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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A19BDD it is the complementary color #5E6422. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A19BDD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A19BDD shade: #A69BD8, #B7ADEB, #C8BFFE, #D9D1FF and #EAE3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A19BDD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A19BDD shade: #A19BDD, #9089CA, #7F77B7, #6E65A4 and #5D5391

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A19BDD shade: #A29CDD, #B39CDD, #C59CDD, #D69CDD and #DD9CD2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A19BDD shade: #A29CDD and #9C9CDD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A19BDD shade matches the following richer shades: #A29CDD, #9991E7, #9086F2 and #877CFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A19BDD shade: #A29CDD, #AAA6D2, #B3B1C7, #BCBCBD and #C5C7B2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A19BDD shade: #9CB9DD, #9CA8DD, #A19CDD, #B29CDD and #C49CDD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A19BDD shade: #685EC8, #857DD2, #A29CDD, #BFBAE7 and #DBD9F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A19BDD shade: #A19BDD, #DD9CCA and #B0DD9C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A19BDD shade: #A19BDD, #DDA19C and #9CDDA1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A19BDD shade: #A19BDD, #DD9CCA, #D7DD9C and #9CDDAE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A19BDD shade: #A19BDD, #DD9CB7, #D7DD9C and #9CDDC2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 30 / 0 / 13

HEX #A19BDD

RGB 161 155 221

HSL 245.45, 0.49%, 0.74%

LAB 66.7, 16.55, -32.71

 

Complementary color

CMYK 6 / 0 / 66 / 61

HEX #5E6422

RGB 94 100 34

HSL 65.45, 0.49%, 0.26%

LAB 40.59, -12.19, 35.49

 

CMYK 23 / 28 / 0 / 15

HEX #A69BD8

RGB 166 155 216

HSL 250.82, 0.44%, 0.73%

LAB 66.91, 16.85, -29.6

 

CMYK 22 / 26 / 0 / 8

HEX #B7ADEB

RGB 183 173 235

HSL 249.68, 0.61%, 0.8%

LAB 73.51, 16.35, -29.72

 

CMYK 21 / 25 / 0 / 0

HEX #C8BFFE

RGB 200 191 254

HSL 248.57, 0.97%, 0.87%

LAB 80.01, 15.9, -29.86

 

CMYK 15 / 18 / 0 / 0

HEX #D9D1FF

RGB 217 209 255

HSL 250.43, 1%, 0.91%

LAB 85.79, 11.62, -21.45

 

CMYK 8 / 11 / 0 / 0

HEX #EAE3FF

RGB 234 227 255

HSL 255, 1%, 0.95%

LAB 91.53, 7.52, -12.7

 

CMYK 27 / 30 / 0 / 13

HEX #A19BDD

RGB 161 155 221

HSL 245.45, 0.49%, 0.74%

LAB 66.7, 16.55, -32.71

 

CMYK 29 / 32 / 0 / 21

HEX #9089CA

RGB 144 137 202

HSL 246.46, 0.38%, 0.66%

LAB 59.97, 17.14, -32.68

 

CMYK 31 / 35 / 0 / 28

HEX #7F77B7

RGB 127 119 183

HSL 247.5, 0.31%, 0.59%

LAB 53.09, 17.79, -32.7

 

CMYK 33 / 38 / 0 / 36

HEX #6E65A4

RGB 110 101 164

HSL 248.57, 0.26%, 0.52%

LAB 46.05, 18.54, -32.76

 

CMYK 36 / 43 / 0 / 43

HEX #5D5391

RGB 93 83 145

HSL 249.68, 0.27%, 0.45%

LAB 38.83, 19.42, -32.89

 

CMYK 27 / 29 / 0 / 13

HEX #A29CDD

RGB 162 156 221

HSL 245.54, 0.49%, 0.74%

LAB 67.04, 16.28, -32.19

 

