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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A18186 it is the complementary color #5E7E79. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A18186. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A18186 shade: #A68181, #B79394, #C8A5A7, #D9B7BA and #EAC9CD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A18186. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A18186 shade: #A18186, #906F73, #7F5D60, #6E4B4D and #5D393A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A18186 shade: #A18086 and #A18080

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A18186 shade: #A18086, #A1808E, #A18097, #A180A0 and #9A80A1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A18186 shade matches the following richer shades: #A18086, #B36F79, #C55D6D, #D74B61 and #E83955

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A18186 shade: #A18086, #909292, #7EA49E, #6CB6AA and #5AC7B6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A18186 shade: #A18097, #A1808F, #A18086, #A18480 and #A18C80

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A18186 shade: #77585D, #8F6A6F, #A18086, #B3989C and #C4B0B3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A18186 shade: #A18186, #A0A180 and #8093A1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A18186 shade: #A18186, #86A180 and #8086A1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A18186 shade: #A18186, #A0A180, #80A19C and #8180A1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A18186 shade: #A18186, #96A180, #80A19C and #8B80A1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 17 / 37

HEX #A18186

RGB 161 129 134

HSL 350.63, 0.15%, 0.57%

LAB 57.07, 13.1, 1.97

 

Complementary color

CMYK 25 / 0 / 4 / 51

HEX #5E7E79

RGB 94 126 121

HSL 170.63, 0.15%, 0.43%

LAB 50.31, -12.5, -0.99

 

CMYK 0 / 22 / 22 / 35

HEX #A68181

RGB 166 129 129

HSL 0, 0.17%, 0.58%

LAB 57.46, 14.24, 5.47

 

CMYK 0 / 20 / 19 / 28

HEX #B79394

RGB 183 147 148

HSL 358.33, 0.2%, 0.65%

LAB 64.22, 13.65, 4.59

 

CMYK 0 / 18 / 17 / 22

HEX #C8A5A7

RGB 200 165 167

HSL 356.57, 0.24%, 0.72%

LAB 70.86, 13.14, 3.78

 

CMYK 0 / 16 / 14 / 15

HEX #D9B7BA

RGB 217 183 186

HSL 354.71, 0.31%, 0.78%

LAB 77.38, 12.67, 3.03

 

CMYK 0 / 14 / 12 / 8

HEX #EAC9CD

RGB 234 201 205

HSL 352.73, 0.44%, 0.85%

LAB 83.8, 12.25, 2.31

 

CMYK 0 / 20 / 17 / 37

HEX #A18186

RGB 161 129 134

HSL 350.63, 0.15%, 0.57%

LAB 57.07, 13.1, 1.97

 

CMYK 0 / 23 / 20 / 44

HEX #906F73

RGB 144 111 115

HSL 352.73, 0.13%, 0.5%

LAB 50.14, 13.69, 2.81

 

CMYK 0 / 27 / 24 / 50

HEX #7F5D60

RGB 127 93 96

HSL 354.71, 0.15%, 0.43%

LAB 43.04, 14.37, 3.74

 

CMYK 0 / 32 / 30 / 57

HEX #6E4B4D

RGB 110 75 77

HSL 356.57, 0.19%, 0.36%

LAB 35.76, 15.18, 4.8

 

CMYK 0 / 39 / 38 / 64

HEX #5D393A

RGB 93 57 58

HSL 358.33, 0.24%, 0.29%

LAB 28.27, 16.14, 6.07

 

CMYK 0 / 20 / 17 / 37

HEX #A18086

RGB 161 128 134

HSL 349.09, 0.15%, 0.57%

LAB 56.82, 13.67, 1.59

 

CMYK 0 / 20 / 20 / 37

HEX #A18080

RGB 161 128 128

HSL 0, 0.15%, 0.57%

LAB 56.66, 12.69, 4.83

 

CMYK 0 / 20 / 17 / 37

HEX #A18086

RGB 161 128 134

HSL 349.09, 0.15%, 0.57%

LAB 56.82, 13.67, 1.59

 

CMYK 0 / 20 / 12 / 37

HEX #A1808E

RGB 161 128 142

HSL 334.55, 0.15%, 0.57%

LAB 57.04, 15.05, -2.7

 

CMYK 0 / 20 / 6 / 37

HEX #A18097

RGB 161 128 151

HSL 318.18, 0.15%, 0.57%

LAB 57.32, 16.68, -7.49

 

CMYK 0 / 20 / 1 / 37

HEX #A180A0

RGB 161 128 160

HSL 301.82, 0.15%, 0.57%

LAB 57.61, 18.4, -12.24

 

CMYK 4 / 20 / 0 / 37

HEX #9A80A1

RGB 154 128 161

HSL 287.27, 0.15%, 0.57%

LAB 56.96, 16.13, -13.86

 

CMYK 0 / 20 / 17 / 37

HEX #A18086

RGB 161 128 134

HSL 349.09, 0.15%, 0.57%

LAB 56.82, 13.67, 1.59

 

CMYK 0 / 38 / 32 / 30

HEX #B36F79

RGB 179 111 121

HSL 351.18, 0.31%, 0.57%

LAB 54.38, 28.25, 5.9

 

CMYK 0 / 53 / 45 / 23

HEX #C55D6D

RGB 197 93 109

HSL 350.77, 0.47%, 0.57%

LAB 52.73, 43.03, 10.98

 

CMYK 0 / 65 / 55 / 16

HEX #D74B61

RGB 215 75 97

HSL 350.57, 0.64%, 0.57%

LAB 52.22, 56.29, 17.86

 

CMYK 0 / 75 / 63 / 9

HEX #E83955

RGB 232 57 85

HSL 350.4, 0.79%, 0.57%

LAB 52.66, 67.08, 26.15

 

