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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A18488 it is the complementary color #5E7B77. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A18488. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A18488 shade: #A68483, #B79696, #C8A8A9, #D9BABC and #EACCCF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A18488. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A18488 shade: #A18488, #907275, #7F6062, #6E4E4F and #5D3C3C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A18488 shade: #9F8387 and #9F8383

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A18488 shade: #9F8387, #9F838E, #9F8396, #9F839E and #99839F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A18488 shade matches the following richer shades: #9F8387, #B1717A, #C35F6D, #D44D60 and #E63C53

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A18488 shade: #9F8387, #8D9493, #7CA6A0, #6AB8AD and #58CABA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A18488 shade: #9F8396, #9F838E, #9F8387, #9F8683 and #9F8E83

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A18488 shade: #755A5E, #8C6C70, #9F8387, #B19A9D and #C3B1B4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A18488 shade: #A18488, #9E9F83 and #83929F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A18488 shade: #A18488, #879F83 and #83879F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A18488 shade: #A18488, #9E9F83, #839F9B and #84839F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A18488 shade: #A18488, #959F83, #839F9B and #8D839F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 16 / 37

HEX #A18488

RGB 161 132 136

HSL 351.72, 0.13%, 0.57%

LAB 57.9, 11.73, 2.01

 

Complementary color

CMYK 24 / 0 / 3 / 52

HEX #5E7B77

RGB 94 123 119

HSL 171.72, 0.13%, 0.43%

LAB 49.35, -11.29, -1.23

 

CMYK 0 / 20 / 21 / 35

HEX #A68483

RGB 166 132 131

HSL 1.71, 0.16%, 0.58%

LAB 58.27, 12.85, 5.49

 

CMYK 0 / 18 / 18 / 28

HEX #B79696

RGB 183 150 150

HSL 0, 0.19%, 0.65%

LAB 65.03, 12.3, 4.63

 

CMYK 0 / 16 / 16 / 22

HEX #C8A8A9

RGB 200 168 169

HSL 358.13, 0.23%, 0.72%

LAB 71.66, 11.82, 3.84

 

CMYK 0 / 14 / 13 / 15

HEX #D9BABC

RGB 217 186 188

HSL 356.13, 0.29%, 0.79%

LAB 78.17, 11.39, 3.09

 

CMYK 0 / 13 / 12 / 8

HEX #EACCCF

RGB 234 204 207

HSL 354, 0.42%, 0.86%

LAB 84.58, 10.99, 2.38

 

CMYK 0 / 18 / 16 / 37

HEX #A18488

RGB 161 132 136

HSL 351.72, 0.13%, 0.57%

LAB 57.9, 11.73, 2.01

 

CMYK 0 / 21 / 19 / 44

HEX #907275

RGB 144 114 117

HSL 354, 0.12%, 0.51%

LAB 50.98, 12.28, 2.83

 

CMYK 0 / 24 / 23 / 50

HEX #7F6062

RGB 127 96 98

HSL 356.13, 0.14%, 0.44%

LAB 43.89, 12.91, 3.74

 

CMYK 0 / 29 / 28 / 57

HEX #6E4E4F

RGB 110 78 79

HSL 358.13, 0.17%, 0.37%

LAB 36.61, 13.65, 4.76

 

CMYK 0 / 35 / 35 / 64

HEX #5D3C3C

RGB 93 60 60

HSL 0, 0.22%, 0.3%

LAB 29.12, 14.55, 5.96

 

CMYK 0 / 18 / 15 / 38

HEX #9F8387

RGB 159 131 135

HSL 351.43, 0.13%, 0.57%

LAB 57.42, 11.36, 1.86

 

CMYK 0 / 18 / 18 / 38

HEX #9F8383

RGB 159 131 131

HSL 0, 0.13%, 0.57%

LAB 57.31, 10.69, 4.02

 

