94 186

HSL 270, 0.4%, 0.55%

LAB 48.42, 36.96, -41.69

 

CMYK 19 / 38 / 0 / 22

HEX #A17AC6

RGB 161 122 198

HSL 270.79, 0.4%, 0.63%

LAB 57.63, 29.92, -33.94

 

CMYK 14 / 28 / 0 / 18

HEX #B597D2

RGB 181 151 210

HSL 270.51, 0.4%, 0.71%

LAB 66.98, 22.41, -26.05

 

CMYK 9 / 19 / 0 / 13

HEX #CAB4DF

RGB 202 180 223

HSL 270.7, 0.4%, 0.79%

LAB 76.39, 15.87, -18.67

 

CMYK 19 / 38 / 0 / 22

HEX #A17BC6

RGB 161 123 198

HSL 270.4, 0.4%, 0.63%

LAB 57.87, 29.35, -33.57

 

CMYK 0 / 38 / 27 / 22

HEX #C67A91

RGB 198 122 145

HSL 341.84, 0.4%, 0.63%

LAB 59.86, 32.62, 0.19

 

CMYK 38 / 0 / 34 / 22

HEX #7AC682

RGB 122 198 130

HSL 126.32, 0.4%, 0.63%

LAB 73.63, -37.62, 26.87

 

CMYK 19 / 38 / 0 / 22

HEX #A17BC6

RGB 161 123 198

HSL 270.4, 0.4%, 0.63%

LAB 57.87, 29.35, -33.57

 

CMYK 0 / 19 / 38 / 22

HEX #C6A07A

RGB 198 160 122

HSL 30, 0.4%, 0.63%

LAB 68.43, 8.82, 25.12

 

CMYK 38 / 0 / 19 / 22

HEX #7AC6A0

RGB 122 198 160

HSL 150, 0.4%, 0.63%

LAB 74.23, -32.03, 11.71

 

CMYK 19 / 38 / 0 / 22

HEX #A17BC6

RGB 161 123 198

HSL 270.4, 0.4%, 0.63%

LAB 57.87, 29.35, -33.57

 

CMYK 0 / 38 / 27 / 22

HEX #C67A91

RGB 198 122 145

HSL 341.84, 0.4%, 0.63%

LAB 59.86, 32.62, 0.19

 

CMYK 19 / 0 / 38 / 22

HEX #A0C67A

RGB 160 198 122

HSL 90, 0.4%, 0.63%

LAB 75.62, -25.9, 34.03

 

CMYK 38 / 0 / 12 / 22

HEX #7AC6AF

RGB 122 198 175

HSL 161.84, 0.4%, 0.63%

LAB 74.59, -28.83, 4.12

 

CMYK 19 / 38 / 0 / 22

HEX #A17BC6

RGB 161 123 198

HSL 270.4, 0.4%, 0.63%

LAB 57.87, 29.35, -33.57

 

CMYK 0 / 38 / 38 / 22

HEX #C67A7A

RGB 198 122 122

HSL 0, 0.4%, 0.63%

LAB 59.28, 29.63, 12.59

 

CMYK 19 / 0 / 38 / 22

HEX #A0C67A

RGB 160 198 122

HSL 90, 0.4%, 0.63%

LAB 75.62, -25.9, 34.03

 

CMYK 38 / 0 / 0 / 22

HEX #7AC6C6

RGB 122 198 198

HSL 180, 0.4%, 0.63%

LAB 75.2, -23.45, -7.43

 

Description

Color code: HEX #A17BC6 | qconv.com Color code: HEX #A17BC6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 123 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 123 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 38 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 38% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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