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Color name
HEX #A18E16

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A18E16 it is the complementary color #5E71E9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A18E16. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A18E16 shade: #A68E11, #B7A024, #C8B237, #D9C44A and #EAD65D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A18E16. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A18E16 shade: #A18E16, #907C03, #7F6A00, #6E5800 and #5D4600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A18E16 shade: #A18E16, #A16816, #A14316, #A11D16 and #A11616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A18E16 shade: #A18E16, #8FA116, #69A116, #43A116 and #1EA116

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A18E16 shade matches the following richer shades: #A18E16 and #B09907

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A18E16 shade: #A18E16, #928324, #837833, #756E42 and #666351

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A18E16 shade: #A14216, #A16716, #A18C16, #91A116 and #6CA116

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A18E16 shade: #584E0C, #7D6E11, #A18E16, #C5AE1A and #E1C828

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A18E16 shade: #A18E16, #16A11D and #5416A1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A18E16 shade: #A18E16, #16A18C and #8C16A1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A18E16 shade: #A18E16, #16A11D, #162AA1 and #A1169A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A18E16 shade: #A18E16, #16A146, #162AA1 and #A11670

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 86 / 37

HEX #A18E16

RGB 161 142 22

HSL 51.8, 0.76%, 0.36%

LAB 58.96, -4.81, 59.2

 

Complementary color

CMYK 60 / 52 / 0 / 9

HEX #5E71E9

RGB 94 113 233

HSL 231.8, 0.76%, 0.64%

LAB 51.92, 28.58, -63.09

 

CMYK 0 / 14 / 90 / 35

HEX #A68E11

RGB 166 142 17

HSL 50.34, 0.81%, 0.36%

LAB 59.43, -2.64, 60.94

 

CMYK 0 / 13 / 80 / 28

HEX #B7A024

RGB 183 160 36

HSL 50.61, 0.67%, 0.43%

LAB 66.01, -4.15, 62.12

 

CMYK 0 / 11 / 73 / 22

HEX #C8B237

RGB 200 178 55

HSL 50.9, 0.57%, 0.5%

LAB 72.49, -5.4, 62.18

 

CMYK 0 / 10 / 66 / 15

HEX #D9C44A

RGB 217 196 74

HSL 51.19, 0.65%, 0.57%

LAB 78.88, -6.45, 61.63

 

CMYK 0 / 9 / 60 / 8

HEX #EAD65D

RGB 234 214 93

HSL 51.49, 0.77%, 0.64%

LAB 85.19, -7.35, 60.76

 

CMYK 0 / 12 / 86 / 37

HEX #A18E16

RGB 161 142 22

HSL 51.8, 0.76%, 0.36%

LAB 58.96, -4.81, 59.2

 

CMYK 0 / 14 / 98 / 44

HEX #907C03

RGB 144 124 3

HSL 51.49, 0.96%, 0.29%

LAB 52.23, -3.16, 57.05

 

CMYK 0 / 17 / 100 / 50

HEX #7F6A00

RGB 127 106 0

HSL 50.08, 1%, 0.25%

LAB 45.39, -1.13, 51.97

 

CMYK 0 / 20 / 100 / 57

HEX #6E5800

RGB 110 88 0

HSL 48, 1%, 0.22%

LAB 38.37, 1.08, 46.17

 

CMYK 0 / 25 / 100 / 64

HEX #5D4600

RGB 93 70 0

HSL 45.16, 1%, 0.18%

LAB 31.13, 3.44, 40.21

 

CMYK 0 / 12 / 86 / 37

HEX #A18E16

RGB 161 142 22

HSL 51.8, 0.76%, 0.36%

LAB 58.96, -4.81, 59.2

 

CMYK 0 / 35 / 86 / 37

HEX #A16816

RGB 161 104 22

HSL 35.4, 0.76%, 0.36%

LAB 48.93, 16.5, 50.87

 

