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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A18A9B it is the complementary color #5E7564. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A18A9B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A18A9B shade: #A68A96, #B79CA9, #C8AEBC, #D9C0CF and #EAD2E2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A18A9B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A18A9B shade: #A18A9B, #907888, #7F6675, #6E5462 and #5D424F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A18A9B shade: #A18A9B, #A18A95, #A18A8F and #A18A8A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A18A9B shade: #A18A9B, #A18AA1, #9B8AA1, #958AA1 and #8F8AA1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A18A9B shade matches the following richer shades: #A18A9B, #B27AA4, #C369AC, #D458B4 and #E547BC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A18A9B shade: #A18A9B, #919B93, #80AC8B, #6FBD83 and #5ECE7B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A18A9B shade: #9B8AA1, #A18AA1, #A18A9C, #A18A96 and #A18A8F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A18A9B shade: #796172, #8F7488, #A18A9B, #B4A1AF and #C6B8C3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A18A9B shade: #A18A9B, #A1958A and #8AA19E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A18A9B shade: #A18A9B, #9CA18A and #8A9CA1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A18A9B shade: #A18A9B, #A1958A, #8AA190 and #8A97A1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A18A9B shade: #A18A9B, #A19C8A, #8AA190 and #8A90A1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 4 / 37

HEX #A18A9B

RGB 161 138 155

HSL 315.65, 0.11%, 0.59%

LAB 60, 11.73, -5.81

 

Complementary color

CMYK 20 / 0 / 15 / 54

HEX #5E7564

RGB 94 117 100

HSL 135.65, 0.11%, 0.41%

LAB 47, -12.13, 6.61

 

CMYK 0 / 17 / 10 / 35

HEX #A68A96

RGB 166 138 150

HSL 334.29, 0.14%, 0.6%

LAB 60.33, 12.65, -2.41

 

CMYK 0 / 15 / 8 / 28

HEX #B79CA9

RGB 183 156 169

HSL 331.11, 0.16%, 0.66%

LAB 67.06, 12.19, -3.06

 

CMYK 0 / 13 / 6 / 22

HEX #C8AEBC

RGB 200 174 188

HSL 327.69, 0.19%, 0.73%

LAB 73.66, 11.78, -3.68

 

CMYK 0 / 12 / 5 / 15

HEX #D9C0CF

RGB 217 192 207

HSL 324, 0.25%, 0.8%

LAB 80.15, 11.4, -4.27

 

CMYK 0 / 10 / 3 / 8

HEX #EAD2E2

RGB 234 210 226

HSL 320, 0.36%, 0.87%

LAB 86.54, 11.05, -4.84

 

CMYK 0 / 14 / 4 / 37

HEX #A18A9B

RGB 161 138 155

HSL 315.65, 0.11%, 0.59%

LAB 60, 11.73, -5.81

 

CMYK 0 / 17 / 6 / 44

HEX #907888

RGB 144 120 136

HSL 320, 0.1%, 0.52%

LAB 53.1, 12.19, -5.22

 

CMYK 0 / 20 / 8 / 50

HEX #7F6675

RGB 127 102 117

HSL 324, 0.11%, 0.45%

LAB 46.04, 12.71, -4.6

 

CMYK 0 / 24 / 11 / 57

HEX #6E5462

RGB 110 84 98

HSL 327.69, 0.13%, 0.38%

LAB 38.79, 13.3, -3.93

 

CMYK 0 / 29 / 15 / 64

HEX #5D424F

RGB 93 66 79

HSL 331.11, 0.17%, 0.31%

LAB 31.32, 14, -3.19

 

CMYK 0 / 14 / 4 / 37

HEX #A18A9B

RGB 161 138 155

HSL 315.65, 0.11%, 0.59%

LAB 60, 11.73, -5.81

 

CMYK 0 / 14 / 7 / 37

HEX #A18A95

RGB 161 138 149

HSL 331.3, 0.11%, 0.59%

LAB 59.82, 10.61, -2.64

 