CMYK 19 / 29 / 0 / 13

HEX #B39CDD

RGB 179 156 221

HSL 261.23, 0.49%, 0.74%

LAB 68.45, 21.41, -29.89

 

CMYK 11 / 29 / 0 / 13

HEX #C59CDD

RGB 197 156 221

HSL 277.85, 0.49%, 0.74%

LAB 70.08, 27.03, -27.24

 

CMYK 3 / 29 / 0 / 13

HEX #D69CDD

RGB 214 156 221

HSL 293.54, 0.49%, 0.74%

LAB 71.75, 32.44, -24.53

 

CMYK 0 / 29 / 5 / 13

HEX #DD9CD2

RGB 221 156 210

HSL 310.15, 0.49%, 0.74%

LAB 72.1, 32.7, -17.9

 

CMYK 27 / 29 / 0 / 13

HEX #A29CDD

RGB 162 156 221

HSL 245.54, 0.49%, 0.74%

LAB 67.04, 16.28, -32.19

 

CMYK 29 / 29 / 0 / 13

HEX #9C9CDD

RGB 156 156 221

HSL 240, 0.49%, 0.74%

LAB 66.57, 14.53, -32.95

 

CMYK 27 / 29 / 0 / 13

HEX #A29CDD

RGB 162 156 221

HSL 245.54, 0.49%, 0.74%

LAB 67.04, 16.28, -32.19

 

CMYK 34 / 37 / 0 / 9

HEX #9991E7

RGB 153 145 231

HSL 245.58, 0.64%, 0.74%

LAB 63.99, 22.53, -42.51

 

CMYK 40 / 45 / 0 / 5

HEX #9086F2

RGB 144 134 242

HSL 245.56, 0.81%, 0.74%

LAB 61.12, 29.51, -53.17

 

CMYK 47 / 51 / 0 / 1

HEX #877CFD

RGB 135 124 253

HSL 245.12, 0.97%, 0.74%

LAB 58.66, 36.34, -63.22

 

CMYK 27 / 29 / 0 / 13

HEX #A29CDD

RGB 162 156 221

HSL 245.54, 0.49%, 0.74%

LAB 67.04, 16.28, -32.19

 

CMYK 19 / 21 / 0 / 18

HEX #AAA6D2

RGB 170 166 210

HSL 245.45, 0.33%, 0.74%

LAB 69.8, 10.53, -21.82

 

CMYK 10 / 11 / 0 / 22

HEX #B3B1C7

RGB 179 177 199

HSL 245.45, 0.16%, 0.74%

LAB 72.99, 5.02, -10.89

 

CMYK 1 / 1 / 0 / 26

HEX #BCBCBD

RGB 188 188 189

HSL 240, 0.01%, 0.74%

LAB 76.27, 0.19, -0.51

 

CMYK 1 / 0 / 11 / 22

HEX #C5C7B2

RGB 197 199 178

HSL 65.71, 0.16%, 0.74%

LAB 79.57, -4.38, 10.28

 

CMYK 29 / 16 / 0 / 13

HEX #9CB9DD

RGB 156 185 221

HSL 213.23, 0.49%, 0.74%

LAB 74.18, -1.6, -21.26

 

CMYK 29 / 24 / 0 / 13

HEX #9CA8DD

RGB 156 168 221

HSL 228.92, 0.49%, 0.74%

LAB 69.68, 7.76, -28.15

 

CMYK 27 / 29 / 0 / 13

HEX #A19CDD

RGB 161 156 221

HSL 244.62, 0.49%, 0.74%

LAB 66.96, 15.99, -32.32

 

CMYK 19 / 29 / 0 / 13

HEX #B29CDD

RGB 178 156 221

HSL 260.31, 0.49%, 0.74%

LAB 68.36, 21.11, -30.03

 

CMYK 11 / 29 / 0 / 13

HEX #C49CDD

RGB 196 156 221

HSL 276.92, 0.49%, 0.74%

LAB 69.99, 26.71, -27.39

 

