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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A19CCD it is the complementary color #5E6332. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A19CCD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A19CCD shade: #A69CC8, #B7AEDB, #C8C0EE, #D9D2FF and #EAE4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A19CCD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A19CCD shade: #A19CCD, #908ABA, #7F78A7, #6E6694 and #5D5481

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A19CCD shade: #A19CCD, #AE9CCD, #BB9CCD, #C99CCD and #CD9CC4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A19CCD shade: #A19CCD and #9C9CCD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A19CCD shade matches the following richer shades: #A19CCD, #9890D9, #8E84E5, #8578F1 and #7B6CFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A19CCD shade: #A19CCD, #ABA8C1, #B4B4B5, #BEC0A9 and #C7CC9D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A19CCD shade: #9CB1CD, #9CA4CD, #A19CCD, #AE9CCD and #BB9CCD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A19CCD shade: #6D65B1, #8781BF, #A19CCD, #BBB8DB and #D5D3E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A19CCD shade: #A19CCD, #CD9CBE and #ABCD9C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A19CCD shade: #A19CCD, #CDA19C and #9CCDA1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A19CCD shade: #A19CCD, #CD9CBE, #C8CD9C and #9CCDAB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A19CCD shade: #A19CCD, #CD9CB0, #C8CD9C and #9CCDB9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 24 / 0 / 20

HEX #A19CCD

RGB 161 156 205

HSL 246.12, 0.33%, 0.71%

LAB 66.34, 12.16, -24.41

 

Complementary color

CMYK 5 / 0 / 49 / 61

HEX #5E6332

RGB 94 99 50

HSL 66.12, 0.33%, 0.29%

LAB 40.47, -10.1, 27.02

 

CMYK 17 / 22 / 0 / 22

HEX #A69CC8

RGB 166 156 200

HSL 253.64, 0.29%, 0.7%

LAB 66.56, 12.6, -21.25

 

CMYK 16 / 21 / 0 / 14

HEX #B7AEDB

RGB 183 174 219

HSL 252, 0.38%, 0.77%

LAB 73.19, 12.21, -21.5

 

CMYK 16 / 19 / 0 / 7

HEX #C8C0EE

RGB 200 192 238

HSL 250.43, 0.58%, 0.84%

LAB 79.7, 11.85, -21.76

 

CMYK 15 / 18 / 0 / 0

HEX #D9D2FF

RGB 217 210 255

HSL 249.33, 1%, 0.91%

LAB 86.04, 11.09, -21.08

 

CMYK 8 / 11 / 0 / 0

HEX #EAE4FF

RGB 234 228 255

HSL 253.33, 1%, 0.95%

LAB 91.77, 7, -12.33

 

CMYK 21 / 24 / 0 / 20

HEX #A19CCD

RGB 161 156 205

HSL 246.12, 0.33%, 0.71%

LAB 66.34, 12.16, -24.41

 

CMYK 23 / 26 / 0 / 27

HEX #908ABA

RGB 144 138 186

HSL 247.5, 0.26%, 0.64%

LAB 59.57, 12.61, -24.25

 

CMYK 24 / 28 / 0 / 35

HEX #7F78A7

RGB 127 120 167

HSL 248.94, 0.21%, 0.56%

LAB 52.66, 13.11, -24.12

 

CMYK 26 / 31 / 0 / 42

HEX #6E6694

RGB 110 102 148

HSL 250.43, 0.18%, 0.49%

LAB 45.57, 13.67, -24.03

 

CMYK 28 / 35 / 0 / 49

HEX #5D5481

RGB 93 84 129

HSL 252, 0.21%, 0.42%

LAB 38.29, 14.33, -23.99

 

CMYK 21 / 24 / 0 / 20

HEX #A19CCD

RGB 161 156 205

HSL 246.12, 0.33%, 0.71%

LAB 66.34, 12.16, -24.41

 

CMYK 15 / 24 / 0 / 20

HEX #AE9CCD

RGB 174 156 205

HSL 262.04, 0.33%, 0.71%

LAB 67.41, 16.28, -22.67

 

