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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A18DD1 it is the complementary color #5E722E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A18DD1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A18DD1 shade: #A68DCC, #B79FDF, #C8B1F2, #D9C3FF and #EAD5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A18DD1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A18DD1 shade: #A18DD1, #907BBE, #7F69AB, #6E5798 and #5D4585

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A18DD1 shade: #A18DD1, #B48DD1, #C68DD1, #D18DCA and #D18DB8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A18DD1 shade: #A18DD1, #8F8DD1 and #8D8DD1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A18DD1 shade matches the following richer shades: #A18DD1, #9C81DE, #9774EB and #9267F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A18DD1 shade: #A18DD1, #A79AC5, #ACA7B8, #B1B4AB and #B7C19E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A18DD1 shade: #8D9ED1, #8F8DD1, #A18DD1, #B38DD1 and #C58DD1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A18DD1 shade: #7152BA, #8970C6, #A18DD1, #BAABDD and #D2C8E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A18DD1 shade: #A18DD1, #D18DB1 and #95D18D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A18DD1 shade: #A18DD1, #D1A18D and #8DD1A1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A18DD1 shade: #A18DD1, #D18DB1, #BED18D and #8DD1AE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A18DD1 shade: #A18DD1, #D18D9C, #BED18D and #8DD1C3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 33 / 0 / 18

HEX #A18DD1

RGB 161 141 209

HSL 257.65, 0.43%, 0.69%

LAB 62.7, 21.63, -32.25

 

Complementary color

CMYK 18 / 0 / 60 / 55

HEX #5E722E

RGB 94 114 46

HSL 77.65, 0.43%, 0.31%

LAB 45.1, -18.76, 34.6

 

CMYK 19 / 31 / 0 / 20

HEX #A68DCC

RGB 166 141 204

HSL 263.81, 0.38%, 0.68%

LAB 62.94, 22, -29.04

 

CMYK 18 / 29 / 0 / 13

HEX #B79FDF

RGB 183 159 223

HSL 262.5, 0.5%, 0.75%

LAB 69.61, 21.42, -29.18

 

CMYK 17 / 27 / 0 / 5

HEX #C8B1F2

RGB 200 177 242

HSL 261.23, 0.71%, 0.82%

LAB 76.15, 20.88, -29.34

 

CMYK 15 / 24 / 0 / 0

HEX #D9C3FF

RGB 217 195 255

HSL 262, 1%, 0.88%

LAB 82.38, 19.12, -26.64

 

CMYK 8 / 16 / 0 / 0

HEX #EAD5FF

RGB 234 213 255

HSL 270, 1%, 0.92%

LAB 88.11, 14.86, -17.82

 

CMYK 23 / 33 / 0 / 18

HEX #A18DD1

RGB 161 141 209

HSL 257.65, 0.43%, 0.69%

LAB 62.7, 21.63, -32.25

 

CMYK 24 / 35 / 0 / 25

HEX #907BBE

RGB 144 123 190

HSL 258.81, 0.34%, 0.61%

LAB 55.9, 22.3, -32.21

 

CMYK 26 / 39 / 0 / 33

HEX #7F69AB

RGB 127 105 171

HSL 260, 0.28%, 0.54%

LAB 48.95, 23.04, -32.2

 

CMYK 28 / 43 / 0 / 40

HEX #6E5798

RGB 110 87 152

HSL 261.23, 0.27%, 0.47%

LAB 41.84, 23.89, -32.24

 

CMYK 30 / 48 / 0 / 48

HEX #5D4585

RGB 93 69 133

HSL 262.5, 0.32%, 0.4%

LAB 34.55, 24.84, -32.32

 

CMYK 23 / 33 / 0 / 18

HEX #A18DD1

RGB 161 141 209

HSL 257.65, 0.43%, 0.69%

LAB 62.7, 21.63, -32.25

 

CMYK 14 / 33 / 0 / 18

HEX #B48DD1

RGB 180 141 209

HSL 274.41, 0.43%, 0.69%

LAB 64.45, 27.48, -29.4

 