CMYK 0 / 18 / 15 / 38

HEX #9F8387

RGB 159 131 135

HSL 351.43, 0.13%, 0.57%

LAB 57.42, 11.36, 1.86

 

CMYK 0 / 18 / 11 / 38

HEX #9F838E

RGB 159 131 142

HSL 336.43, 0.13%, 0.57%

LAB 57.61, 12.58, -1.89

 

CMYK 0 / 18 / 6 / 38

HEX #9F8396

RGB 159 131 150

HSL 319.29, 0.13%, 0.57%

LAB 57.85, 14.05, -6.14

 

CMYK 0 / 18 / 1 / 38

HEX #9F839E

RGB 159 131 158

HSL 302.14, 0.13%, 0.57%

LAB 58.11, 15.58, -10.37

 

CMYK 4 / 18 / 0 / 38

HEX #99839F

RGB 153 131 159

HSL 287.14, 0.13%, 0.57%

LAB 57.57, 13.65, -11.81

 

CMYK 0 / 18 / 15 / 38

HEX #9F8387

RGB 159 131 135

HSL 351.43, 0.13%, 0.57%

LAB 57.42, 11.36, 1.86

 

CMYK 0 / 36 / 31 / 31

HEX #B1717A

RGB 177 113 122

HSL 351.56, 0.29%, 0.57%

LAB 54.62, 26.51, 5.63

 

CMYK 0 / 51 / 44 / 24

HEX #C35F6D

RGB 195 95 109

HSL 351.6, 0.45%, 0.57%

LAB 52.83, 41.31, 11.08

 

CMYK 0 / 64 / 55 / 17

HEX #D44D60

RGB 212 77 96

HSL 351.56, 0.61%, 0.57%

LAB 52.01, 54.41, 18.08

 

CMYK 0 / 74 / 64 / 10

HEX #E63C53

RGB 230 60 83

HSL 351.88, 0.77%, 0.57%

LAB 52.6, 65.45, 27.18

 

CMYK 0 / 18 / 15 / 38

HEX #9F8387

RGB 159 131 135

HSL 351.43, 0.13%, 0.57%

LAB 57.42, 11.36, 1.86

 

CMYK 5 / 0 / 1 / 42

HEX #8D9493

RGB 141 148 147

HSL 171.43, 0.03%, 0.57%

LAB 60.74, -2.72, -0.36

 

CMYK 25 / 0 / 4 / 35

HEX #7CA6A0

RGB 124 166 160

HSL 171.43, 0.19%, 0.57%

LAB 65.04, -15.45, -1.52

 

CMYK 42 / 0 / 6 / 28

HEX #6AB8AD

RGB 106 184 173

HSL 171.54, 0.35%, 0.57%

LAB 69.73, -26.72, -1.95

 

CMYK 56 / 0 / 8 / 21

HEX #58CABA

RGB 88 202 186

HSL 171.58, 0.52%, 0.57%

LAB 74.74, -36.14, -1.77

 

CMYK 0 / 18 / 6 / 38

HEX #9F8396

RGB 159 131 150

HSL 319.29, 0.13%, 0.57%

LAB 57.85, 14.05, -6.14

 

CMYK 0 / 18 / 11 / 38

HEX #9F838E

RGB 159 131 142

HSL 336.43, 0.13%, 0.57%

LAB 57.61, 12.58, -1.89

 

CMYK 0 / 18 / 15 / 38

HEX #9F8387

RGB 159 131 135

HSL 351.43, 0.13%, 0.57%

LAB 57.42, 11.36, 1.86

 

CMYK 0 / 16 / 18 / 38

HEX #9F8683

RGB 159 134 131

HSL 6.43, 0.13%, 0.57%

LAB 58.09, 8.99, 5.14

 

CMYK 0 / 11 / 18 / 38

HEX #9F8E83

RGB 159 142 131

HSL 23.57, 0.13%, 0.57%

LAB 60.21, 4.48, 8.17

 