CMYK 0 / 14 / 11 / 37

HEX #A18A8F

RGB 161 138 143

HSL 346.96, 0.11%, 0.59%

LAB 59.65, 9.53, 0.54

 

CMYK 0 / 14 / 14 / 37

HEX #A18A8A

RGB 161 138 138

HSL 0, 0.11%, 0.59%

LAB 59.52, 8.67, 3.21

 

CMYK 0 / 14 / 4 / 37

HEX #A18A9B

RGB 161 138 155

HSL 315.65, 0.11%, 0.59%

LAB 60, 11.73, -5.81

 

CMYK 0 / 14 / 0 / 37

HEX #A18AA1

RGB 161 138 161

HSL 300, 0.11%, 0.59%

LAB 60.18, 12.88, -8.96

 

CMYK 4 / 14 / 0 / 37

HEX #9B8AA1

RGB 155 138 161

HSL 284.35, 0.11%, 0.59%

LAB 59.63, 10.75, -9.84

 

CMYK 7 / 14 / 0 / 37

HEX #958AA1

RGB 149 138 161

HSL 268.7, 0.11%, 0.59%

LAB 59.1, 8.64, -10.68

 

CMYK 11 / 14 / 0 / 37

HEX #8F8AA1

RGB 143 138 161

HSL 253.04, 0.11%, 0.59%

LAB 58.59, 6.55, -11.5

 

CMYK 0 / 14 / 4 / 37

HEX #A18A9B

RGB 161 138 155

HSL 315.65, 0.11%, 0.59%

LAB 60, 11.73, -5.81

 

CMYK 0 / 31 / 8 / 30

HEX #B27AA4

RGB 178 122 164

HSL 315, 0.27%, 0.59%

LAB 58.1, 28.52, -13.63

 

CMYK 0 / 46 / 12 / 24

HEX #C369AC

RGB 195 105 172

HSL 315.33, 0.43%, 0.59%

LAB 56.77, 44.75, -20.07

 

CMYK 0 / 58 / 15 / 17

HEX #D458B4

RGB 212 88 180

HSL 315.48, 0.59%, 0.59%

LAB 56.36, 59.27, -25.11

 

CMYK 0 / 69 / 18 / 10

HEX #E547BC

RGB 229 71 188

HSL 315.57, 0.75%, 0.59%

LAB 56.88, 71.62, -28.72

 

CMYK 0 / 14 / 4 / 37

HEX #A18A9B

RGB 161 138 155

HSL 315.65, 0.11%, 0.59%

LAB 60, 11.73, -5.81

 

CMYK 6 / 0 / 5 / 39

HEX #919B93

RGB 145 155 147

HSL 132, 0.05%, 0.59%

LAB 62.99, -5.15, 2.95

 

CMYK 26 / 0 / 19 / 33

HEX #80AC8B

RGB 128 172 139

HSL 135, 0.21%, 0.59%

LAB 66.49, -21.62, 12.26

 

CMYK 41 / 0 / 31 / 26

HEX #6FBD83

RGB 111 189 131

HSL 135.38, 0.37%, 0.59%

LAB 70.46, -36.67, 21.98

 

CMYK 54 / 0 / 40 / 19

HEX #5ECE7B

RGB 94 206 123

HSL 135.54, 0.53%, 0.59%

LAB 74.79, -49.93, 31.83

 

CMYK 4 / 14 / 0 / 37

HEX #9B8AA1

RGB 155 138 161

HSL 284.35, 0.11%, 0.59%

LAB 59.63, 10.75, -9.84

 

CMYK 0 / 14 / 0 / 37

HEX #A18AA1

RGB 161 138 161

HSL 300, 0.11%, 0.59%

LAB 60.18, 12.88, -8.96

 

CMYK 0 / 14 / 3 / 37

HEX #A18A9C

RGB 161 138 156

HSL 313.04, 0.11%, 0.59%

LAB 60.03, 11.92, -6.33

 

CMYK 0 / 14 / 7 / 37

HEX #A18A96

RGB 161 138 150

HSL 328.7, 0.11%, 0.59%

LAB 59.85, 10.8, -3.17

 

