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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A1883A it is the complementary color #5E77C5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A1883A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A1883A shade: #A68835, #B79A48, #C8AC5B, #D9BE6E and #EAD081

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A1883A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A1883A shade: #A1883A, #907627, #7F6414, #6E5201 and #5D4000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A1883A shade: #A1883A, #A16C3A, #A1503A and #A13A3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A1883A shade: #A1883A, #9EA13A, #82A13A, #66A13A and #4BA13A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A1883A shade matches the following richer shades: #A1883A, #B29128, #C49A16 and #D6A304

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A1883A shade: #A1883A, #8F7F4B, #7D755D, #6B6C6F and #5A6381

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A1883A shade: #A1503A, #A16B3A, #A1873A, #9FA13A and #83A13A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A1883A shade: #645424, #826E2F, #A1883A, #BCA047 and #C7B065

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A1883A shade: #A1883A, #3FA13A and #5E3AA1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A1883A shade: #A1883A, #3AA187 and #873AA1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A1883A shade: #A1883A, #3FA13A, #3A53A1 and #9C3AA1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A1883A shade: #A1883A, #3AA153, #3A53A1 and #A13A87

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 64 / 37

HEX #A1883A

RGB 161 136 58

HSL 45.44, 0.47%, 0.43%

LAB 57.55, 0.16, 44.3

 

Complementary color

CMYK 52 / 40 / 0 / 23

HEX #5E77C5

RGB 94 119 197

HSL 225.44, 0.47%, 0.57%

LAB 51.39, 13.2, -43.56

 

CMYK 0 / 18 / 68 / 35

HEX #A68835

RGB 166 136 53

HSL 44.07, 0.52%, 0.43%

LAB 58.01, 2.08, 47.28

 

CMYK 0 / 16 / 61 / 28

HEX #B79A48

RGB 183 154 72

HSL 44.32, 0.44%, 0.5%

LAB 64.68, 0.99, 46.17

 

CMYK 0 / 14 / 55 / 22

HEX #C8AC5B

RGB 200 172 91

HSL 44.59, 0.5%, 0.57%

LAB 71.24, 0.09, 44.93

 

CMYK 0 / 12 / 49 / 15

HEX #D9BE6E

RGB 217 190 110

HSL 44.86, 0.58%, 0.64%

LAB 77.7, -0.68, 43.67

 

CMYK 0 / 11 / 45 / 8

HEX #EAD081

RGB 234 208 129

HSL 45.14, 0.71%, 0.71%

LAB 84.06, -1.32, 42.42

 

CMYK 0 / 16 / 64 / 37

HEX #A1883A

RGB 161 136 58

HSL 45.44, 0.47%, 0.43%

LAB 57.55, 0.16, 44.3

 

CMYK 0 / 18 / 73 / 44

HEX #907627

RGB 144 118 39

HSL 45.14, 0.57%, 0.36%

LAB 50.73, 1.35, 45.26

 

CMYK 0 / 21 / 84 / 50

HEX #7F6414

RGB 127 100 20

HSL 44.86, 0.73%, 0.29%

LAB 43.77, 2.85, 45.5

 

CMYK 0 / 25 / 99 / 57

HEX #6E5201

RGB 110 82 1

HSL 44.59, 0.98%, 0.22%

LAB 36.65, 4.71, 44.66

 

CMYK 0 / 31 / 100 / 64

HEX #5D4000

RGB 93 64 0

HSL 41.29, 1%, 0.18%

LAB 29.4, 7.18, 38.92

 

CMYK 0 / 16 / 64 / 37

HEX #A1883A

RGB 161 136 58

HSL 45.44, 0.47%, 0.43%

LAB 57.55, 0.16, 44.3

 

CMYK 0 / 33 / 64 / 37

HEX #A16C3A

RGB 161 108 58

HSL 29.13, 0.47%, 0.43%

LAB 50.23, 15.97, 36.03

 

