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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A1903E it is the complementary color #5E6FC1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A1903E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A1903E shade: #A69039, #B7A24C, #C8B45F, #D9C672 and #EAD885

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A1903E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A1903E shade: #A1903E, #907E2B, #7F6C18, #6E5A05 and #5D4800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A1903E shade: #A1903E, #A1753E, #A15B3E, #A1403E and #A13E3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A1903E shade: #A1903E, #97A13E, #7DA13E, #62A13E and #48A13E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A1903E shade matches the following richer shades: #A1903E, #B39C2C, #C5A81A and #D8B408

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A1903E shade: #A1903E, #8F8450, #7D7863, #6B6C75 and #586087

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A1903E shade: #A15A3E, #A1753E, #A18F3E, #99A13E and #7FA13E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A1903E shade: #665B27, #837633, #A1903E, #BAA84F and #C6B66C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A1903E shade: #A1903E, #3EA140 and #673EA1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A1903E shade: #A1903E, #3EA18F and #8F3EA1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A1903E shade: #A1903E, #3EA140, #3E50A1 and #A13E9F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A1903E shade: #A1903E, #3EA15E, #3E50A1 and #A13E82

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 61 / 37

HEX #A1903E

RGB 161 144 62

HSL 49.7, 0.44%, 0.44%

LAB 59.77, -3.95, 44.86

 

Complementary color

CMYK 51 / 42 / 0 / 24

HEX #5E6FC1

RGB 94 111 193

HSL 229.7, 0.44%, 0.56%

LAB 49.01, 16.83, -45.05

 

CMYK 0 / 13 / 66 / 35

HEX #A69039

RGB 166 144 57

HSL 47.89, 0.49%, 0.44%

LAB 60.2, -2.07, 47.79

 

CMYK 0 / 11 / 58 / 28

HEX #B7A24C

RGB 183 162 76

HSL 48.22, 0.43%, 0.51%

LAB 66.85, -3.02, 46.71

 

CMYK 0 / 10 / 53 / 22

HEX #C8B45F

RGB 200 180 95

HSL 48.57, 0.49%, 0.58%

LAB 73.38, -3.81, 45.51

 

CMYK 0 / 9 / 47 / 15

HEX #D9C672

RGB 217 198 114

HSL 48.93, 0.58%, 0.65%

LAB 79.82, -4.46, 44.28

 

CMYK 0 / 8 / 43 / 8

HEX #EAD885

RGB 234 216 133

HSL 49.31, 0.71%, 0.72%

LAB 86.16, -5.02, 43.06

 

CMYK 0 / 11 / 61 / 37

HEX #A1903E

RGB 161 144 62

HSL 49.7, 0.44%, 0.44%

LAB 59.77, -3.95, 44.86

 

CMYK 0 / 13 / 70 / 44

HEX #907E2B

RGB 144 126 43

HSL 49.31, 0.54%, 0.37%

LAB 52.98, -2.93, 45.8

 

CMYK 0 / 15 / 81 / 50

HEX #7F6C18

RGB 127 108 24

HSL 48.93, 0.68%, 0.3%

LAB 46.05, -1.64, 46.14

 

CMYK 0 / 18 / 95 / 57

HEX #6E5A05

RGB 110 90 5

HSL 48.57, 0.91%, 0.23%

LAB 38.96, 0.02, 45.14

 

CMYK 0 / 23 / 100 / 64

HEX #5D4800

RGB 93 72 0

HSL 46.45, 1%, 0.18%

LAB 31.72, 2.2, 40.62

 

CMYK 0 / 11 / 61 / 37

HEX #A1903E

RGB 161 144 62

HSL 49.7, 0.44%, 0.44%

LAB 59.77, -3.95, 44.86

 

CMYK 0 / 27 / 61 / 37

HEX #A1753E

RGB 161 117 62

HSL 33.33, 0.44%, 0.44%

LAB 52.56, 11.14, 36.64

 

CMYK 0 / 43 / 61 / 37

HEX #A15B3E

RGB 161 91 62

HSL 17.58, 0.44%, 0.44%

LAB 46.19, 25.88, 29

 

