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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A18C78 it is the complementary color #5E7387. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A18C78. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A18C78 shade: #A68C73, #B79E86, #C8B099, #D9C2AC and #EAD4BF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A18C78. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A18C78 shade: #A18C78, #907A65, #7F6852, #6E563F and #5D442C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A18C78 shade: #A08B77, #A08077 and #A07777

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A18C78 shade: #A08B77, #A09677, #9FA077, #94A077 and #89A077

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A18C78 shade matches the following richer shades: #A08B77, #B38B65, #C68A52, #D88A3F and #EB892D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A18C78 shade: #A08B77, #8E8C8A, #7B8C9C, #698DAF and #568DC1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A18C78 shade: #A07779, #A08077, #A08B77, #A09677 and #A0A077

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A18C78 shade: #746251, #8D7762, #A08B77, #B1A08F and #C2B5A8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A18C78 shade: #A18C78, #84A077 and #7B77A0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A18C78 shade: #A18C78, #77A08B and #8B77A0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A18C78 shade: #A18C78, #84A077, #778CA0 and #9377A0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A18C78 shade: #A18C78, #78A077, #778CA0 and #A077A0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 25 / 37

HEX #A18C78

RGB 161 140 120

HSL 29.27, 0.18%, 0.55%

LAB 59.61, 4.67, 13.59

 

Complementary color

CMYK 30 / 15 / 0 / 47

HEX #5E7387

RGB 94 115 135

HSL 209.27, 0.18%, 0.45%

LAB 47.48, -2.71, -13.48

 

CMYK 0 / 16 / 31 / 35

HEX #A68C73

RGB 166 140 115

HSL 29.41, 0.22%, 0.55%

LAB 59.98, 5.98, 17.01

 

CMYK 0 / 14 / 27 / 28

HEX #B79E86

RGB 183 158 134

HSL 29.39, 0.25%, 0.62%

LAB 66.7, 5.47, 15.94

 

CMYK 0 / 12 / 24 / 22

HEX #C8B099

RGB 200 176 153

HSL 29.36, 0.3%, 0.69%

LAB 73.3, 5.04, 14.95

 

CMYK 0 / 11 / 21 / 15

HEX #D9C2AC

RGB 217 194 172

HSL 29.33, 0.37%, 0.76%

LAB 79.79, 4.65, 14.03

 

CMYK 0 / 9 / 18 / 8

HEX #EAD4BF

RGB 234 212 191

HSL 29.3, 0.51%, 0.83%

LAB 86.18, 4.3, 13.15

 

CMYK 0 / 13 / 25 / 37

HEX #A18C78

RGB 161 140 120

HSL 29.27, 0.18%, 0.55%

LAB 59.61, 4.67, 13.59

 

CMYK 0 / 15 / 30 / 44

HEX #907A65

RGB 144 122 101

HSL 29.3, 0.18%, 0.48%

LAB 52.72, 5.17, 14.66

 

CMYK 0 / 18 / 35 / 50

HEX #7F6852

RGB 127 104 82

HSL 29.33, 0.22%, 0.41%

LAB 45.66, 5.76, 15.84

 

CMYK 0 / 22 / 43 / 57

HEX #6E563F

RGB 110 86 63

HSL 29.36, 0.27%, 0.34%

LAB 38.43, 6.49, 17.17

 

CMYK 0 / 27 / 53 / 64

HEX #5D442C

RGB 93 68 44

HSL 29.39, 0.36%, 0.27%

LAB 30.98, 7.44, 18.68

 

CMYK 0 / 13 / 26 / 37

HEX #A08B77

RGB 160 139 119

HSL 29.27, 0.18%, 0.55%

LAB 59.22, 4.68, 13.61

 

CMYK 0 / 20 / 26 / 37

HEX #A08077

RGB 160 128 119

HSL 13.17, 0.18%, 0.55%

LAB 56.33, 10.9, 9.55

 