CMYK 9 / 24 / 0 / 20

HEX #BB9CCD

RGB 187 156 205

HSL 277.96, 0.33%, 0.71%

LAB 68.57, 20.5, -20.8

 

CMYK 2 / 24 / 0 / 20

HEX #C99CCD

RGB 201 156 205

HSL 295.1, 0.33%, 0.71%

LAB 69.9, 25.13, -18.66

 

CMYK 0 / 24 / 4 / 20

HEX #CD9CC4

RGB 205 156 196

HSL 311.02, 0.33%, 0.71%

LAB 69.99, 24.8, -13.5

 

CMYK 21 / 24 / 0 / 20

HEX #A19CCD

RGB 161 156 205

HSL 246.12, 0.33%, 0.71%

LAB 66.34, 12.16, -24.41

 

CMYK 24 / 24 / 0 / 20

HEX #9C9CCD

RGB 156 156 205

HSL 240, 0.33%, 0.71%

LAB 65.94, 10.61, -25.05

 

CMYK 21 / 24 / 0 / 20

HEX #A19CCD

RGB 161 156 205

HSL 246.12, 0.33%, 0.71%

LAB 66.34, 12.16, -24.41

 

CMYK 30 / 34 / 0 / 15

HEX #9890D9

RGB 152 144 217

HSL 246.58, 0.49%, 0.71%

LAB 63.04, 19.22, -36.25

 

CMYK 38 / 42 / 0 / 10

HEX #8E84E5

RGB 142 132 229

HSL 246.19, 0.65%, 0.71%

LAB 59.81, 26.6, -48.06

 

CMYK 45 / 50 / 0 / 5

HEX #8578F1

RGB 133 120 241

HSL 246.45, 0.81%, 0.71%

LAB 56.85, 34.79, -59.48

 

CMYK 51 / 57 / 0 / 1

HEX #7B6CFD

RGB 123 108 253

HSL 246.21, 0.97%, 0.71%

LAB 54.06, 43.17, -70.68

 

CMYK 21 / 24 / 0 / 20

HEX #A19CCD

RGB 161 156 205

HSL 246.12, 0.33%, 0.71%

LAB 66.34, 12.16, -24.41

 

CMYK 11 / 13 / 0 / 24

HEX #ABA8C1

RGB 171 168 193

HSL 247.2, 0.17%, 0.71%

LAB 69.83, 6.04, -12.39

 

CMYK 1 / 1 / 0 / 29

HEX #B4B4B5

RGB 180 180 181

HSL 240, 0.01%, 0.71%

LAB 73.34, 0.19, -0.52

 

CMYK 1 / 0 / 12 / 25

HEX #BEC0A9

RGB 190 192 169

HSL 65.22, 0.15%, 0.71%

LAB 76.99, -4.73, 11.36

 

CMYK 2 / 0 / 23 / 20

HEX #C7CC9D

RGB 199 204 157

HSL 66.38, 0.32%, 0.71%

LAB 80.61, -9.49, 22.91

 

CMYK 24 / 14 / 0 / 20

HEX #9CB1CD

RGB 156 177 205

HSL 214.29, 0.33%, 0.71%

LAB 71.5, -1.06, -16.59

 

CMYK 24 / 20 / 0 / 20

HEX #9CA4CD

RGB 156 164 205

HSL 230.2, 0.33%, 0.71%

LAB 68.04, 6.12, -21.84

 

CMYK 21 / 24 / 0 / 20

HEX #A19CCD

RGB 161 156 205

HSL 246.12, 0.33%, 0.71%

LAB 66.34, 12.16, -24.41

 

CMYK 15 / 24 / 0 / 20

HEX #AE9CCD

RGB 174 156 205

HSL 262.04, 0.33%, 0.71%

LAB 67.41, 16.28, -22.67

 

CMYK 9 / 24 / 0 / 20

HEX #BB9CCD

RGB 187 156 205

HSL 277.96, 0.33%, 0.71%

LAB 68.57, 20.5, -20.8

 