CMYK 0 / 20 / 17 / 37

HEX #A18086

RGB 161 128 134

HSL 349.09, 0.15%, 0.57%

LAB 56.82, 13.67, 1.59

 

CMYK 1 / 0 / 0 / 43

HEX #909292

RGB 144 146 146

HSL 180, 0.01%, 0.57%

LAB 60.39, -0.72, -0.26

 

CMYK 23 / 0 / 4 / 36

HEX #7EA49E

RGB 126 164 158

HSL 170.53, 0.17%, 0.57%

LAB 64.53, -14.21, -1.13

 

CMYK 41 / 0 / 7 / 29

HEX #6CB6AA

RGB 108 182 170

HSL 170.27, 0.34%, 0.57%

LAB 69.15, -25.94, -1.14

 

CMYK 55 / 0 / 9 / 22

HEX #5AC7B6

RGB 90 199 182

HSL 170.64, 0.49%, 0.57%

LAB 73.8, -35.36, -0.96

 

CMYK 0 / 20 / 6 / 37

HEX #A18097

RGB 161 128 151

HSL 318.18, 0.15%, 0.57%

LAB 57.32, 16.68, -7.49

 

CMYK 0 / 20 / 11 / 37

HEX #A1808F

RGB 161 128 143

HSL 332.73, 0.15%, 0.57%

LAB 57.07, 15.22, -3.23

 

CMYK 0 / 20 / 17 / 37

HEX #A18086

RGB 161 128 134

HSL 349.09, 0.15%, 0.57%

LAB 56.82, 13.67, 1.59

 

CMYK 0 / 18 / 20 / 37

HEX #A18480

RGB 161 132 128

HSL 7.27, 0.15%, 0.57%

LAB 57.69, 10.42, 6.32

 

CMYK 0 / 13 / 20 / 37

HEX #A18C80

RGB 161 140 128

HSL 21.82, 0.15%, 0.57%

LAB 59.79, 5.9, 9.31

 

CMYK 0 / 26 / 22 / 53

HEX #77585D

RGB 119 88 93

HSL 350.32, 0.15%, 0.41%

LAB 40.72, 13.61, 2.11

 

CMYK 0 / 26 / 22 / 44

HEX #8F6A6F

RGB 143 106 111

HSL 351.89, 0.15%, 0.49%

LAB 48.63, 15.56, 2.99

 

CMYK 0 / 20 / 17 / 37

HEX #A18086

RGB 161 128 134

HSL 349.09, 0.15%, 0.57%

LAB 56.82, 13.67, 1.59

 

CMYK 0 / 15 / 13 / 30

HEX #B3989C

RGB 179 152 156

HSL 351.11, 0.15%, 0.65%

LAB 65.31, 10.68, 1.62

 

CMYK 0 / 10 / 9 / 23

HEX #C4B0B3

RGB 196 176 179

HSL 351, 0.14%, 0.73%

LAB 73.57, 7.69, 1.08

 

CMYK 0 / 20 / 17 / 37

HEX #A18186

RGB 161 129 134

HSL 350.63, 0.15%, 0.57%

LAB 57.07, 13.1, 1.97

 

CMYK 1 / 0 / 20 / 37

HEX #A0A180

RGB 160 161 128

HSL 61.82, 0.15%, 0.57%

LAB 65.37, -6.07, 17.11

 

CMYK 20 / 9 / 0 / 37

HEX #8093A1

RGB 128 147 161

HSL 205.45, 0.15%, 0.57%

LAB 59.92, -3.61, -9.64

 

CMYK 0 / 20 / 17 / 37

HEX #A18186

RGB 161 129 134

HSL 350.63, 0.15%, 0.57%

LAB 57.07, 13.1, 1.97

 

CMYK 17 / 0 / 20 / 37

HEX #86A180

RGB 134 161 128

HSL 109.09, 0.15%, 0.57%

LAB 63.44, -15.88, 14.13

 

CMYK 20 / 17 / 0 / 37

HEX #8086A1

RGB 128 134 161

HSL 229.09, 0.15%, 0.57%

LAB 56.3, 3.78, -15.08

 

CMYK 0 / 20 / 17 / 37

HEX #A18186

RGB 161 129 134

HSL 350.63, 0.15%, 0.57%

LAB 57.07, 13.1, 1.97

 

CMYK 1 / 0 / 20 / 37

HEX #A0A180

RGB 160 161 128

HSL 61.82, 0.15%, 0.57%

LAB 65.37, -6.07, 17.11

 

CMYK 20 / 0 / 3 / 37

HEX #80A19C

RGB 128 161 156

HSL 170.91, 0.15%, 0.57%

LAB 63.74, -12.4, -1.16

 

CMYK 20 / 20 / 0 / 37

HEX #8180A1

RGB 129 128 161

HSL 241.82, 0.15%, 0.57%

LAB 54.74, 7.59, -17.44

 

CMYK 0 / 20 / 17 / 37

HEX #A18186

RGB 161 129 134

HSL 350.63, 0.15%, 0.57%

LAB 57.07, 13.1, 1.97

 

CMYK 7 / 0 / 20 / 37

HEX #96A180

RGB 150 161 128

HSL 80, 0.15%, 0.57%

LAB 64.59, -9.92, 15.9

 

CMYK 20 / 0 / 3 / 37

HEX #80A19C

RGB 128 161 156

HSL 170.91, 0.15%, 0.57%

LAB 63.74, -12.4, -1.16

 

CMYK 14 / 20 / 0 / 37

HEX #8B80A1

RGB 139 128 161

HSL 260, 0.15%, 0.57%

LAB 55.58, 10.95, -16.08

 

Description

Color code: HEX #A18186 | qconv.com Color code: HEX #A18186 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 129 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 129 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 17 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 17% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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