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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A1A1BA it is the complementary color #5E5E45. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A1A1BA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A1A1BA shade: #A6A1B5, #B7B3C8, #C8C5DB, #D9D7EE and #EAE9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A1A1BA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A1A1BA shade: #A1A1BA, #908FA7, #7F7D94, #6E6B81 and #5D596E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A1A1BA shade: #A1A1B9, #A7A1B9, #AEA1B9, #B4A1B9 and #B9A1B7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A1A1BA shade: #A1A1B9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A1A1BA shade matches the following richer shades: #A1A1B9, #9393C6, #8686D4, #7979E1 and #6C6CEE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A1A1BA shade: #A1A1B9, #AEAEAC, #BBBB9F, #C8C892 and #D5D584

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A1A1BA shade: #A1AEB9, #A1A7B9, #A1A1B9, #A7A1B9 and #AEA1B9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A1A1BA shade: #717196, #8989A8, #A1A1B9, #B8B8CB and #D0D0DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A1A1BA shade: #A1A1BA, #B9A1B4 and #AAB9A1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A1A1BA shade: #A1A1BA, #B9A1A1 and #A1B9A1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A1A1BA shade: #A1A1BA, #B9A1B4, #B9B9A1 and #A1B9A6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A1A1BA shade: #A1A1BA, #B9A1AD, #B9B9A1 and #A1B9AD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 13 / 0 / 27

HEX #A1A1BA

RGB 161 161 186

HSL 240, 0.15%, 0.68%

LAB 66.98, 5.09, -12.86

 

Complementary color

CMYK 0 / 0 / 27 / 63

HEX #5E5E45

RGB 94 94 69

HSL 60, 0.15%, 0.32%

LAB 39.27, -4.62, 14.39

 

CMYK 8 / 11 / 0 / 29

HEX #A6A1B5

RGB 166 161 181

HSL 255, 0.12%, 0.67%

LAB 67.23, 5.73, -9.67

 

CMYK 9 / 11 / 0 / 22

HEX #B7B3C8

RGB 183 179 200

HSL 251.43, 0.16%, 0.74%

LAB 73.85, 5.47, -10.12

 

CMYK 9 / 10 / 0 / 14

HEX #C8C5DB

RGB 200 197 219

HSL 248.18, 0.23%, 0.82%

LAB 80.36, 5.23, -10.57

 

CMYK 9 / 10 / 0 / 7

HEX #D9D7EE

RGB 217 215 238

HSL 245.22, 0.4%, 0.89%

LAB 86.76, 5.01, -11.01

 

CMYK 8 / 9 / 0 / 0

HEX #EAE9FF

RGB 234 233 255

HSL 242.73, 1%, 0.96%

LAB 93.01, 4.41, -10.49

 

CMYK 13 / 13 / 0 / 27

HEX #A1A1BA

RGB 161 161 186

HSL 240, 0.15%, 0.68%

LAB 66.98, 5.09, -12.86

 

CMYK 14 / 14 / 0 / 35

HEX #908FA7

RGB 144 143 167

HSL 242.5, 0.12%, 0.61%

LAB 60.22, 5.35, -12.48

 

CMYK 14 / 16 / 0 / 42

HEX #7F7D94

RGB 127 125 148

HSL 245.22, 0.1%, 0.54%

LAB 53.3, 5.64, -12.1

 

CMYK 15 / 17 / 0 / 49

HEX #6E6B81

RGB 110 107 129

HSL 248.18, 0.09%, 0.46%

LAB 46.2, 5.96, -11.73

 

CMYK 15 / 19 / 0 / 57

HEX #5D596E

RGB 93 89 110

HSL 251.43, 0.11%, 0.39%

LAB 38.89, 6.32, -11.38

 

CMYK 13 / 13 / 0 / 27

HEX #A1A1B9

RGB 161 161 185

HSL 240, 0.15%, 0.68%

LAB 66.95, 4.88, -12.35

 