CMYK 0 / 58 / 86 / 37

HEX #A14316

RGB 161 67 22

HSL 19.42, 0.76%, 0.36%

LAB 40.65, 36.69, 43.88

 

CMYK 0 / 82 / 86 / 37

HEX #A11D16

RGB 161 29 22

HSL 3.02, 0.76%, 0.36%

LAB 35.03, 51.93, 39.03

 

CMYK 0 / 86 / 86 / 37

HEX #A11616

RGB 161 22 22

HSL 0, 0.76%, 0.36%

LAB 34.41, 53.68, 38.49

 

CMYK 0 / 12 / 86 / 37

HEX #A18E16

RGB 161 142 22

HSL 51.8, 0.76%, 0.36%

LAB 58.96, -4.81, 59.2

 

CMYK 11 / 0 / 86 / 37

HEX #8FA116

RGB 143 161 22

HSL 67.77, 0.76%, 0.36%

LAB 62.83, -22.82, 61.8

 

CMYK 35 / 0 / 86 / 37

HEX #69A116

RGB 105 161 22

HSL 84.17, 0.76%, 0.36%

LAB 60.38, -38.35, 58.75

 

CMYK 58 / 0 / 86 / 37

HEX #43A116

RGB 67 161 22

HSL 100.58, 0.76%, 0.36%

LAB 58.73, -50.71, 56.67

 

CMYK 81 / 0 / 86 / 37

HEX #1EA116

RGB 30 161 22

HSL 116.55, 0.76%, 0.36%

LAB 57.87, -58.01, 55.57

 

CMYK 0 / 12 / 86 / 37

HEX #A18E16

RGB 161 142 22

HSL 51.8, 0.76%, 0.36%

LAB 58.96, -4.81, 59.2

 

CMYK 0 / 13 / 96 / 31

HEX #B09907

RGB 176 153 7

HSL 51.83, 0.92%, 0.36%

LAB 63.37, -4.2, 66.01

 

CMYK 0 / 12 / 86 / 37

HEX #A18E16

RGB 161 142 22

HSL 51.8, 0.76%, 0.36%

LAB 58.96, -4.81, 59.2

 

CMYK 0 / 10 / 75 / 43

HEX #928324

RGB 146 131 36

HSL 51.82, 0.6%, 0.36%

LAB 54.52, -5.16, 50.27

 

CMYK 0 / 8 / 61 / 49

HEX #837833

RGB 131 120 51

HSL 51.75, 0.44%, 0.36%

LAB 50.09, -4.99, 38.6

 

CMYK 0 / 6 / 44 / 54

HEX #756E42

RGB 117 110 66

HSL 51.76, 0.28%, 0.36%

LAB 46.08, -4.18, 25.49

 

CMYK 0 / 3 / 21 / 60

HEX #666351

RGB 102 99 81

HSL 51.43, 0.11%, 0.36%

LAB 41.76, -2.17, 10.67

 

CMYK 0 / 59 / 86 / 37

HEX #A14216

RGB 161 66 22

HSL 18.99, 0.76%, 0.36%

LAB 40.46, 37.19, 43.71

 

CMYK 0 / 36 / 86 / 37

HEX #A16716

RGB 161 103 22

HSL 34.96, 0.76%, 0.36%

LAB 48.68, 17.07, 50.66

 

CMYK 0 / 13 / 86 / 37

HEX #A18C16

RGB 161 140 22

HSL 50.94, 0.76%, 0.36%

LAB 58.41, -3.72, 58.75

 

CMYK 10 / 0 / 86 / 37

HEX #91A116

RGB 145 161 22

HSL 66.91, 0.76%, 0.36%

LAB 62.98, -21.95, 61.99

 

CMYK 33 / 0 / 86 / 37

HEX #6CA116

RGB 108 161 22

HSL 82.88, 0.76%, 0.36%

LAB 60.55, -37.21, 58.95

 