CMYK 0 / 26 / 26 / 37

HEX #A07777

RGB 160 119 119

HSL 0, 0.18%, 0.55%

LAB 54.03, 16.04, 6.27

 

CMYK 0 / 13 / 26 / 37

HEX #A08B77

RGB 160 139 119

HSL 29.27, 0.18%, 0.55%

LAB 59.22, 4.68, 13.61

 

CMYK 0 / 6 / 26 / 37

HEX #A09677

RGB 160 150 119

HSL 45.37, 0.18%, 0.55%

LAB 62.18, -1.43, 17.71

 

CMYK 1 / 0 / 26 / 37

HEX #9FA077

RGB 159 160 119

HSL 61.46, 0.18%, 0.55%

LAB 64.84, -7.26, 21.32

 

CMYK 7 / 0 / 26 / 37

HEX #94A077

RGB 148 160 119

HSL 77.56, 0.18%, 0.55%

LAB 63.97, -11.57, 20

 

CMYK 14 / 0 / 26 / 37

HEX #89A077

RGB 137 160 119

HSL 93.66, 0.18%, 0.55%

LAB 63.17, -15.78, 18.77

 

CMYK 0 / 13 / 26 / 37

HEX #A08B77

RGB 160 139 119

HSL 29.27, 0.18%, 0.55%

LAB 59.22, 4.68, 13.61

 

CMYK 0 / 22 / 44 / 30

HEX #B38B65

RGB 179 139 101

HSL 29.23, 0.34%, 0.55%

LAB 60.77, 10.17, 26.13

 

CMYK 0 / 30 / 59 / 22

HEX #C68A52

RGB 198 138 82

HSL 28.97, 0.5%, 0.55%

LAB 62.33, 16.95, 38.8

 

CMYK 0 / 36 / 71 / 15

HEX #D88A3F

RGB 216 138 63

HSL 29.41, 0.66%, 0.55%

LAB 64.27, 23.33, 51.02

 

CMYK 0 / 42 / 81 / 8

HEX #EB892D

RGB 235 137 45

HSL 29.05, 0.83%, 0.55%

LAB 66.32, 31.01, 61.51

 

CMYK 0 / 13 / 26 / 37

HEX #A08B77

RGB 160 139 119

HSL 29.27, 0.18%, 0.55%

LAB 59.22, 4.68, 13.61

 

CMYK 0 / 1 / 3 / 44

HEX #8E8C8A

RGB 142 140 138

HSL 30, 0.02%, 0.55%

LAB 58.36, 0.36, 1.32

 

CMYK 21 / 10 / 0 / 39

HEX #7B8C9C

RGB 123 140 156

HSL 209.09, 0.14%, 0.55%

LAB 57.43, -2.49, -10.54

 

CMYK 40 / 19 / 0 / 31

HEX #698DAF

RGB 105 141 175

HSL 209.14, 0.3%, 0.55%

LAB 57.22, -3.62, -21.84

 

CMYK 55 / 27 / 0 / 24

HEX #568DC1

RGB 86 141 193

HSL 209.16, 0.46%, 0.55%

LAB 56.96, -2.94, -32.56

 

CMYK 0 / 26 / 24 / 37

HEX #A07779

RGB 160 119 121

HSL 357.07, 0.18%, 0.55%

LAB 54.08, 16.35, 5.18

 

CMYK 0 / 20 / 26 / 37

HEX #A08077

RGB 160 128 119

HSL 13.17, 0.18%, 0.55%

LAB 56.33, 10.9, 9.55

 

CMYK 0 / 13 / 26 / 37

HEX #A08B77

RGB 160 139 119

HSL 29.27, 0.18%, 0.55%

LAB 59.22, 4.68, 13.61

 

CMYK 0 / 6 / 26 / 37

HEX #A09677

RGB 160 150 119

HSL 45.37, 0.18%, 0.55%

LAB 62.18, -1.43, 17.71

 