CMYK 48 / 53 / 0 / 22

HEX #685EC8

RGB 104 94 200

HSL 245.66, 0.49%, 0.58%

LAB 45.8, 31.71, -54.17

 

CMYK 37 / 40 / 0 / 18

HEX #857DD2

RGB 133 125 210

HSL 245.65, 0.49%, 0.66%

LAB 56.39, 23.16, -42.85

 

CMYK 27 / 29 / 0 / 13

HEX #A29CDD

RGB 162 156 221

HSL 245.54, 0.49%, 0.74%

LAB 67.04, 16.28, -32.19

 

CMYK 17 / 19 / 0 / 9

HEX #BFBAE7

RGB 191 186 231

HSL 246.67, 0.48%, 0.82%

LAB 77.26, 10.77, -21.77

 

CMYK 10 / 10 / 0 / 5

HEX #DBD9F2

RGB 219 217 242

HSL 244.8, 0.49%, 0.9%

LAB 87.53, 5.39, -11.96

 

CMYK 27 / 30 / 0 / 13

HEX #A19BDD

RGB 161 155 221

HSL 245.45, 0.49%, 0.74%

LAB 66.7, 16.55, -32.71

 

CMYK 0 / 29 / 9 / 13

HEX #DD9CCA

RGB 221 156 202

HSL 317.54, 0.49%, 0.74%

LAB 71.83, 31.3, -13.88

 

CMYK 20 / 0 / 29 / 13

HEX #B0DD9C

RGB 176 221 156

HSL 101.54, 0.49%, 0.74%

LAB 83.62, -26.42, 27.27

 

CMYK 27 / 30 / 0 / 13

HEX #A19BDD

RGB 161 155 221

HSL 245.45, 0.49%, 0.74%

LAB 66.7, 16.55, -32.71

 

CMYK 0 / 27 / 29 / 13

HEX #DDA19C

RGB 221 161 156

HSL 4.62, 0.49%, 0.74%

LAB 71.73, 21.57, 11.39

 

CMYK 29 / 0 / 27 / 13

HEX #9CDDA1

RGB 156 221 161

HSL 124.62, 0.49%, 0.74%

LAB 82.57, -32.3, 23.06

 

CMYK 27 / 30 / 0 / 13

HEX #A19BDD

RGB 161 155 221

HSL 245.45, 0.49%, 0.74%

LAB 66.7, 16.55, -32.71

 

CMYK 0 / 29 / 9 / 13

HEX #DD9CCA

RGB 221 156 202

HSL 317.54, 0.49%, 0.74%

LAB 71.83, 31.3, -13.88

 

CMYK 3 / 0 / 29 / 13

HEX #D7DD9C

RGB 215 221 156

HSL 65.54, 0.49%, 0.74%

LAB 86.29, -12.25, 31.31

 

CMYK 29 / 0 / 21 / 13

HEX #9CDDAE

RGB 156 221 174

HSL 136.62, 0.49%, 0.74%

LAB 82.83, -30.01, 16.61

 

CMYK 27 / 30 / 0 / 13

HEX #A19BDD

RGB 161 155 221

HSL 245.45, 0.49%, 0.74%

LAB 66.7, 16.55, -32.71

 

CMYK 0 / 29 / 17 / 13

HEX #DD9CB7

RGB 221 156 183

HSL 335.08, 0.49%, 0.74%

LAB 71.26, 28.19, -4.23

 

CMYK 3 / 0 / 29 / 13

HEX #D7DD9C

RGB 215 221 156

HSL 65.54, 0.49%, 0.74%

LAB 86.29, -12.25, 31.31

 

CMYK 29 / 0 / 12 / 13

HEX #9CDDC2

RGB 156 221 194

HSL 155.08, 0.49%, 0.74%

LAB 83.27, -26.15, 6.7

 

Description

Color code: HEX #A19BDD | qconv.com Color code: HEX #A19BDD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 155 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 155 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 30 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 30% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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