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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A19AC6 it is the complementary color #5E6539. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A19AC6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A19AC6 shade: #A69AC1, #B7ACD4, #C8BEE7, #D9D0FA and #EAE2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A19AC6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A19AC6 shade: #A19AC6, #9088B3, #7F76A0, #6E648D and #5D527A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A19AC6 shade: #A099C6, #AC99C6, #B899C6, #C499C6 and #C699BB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A19AC6 shade: #A099C6 and #9999C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A19AC6 shade matches the following richer shades: #A099C6, #988DD2, #8F80DF, #8673EC and #7D66F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A19AC6 shade: #A099C6, #A9A6B9, #B2B3AC, #BBC09F and #C3CC92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A19AC6 shade: #99AAC6, #999EC6, #A099C6, #AC99C6 and #B899C6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A19AC6 shade: #6F65A8, #887FB7, #A099C6, #B9B4D4 and #D1CEE3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A19AC6 shade: #A19AC6, #C699B6 and #A4C699

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A19AC6 shade: #A19AC6, #C6A099 and #99C6A0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A19AC6 shade: #A19AC6, #C699B6, #BFC699 and #99C6A9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A19AC6 shade: #A19AC6, #C699A9, #BFC699 and #99C6B6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 22 / 0 / 22

HEX #A19AC6

RGB 161 154 198

HSL 249.55, 0.28%, 0.69%

LAB 65.57, 11.68, -21.7

 

Complementary color

CMYK 7 / 0 / 44 / 60

HEX #5E6539

RGB 94 101 57

HSL 69.55, 0.28%, 0.31%

LAB 41.19, -10.39, 23.98

 

CMYK 14 / 20 / 0 / 24

HEX #A69AC1

RGB 166 154 193

HSL 258.46, 0.24%, 0.68%

LAB 65.8, 12.18, -18.51

 

CMYK 14 / 19 / 0 / 17

HEX #B7ACD4

RGB 183 172 212

HSL 256.5, 0.32%, 0.75%

LAB 72.45, 11.8, -18.8

 

CMYK 13 / 18 / 0 / 9

HEX #C8BEE7

RGB 200 190 231

HSL 254.63, 0.46%, 0.83%

LAB 78.97, 11.45, -19.11

 

CMYK 13 / 17 / 0 / 2

HEX #D9D0FA

RGB 217 208 250

HSL 252.86, 0.81%, 0.9%

LAB 85.39, 11.12, -19.42

 

CMYK 8 / 11 / 0 / 0

HEX #EAE2FF

RGB 234 226 255

HSL 256.55, 1%, 0.94%

LAB 91.28, 8.04, -13.07

 

CMYK 19 / 22 / 0 / 22

HEX #A19AC6

RGB 161 154 198

HSL 249.55, 0.28%, 0.69%

LAB 65.57, 11.68, -21.7

 

CMYK 20 / 24 / 0 / 30

HEX #9088B3

RGB 144 136 179

HSL 251.16, 0.22%, 0.62%

LAB 58.78, 12.1, -21.48

 

CMYK 21 / 26 / 0 / 37

HEX #7F76A0

RGB 127 118 160

HSL 252.86, 0.18%, 0.55%

LAB 51.85, 12.57, -21.3

 

CMYK 22 / 29 / 0 / 45

HEX #6E648D

RGB 110 100 141

HSL 254.63, 0.17%, 0.47%

LAB 44.73, 13.11, -21.15

 

CMYK 24 / 33 / 0 / 52

HEX #5D527A

RGB 93 82 122

HSL 256.5, 0.2%, 0.4%

LAB 37.42, 13.73, -21.04

 

CMYK 19 / 23 / 0 / 22

HEX #A099C6

RGB 160 153 198

HSL 249.33, 0.28%, 0.69%

LAB 65.23, 11.92, -22.22

 

CMYK 13 / 23 / 0 / 22

HEX #AC99C6

RGB 172 153 198

HSL 265.33, 0.28%, 0.69%

LAB 66.24, 15.8, -20.59

 