CMYK 0 / 23 / 20 / 54

HEX #755A5E

RGB 117 90 94

HSL 351.11, 0.13%, 0.41%

LAB 41.06, 11.75, 1.96

 

CMYK 0 / 23 / 20 / 45

HEX #8C6C70

RGB 140 108 112

HSL 352.5, 0.13%, 0.49%

LAB 48.85, 13.36, 2.66

 

CMYK 0 / 18 / 15 / 38

HEX #9F8387

RGB 159 131 135

HSL 351.43, 0.13%, 0.57%

LAB 57.42, 11.36, 1.86

 

CMYK 0 / 13 / 11 / 31

HEX #B19A9D

RGB 177 154 157

HSL 352.17, 0.13%, 0.65%

LAB 65.66, 9, 1.55

 

CMYK 0 / 9 / 8 / 24

HEX #C3B1B4

RGB 195 177 180

HSL 350, 0.13%, 0.73%

LAB 73.77, 6.96, 0.8

 

CMYK 0 / 18 / 16 / 37

HEX #A18488

RGB 161 132 136

HSL 351.72, 0.13%, 0.57%

LAB 57.9, 11.73, 2.01

 

CMYK 1 / 0 / 18 / 38

HEX #9E9F83

RGB 158 159 131

HSL 62.14, 0.13%, 0.57%

LAB 64.73, -5.29, 14.53

 

CMYK 18 / 8 / 0 / 38

HEX #83929F

RGB 131 146 159

HSL 207.86, 0.13%, 0.57%

LAB 59.79, -2.52, -8.67

 

CMYK 0 / 18 / 16 / 37

HEX #A18488

RGB 161 132 136

HSL 351.72, 0.13%, 0.57%

LAB 57.9, 11.73, 2.01

 

CMYK 15 / 0 / 18 / 38

HEX #879F83

RGB 135 159 131

HSL 111.43, 0.13%, 0.57%

LAB 63, -13.93, 11.85

 

CMYK 18 / 15 / 0 / 38

HEX #83879F

RGB 131 135 159

HSL 231.43, 0.13%, 0.57%

LAB 56.74, 3.73, -13.24

 

CMYK 0 / 18 / 16 / 37

HEX #A18488

RGB 161 132 136

HSL 351.72, 0.13%, 0.57%

LAB 57.9, 11.73, 2.01

 

CMYK 1 / 0 / 18 / 38

HEX #9E9F83

RGB 158 159 131

HSL 62.14, 0.13%, 0.57%

LAB 64.73, -5.29, 14.53

 

CMYK 18 / 0 / 3 / 38

HEX #839F9B

RGB 131 159 155

HSL 171.43, 0.13%, 0.57%

LAB 63.33, -10.55, -1.16

 

CMYK 17 / 18 / 0 / 38

HEX #84839F

RGB 132 131 159

HSL 242.14, 0.13%, 0.57%

LAB 55.73, 6.38, -14.76

 

CMYK 0 / 18 / 16 / 37

HEX #A18488

RGB 161 132 136

HSL 351.72, 0.13%, 0.57%

LAB 57.9, 11.73, 2.01

 

CMYK 6 / 0 / 18 / 38

HEX #959F83

RGB 149 159 131

HSL 81.43, 0.13%, 0.57%

LAB 64.02, -8.73, 13.43

 

CMYK 18 / 0 / 3 / 38

HEX #839F9B

RGB 131 159 155

HSL 171.43, 0.13%, 0.57%

LAB 63.33, -10.55, -1.16

 

CMYK 11 / 18 / 0 / 38

HEX #8D839F

RGB 141 131 159

HSL 261.43, 0.13%, 0.57%

LAB 56.48, 9.45, -13.54

 

Description

Color code: HEX #A18488 | qconv.com Color code: HEX #A18488 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 132 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 132 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 16 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 16% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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