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Color name
HEX #A19C25

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A19C25 it is the complementary color #5E63DA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A19C25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A19C25 shade: #A69C20, #B7AE33, #C8C046, #D9D259 and #EAE46C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A19C25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A19C25 shade: #A19C25, #908A12, #7F7800, #6E6600 and #5D5400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A19C25 shade: #A29D24, #A27B24, #A25924, #A23724 and #A22424

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A19C25 shade: #A29D24, #85A224, #63A224, #41A224 and #24A229

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A19C25 shade matches the following richer shades: #A29D24, #B2AB14 and #C2BA04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A19C25 shade: #A29D24, #928E34, #817F44, #717055 and #616165

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A19C25 shade: #A25924, #A27A24, #A29B24, #86A224 and #65A224

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A19C25 shade: #5E5B15, #807C1D, #A29D24, #C3BD2C and #D4CE44

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A19C25 shade: #A19C25, #24A237 and #6924A2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A19C25 shade: #A19C25, #24A29B and #9B24A2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A19C25 shade: #A19C25, #24A237, #242BA2 and #A2248F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A19C25 shade: #A19C25, #24A25D, #242BA2 and #A22469

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 77 / 37

HEX #A19C25

RGB 161 156 37

HSL 57.58, 0.63%, 0.39%

LAB 62.92, -11.8, 58.26

 

Complementary color

CMYK 57 / 55 / 0 / 15

HEX #5E63DA

RGB 94 99 218

HSL 237.58, 0.63%, 0.61%

LAB 47.45, 32.26, -61.84

 

CMYK 0 / 6 / 81 / 35

HEX #A69C20

RGB 166 156 32

HSL 55.52, 0.68%, 0.39%

LAB 63.33, -9.76, 60.37

 

CMYK 0 / 5 / 72 / 28

HEX #B7AE33

RGB 183 174 51

HSL 55.91, 0.56%, 0.46%

LAB 69.88, -10.9, 60.61

 

CMYK 0 / 4 / 65 / 22

HEX #C8C046

RGB 200 192 70

HSL 56.31, 0.54%, 0.53%

LAB 76.33, -11.83, 60.15

 

CMYK 0 / 3 / 59 / 15

HEX #D9D259

RGB 217 210 89

HSL 56.72, 0.63%, 0.6%

LAB 82.68, -12.61, 59.34

 

CMYK 0 / 3 / 54 / 8

HEX #EAE46C

RGB 234 228 108

HSL 57.14, 0.75%, 0.67%

LAB 88.95, -13.26, 58.34

 

CMYK 0 / 3 / 77 / 37

HEX #A19C25

RGB 161 156 37

HSL 57.58, 0.63%, 0.39%

LAB 62.92, -11.8, 58.26

 

CMYK 0 / 4 / 88 / 44

HEX #908A12

RGB 144 138 18

HSL 57.14, 0.78%, 0.32%

LAB 56.24, -10.55, 57.28

 

CMYK 0 / 6 / 100 / 50

HEX #7F7800

RGB 127 120 0

HSL 56.69, 1%, 0.25%

LAB 49.43, -9.03, 54.86

 

CMYK 0 / 7 / 100 / 57

HEX #6E6600

RGB 110 102 0

HSL 55.64, 1%, 0.22%

LAB 42.49, -7.1, 49.1

 

CMYK 0 / 10 / 100 / 64

HEX #5D5400

RGB 93 84 0

HSL 54.19, 1%, 0.18%

LAB 35.34, -5.08, 43.18

 

CMYK 0 / 3 / 78 / 36

HEX #A29D24

RGB 162 157 36

HSL 57.62, 0.64%, 0.39%

LAB 63.28, -11.92, 58.95

 

CMYK 0 / 24 / 78 / 36

HEX #A27B24

RGB 162 123 36

HSL 41.43, 0.64%, 0.39%

LAB 54, 6.67, 50.36

 