CMYK 5 / 33 / 0 / 18

HEX #C68DD1

RGB 198 141 209

HSL 290.29, 0.43%, 0.69%

LAB 66.26, 33.17, -26.46

 

CMYK 0 / 33 / 3 / 18

HEX #D18DCA

RGB 209 141 202

HSL 306.18, 0.43%, 0.69%

LAB 67.18, 35.39, -21.05

 

CMYK 0 / 33 / 12 / 18

HEX #D18DB8

RGB 209 141 184

HSL 322.06, 0.43%, 0.69%

LAB 66.57, 32.26, -11.9

 

CMYK 23 / 33 / 0 / 18

HEX #A18DD1

RGB 161 141 209

HSL 257.65, 0.43%, 0.69%

LAB 62.7, 21.63, -32.25

 

CMYK 32 / 33 / 0 / 18

HEX #8F8DD1

RGB 143 141 209

HSL 241.76, 0.43%, 0.69%

LAB 61.21, 16.32, -34.68

 

CMYK 33 / 33 / 0 / 18

HEX #8D8DD1

RGB 141 141 209

HSL 240, 0.43%, 0.69%

LAB 61.06, 15.75, -34.93

 

CMYK 23 / 33 / 0 / 18

HEX #A18DD1

RGB 161 141 209

HSL 257.65, 0.43%, 0.69%

LAB 62.7, 21.63, -32.25

 

CMYK 30 / 42 / 0 / 13

HEX #9C81DE

RGB 156 129 222

HSL 257.42, 0.58%, 0.69%

LAB 59.93, 30.24, -43.89

 

CMYK 36 / 51 / 0 / 8

HEX #9774EB

RGB 151 116 235

HSL 257.65, 0.75%, 0.69%

LAB 57.14, 39.68, -55.59

 

CMYK 41 / 58 / 0 / 3

HEX #9267F8

RGB 146 103 248

HSL 257.79, 0.91%, 0.69%

LAB 54.65, 49.2, -66.86

 

CMYK 23 / 33 / 0 / 18

HEX #A18DD1

RGB 161 141 209

HSL 257.65, 0.43%, 0.69%

LAB 62.7, 21.63, -32.25

 

CMYK 15 / 22 / 0 / 23

HEX #A79AC5

RGB 167 154 197

HSL 258.14, 0.27%, 0.69%

LAB 66.03, 13.39, -20.39

 

CMYK 7 / 9 / 0 / 28

HEX #ACA7B8

RGB 172 167 184

HSL 257.65, 0.11%, 0.69%

LAB 69.38, 5.08, -8.08

 

CMYK 2 / 0 / 5 / 29

HEX #B1B4AB

RGB 177 180 171

HSL 80, 0.06%, 0.69%

LAB 72.85, -2.71, 4.21

 

CMYK 5 / 0 / 18 / 24

HEX #B7C19E

RGB 183 193 158

HSL 77.14, 0.22%, 0.69%

LAB 76.48, -9.6, 16.49

 

CMYK 33 / 24 / 0 / 18

HEX #8D9ED1

RGB 141 158 209

HSL 225, 0.43%, 0.69%

LAB 65.53, 6, -28

 

CMYK 32 / 33 / 0 / 18

HEX #8F8DD1

RGB 143 141 209

HSL 241.76, 0.43%, 0.69%

LAB 61.21, 16.32, -34.68

 

CMYK 23 / 33 / 0 / 18

HEX #A18DD1

RGB 161 141 209

HSL 257.65, 0.43%, 0.69%

LAB 62.7, 21.63, -32.25

 

CMYK 14 / 33 / 0 / 18

HEX #B38DD1

RGB 179 141 209

HSL 273.53, 0.43%, 0.69%

LAB 64.35, 27.17, -29.56

 

CMYK 6 / 33 / 0 / 18

HEX #C58DD1

RGB 197 141 209

HSL 289.41, 0.43%, 0.69%

LAB 66.15, 32.85, -26.63

 