CMYK 7 / 23 / 0 / 22

HEX #B899C6

RGB 184 153 198

HSL 281.33, 0.28%, 0.69%

LAB 67.31, 19.75, -18.85

 

CMYK 1 / 23 / 0 / 22

HEX #C499C6

RGB 196 153 198

HSL 297.33, 0.28%, 0.69%

LAB 68.46, 23.77, -17.01

 

CMYK 0 / 23 / 6 / 22

HEX #C699BB

RGB 198 153 187

HSL 314.67, 0.28%, 0.69%

LAB 68.3, 22.41, -11.11

 

CMYK 19 / 23 / 0 / 22

HEX #A099C6

RGB 160 153 198

HSL 249.33, 0.28%, 0.69%

LAB 65.23, 11.92, -22.22

 

CMYK 23 / 23 / 0 / 22

HEX #9999C6

RGB 153 153 198

HSL 240, 0.28%, 0.69%

LAB 64.67, 9.72, -23.12

 

CMYK 19 / 23 / 0 / 22

HEX #A099C6

RGB 160 153 198

HSL 249.33, 0.28%, 0.69%

LAB 65.23, 11.92, -22.22

 

CMYK 28 / 33 / 0 / 18

HEX #988DD2

RGB 152 141 210

HSL 249.57, 0.43%, 0.69%

LAB 61.98, 19.19, -33.99

 

CMYK 36 / 43 / 0 / 13

HEX #8F80DF

RGB 143 128 223

HSL 249.47, 0.6%, 0.69%

LAB 58.61, 27.57, -46.6

 

CMYK 43 / 51 / 0 / 7

HEX #8673EC

RGB 134 115 236

HSL 249.42, 0.76%, 0.69%

LAB 55.47, 36.5, -58.91

 

CMYK 50 / 59 / 0 / 2

HEX #7D66F9

RGB 125 102 249

HSL 249.39, 0.92%, 0.69%

LAB 52.62, 45.81, -70.78

 

CMYK 19 / 23 / 0 / 22

HEX #A099C6

RGB 160 153 198

HSL 249.33, 0.28%, 0.69%

LAB 65.23, 11.92, -22.22

 

CMYK 9 / 10 / 0 / 27

HEX #A9A6B9

RGB 169 166 185

HSL 249.47, 0.12%, 0.69%

LAB 68.9, 4.8, -9.37

 

CMYK 1 / 0 / 4 / 30

HEX #B2B3AC

RGB 178 179 172

HSL 68.57, 0.04%, 0.69%

LAB 72.68, -1.64, 3.44

 

CMYK 3 / 0 / 17 / 25

HEX #BBC09F

RGB 187 192 159

HSL 69.09, 0.21%, 0.69%

LAB 76.54, -7.44, 16.07

 

CMYK 4 / 0 / 28 / 20

HEX #C3CC92

RGB 195 204 146

HSL 69.31, 0.36%, 0.69%

LAB 80.1, -12.54, 27.95

 

CMYK 23 / 14 / 0 / 22

HEX #99AAC6

RGB 153 170 198

HSL 217.33, 0.28%, 0.69%

LAB 69.18, 0.22, -16.26

 

CMYK 23 / 20 / 0 / 22

HEX #999EC6

RGB 153 158 198

HSL 233.33, 0.28%, 0.69%

LAB 65.98, 6.89, -21.11

 

CMYK 19 / 23 / 0 / 22

HEX #A099C6

RGB 160 153 198

HSL 249.33, 0.28%, 0.69%

LAB 65.23, 11.92, -22.22

 

CMYK 13 / 23 / 0 / 22

HEX #AC99C6

RGB 172 153 198

HSL 265.33, 0.28%, 0.69%

LAB 66.24, 15.8, -20.59

 

CMYK 7 / 23 / 0 / 22

HEX #B899C6

RGB 184 153 198

HSL 281.33, 0.28%, 0.69%

LAB 67.31, 19.75, -18.85

 