CMYK 0 / 11 / 86 / 65

HEX #584E0C

RGB 88 78 12

HSL 52.11, 0.76%, 0.2%

LAB 33.03, -3.6, 37.17

 

CMYK 0 / 12 / 86 / 51

HEX #7D6E11

RGB 125 110 17

HSL 51.67, 0.76%, 0.28%

LAB 46.38, -3.98, 48.61

 

CMYK 0 / 12 / 86 / 37

HEX #A18E16

RGB 161 142 22

HSL 51.8, 0.76%, 0.36%

LAB 58.96, -4.81, 59.2

 

CMYK 0 / 12 / 87 / 23

HEX #C5AE1A

RGB 197 174 26

HSL 51.93, 0.77%, 0.44%

LAB 71.02, -5.62, 69.52

 

CMYK 0 / 11 / 82 / 12

HEX #E1C828

RGB 225 200 40

HSL 51.89, 0.76%, 0.52%

LAB 80.44, -6.53, 74.99

 

CMYK 0 / 12 / 86 / 37

HEX #A18E16

RGB 161 142 22

HSL 51.8, 0.76%, 0.36%

LAB 58.96, -4.81, 59.2

 

CMYK 86 / 0 / 82 / 37

HEX #16A11D

RGB 22 161 29

HSL 123.02, 0.76%, 0.36%

LAB 57.8, -58.53, 53.61

 

CMYK 48 / 86 / 0 / 37

HEX #5416A1

RGB 84 22 161

HSL 266.76, 0.76%, 0.36%

LAB 26.83, 54.37, -62.04

 

CMYK 0 / 12 / 86 / 37

HEX #A18E16

RGB 161 142 22

HSL 51.8, 0.76%, 0.36%

LAB 58.96, -4.81, 59.2

 

CMYK 86 / 0 / 13 / 37

HEX #16A18C

RGB 22 161 140

HSL 170.94, 0.76%, 0.36%

LAB 59.48, -39.24, 1.18

 

CMYK 13 / 86 / 0 / 37

HEX #8C16A1

RGB 140 22 161

HSL 290.94, 0.76%, 0.36%

LAB 35.44, 62.9, -47.62

 

CMYK 0 / 12 / 86 / 37

HEX #A18E16

RGB 161 142 22

HSL 51.8, 0.76%, 0.36%

LAB 58.96, -4.81, 59.2

 

CMYK 86 / 0 / 82 / 37

HEX #16A11D

RGB 22 161 29

HSL 123.02, 0.76%, 0.36%

LAB 57.8, -58.53, 53.61

 

CMYK 86 / 74 / 0 / 37

HEX #162AA1

RGB 22 42 161

HSL 231.37, 0.76%, 0.36%

LAB 24.95, 38.82, -65.3

 

CMYK 0 / 86 / 4 / 37

HEX #A1169A

RGB 161 22 154

HSL 303.02, 0.76%, 0.36%

LAB 38.7, 65.63, -37.97

 

CMYK 0 / 12 / 86 / 37

HEX #A18E16

RGB 161 142 22

HSL 51.8, 0.76%, 0.36%

LAB 58.96, -4.81, 59.2

 

CMYK 86 / 0 / 57 / 37

HEX #16A146

RGB 22 161 70

HSL 140.72, 0.76%, 0.36%

LAB 58.13, -54.35, 37.33

 

CMYK 86 / 74 / 0 / 37

HEX #162AA1

RGB 22 42 161

HSL 231.37, 0.76%, 0.36%

LAB 24.95, 38.82, -65.3

 

CMYK 0 / 86 / 30 / 37

HEX #A11670

RGB 161 22 112

HSL 321.15, 0.76%, 0.36%

LAB 36.59, 59.95, -15.26

 

Description

Color code: HEX #A18E16 | qconv.com Color code: HEX #A18E16 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 142 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 142 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 86 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 86% 37% C M Y K

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