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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A1928B it is the complementary color #5E6D74. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A1928B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A1928B shade: #A69286, #B7A499, #C8B6AC, #D9C8BF and #EADAD2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A1928B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A1928B shade: #A1928B, #908078, #7F6E65, #6E5C52 and #5D4A3F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A1928B shade: #A0928B, #A08D8B and #A08B8B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A1928B shade: #A0928B, #A0988B, #A09D8B, #9EA08B and #98A08B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A1928B shade matches the following richer shades: #A0928B, #B18C7B, #C2866A, #D38059 and #E47A48

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A1928B shade: #A0928B, #8F989C, #7F9EAD, #6EA5BE and #5DABCF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A1928B shade: #A08B90, #A08D8B, #A0928B, #A0988B and #A09D8B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A1928B shade: #786962, #8E7D75, #A0928B, #B3A8A2 and #C6BDB9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A1928B shade: #A1928B, #96A08B and #8B8DA0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A1928B shade: #A1928B, #8BA092 and #928BA0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A1928B shade: #A1928B, #96A08B, #8B9AA0 and #968BA0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A1928B shade: #A1928B, #8FA08B, #8B9AA0 and #9D8BA0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 14 / 37

HEX #A1928B

RGB 161 146 139

HSL 19.09, 0.1%, 0.59%

LAB 61.65, 4.34, 5.72

 

Complementary color

CMYK 19 / 6 / 0 / 55

HEX #5E6D74

RGB 94 109 116

HSL 199.09, 0.1%, 0.41%

LAB 45.05, -3.98, -5.79

 

CMYK 0 / 12 / 19 / 35

HEX #A69286

RGB 166 146 134

HSL 22.5, 0.15%, 0.59%

LAB 61.99, 5.45, 9.08

 

CMYK 0 / 10 / 16 / 28

HEX #B7A499

RGB 183 164 153

HSL 22, 0.17%, 0.66%

LAB 68.69, 5.07, 8.22

 

CMYK 0 / 9 / 14 / 22

HEX #C8B6AC

RGB 200 182 172

HSL 21.43, 0.2%, 0.73%

LAB 75.27, 4.74, 7.4

 

CMYK 0 / 8 / 12 / 15

HEX #D9C8BF

RGB 217 200 191

HSL 20.77, 0.25%, 0.8%

LAB 81.74, 4.44, 6.63

 

CMYK 0 / 7 / 10 / 8

HEX #EADAD2

RGB 234 218 210

HSL 20, 0.36%, 0.87%

LAB 88.11, 4.16, 5.9

 

CMYK 0 / 9 / 14 / 37

HEX #A1928B

RGB 161 146 139

HSL 19.09, 0.1%, 0.59%

LAB 61.65, 4.34, 5.72

 

CMYK 0 / 11 / 17 / 44

HEX #908078

RGB 144 128 120

HSL 20, 0.1%, 0.52%

LAB 54.79, 4.7, 6.56

 

CMYK 0 / 13 / 20 / 50

HEX #7F6E65

RGB 127 110 101

HSL 20.77, 0.11%, 0.45%

LAB 47.76, 5.11, 7.47

 

CMYK 0 / 16 / 25 / 57

HEX #6E5C52

RGB 110 92 82

HSL 21.43, 0.15%, 0.38%

LAB 40.54, 5.6, 8.47

 

CMYK 0 / 20 / 32 / 64

HEX #5D4A3F

RGB 93 74 63

HSL 22, 0.19%, 0.31%

LAB 33.1, 6.2, 9.61

 

CMYK 0 / 9 / 13 / 37

HEX #A0928B

RGB 160 146 139

HSL 20, 0.1%, 0.59%

LAB 61.56, 3.96, 5.58

 

CMYK 0 / 12 / 13 / 37

HEX #A08D8B

RGB 160 141 139

HSL 5.71, 0.1%, 0.59%

LAB 60.24, 6.76, 3.67

 