CMYK 34 / 40 / 0 / 34

HEX #6F65A8

RGB 111 101 168

HSL 248.96, 0.28%, 0.53%

LAB 46.33, 19.93, -34.66

 

CMYK 26 / 31 / 0 / 28

HEX #887FB7

RGB 136 127 183

HSL 249.64, 0.28%, 0.61%

LAB 55.92, 15.78, -28.23

 

CMYK 19 / 23 / 0 / 22

HEX #A099C6

RGB 160 153 198

HSL 249.33, 0.28%, 0.69%

LAB 65.23, 11.92, -22.22

 

CMYK 13 / 15 / 0 / 17

HEX #B9B4D4

RGB 185 180 212

HSL 249.38, 0.27%, 0.77%

LAB 74.64, 8.06, -15.47

 

CMYK 8 / 9 / 0 / 11

HEX #D1CEE3

RGB 209 206 227

HSL 248.57, 0.27%, 0.85%

LAB 83.57, 4.99, -9.99

 

CMYK 19 / 22 / 0 / 22

HEX #A19AC6

RGB 161 154 198

HSL 249.55, 0.28%, 0.69%

LAB 65.57, 11.68, -21.7

 

CMYK 0 / 23 / 8 / 22

HEX #C699B6

RGB 198 153 182

HSL 321.33, 0.28%, 0.69%

LAB 68.14, 21.52, -8.56

 

CMYK 17 / 0 / 23 / 22

HEX #A4C699

RGB 164 198 153

HSL 105.33, 0.28%, 0.69%

LAB 76.42, -19.81, 18.88

 

CMYK 19 / 22 / 0 / 22

HEX #A19AC6

RGB 161 154 198

HSL 249.55, 0.28%, 0.69%

LAB 65.57, 11.68, -21.7

 

CMYK 0 / 19 / 23 / 22

HEX #C6A099

RGB 198 160 153

HSL 9.33, 0.28%, 0.69%

LAB 69.07, 12.95, 8.95

 

CMYK 23 / 0 / 19 / 22

HEX #99C6A0

RGB 153 198 160

HSL 129.33, 0.28%, 0.69%

LAB 75.88, -22.37, 14.28

 

CMYK 19 / 22 / 0 / 22

HEX #A19AC6

RGB 161 154 198

HSL 249.55, 0.28%, 0.69%

LAB 65.57, 11.68, -21.7

 

CMYK 0 / 23 / 8 / 22

HEX #C699B6

RGB 198 153 182

HSL 321.33, 0.28%, 0.69%

LAB 68.14, 21.52, -8.56

 

CMYK 4 / 0 / 23 / 22

HEX #BFC699

RGB 191 198 153

HSL 69.33, 0.28%, 0.69%

LAB 78.32, -9.98, 21.8

 

CMYK 23 / 0 / 15 / 22

HEX #99C6A9

RGB 153 198 169

HSL 141.33, 0.28%, 0.69%

LAB 76.08, -20.69, 9.73

 

CMYK 19 / 22 / 0 / 22

HEX #A19AC6

RGB 161 154 198

HSL 249.55, 0.28%, 0.69%

LAB 65.57, 11.68, -21.7

 

CMYK 0 / 23 / 15 / 22

HEX #C699A9

RGB 198 153 169

HSL 338.67, 0.28%, 0.69%

LAB 67.76, 19.31, -1.86

 

CMYK 4 / 0 / 23 / 22

HEX #BFC699

RGB 191 198 153

HSL 69.33, 0.28%, 0.69%

LAB 78.32, -9.98, 21.8

 

CMYK 23 / 0 / 8 / 22

HEX #99C6B6

RGB 153 198 182

HSL 158.67, 0.28%, 0.69%

LAB 76.4, -18.11, 3.17

 

Description

Color code: HEX #A19AC6 | qconv.com Color code: HEX #A19AC6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 154 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 154 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 22 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 22% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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