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Color name
HEX #A19702

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A19702 it is the complementary color #5E68FD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A19702. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A19702 shade: #A69700, #B7A910, #C8BB23, #D9CD36 and #EADF49

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A19702. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A19702 shade: #A19702, #908500, #7F7300, #6E6100 and #5D4F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A19702 shade: #A19701, #A16C01, #A14101, #A11601 and #A10101

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A19702 shade: #A19701, #80A101, #55A101, #2AA101 and #01A104

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A19702 shade matches the following richer shades: #A19701

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A19702 shade: #A19701, #948B0E, #87801C, #797429 and #6C6936

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A19702 shade: #A14101, #A16C01, #A19601, #81A101 and #56A101

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A19702 shade: #4F4A00, #787101, #A19701, #CABD02 and #F3E402

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A19702 shade: #A19702, #01A116 and #5601A1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A19702 shade: #A19702, #01A196 and #9601A1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A19702 shade: #A19702, #01A116, #010CA1 and #A1018C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A19702 shade: #A19702, #01A146, #010CA1 and #A1015C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 99 / 37

HEX #A19702

RGB 161 151 2

HSL 56.23, 0.98%, 0.32%

LAB 61.41, -10.01, 64.65

 

Complementary color

CMYK 63 / 59 / 0 / 1

HEX #5E68FD

RGB 94 104 253

HSL 236.23, 0.98%, 0.68%

LAB 51.12, 40.57, -75.54

 

CMYK 0 / 9 / 100 / 35

HEX #A69700

RGB 166 151 0

HSL 54.58, 1%, 0.33%

LAB 61.86, -7.77, 65.48

 

CMYK 0 / 8 / 91 / 28

HEX #B7A910

RGB 183 169 16

HSL 54.97, 0.84%, 0.39%

LAB 68.37, -9.4, 68.79

 

CMYK 0 / 7 / 83 / 22

HEX #C8BB23

RGB 200 187 35

HSL 55.27, 0.7%, 0.46%

LAB 74.79, -10.81, 70.6

 

CMYK 0 / 6 / 75 / 15

HEX #D9CD36

RGB 217 205 54

HSL 55.58, 0.68%, 0.53%

LAB 81.12, -12, 71.23

 

CMYK 0 / 5 / 69 / 8

HEX #EADF49

RGB 234 223 73

HSL 55.9, 0.79%, 0.6%

LAB 87.36, -13.02, 71.12

 

CMYK 0 / 6 / 99 / 37

HEX #A19702

RGB 161 151 2

HSL 56.23, 0.98%, 0.32%

LAB 61.41, -10.01, 64.65

 

CMYK 0 / 8 / 100 / 44

HEX #908500

RGB 144 133 0

HSL 55.42, 1%, 0.28%

LAB 54.77, -8.18, 59.44

 

CMYK 0 / 9 / 100 / 50

HEX #7F7300

RGB 127 115 0

HSL 54.33, 1%, 0.25%

LAB 47.97, -6.25, 53.81

 

CMYK 0 / 12 / 100 / 57

HEX #6E6100

RGB 110 97 0

HSL 52.91, 1%, 0.22%

LAB 41, -4.22, 48.04

 

CMYK 0 / 15 / 100 / 64

HEX #5D4F00

RGB 93 79 0

HSL 50.97, 1%, 0.18%

LAB 33.81, -2.08, 42.09

 

CMYK 0 / 6 / 99 / 37

HEX #A19701

RGB 161 151 1

HSL 56.25, 0.99%, 0.32%

LAB 61.41, -10.03, 64.8

 

CMYK 0 / 33 / 99 / 37

HEX #A16C01

RGB 161 108 1

HSL 40.13, 0.99%, 0.32%

LAB 49.86, 13.83, 56.68

 

CMYK 0 / 60 / 99 / 37

HEX #A14101

RGB 161 65 1

HSL 24, 0.99%, 0.32%

LAB 40.18, 37.3, 50.61

 

CMYK 0 / 86 / 99 / 37

HEX #A11601

RGB 161 22 1

HSL 7.88, 0.99%, 0.32%

LAB 34.3, 53.33, 47.52

 

CMYK 0 / 99 / 99 / 37

HEX #A10101

RGB 161 1 1

HSL 0, 0.99%, 0.32%

LAB 33.14, 56.67, 46.83

 

CMYK 0 / 6 / 99 / 37

HEX #A19701

RGB 161 151 1

HSL 56.25, 0.99%, 0.32%

LAB 61.41, -10.03, 64.8

 

CMYK 20 / 0 / 99 / 37

HEX #80A101

RGB 128 161 1

HSL 72.38, 0.99%, 0.32%

LAB 61.72, -29.65, 63.88

 

CMYK 47 / 0 / 99 / 37

HEX #55A101

RGB 85 161 1

HSL 88.5, 0.99%, 0.32%

LAB 59.36, -45.94, 61.03

 

CMYK 74 / 0 / 99 / 37

HEX #2AA101

RGB 42 161 1

HSL 104.63, 0.99%, 0.32%

LAB 58.02, -56.87, 59.4

 

CMYK 99 / 0 / 98 / 37

HEX #01A104

RGB 1 161 4

HSL 121.13, 0.99%, 0.32%

LAB 57.56, -60.94, 58.39

 

CMYK 0 / 6 / 99 / 37

HEX #A19701

RGB 161 151 1

HSL 56.25, 0.99%, 0.32%

LAB 61.41, -10.03, 64.8

 

CMYK 0 / 6 / 99 / 37

HEX #A19701

RGB 161 151 1

HSL 56.25, 0.99%, 0.32%

LAB 61.41, -10.03, 64.8

 