CMYK 0 / 50 / 64 / 37

HEX #A1503A

RGB 161 80 58

HSL 12.82, 0.47%, 0.43%

LAB 43.68, 31.62, 28.23

 

CMYK 0 / 64 / 64 / 37

HEX #A13A3A

RGB 161 58 58

HSL 0, 0.47%, 0.43%

LAB 39.43, 42.67, 22.94

 

CMYK 0 / 16 / 64 / 37

HEX #A1883A

RGB 161 136 58

HSL 45.44, 0.47%, 0.43%

LAB 57.55, 0.16, 44.3

 

CMYK 2 / 0 / 64 / 37

HEX #9EA13A

RGB 158 161 58

HSL 61.75, 0.47%, 0.43%

LAB 64.21, -14.61, 51.4

 

CMYK 19 / 0 / 64 / 37

HEX #82A13A

RGB 130 161 58

HSL 78.06, 0.47%, 0.43%

LAB 62.12, -26.43, 48.54

 

CMYK 37 / 0 / 64 / 37

HEX #66A13A

RGB 102 161 58

HSL 94.37, 0.47%, 0.43%

LAB 60.44, -37.21, 46.24

 

CMYK 53 / 0 / 64 / 37

HEX #4BA13A

RGB 75 161 58

HSL 110.1, 0.47%, 0.43%

LAB 59.24, -45.91, 44.57

 

CMYK 0 / 16 / 64 / 37

HEX #A1883A

RGB 161 136 58

HSL 45.44, 0.47%, 0.43%

LAB 57.55, 0.16, 44.3

 

CMYK 0 / 19 / 78 / 30

HEX #B29128

RGB 178 145 40

HSL 45.65, 0.63%, 0.43%

LAB 61.54, 1.87, 56.54

 

CMYK 0 / 21 / 89 / 23

HEX #C49A16

RGB 196 154 22

HSL 45.52, 0.8%, 0.43%

LAB 65.67, 4.5, 66.09

 

CMYK 0 / 24 / 98 / 16

HEX #D6A304

RGB 214 163 4

HSL 45.43, 0.96%, 0.43%

LAB 69.82, 7.4, 72.81

 

CMYK 0 / 16 / 64 / 37

HEX #A1883A

RGB 161 136 58

HSL 45.44, 0.47%, 0.43%

LAB 57.55, 0.16, 44.3

 

CMYK 0 / 11 / 48 / 44

HEX #8F7F4B

RGB 143 127 75

HSL 45.88, 0.31%, 0.43%

LAB 53.52, -1.34, 30.39

 

CMYK 0 / 6 / 26 / 51

HEX #7D755D

RGB 125 117 93

HSL 45, 0.15%, 0.43%

LAB 49.34, -1.07, 14.38

 

CMYK 4 / 3 / 0 / 56

HEX #6B6C6F

RGB 107 108 111

HSL 225, 0.02%, 0.43%

LAB 45.63, 0.24, -1.81

 

CMYK 30 / 23 / 0 / 49

HEX #5A6381

RGB 90 99 129

HSL 226.15, 0.18%, 0.43%

LAB 42.28, 4.01, -17.85

 

CMYK 0 / 50 / 64 / 37

HEX #A1503A

RGB 161 80 58

HSL 12.82, 0.47%, 0.43%

LAB 43.68, 31.62, 28.23

 

CMYK 0 / 34 / 64 / 37

HEX #A16B3A

RGB 161 107 58

HSL 28.54, 0.47%, 0.43%

LAB 49.98, 16.54, 35.74

 

CMYK 0 / 16 / 64 / 37

HEX #A1873A

RGB 161 135 58

HSL 44.85, 0.47%, 0.43%

LAB 57.28, 0.72, 44.01

 

CMYK 1 / 0 / 64 / 37

HEX #9FA13A

RGB 159 161 58

HSL 61.17, 0.47%, 0.43%

LAB 64.3, -14.17, 51.52

 