CMYK 0 / 13 / 13 / 37

HEX #A08B8B

RGB 160 139 139

HSL 0, 0.1%, 0.59%

LAB 59.71, 7.89, 2.9

 

CMYK 0 / 9 / 13 / 37

HEX #A0928B

RGB 160 146 139

HSL 20, 0.1%, 0.59%

LAB 61.56, 3.96, 5.58

 

CMYK 0 / 5 / 13 / 37

HEX #A0988B

RGB 160 152 139

HSL 37.14, 0.1%, 0.59%

LAB 63.17, 0.62, 7.88

 

CMYK 0 / 2 / 13 / 37

HEX #A09D8B

RGB 160 157 139

HSL 51.43, 0.1%, 0.59%

LAB 64.52, -2.12, 9.81

 

CMYK 1 / 0 / 13 / 37

HEX #9EA08B

RGB 158 160 139

HSL 65.71, 0.1%, 0.59%

LAB 65.18, -4.52, 10.71

 

CMYK 5 / 0 / 13 / 37

HEX #98A08B

RGB 152 160 139

HSL 82.86, 0.1%, 0.59%

LAB 64.71, -6.77, 9.98

 

CMYK 0 / 9 / 13 / 37

HEX #A0928B

RGB 160 146 139

HSL 20, 0.1%, 0.59%

LAB 61.56, 3.96, 5.58

 

CMYK 0 / 21 / 31 / 31

HEX #B18C7B

RGB 177 140 123

HSL 18.89, 0.26%, 0.59%

LAB 61.25, 11.52, 14.42

 

CMYK 0 / 31 / 45 / 24

HEX #C2866A

RGB 194 134 106

HSL 19.09, 0.42%, 0.59%

LAB 61.27, 19.67, 24.32

 

CMYK 0 / 39 / 58 / 17

HEX #D38059

RGB 211 128 89

HSL 19.18, 0.58%, 0.59%

LAB 61.66, 28.3, 34.6

 

CMYK 0 / 46 / 68 / 11

HEX #E47A48

RGB 228 122 72

HSL 19.23, 0.74%, 0.59%

LAB 62.41, 37.12, 45.02

 

CMYK 0 / 9 / 13 / 37

HEX #A0928B

RGB 160 146 139

HSL 20, 0.1%, 0.59%

LAB 61.56, 3.96, 5.58

 

CMYK 8 / 3 / 0 / 39

HEX #8F989C

RGB 143 152 156

HSL 198.46, 0.06%, 0.59%

LAB 62.25, -2.4, -3.22

 

CMYK 27 / 9 / 0 / 32

HEX #7F9EAD

RGB 127 158 173

HSL 199.57, 0.22%, 0.59%

LAB 63.33, -7.19, -11.32

 

CMYK 42 / 13 / 0 / 25

HEX #6EA5BE

RGB 110 165 190

HSL 198.75, 0.38%, 0.59%

LAB 64.92, -11.48, -18.53

 

CMYK 55 / 17 / 0 / 19

HEX #5DABCF

RGB 93 171 207

HSL 198.95, 0.54%, 0.59%

LAB 66.49, -13.84, -25.64

 

CMYK 0 / 13 / 10 / 37

HEX #A08B90

RGB 160 139 144

HSL 345.71, 0.1%, 0.59%

LAB 59.85, 8.77, 0.24

 

CMYK 0 / 12 / 13 / 37

HEX #A08D8B

RGB 160 141 139

HSL 5.71, 0.1%, 0.59%

LAB 60.24, 6.76, 3.67

 

CMYK 0 / 9 / 13 / 37

HEX #A0928B

RGB 160 146 139

HSL 20, 0.1%, 0.59%

LAB 61.56, 3.96, 5.58

 

CMYK 0 / 5 / 13 / 37

HEX #A0988B

RGB 160 152 139

HSL 37.14, 0.1%, 0.59%

LAB 63.17, 0.62, 7.88

 

CMYK 0 / 2 / 13 / 37

HEX #A09D8B

RGB 160 157 139

HSL 51.43, 0.1%, 0.59%

LAB 64.52, -2.12, 9.81

 