CMYK 38 / 43 / 0 / 31

HEX #6D65B1

RGB 109 101 177

HSL 246.32, 0.33%, 0.55%

LAB 46.62, 21.9, -39.49

 

CMYK 29 / 32 / 0 / 25

HEX #8781BF

RGB 135 129 191

HSL 245.81, 0.33%, 0.63%

LAB 56.7, 16.33, -31.6

 

CMYK 21 / 24 / 0 / 20

HEX #A19CCD

RGB 161 156 205

HSL 246.12, 0.33%, 0.71%

LAB 66.34, 12.16, -24.41

 

CMYK 15 / 16 / 0 / 14

HEX #BBB8DB

RGB 187 184 219

HSL 245.14, 0.33%, 0.79%

LAB 76.04, 8.01, -17.15

 

CMYK 9 / 9 / 0 / 9

HEX #D5D3E9

RGB 213 211 233

HSL 245.45, 0.33%, 0.87%

LAB 85.31, 4.83, -10.56

 

CMYK 21 / 24 / 0 / 20

HEX #A19CCD

RGB 161 156 205

HSL 246.12, 0.33%, 0.71%

LAB 66.34, 12.16, -24.41

 

CMYK 0 / 24 / 7 / 20

HEX #CD9CBE

RGB 205 156 190

HSL 318.37, 0.33%, 0.71%

LAB 69.81, 23.73, -10.45

 

CMYK 17 / 0 / 24 / 20

HEX #ABCD9C

RGB 171 205 156

HSL 101.63, 0.33%, 0.71%

LAB 78.88, -20.35, 20.75

 

CMYK 21 / 24 / 0 / 20

HEX #A19CCD

RGB 161 156 205

HSL 246.12, 0.33%, 0.71%

LAB 66.34, 12.16, -24.41

 

CMYK 0 / 21 / 24 / 20

HEX #CDA19C

RGB 205 161 156

HSL 6.12, 0.33%, 0.71%

LAB 70.08, 15.51, 8.82

 

CMYK 24 / 0 / 21 / 20

HEX #9CCDA1

RGB 156 205 161

HSL 126.12, 0.33%, 0.71%

LAB 78.05, -24.64, 16.81

 

CMYK 21 / 24 / 0 / 20

HEX #A19CCD

RGB 161 156 205

HSL 246.12, 0.33%, 0.71%

LAB 66.34, 12.16, -24.41

 

CMYK 0 / 24 / 7 / 20

HEX #CD9CBE

RGB 205 156 190

HSL 318.37, 0.33%, 0.71%

LAB 69.81, 23.73, -10.45

 

CMYK 2 / 0 / 24 / 20

HEX #C8CD9C

RGB 200 205 156

HSL 66.12, 0.33%, 0.71%

LAB 80.93, -9.77, 23.89

 

CMYK 24 / 0 / 17 / 20

HEX #9CCDAB

RGB 156 205 171

HSL 138.37, 0.33%, 0.71%

LAB 78.27, -22.82, 11.78

 

CMYK 21 / 24 / 0 / 20

HEX #A19CCD

RGB 161 156 205

HSL 246.12, 0.33%, 0.71%

LAB 66.34, 12.16, -24.41

 

CMYK 0 / 24 / 14 / 20

HEX #CD9CB0

RGB 205 156 176

HSL 335.51, 0.33%, 0.71%

LAB 69.39, 21.35, -3.29

 

CMYK 2 / 0 / 24 / 20

HEX #C8CD9C

RGB 200 205 156

HSL 66.12, 0.33%, 0.71%

LAB 80.93, -9.77, 23.89

 

CMYK 24 / 0 / 10 / 20

HEX #9CCDB9

RGB 156 205 185

HSL 155.51, 0.33%, 0.71%

LAB 78.6, -20.09, 4.76

 

Description

Color code: HEX #A19CCD | qconv.com Color code: HEX #A19CCD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 156 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 156 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 24 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 24% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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