CMYK 0 / 0 / 26 / 37

HEX #A0A077

RGB 160 160 119

HSL 60, 0.18%, 0.55%

LAB 64.92, -6.87, 21.45

 

CMYK 0 / 16 / 30 / 55

HEX #746251

RGB 116 98 81

HSL 29.14, 0.18%, 0.39%

LAB 42.83, 4.42, 12.37

 

CMYK 0 / 16 / 30 / 45

HEX #8D7762

RGB 141 119 98

HSL 29.3, 0.18%, 0.47%

LAB 51.54, 5.21, 14.73

 

CMYK 0 / 13 / 26 / 37

HEX #A08B77

RGB 160 139 119

HSL 29.27, 0.18%, 0.55%

LAB 59.22, 4.68, 13.61

 

CMYK 0 / 10 / 19 / 31

HEX #B1A08F

RGB 177 160 143

HSL 30, 0.18%, 0.63%

LAB 66.88, 3.38, 11.12

 

CMYK 0 / 7 / 13 / 24

HEX #C2B5A8

RGB 194 181 168

HSL 30, 0.18%, 0.71%

LAB 74.41, 2.41, 8.28

 

CMYK 0 / 13 / 25 / 37

HEX #A18C78

RGB 161 140 120

HSL 29.27, 0.18%, 0.55%

LAB 59.61, 4.67, 13.59

 

CMYK 18 / 0 / 26 / 37

HEX #84A077

RGB 132 160 119

HSL 100.98, 0.18%, 0.55%

LAB 62.83, -17.64, 18.25

 

CMYK 23 / 26 / 0 / 37

HEX #7B77A0

RGB 123 119 160

HSL 245.85, 0.18%, 0.55%

LAB 51.77, 10.68, -21.44

 

CMYK 0 / 13 / 25 / 37

HEX #A18C78

RGB 161 140 120

HSL 29.27, 0.18%, 0.55%

LAB 59.61, 4.67, 13.59

 

CMYK 26 / 0 / 13 / 37

HEX #77A08B

RGB 119 160 139

HSL 149.27, 0.18%, 0.55%

LAB 62.45, -18.46, 6.45

 

CMYK 13 / 26 / 0 / 37

HEX #8B77A0

RGB 139 119 160

HSL 269.27, 0.18%, 0.55%

LAB 53.19, 15.98, -19.14

 

CMYK 0 / 13 / 25 / 37

HEX #A18C78

RGB 161 140 120

HSL 29.27, 0.18%, 0.55%

LAB 59.61, 4.67, 13.59

 

CMYK 18 / 0 / 26 / 37

HEX #84A077

RGB 132 160 119

HSL 100.98, 0.18%, 0.55%

LAB 62.83, -17.64, 18.25

 

CMYK 26 / 13 / 0 / 37

HEX #778CA0

RGB 119 140 160

HSL 209.27, 0.18%, 0.55%

LAB 57.29, -2.82, -13.08

 

CMYK 8 / 26 / 0 / 37

HEX #9377A0

RGB 147 119 160

HSL 280.98, 0.18%, 0.55%

LAB 53.96, 18.71, -17.9

 

CMYK 0 / 13 / 25 / 37

HEX #A18C78

RGB 161 140 120

HSL 29.27, 0.18%, 0.55%

LAB 59.61, 4.67, 13.59

 

CMYK 25 / 0 / 26 / 37

HEX #78A077

RGB 120 160 119

HSL 118.54, 0.18%, 0.55%

LAB 62.05, -21.97, 17.06

 

CMYK 26 / 13 / 0 / 37

HEX #778CA0

RGB 119 140 160

HSL 209.27, 0.18%, 0.55%

LAB 57.29, -2.82, -13.08

 

CMYK 0 / 26 / 0 / 37

HEX #A077A0

RGB 160 119 160

HSL 300, 0.18%, 0.55%

LAB 55.28, 23.2, -15.77

 

Description

Color code: HEX #A18C78 | qconv.com Color code: HEX #A18C78 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 140 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 140 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 25 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 25% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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