CMYK 0 / 60 / 61 / 37

HEX #A1403E

RGB 161 64 62

HSL 1.21, 0.44%, 0.44%

LAB 40.56, 40.12, 21.93

 

CMYK 0 / 61 / 61 / 37

HEX #A13E3E

RGB 161 62 62

HSL 0, 0.44%, 0.44%

LAB 40.2, 41.08, 21.46

 

CMYK 0 / 11 / 61 / 37

HEX #A1903E

RGB 161 144 62

HSL 49.7, 0.44%, 0.44%

LAB 59.77, -3.95, 44.86

 

CMYK 6 / 0 / 61 / 37

HEX #97A13E

RGB 151 161 62

HSL 66.06, 0.44%, 0.44%

LAB 63.69, -17.34, 48.92

 

CMYK 22 / 0 / 61 / 37

HEX #7DA13E

RGB 125 161 62

HSL 81.82, 0.44%, 0.44%

LAB 61.82, -28.12, 46.35

 

CMYK 39 / 0 / 61 / 37

HEX #62A13E

RGB 98 161 62

HSL 98.18, 0.44%, 0.44%

LAB 60.28, -38.23, 44.19

 

CMYK 55 / 0 / 61 / 37

HEX #48A13E

RGB 72 161 62

HSL 113.94, 0.44%, 0.44%

LAB 59.17, -46.3, 42.64

 

CMYK 0 / 11 / 61 / 37

HEX #A1903E

RGB 161 144 62

HSL 49.7, 0.44%, 0.44%

LAB 59.77, -3.95, 44.86

 

CMYK 0 / 13 / 75 / 30

HEX #B39C2C

RGB 179 156 44

HSL 49.78, 0.61%, 0.44%

LAB 64.6, -3.48, 57.99

 

CMYK 0 / 15 / 87 / 23

HEX #C5A81A

RGB 197 168 26

HSL 49.82, 0.77%, 0.44%

LAB 69.43, -2.46, 68.24

 

CMYK 0 / 17 / 96 / 15

HEX #D8B408

RGB 216 180 8

HSL 49.62, 0.93%, 0.44%

LAB 74.36, -0.68, 75.68

 

CMYK 0 / 11 / 61 / 37

HEX #A1903E

RGB 161 144 62

HSL 49.7, 0.44%, 0.44%

LAB 59.77, -3.95, 44.86

 

CMYK 0 / 8 / 44 / 44

HEX #8F8450

RGB 143 132 80

HSL 49.52, 0.28%, 0.44%

LAB 54.99, -3.6, 29.52

 

CMYK 0 / 4 / 21 / 51

HEX #7D7863

RGB 125 120 99

HSL 48.46, 0.12%, 0.44%

LAB 50.33, -1.85, 12.24

 

CMYK 9 / 8 / 0 / 54

HEX #6B6C75

RGB 107 108 117

HSL 234, 0.04%, 0.44%

LAB 45.82, 1.54, -5.14

 

CMYK 35 / 29 / 0 / 47

HEX #586087

RGB 88 96 135

HSL 229.79, 0.21%, 0.44%

LAB 41.52, 6.9, -22.66

 

CMYK 0 / 44 / 61 / 37

HEX #A15A3E

RGB 161 90 62

HSL 16.97, 0.44%, 0.44%

LAB 45.96, 26.44, 28.72

 

CMYK 0 / 27 / 61 / 37

HEX #A1753E

RGB 161 117 62

HSL 33.33, 0.44%, 0.44%

LAB 52.56, 11.14, 36.64

 

CMYK 0 / 11 / 61 / 37

HEX #A18F3E

RGB 161 143 62

HSL 49.09, 0.44%, 0.44%

LAB 59.5, -3.41, 44.56

 

CMYK 5 / 0 / 61 / 37

HEX #99A13E

RGB 153 161 62

HSL 64.85, 0.44%, 0.44%

LAB 63.84, -16.48, 49.14

 

