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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A19672 it is the complementary color #5E698D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A19672. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A19672 shade: #A6966D, #B7A880, #C8BA93, #D9CCA6 and #EADEB9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A19672. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A19672 shade: #A19672, #90845F, #7F724C, #6E6039 and #5D4E26

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A19672 shade: #A19672, #A18972, #A17C72 and #A17272

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A19672 shade: #A19672, #9FA172, #92A172, #86A172 and #79A172

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A19672 shade matches the following richer shades: #A19672, #B4A05F, #C7AA4C, #DAB439 and #EDBE26

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A19672 shade: #A19672, #8E8C85, #7B8198, #6877AB and #556DBE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A19672 shade: #A17C72, #A18872, #A19572, #A0A172 and #93A172

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A19672 shade: #736A4D, #8C815D, #A19672, #B1A88A and #C2BBA3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A19672 shade: #A19672, #74A172 and #8272A1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A19672 shade: #A19672, #72A195 and #9572A1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A19672 shade: #A19672, #74A172, #727DA1 and #9E72A1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A19672 shade: #A19672, #72A17D, #727DA1 and #A17295

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 29 / 37

HEX #A19672

RGB 161 150 114

HSL 45.96, 0.2%, 0.54%

LAB 62.17, -1.74, 20.49

 

Complementary color

CMYK 33 / 26 / 0 / 45

HEX #5E698D

RGB 94 105 141

HSL 225.96, 0.2%, 0.46%

LAB 44.81, 4.9, -21.14

 

CMYK 0 / 10 / 34 / 35

HEX #A6966D

RGB 166 150 109

HSL 43.16, 0.24%, 0.54%

LAB 62.53, -0.36, 23.81

 

CMYK 0 / 8 / 30 / 28

HEX #B7A880

RGB 183 168 128

HSL 43.64, 0.28%, 0.61%

LAB 69.21, -0.78, 22.67

 

CMYK 0 / 7 / 27 / 22

HEX #C8BA93

RGB 200 186 147

HSL 44.15, 0.33%, 0.68%

LAB 75.76, -1.14, 21.6

 

CMYK 0 / 6 / 24 / 15

HEX #D9CCA6

RGB 217 204 166

HSL 44.71, 0.4%, 0.75%

LAB 82.21, -1.46, 20.6

 

CMYK 0 / 5 / 21 / 8

HEX #EADEB9

RGB 234 222 185

HSL 45.31, 0.54%, 0.82%

LAB 88.56, -1.73, 19.65

 

CMYK 0 / 7 / 29 / 37

HEX #A19672

RGB 161 150 114

HSL 45.96, 0.2%, 0.54%

LAB 62.17, -1.74, 20.49

 

CMYK 0 / 8 / 34 / 44

HEX #90845F

RGB 144 132 95

HSL 45.31, 0.21%, 0.47%

LAB 55.34, -1.34, 21.65

 

CMYK 0 / 10 / 40 / 50

HEX #7F724C

RGB 127 114 76

HSL 44.71, 0.25%, 0.4%

LAB 48.35, -0.85, 22.91

 

CMYK 0 / 13 / 48 / 57

HEX #6E6039

RGB 110 96 57

HSL 44.15, 0.32%, 0.33%

LAB 41.18, -0.23, 24.28

 

CMYK 0 / 16 / 59 / 64

HEX #5D4E26

RGB 93 78 38

HSL 43.64, 0.42%, 0.26%

LAB 33.81, 0.61, 25.73

 

CMYK 0 / 7 / 29 / 37

HEX #A19672

RGB 161 150 114

HSL 45.96, 0.2%, 0.54%

LAB 62.17, -1.74, 20.49

 

CMYK 0 / 15 / 29 / 37

HEX #A18972

RGB 161 137 114

HSL 29.36, 0.2%, 0.54%

LAB 58.68, 5.49, 15.71

 

CMYK 0 / 23 / 29 / 37

HEX #A17C72

RGB 161 124 114

HSL 12.77, 0.2%, 0.54%

LAB 55.29, 12.85, 10.98

 