CMYK 10 / 13 / 0 / 27

HEX #A7A1B9

RGB 167 161 185

HSL 255, 0.15%, 0.68%

LAB 67.43, 6.89, -11.58

 

CMYK 6 / 13 / 0 / 27

HEX #AEA1B9

RGB 174 161 185

HSL 272.5, 0.15%, 0.68%

LAB 68.01, 9.28, -10.65

 

CMYK 3 / 13 / 0 / 27

HEX #B4A1B9

RGB 180 161 185

HSL 287.5, 0.15%, 0.68%

LAB 68.53, 11.35, -9.83

 

CMYK 0 / 13 / 1 / 27

HEX #B9A1B7

RGB 185 161 183

HSL 305, 0.15%, 0.68%

LAB 68.91, 12.71, -8.1

 

CMYK 13 / 13 / 0 / 27

HEX #A1A1B9

RGB 161 161 185

HSL 240, 0.15%, 0.68%

LAB 66.95, 4.88, -12.35

 

CMYK 13 / 13 / 0 / 27

HEX #A1A1B9

RGB 161 161 185

HSL 240, 0.15%, 0.68%

LAB 66.95, 4.88, -12.35

 

CMYK 26 / 26 / 0 / 22

HEX #9393C6

RGB 147 147 198

HSL 240, 0.31%, 0.68%

LAB 62.63, 11.28, -26.29

 

CMYK 37 / 37 / 0 / 17

HEX #8686D4

RGB 134 134 212

HSL 240, 0.48%, 0.68%

LAB 58.86, 18.69, -40.1

 

CMYK 46 / 46 / 0 / 12

HEX #7979E1

RGB 121 121 225

HSL 240, 0.63%, 0.68%

LAB 55.25, 26.8, -53.16

 

CMYK 55 / 55 / 0 / 7

HEX #6C6CEE

RGB 108 108 238

HSL 240, 0.79%, 0.68%

LAB 51.93, 35.78, -65.82

 

CMYK 13 / 13 / 0 / 27

HEX #A1A1B9

RGB 161 161 185

HSL 240, 0.15%, 0.68%

LAB 66.95, 4.88, -12.35

 

CMYK 0 / 0 / 1 / 32

HEX #AEAEAC

RGB 174 174 172

HSL 60, 0.01%, 0.68%

LAB 71.04, -0.37, 1.02

 

CMYK 0 / 0 / 15 / 27

HEX #BBBB9F

RGB 187 187 159

HSL 60, 0.17%, 0.68%

LAB 75.21, -4.82, 14.21

 

CMYK 0 / 0 / 27 / 22

HEX #C8C892

RGB 200 200 146

HSL 60, 0.33%, 0.68%

LAB 79.42, -8.58, 27.1

 

CMYK 0 / 0 / 38 / 16

HEX #D5D584

RGB 213 213 132

HSL 60, 0.49%, 0.68%

LAB 83.65, -11.87, 40.03

 

CMYK 13 / 6 / 0 / 27

HEX #A1AEB9

RGB 161 174 185

HSL 207.5, 0.15%, 0.68%

LAB 70.42, -2.27, -7.17

 

CMYK 13 / 10 / 0 / 27

HEX #A1A7B9

RGB 161 167 185

HSL 225, 0.15%, 0.68%

LAB 68.55, 1.56, -9.97

 

CMYK 13 / 13 / 0 / 27

HEX #A1A1B9

RGB 161 161 185

HSL 240, 0.15%, 0.68%

LAB 66.95, 4.88, -12.35

 

CMYK 10 / 13 / 0 / 27

HEX #A7A1B9

RGB 167 161 185

HSL 255, 0.15%, 0.68%

LAB 67.43, 6.89, -11.58

 

CMYK 6 / 13 / 0 / 27

HEX #AEA1B9

RGB 174 161 185

HSL 272.5, 0.15%, 0.68%

LAB 68.01, 9.28, -10.65

 