CMYK 39 / 56 / 0 / 27

HEX #7152BA

RGB 113 82 186

HSL 257.88, 0.43%, 0.53%

LAB 42.9, 36.88, -50.66

 

CMYK 31 / 43 / 0 / 22

HEX #8970C6

RGB 137 112 198

HSL 257.44, 0.43%, 0.61%

LAB 52.93, 28.71, -41.48

 

CMYK 23 / 33 / 0 / 18

HEX #A18DD1

RGB 161 141 209

HSL 257.65, 0.43%, 0.69%

LAB 62.7, 21.63, -32.25

 

CMYK 16 / 23 / 0 / 13

HEX #BAABDD

RGB 186 171 221

HSL 258, 0.42%, 0.77%

LAB 72.75, 15.25, -23.24

 

CMYK 10 / 14 / 0 / 9

HEX #D2C8E9

RGB 210 200 233

HSL 258.18, 0.43%, 0.85%

LAB 82.32, 9.69, -15.05

 

CMYK 23 / 33 / 0 / 18

HEX #A18DD1

RGB 161 141 209

HSL 257.65, 0.43%, 0.69%

LAB 62.7, 21.63, -32.25

 

CMYK 0 / 33 / 15 / 18

HEX #D18DB1

RGB 209 141 177

HSL 328.24, 0.43%, 0.69%

LAB 66.35, 31.11, -8.3

 

CMYK 29 / 0 / 33 / 18

HEX #95D18D

RGB 149 209 141

HSL 112.94, 0.43%, 0.69%

LAB 78.41, -32.24, 27.76

 

CMYK 23 / 33 / 0 / 18

HEX #A18DD1

RGB 161 141 209

HSL 257.65, 0.43%, 0.69%

LAB 62.7, 21.63, -32.25

 

CMYK 0 / 23 / 33 / 18

HEX #D1A18D

RGB 209 161 141

HSL 17.65, 0.43%, 0.69%

LAB 70.15, 14.99, 17.26

 

CMYK 33 / 0 / 23 / 18

HEX #8DD1A1

RGB 141 209 161

HSL 137.65, 0.43%, 0.69%

LAB 78.37, -31.38, 17.12

 

CMYK 23 / 33 / 0 / 18

HEX #A18DD1

RGB 161 141 209

HSL 257.65, 0.43%, 0.69%

LAB 62.7, 21.63, -32.25

 

CMYK 0 / 33 / 15 / 18

HEX #D18DB1

RGB 209 141 177

HSL 328.24, 0.43%, 0.69%

LAB 66.35, 31.11, -8.3

 

CMYK 9 / 0 / 33 / 18

HEX #BED18D

RGB 190 209 141

HSL 76.76, 0.43%, 0.69%

LAB 81, -17.61, 31.67

 

CMYK 33 / 0 / 17 / 18

HEX #8DD1AE

RGB 141 209 174

HSL 149.12, 0.43%, 0.69%

LAB 78.65, -28.87, 10.61

 

CMYK 23 / 33 / 0 / 18

HEX #A18DD1

RGB 161 141 209

HSL 257.65, 0.43%, 0.69%

LAB 62.7, 21.63, -32.25

 

CMYK 0 / 33 / 25 / 18

HEX #D18D9C

RGB 209 141 156

HSL 346.76, 0.43%, 0.69%

LAB 65.75, 27.91, 2.65

 

CMYK 9 / 0 / 33 / 18

HEX #BED18D

RGB 190 209 141

HSL 76.76, 0.43%, 0.69%

LAB 81, -17.61, 31.67

 

CMYK 33 / 0 / 7 / 18

HEX #8DD1C3

RGB 141 209 195

HSL 167.65, 0.43%, 0.69%

LAB 79.16, -24.45, 0.11

 

Description

Color code: HEX #A18DD1 | qconv.com Color code: HEX #A18DD1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 141 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 141 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 33 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 33% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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