CMYK 0 / 45 / 78 / 36

HEX #A25924

RGB 162 89 36

HSL 25.24, 0.64%, 0.39%

LAB 45.57, 25.89, 42.17

 

CMYK 0 / 66 / 78 / 36

HEX #A23724

RGB 162 55 36

HSL 9.05, 0.64%, 0.39%

LAB 38.8, 43.21, 35.24

 

CMYK 0 / 78 / 78 / 36

HEX #A22424

RGB 162 36 36

HSL 0, 0.64%, 0.39%

LAB 36.12, 50.56, 32.38

 

CMYK 0 / 3 / 78 / 36

HEX #A29D24

RGB 162 157 36

HSL 57.62, 0.64%, 0.39%

LAB 63.28, -11.92, 58.95

 

CMYK 18 / 0 / 78 / 36

HEX #85A224

RGB 133 162 36

HSL 73.81, 0.64%, 0.39%

LAB 62.47, -27.05, 57.38

 

CMYK 39 / 0 / 78 / 36

HEX #63A224

RGB 99 162 36

HSL 90, 0.64%, 0.39%

LAB 60.45, -40.34, 54.76

 

CMYK 60 / 0 / 78 / 36

HEX #41A224

RGB 65 162 36

HSL 106.19, 0.64%, 0.39%

LAB 59.06, -50.84, 52.94

 

CMYK 78 / 0 / 75 / 36

HEX #24A229

RGB 36 162 41

HSL 122.38, 0.64%, 0.39%

LAB 58.39, -56.29, 50.3

 

CMYK 0 / 3 / 78 / 36

HEX #A29D24

RGB 162 157 36

HSL 57.62, 0.64%, 0.39%

LAB 63.28, -11.92, 58.95

 

CMYK 0 / 4 / 89 / 30

HEX #B2AB14

RGB 178 171 20

HSL 57.34, 0.8%, 0.39%

LAB 68.49, -12.59, 68

 

CMYK 0 / 4 / 98 / 24

HEX #C2BA04

RGB 194 186 4

HSL 57.47, 0.96%, 0.39%

LAB 73.93, -13.47, 74.9

 

CMYK 0 / 3 / 78 / 36

HEX #A29D24

RGB 162 157 36

HSL 57.62, 0.64%, 0.39%

LAB 63.28, -11.92, 58.95

 

CMYK 0 / 3 / 64 / 43

HEX #928E34

RGB 146 142 52

HSL 57.45, 0.47%, 0.39%

LAB 57.76, -10.24, 46.88

 

CMYK 0 / 2 / 47 / 49

HEX #817F44

RGB 129 127 68

HSL 58.03, 0.31%, 0.39%

LAB 52.13, -8.23, 32.17

 

CMYK 0 / 1 / 25 / 56

HEX #717055

RGB 113 112 85

HSL 57.86, 0.14%, 0.39%

LAB 46.65, -4.47, 15.2

 

CMYK 4 / 4 / 0 / 60

HEX #616165

RGB 97 97 101

HSL 240, 0.02%, 0.39%

LAB 41.26, 0.85, -2.27

 

CMYK 0 / 45 / 78 / 36

HEX #A25924

RGB 162 89 36

HSL 25.24, 0.64%, 0.39%

LAB 45.57, 25.89, 42.17

 

CMYK 0 / 25 / 78 / 36

HEX #A27A24

RGB 162 122 36

HSL 40.95, 0.64%, 0.39%

LAB 53.74, 7.23, 50.11

 

CMYK 0 / 4 / 78 / 36

HEX #A29B24

RGB 162 155 36

HSL 56.67, 0.64%, 0.39%

LAB 62.72, -10.87, 58.44

 

CMYK 17 / 0 / 78 / 36

HEX #86A224

RGB 134 162 36

HSL 73.33, 0.64%, 0.39%

LAB 62.54, -26.63, 57.47

 

CMYK 38 / 0 / 78 / 36

HEX #65A224

RGB 101 162 36

HSL 89.05, 0.64%, 0.39%

LAB 60.55, -39.63, 54.89

 