CMYK 25 / 25 / 0 / 41

HEX #717196

RGB 113 113 150

HSL 240, 0.15%, 0.52%

LAB 48.91, 8.5, -20.04

 

CMYK 18 / 18 / 0 / 34

HEX #8989A8

RGB 137 137 168

HSL 240, 0.15%, 0.6%

LAB 58.07, 6.67, -16.34

 

CMYK 13 / 13 / 0 / 27

HEX #A1A1B9

RGB 161 161 185

HSL 240, 0.15%, 0.68%

LAB 66.95, 4.88, -12.35

 

CMYK 9 / 9 / 0 / 20

HEX #B8B8CB

RGB 184 184 203

HSL 240, 0.15%, 0.76%

LAB 75.32, 3.7, -9.57

 

CMYK 5 / 5 / 0 / 14

HEX #D0D0DC

RGB 208 208 220

HSL 240, 0.15%, 0.84%

LAB 83.8, 2.24, -5.93

 

CMYK 13 / 13 / 0 / 27

HEX #A1A1BA

RGB 161 161 186

HSL 240, 0.15%, 0.68%

LAB 66.98, 5.09, -12.86

 

CMYK 0 / 13 / 3 / 27

HEX #B9A1B4

RGB 185 161 180

HSL 312.5, 0.15%, 0.68%

LAB 68.82, 12.15, -6.56

 

CMYK 8 / 0 / 13 / 27

HEX #AAB9A1

RGB 170 185 161

HSL 97.5, 0.15%, 0.68%

LAB 73.43, -9.65, 10.43

 

CMYK 13 / 13 / 0 / 27

HEX #A1A1BA

RGB 161 161 186

HSL 240, 0.15%, 0.68%

LAB 66.98, 5.09, -12.86

 

CMYK 0 / 13 / 13 / 27

HEX #B9A1A1

RGB 185 161 161

HSL 0, 0.15%, 0.68%

LAB 68.3, 8.78, 3.23

 

CMYK 13 / 0 / 13 / 27

HEX #A1B9A1

RGB 161 185 161

HSL 120, 0.15%, 0.68%

LAB 72.79, -12.84, 9.44

 

CMYK 13 / 13 / 0 / 27

HEX #A1A1BA

RGB 161 161 186

HSL 240, 0.15%, 0.68%

LAB 66.98, 5.09, -12.86

 

CMYK 0 / 13 / 3 / 27

HEX #B9A1B4

RGB 185 161 180

HSL 312.5, 0.15%, 0.68%

LAB 68.82, 12.15, -6.56

 

CMYK 0 / 0 / 13 / 27

HEX #B9B9A1

RGB 185 185 161

HSL 60, 0.15%, 0.68%

LAB 74.56, -4.18, 12.2

 

CMYK 13 / 0 / 10 / 27

HEX #A1B9A6

RGB 161 185 166

HSL 132.5, 0.15%, 0.68%

LAB 72.91, -11.91, 6.88

 

CMYK 13 / 13 / 0 / 27

HEX #A1A1BA

RGB 161 161 186

HSL 240, 0.15%, 0.68%

LAB 66.98, 5.09, -12.86

 

CMYK 0 / 13 / 6 / 27

HEX #B9A1AD

RGB 185 161 173

HSL 330, 0.15%, 0.68%

LAB 68.62, 10.87, -2.97

 

CMYK 0 / 0 / 13 / 27

HEX #B9B9A1

RGB 185 185 161

HSL 60, 0.15%, 0.68%

LAB 74.56, -4.18, 12.2

 

CMYK 13 / 0 / 6 / 27

HEX #A1B9AD

RGB 161 185 173

HSL 150, 0.15%, 0.68%

LAB 73.08, -10.57, 3.31

 

Description

Color code: HEX #A1A1BA | qconv.com Color code: HEX #A1A1BA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 161 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 161 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 13 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 13% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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