CMYK 0 / 29 / 29 / 37

HEX #A17272

RGB 161 114 114

HSL 0, 0.2%, 0.54%

LAB 52.76, 18.56, 7.4

 

CMYK 0 / 7 / 29 / 37

HEX #A19672

RGB 161 150 114

HSL 45.96, 0.2%, 0.54%

LAB 62.17, -1.74, 20.49

 

CMYK 1 / 0 / 29 / 37

HEX #9FA172

RGB 159 161 114

HSL 62.55, 0.2%, 0.54%

LAB 65.02, -8.5, 24.3

 

CMYK 9 / 0 / 29 / 37

HEX #92A172

RGB 146 161 114

HSL 79.15, 0.2%, 0.54%

LAB 64.01, -13.63, 22.77

 

CMYK 17 / 0 / 29 / 37

HEX #86A172

RGB 134 161 114

HSL 94.47, 0.2%, 0.54%

LAB 63.15, -18.23, 21.47

 

CMYK 25 / 0 / 29 / 37

HEX #79A172

RGB 121 161 114

HSL 111.06, 0.2%, 0.54%

LAB 62.31, -22.99, 20.19

 

CMYK 0 / 7 / 29 / 37

HEX #A19672

RGB 161 150 114

HSL 45.96, 0.2%, 0.54%

LAB 62.17, -1.74, 20.49

 

CMYK 0 / 11 / 47 / 29

HEX #B4A05F

RGB 180 160 95

HSL 45.88, 0.36%, 0.54%

LAB 66.27, -1.56, 36.42

 

CMYK 0 / 15 / 62 / 22

HEX #C7AA4C

RGB 199 170 76

HSL 45.85, 0.52%, 0.54%

LAB 70.46, -0.41, 51.2

 

CMYK 0 / 17 / 74 / 15

HEX #DAB439

RGB 218 180 57

HSL 45.84, 0.69%, 0.54%

LAB 74.73, 1.43, 64.18

 

CMYK 0 / 20 / 84 / 7

HEX #EDBE26

RGB 237 190 38

HSL 45.83, 0.85%, 0.54%

LAB 79.02, 3.73, 74.78

 

CMYK 0 / 7 / 29 / 37

HEX #A19672

RGB 161 150 114

HSL 45.96, 0.2%, 0.54%

LAB 62.17, -1.74, 20.49

 

CMYK 0 / 1 / 6 / 44

HEX #8E8C85

RGB 142 140 133

HSL 46.67, 0.04%, 0.54%

LAB 58.23, -0.58, 3.99

 

CMYK 19 / 15 / 0 / 40

HEX #7B8198

RGB 123 129 152

HSL 227.59, 0.12%, 0.54%

LAB 54.22, 2.87, -13.07

 

CMYK 39 / 30 / 0 / 33

HEX #6877AB

RGB 104 119 171

HSL 226.57, 0.29%, 0.54%

LAB 50.78, 7.85, -29.49

 

CMYK 55 / 43 / 0 / 25

HEX #556DBE

RGB 85 109 190

HSL 226.29, 0.45%, 0.54%

LAB 47.73, 15.1, -45.38

 

CMYK 0 / 23 / 29 / 37

HEX #A17C72

RGB 161 124 114

HSL 12.77, 0.2%, 0.54%

LAB 55.29, 12.85, 10.98

 

CMYK 0 / 16 / 29 / 37

HEX #A18872

RGB 161 136 114

HSL 28.09, 0.2%, 0.54%

LAB 58.42, 6.05, 15.34

 

CMYK 0 / 7 / 29 / 37

HEX #A19572

RGB 161 149 114

HSL 44.68, 0.2%, 0.54%

LAB 61.9, -1.19, 20.12

 

CMYK 1 / 0 / 29 / 37

HEX #A0A172

RGB 160 161 114

HSL 61.28, 0.2%, 0.54%

LAB 65.1, -8.1, 24.43

 