CMYK 0 / 6 / 91 / 42

HEX #948B0E

RGB 148 139 14

HSL 55.97, 0.83%, 0.32%

LAB 56.87, -9.34, 58.79

 

CMYK 0 / 5 / 79 / 47

HEX #87801C

RGB 135 128 28

HSL 56.07, 0.66%, 0.32%

LAB 52.59, -8.94, 50.98

 

CMYK 0 / 4 / 66 / 53

HEX #797429

RGB 121 116 41

HSL 56.25, 0.49%, 0.32%

LAB 47.9, -8.08, 40.73

 

CMYK 0 / 3 / 50 / 58

HEX #6C6936

RGB 108 105 54

HSL 56.67, 0.33%, 0.32%

LAB 43.59, -6.71, 28.9

 

CMYK 0 / 60 / 99 / 37

HEX #A14101

RGB 161 65 1

HSL 24, 0.99%, 0.32%

LAB 40.18, 37.3, 50.61

 

CMYK 0 / 33 / 99 / 37

HEX #A16C01

RGB 161 108 1

HSL 40.13, 0.99%, 0.32%

LAB 49.86, 13.83, 56.68

 

CMYK 0 / 7 / 99 / 37

HEX #A19601

RGB 161 150 1

HSL 55.88, 0.99%, 0.32%

LAB 61.13, -9.5, 64.59

 

CMYK 20 / 0 / 99 / 37

HEX #81A101

RGB 129 161 1

HSL 72, 0.99%, 0.32%

LAB 61.79, -29.23, 63.96

 

CMYK 47 / 0 / 99 / 37

HEX #56A101

RGB 86 161 1

HSL 88.13, 0.99%, 0.32%

LAB 59.41, -45.61, 61.09

 

CMYK 0 / 6 / 100 / 69

HEX #4F4A00

RGB 79 74 0

HSL 56.2, 1%, 0.15%

LAB 30.78, -6.25, 39.24

 

CMYK 0 / 6 / 99 / 53

HEX #787101

RGB 120 113 1

HSL 56.47, 0.98%, 0.24%

LAB 46.72, -8.46, 52.37

 

CMYK 0 / 6 / 99 / 37

HEX #A19701

RGB 161 151 1

HSL 56.25, 0.99%, 0.32%

LAB 61.41, -10.03, 64.8

 

CMYK 0 / 6 / 99 / 21

HEX #CABD02

RGB 202 189 2

HSL 56.1, 0.98%, 0.4%

LAB 75.42, -11.53, 76.51

 

CMYK 0 / 6 / 99 / 5

HEX #F3E402

RGB 243 228 2

HSL 56.27, 0.98%, 0.48%

LAB 89.18, -13.49, 88.1

 

CMYK 0 / 6 / 99 / 37

HEX #A19702

RGB 161 151 2

HSL 56.23, 0.98%, 0.32%

LAB 61.41, -10.01, 64.65

 

CMYK 99 / 0 / 86 / 37

HEX #01A116

RGB 1 161 22

HSL 127.88, 0.99%, 0.32%

LAB 57.61, -60.32, 55.24

 

CMYK 47 / 99 / 0 / 37

HEX #5601A1

RGB 86 1 161

HSL 271.88, 0.99%, 0.32%

LAB 25.48, 59.43, -64.24

 

CMYK 0 / 6 / 99 / 37

HEX #A19702

RGB 161 151 2

HSL 56.23, 0.98%, 0.32%

LAB 61.41, -10.01, 64.65

 

CMYK 99 / 0 / 7 / 37

HEX #01A196

RGB 1 161 150

HSL 175.88, 0.99%, 0.32%

LAB 59.62, -37.41, -4.29

 

CMYK 7 / 99 / 0 / 37

HEX #9601A1

RGB 150 1 161

HSL 295.88, 0.99%, 0.32%

LAB 36.14, 67.74, -46.42

 

CMYK 0 / 6 / 99 / 37

HEX #A19702

RGB 161 151 2

HSL 56.23, 0.98%, 0.32%

LAB 61.41, -10.01, 64.65

 

CMYK 99 / 0 / 86 / 37

HEX #01A116

RGB 1 161 22

HSL 127.88, 0.99%, 0.32%

LAB 57.61, -60.32, 55.24

 

CMYK 99 / 93 / 0 / 37

HEX #010CA1

RGB 1 12 161

HSL 235.88, 0.99%, 0.32%

LAB 19.4, 52.68, -74.54

 

CMYK 0 / 99 / 13 / 37

HEX #A1018C

RGB 161 1 140

HSL 307.88, 0.99%, 0.32%

LAB 36.92, 66.52, -32.24

 

CMYK 0 / 6 / 99 / 37

HEX #A19702

RGB 161 151 2

HSL 56.23, 0.98%, 0.32%

LAB 61.41, -10.01, 64.65

 

CMYK 99 / 0 / 57 / 37

HEX #01A146

RGB 1 161 70

HSL 145.88, 0.99%, 0.32%

LAB 57.98, -55.68, 37.1

 

CMYK 99 / 93 / 0 / 37

HEX #010CA1

RGB 1 12 161

HSL 235.88, 0.99%, 0.32%

LAB 19.4, 52.68, -74.54

 

CMYK 0 / 99 / 43 / 37

HEX #A1015C

RGB 161 1 92

HSL 325.88, 0.99%, 0.32%

LAB 34.74, 60.99, -5.27

 

Description

Color code: HEX #A19702 | qconv.com Color code: HEX #A19702 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 151 green and 2 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 151 2 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 99 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 99% 37% C M Y K

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Provide designers and agencies with accurate color values.

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