CMYK 0 / 14 / 11 / 37

HEX #A18A8F

RGB 161 138 143

HSL 346.96, 0.11%, 0.59%

LAB 59.65, 9.53, 0.54

 

CMYK 0 / 20 / 6 / 53

HEX #796172

RGB 121 97 114

HSL 317.5, 0.11%, 0.43%

LAB 43.99, 12.82, -5.91

 

CMYK 0 / 19 / 5 / 44

HEX #8F7488

RGB 143 116 136

HSL 315.56, 0.11%, 0.51%

LAB 51.96, 14.15, -6.93

 

CMYK 0 / 14 / 4 / 37

HEX #A18A9B

RGB 161 138 155

HSL 315.65, 0.11%, 0.59%

LAB 60, 11.73, -5.81

 

CMYK 0 / 11 / 3 / 29

HEX #B4A1AF

RGB 180 161 175

HSL 315.79, 0.11%, 0.67%

LAB 68.23, 9.44, -4.71

 

CMYK 0 / 7 / 2 / 22

HEX #C6B8C3

RGB 198 184 195

HSL 312.86, 0.11%, 0.75%

LAB 76.21, 6.93, -3.77

 

CMYK 0 / 14 / 4 / 37

HEX #A18A9B

RGB 161 138 155

HSL 315.65, 0.11%, 0.59%

LAB 60, 11.73, -5.81

 

CMYK 0 / 7 / 14 / 37

HEX #A1958A

RGB 161 149 138

HSL 28.7, 0.11%, 0.59%

LAB 62.43, 2.5, 7.4

 

CMYK 14 / 0 / 2 / 37

HEX #8AA19E

RGB 138 161 158

HSL 172.17, 0.11%, 0.59%

LAB 64.45, -8.64, -1.15

 

CMYK 0 / 14 / 4 / 37

HEX #A18A9B

RGB 161 138 155

HSL 315.65, 0.11%, 0.59%

LAB 60, 11.73, -5.81

 

CMYK 3 / 0 / 14 / 37

HEX #9CA18A

RGB 156 161 138

HSL 73.04, 0.11%, 0.59%

LAB 65.27, -5.98, 11.38

 

CMYK 14 / 3 / 0 / 37

HEX #8A9CA1

RGB 138 156 161

HSL 193.04, 0.11%, 0.59%

LAB 63.14, -5.27, -4.77

 

CMYK 0 / 14 / 4 / 37

HEX #A18A9B

RGB 161 138 155

HSL 315.65, 0.11%, 0.59%

LAB 60, 11.73, -5.81

 

CMYK 0 / 7 / 14 / 37

HEX #A1958A

RGB 161 149 138

HSL 28.7, 0.11%, 0.59%

LAB 62.43, 2.5, 7.4

 

CMYK 14 / 0 / 11 / 37

HEX #8AA190

RGB 138 161 144

HSL 135.65, 0.11%, 0.59%

LAB 64.09, -11.48, 6.16

 

CMYK 14 / 6 / 0 / 37

HEX #8A97A1

RGB 138 151 161

HSL 206.09, 0.11%, 0.59%

LAB 61.75, -2.51, -6.83

 

CMYK 0 / 14 / 4 / 37

HEX #A18A9B

RGB 161 138 155

HSL 315.65, 0.11%, 0.59%

LAB 60, 11.73, -5.81

 

CMYK 0 / 3 / 14 / 37

HEX #A19C8A

RGB 161 156 138

HSL 46.96, 0.11%, 0.59%

LAB 64.31, -1.36, 10.08

 

CMYK 14 / 0 / 11 / 37

HEX #8AA190

RGB 138 161 144

HSL 135.65, 0.11%, 0.59%

LAB 64.09, -11.48, 6.16

 

CMYK 14 / 11 / 0 / 37

HEX #8A90A1

RGB 138 144 161

HSL 224.35, 0.11%, 0.59%

LAB 59.82, 1.42, -9.71

 

Description

Color code: HEX #A18A9B | qconv.com Color code: HEX #A18A9B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 138 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 138 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 4 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 4% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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