CMYK 21 / 0 / 61 / 37

HEX #7FA13E

RGB 127 161 62

HSL 80.61, 0.44%, 0.44%

LAB 61.95, -27.32, 46.53

 

CMYK 0 / 11 / 62 / 60

HEX #665B27

RGB 102 91 39

HSL 49.52, 0.45%, 0.28%

LAB 38.64, -2.79, 31.04

 

CMYK 0 / 10 / 61 / 49

HEX #837633

RGB 131 118 51

HSL 50.25, 0.44%, 0.36%

LAB 49.52, -3.86, 37.96

 

CMYK 0 / 11 / 61 / 37

HEX #A1903E

RGB 161 144 62

HSL 49.7, 0.44%, 0.44%

LAB 59.77, -3.95, 44.86

 

CMYK 0 / 10 / 58 / 27

HEX #BAA84F

RGB 186 168 79

HSL 49.91, 0.44%, 0.52%

LAB 68.76, -4.7, 47.53

 

CMYK 0 / 8 / 45 / 22

HEX #C6B66C

RGB 198 182 108

HSL 49.33, 0.44%, 0.6%

LAB 73.9, -4.48, 39.59

 

CMYK 0 / 11 / 61 / 37

HEX #A1903E

RGB 161 144 62

HSL 49.7, 0.44%, 0.44%

LAB 59.77, -3.95, 44.86

 

CMYK 61 / 0 / 60 / 37

HEX #3EA140

RGB 62 161 64

HSL 121.21, 0.44%, 0.44%

LAB 58.87, -48.61, 41.27

 

CMYK 36 / 61 / 0 / 37

HEX #673EA1

RGB 103 62 161

HSL 264.85, 0.44%, 0.44%

LAB 35.79, 39.22, -47.33

 

CMYK 0 / 11 / 61 / 37

HEX #A1903E

RGB 161 144 62

HSL 49.7, 0.44%, 0.44%

LAB 59.77, -3.95, 44.86

 

CMYK 61 / 0 / 11 / 37

HEX #3EA18F

RGB 62 161 143

HSL 169.09, 0.44%, 0.44%

LAB 60.34, -33.18, 0.82

 

CMYK 11 / 61 / 0 / 37

HEX #8F3EA1

RGB 143 62 161

HSL 289.09, 0.44%, 0.44%

LAB 40.99, 49.17, -38.72

 

CMYK 0 / 11 / 61 / 37

HEX #A1903E

RGB 161 144 62

HSL 49.7, 0.44%, 0.44%

LAB 59.77, -3.95, 44.86

 

CMYK 61 / 0 / 60 / 37

HEX #3EA140

RGB 62 161 64

HSL 121.21, 0.44%, 0.44%

LAB 58.87, -48.61, 41.27

 

CMYK 61 / 50 / 0 / 37

HEX #3E50A1

RGB 62 80 161

HSL 229.09, 0.44%, 0.44%

LAB 36.62, 18.96, -46.18

 

CMYK 0 / 61 / 1 / 37

HEX #A13E9F

RGB 161 62 159

HSL 301.21, 0.44%, 0.44%

LAB 43.54, 53.46, -33.31

 

CMYK 0 / 11 / 61 / 37

HEX #A1903E

RGB 161 144 62

HSL 49.7, 0.44%, 0.44%

LAB 59.77, -3.95, 44.86

 

CMYK 61 / 0 / 42 / 37

HEX #3EA15E

RGB 62 161 94

HSL 139.39, 0.44%, 0.44%

LAB 59.27, -44.11, 26.53

 

CMYK 61 / 50 / 0 / 37

HEX #3E50A1

RGB 62 80 161

HSL 229.09, 0.44%, 0.44%

LAB 36.62, 18.96, -46.18

 

CMYK 0 / 61 / 19 / 37

HEX #A13E82

RGB 161 62 130

HSL 318.79, 0.44%, 0.44%

LAB 42.21, 48.72, -17.85

 

Description

Color code: HEX #A1903E | qconv.com Color code: HEX #A1903E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 144 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 144 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 61 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 61% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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