CMYK 19 / 0 / 64 / 37

HEX #83A13A

RGB 131 161 58

HSL 77.48, 0.47%, 0.43%

LAB 62.19, -26.02, 48.63

 

CMYK 0 / 16 / 64 / 61

HEX #645424

RGB 100 84 36

HSL 45, 0.47%, 0.27%

LAB 36.32, 0.19, 29.94

 

CMYK 0 / 15 / 64 / 49

HEX #826E2F

RGB 130 110 47

HSL 45.54, 0.47%, 0.35%

LAB 47.11, -0.06, 37.23

 

CMYK 0 / 16 / 64 / 37

HEX #A1883A

RGB 161 136 58

HSL 45.44, 0.47%, 0.43%

LAB 57.55, 0.16, 44.3

 

CMYK 0 / 15 / 62 / 26

HEX #BCA047

RGB 188 160 71

HSL 45.64, 0.47%, 0.51%

LAB 66.74, -0.15, 49.08

 

CMYK 0 / 12 / 49 / 22

HEX #C7B065

RGB 199 176 101

HSL 45.92, 0.47%, 0.59%

LAB 72.32, -1.58, 41.21

 

CMYK 0 / 16 / 64 / 37

HEX #A1883A

RGB 161 136 58

HSL 45.44, 0.47%, 0.43%

LAB 57.55, 0.16, 44.3

 

CMYK 61 / 0 / 64 / 37

HEX #3FA13A

RGB 63 161 58

HSL 117.09, 0.47%, 0.43%

LAB 58.84, -49.06, 44

 

CMYK 42 / 64 / 0 / 37

HEX #5E3AA1

RGB 94 58 161

HSL 260.97, 0.47%, 0.43%

LAB 33.94, 39.44, -50.37

 

CMYK 0 / 16 / 64 / 37

HEX #A1883A

RGB 161 136 58

HSL 45.44, 0.47%, 0.43%

LAB 57.55, 0.16, 44.3

 

CMYK 64 / 0 / 16 / 37

HEX #3AA187

RGB 58 161 135

HSL 164.85, 0.47%, 0.43%

LAB 60.01, -36, 4.85

 

CMYK 16 / 64 / 0 / 37

HEX #873AA1

RGB 135 58 161

HSL 284.85, 0.47%, 0.43%

LAB 39.16, 49.06, -41.71

 

CMYK 0 / 16 / 64 / 37

HEX #A1883A

RGB 161 136 58

HSL 45.44, 0.47%, 0.43%

LAB 57.55, 0.16, 44.3

 

CMYK 61 / 0 / 64 / 37

HEX #3FA13A

RGB 63 161 58

HSL 117.09, 0.47%, 0.43%

LAB 58.84, -49.06, 44

 

CMYK 64 / 48 / 0 / 37

HEX #3A53A1

RGB 58 83 161

HSL 225.44, 0.47%, 0.43%

LAB 37.22, 16.24, -45.22

 

CMYK 3 / 64 / 0 / 37

HEX #9C3AA1

RGB 156 58 161

HSL 297.09, 0.47%, 0.43%

LAB 42.26, 54.28, -36.59

 

CMYK 0 / 16 / 64 / 37

HEX #A1883A

RGB 161 136 58

HSL 45.44, 0.47%, 0.43%

LAB 57.55, 0.16, 44.3

 

CMYK 64 / 0 / 48 / 37

HEX #3AA153

RGB 58 161 83

HSL 134.56, 0.47%, 0.43%

LAB 58.99, -46.85, 31.95

 

CMYK 64 / 48 / 0 / 37

HEX #3A53A1

RGB 58 83 161

HSL 225.44, 0.47%, 0.43%

LAB 37.22, 16.24, -45.22

 

CMYK 0 / 64 / 16 / 37

HEX #A13A87

RGB 161 58 135

HSL 315.15, 0.47%, 0.43%

LAB 41.77, 51.25, -21.58

 

Description

Color code: HEX #A1883A | qconv.com Color code: HEX #A1883A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 136 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 136 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 64 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 64% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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