CMYK 9 / 0 / 29 / 37

HEX #93A172

RGB 147 161 114

HSL 77.87, 0.2%, 0.54%

LAB 64.09, -13.24, 22.88

 

CMYK 0 / 8 / 33 / 55

HEX #736A4D

RGB 115 106 77

HSL 45.79, 0.2%, 0.38%

LAB 44.93, -1.32, 17.59

 

CMYK 0 / 8 / 34 / 45

HEX #8C815D

RGB 140 129 93

HSL 45.96, 0.2%, 0.46%

LAB 54.1, -1.6, 21.06

 

CMYK 0 / 7 / 29 / 37

HEX #A19672

RGB 161 150 114

HSL 45.96, 0.2%, 0.54%

LAB 62.17, -1.74, 20.49

 

CMYK 0 / 5 / 22 / 31

HEX #B1A88A

RGB 177 168 138

HSL 46.15, 0.2%, 0.62%

LAB 68.89, -1.73, 16.69

 

CMYK 0 / 4 / 16 / 24

HEX #C2BBA3

RGB 194 187 163

HSL 46.45, 0.2%, 0.7%

LAB 75.86, -1.59, 13.04

 

CMYK 0 / 7 / 29 / 37

HEX #A19672

RGB 161 150 114

HSL 45.96, 0.2%, 0.54%

LAB 62.17, -1.74, 20.49

 

CMYK 28 / 0 / 29 / 37

HEX #74A172

RGB 116 161 114

HSL 117.45, 0.2%, 0.54%

LAB 62.01, -24.75, 19.73

 

CMYK 19 / 29 / 0 / 37

HEX #8272A1

RGB 130 114 161

HSL 260.43, 0.2%, 0.54%

LAB 51.1, 16.17, -23.01

 

CMYK 0 / 7 / 29 / 37

HEX #A19672

RGB 161 150 114

HSL 45.96, 0.2%, 0.54%

LAB 62.17, -1.74, 20.49

 

CMYK 29 / 0 / 7 / 37

HEX #72A195

RGB 114 161 149

HSL 164.68, 0.2%, 0.54%

LAB 62.71, -18.43, 1.17

 

CMYK 7 / 29 / 0 / 37

HEX #9572A1

RGB 149 114 161

HSL 284.68, 0.2%, 0.54%

LAB 52.95, 22.51, -20.01

 

CMYK 0 / 7 / 29 / 37

HEX #A19672

RGB 161 150 114

HSL 45.96, 0.2%, 0.54%

LAB 62.17, -1.74, 20.49

 

CMYK 28 / 0 / 29 / 37

HEX #74A172

RGB 116 161 114

HSL 117.45, 0.2%, 0.54%

LAB 62.01, -24.75, 19.73

 

CMYK 29 / 22 / 0 / 37

HEX #727DA1

RGB 114 125 161

HSL 225.96, 0.2%, 0.54%

LAB 52.75, 4.52, -20.58

 

CMYK 2 / 29 / 0 / 37

HEX #9E72A1

RGB 158 114 161

HSL 296.17, 0.2%, 0.54%

LAB 53.9, 25.57, -18.48

 

CMYK 0 / 7 / 29 / 37

HEX #A19672

RGB 161 150 114

HSL 45.96, 0.2%, 0.54%

LAB 62.17, -1.74, 20.49

 

CMYK 29 / 0 / 22 / 37

HEX #72A17D

RGB 114 161 125

HSL 134.04, 0.2%, 0.54%

LAB 62.12, -23.43, 13.77

 

CMYK 29 / 22 / 0 / 37

HEX #727DA1

RGB 114 125 161

HSL 225.96, 0.2%, 0.54%

LAB 52.75, 4.52, -20.58

 

CMYK 0 / 29 / 7 / 37

HEX #A17295

RGB 161 114 149

HSL 315.32, 0.2%, 0.54%

LAB 53.79, 24.32, -11.6

 

Description

Color code: HEX #A19672 | qconv.com Color code: HEX #A19672 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 150 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 150 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 29 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 29% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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