CMYK 0 / 3 / 78 / 63

HEX #5E5B15

RGB 94 91 21

HSL 57.53, 0.63%, 0.23%

LAB 37.69, -7.9, 38.3

 

CMYK 0 / 3 / 77 / 50

HEX #807C1D

RGB 128 124 29

HSL 57.58, 0.63%, 0.31%

LAB 50.8, -9.94, 48.75

 

CMYK 0 / 3 / 78 / 36

HEX #A29D24

RGB 162 157 36

HSL 57.62, 0.64%, 0.39%

LAB 63.28, -11.92, 58.95

 

CMYK 0 / 3 / 77 / 24

HEX #C3BD2C

RGB 195 189 44

HSL 57.62, 0.63%, 0.47%

LAB 74.94, -13.7, 68.04

 

CMYK 0 / 3 / 68 / 17

HEX #D4CE44

RGB 212 206 68

HSL 57.5, 0.63%, 0.55%

LAB 81.05, -13.97, 66.09

 

CMYK 0 / 3 / 77 / 37

HEX #A19C25

RGB 161 156 37

HSL 57.58, 0.63%, 0.39%

LAB 62.92, -11.8, 58.26

 

CMYK 78 / 0 / 66 / 36

HEX #24A237

RGB 36 162 55

HSL 129.05, 0.64%, 0.39%

LAB 58.5, -54.96, 44.78

 

CMYK 35 / 78 / 0 / 36

HEX #6924A2

RGB 105 36 162

HSL 272.86, 0.64%, 0.39%

LAB 31.52, 52.65, -54.85

 

CMYK 0 / 3 / 77 / 37

HEX #A19C25

RGB 161 156 37

HSL 57.58, 0.63%, 0.39%

LAB 62.92, -11.8, 58.26

 

CMYK 78 / 0 / 4 / 36

HEX #24A29B

RGB 36 162 155

HSL 176.67, 0.64%, 0.39%

LAB 60.41, -34.14, -5.9

 

CMYK 4 / 78 / 0 / 36

HEX #9B24A2

RGB 155 36 162

HSL 296.67, 0.64%, 0.39%

LAB 39.31, 62.28, -41.89

 

CMYK 0 / 3 / 77 / 37

HEX #A19C25

RGB 161 156 37

HSL 57.58, 0.63%, 0.39%

LAB 62.92, -11.8, 58.26

 

CMYK 78 / 0 / 66 / 36

HEX #24A237

RGB 36 162 55

HSL 129.05, 0.64%, 0.39%

LAB 58.5, -54.96, 44.78

 

CMYK 78 / 73 / 0 / 36

HEX #242BA2

RGB 36 43 162

HSL 236.67, 0.64%, 0.39%

LAB 25.9, 39.56, -64.33

 

CMYK 0 / 78 / 12 / 36

HEX #A2248F

RGB 162 36 143

HSL 309.05, 0.64%, 0.39%

LAB 39.46, 60.77, -30.06

 

CMYK 0 / 3 / 77 / 37

HEX #A19C25

RGB 161 156 37

HSL 57.58, 0.63%, 0.39%

LAB 62.92, -11.8, 58.26

 

CMYK 78 / 0 / 43 / 36

HEX #24A25D

RGB 36 162 93

HSL 147.14, 0.64%, 0.39%

LAB 58.98, -49.29, 26.57

 

CMYK 78 / 73 / 0 / 36

HEX #242BA2

RGB 36 43 162

HSL 236.67, 0.64%, 0.39%

LAB 25.9, 39.56, -64.33

 

CMYK 0 / 78 / 35 / 36

HEX #A22469

RGB 162 36 105

HSL 327.14, 0.64%, 0.39%

LAB 37.78, 55.77, -9.03

 

Description

Color code: HEX #A19C25 | qconv.com Color code: HEX #A19C25 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 156 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 156 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 77 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 77% 37% C M Y K

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Provide designers and agencies with accurate color values.

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