CMYK 0 / 13 / 18 / 53

HEX #786962

RGB 120 105 98

HSL 19.09, 0.1%, 0.43%

LAB 45.6, 4.68, 6.1

 

CMYK 0 / 12 / 18 / 44

HEX #8E7D75

RGB 142 125 117

HSL 19.2, 0.1%, 0.51%

LAB 53.71, 5.12, 6.74

 

CMYK 0 / 9 / 13 / 37

HEX #A0928B

RGB 160 146 139

HSL 20, 0.1%, 0.59%

LAB 61.56, 3.96, 5.58

 

CMYK 0 / 6 / 9 / 30

HEX #B3A8A2

RGB 179 168 162

HSL 21.18, 0.1%, 0.67%

LAB 69.61, 2.9, 4.51

 

CMYK 0 / 5 / 7 / 22

HEX #C6BDB9

RGB 198 189 185

HSL 18.46, 0.1%, 0.75%

LAB 77.22, 2.46, 3.14

 

CMYK 0 / 9 / 14 / 37

HEX #A1928B

RGB 161 146 139

HSL 19.09, 0.1%, 0.59%

LAB 61.65, 4.34, 5.72

 

CMYK 6 / 0 / 13 / 37

HEX #96A08B

RGB 150 160 139

HSL 88.57, 0.1%, 0.59%

LAB 64.56, -7.51, 9.74

 

CMYK 13 / 12 / 0 / 37

HEX #8B8DA0

RGB 139 141 160

HSL 234.29, 0.1%, 0.59%

LAB 59.05, 3.24, -10.29

 

CMYK 0 / 9 / 14 / 37

HEX #A1928B

RGB 161 146 139

HSL 19.09, 0.1%, 0.59%

LAB 61.65, 4.34, 5.72

 

CMYK 13 / 0 / 9 / 37

HEX #8BA092

RGB 139 160 146

HSL 140, 0.1%, 0.59%

LAB 63.92, -10.2, 4.81

 

CMYK 9 / 13 / 0 / 37

HEX #928BA0

RGB 146 139 160

HSL 260, 0.1%, 0.59%

LAB 59.08, 6.81, -10.17

 

CMYK 0 / 9 / 14 / 37

HEX #A1928B

RGB 161 146 139

HSL 19.09, 0.1%, 0.59%

LAB 61.65, 4.34, 5.72

 

CMYK 6 / 0 / 13 / 37

HEX #96A08B

RGB 150 160 139

HSL 88.57, 0.1%, 0.59%

LAB 64.56, -7.51, 9.74

 

CMYK 13 / 4 / 0 / 37

HEX #8B9AA0

RGB 139 154 160

HSL 197.14, 0.1%, 0.59%

LAB 62.62, -4.05, -4.96

 

CMYK 6 / 13 / 0 / 37

HEX #968BA0

RGB 150 139 160

HSL 271.43, 0.1%, 0.59%

LAB 59.42, 8.21, -9.63

 

CMYK 0 / 9 / 14 / 37

HEX #A1928B

RGB 161 146 139

HSL 19.09, 0.1%, 0.59%

LAB 61.65, 4.34, 5.72

 

CMYK 11 / 0 / 13 / 37

HEX #8FA08B

RGB 143 160 139

HSL 108.57, 0.1%, 0.59%

LAB 64.04, -10.09, 8.93

 

CMYK 13 / 4 / 0 / 37

HEX #8B9AA0

RGB 139 154 160

HSL 197.14, 0.1%, 0.59%

LAB 62.62, -4.05, -4.96

 

CMYK 2 / 13 / 0 / 37

HEX #9D8BA0

RGB 157 139 160

HSL 291.43, 0.1%, 0.59%

LAB 60.04, 10.69, -8.63

 

Description

Color code: HEX #A1928B | qconv.com Color code: HEX #A1928B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 146 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 146 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 14 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 14% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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