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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A1B3B8 it is the complementary color #5E4C47. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A1B3B8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A1B3B8 shade: #A6B3B3, #B7C5C6, #C8D7D9, #D9E9EC and #EAFBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A1B3B8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A1B3B8 shade: #A1B3B8, #90A1A5, #7F8F92, #6E7D7F and #5D6B6C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A1B3B8 shade: #A1B3B8, #A1ADB8, #A1A7B8, #A2A1B8 and #A8A1B8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A1B3B8 shade: #A1B3B8, #A1ADB8, #A1A7B8 and #A1A1B8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A1B3B8 shade matches the following richer shades: #A1B3B8, #94BBC6, #87C2D3, #7ACAE0 and #6DD1ED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A1B3B8 shade: #A1B3B8, #AFACAB, #BCA49E, #C99D91 and #D69684

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A1B3B8 shade: #A1B8B1, #A1B8B7, #A1B3B8, #A1ADB8 and #A1A7B8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A1B3B8 shade: #728D95, #8AA0A7, #A1B3B8, #B9C6CA and #D1D9DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A1B3B8 shade: #A1B3B8, #ABA1B8 and #B8B4A1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A1B3B8 shade: #A1B3B8, #B8A1B3 and #B3B8A1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A1B3B8 shade: #A1B3B8, #ABA1B8, #B8A6A1 and #AFB8A1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A1B3B8 shade: #A1B3B8, #B2A1B8, #B8A6A1 and #A8B8A1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 3 / 0 / 28

HEX #A1B3B8

RGB 161 179 184

HSL 193.04, 0.14%, 0.68%

LAB 71.74, -5.17, -4.67

 

Complementary color

CMYK 0 / 19 / 24 / 63

HEX #5E4C47

RGB 94 76 71

HSL 13.04, 0.14%, 0.32%

LAB 33.99, 6.69, 5.82

 

CMYK 7 / 0 / 0 / 30

HEX #A6B3B3

RGB 166 179 179

HSL 180, 0.08%, 0.68%

LAB 71.96, -4.5, -1.56

 

CMYK 8 / 1 / 0 / 22

HEX #B7C5C6

RGB 183 197 198

HSL 184, 0.12%, 0.75%

LAB 78.51, -4.57, -2.15

 

CMYK 8 / 1 / 0 / 15

HEX #C8D7D9

RGB 200 215 217

HSL 187.06, 0.18%, 0.82%

LAB 84.94, -4.64, -2.73

 

CMYK 8 / 1 / 0 / 7

HEX #D9E9EC

RGB 217 233 236

HSL 189.47, 0.33%, 0.89%

LAB 91.27, -4.71, -3.28

 

CMYK 8 / 2 / 0 / 0

HEX #EAFBFF

RGB 234 251 255

HSL 191.43, 1%, 0.96%

LAB 97.51, -4.78, -3.83

 

CMYK 13 / 3 / 0 / 28

HEX #A1B3B8

RGB 161 179 184

HSL 193.04, 0.14%, 0.68%

LAB 71.74, -5.17, -4.67

 

CMYK 13 / 2 / 0 / 35

HEX #90A1A5

RGB 144 161 165

HSL 191.43, 0.1%, 0.61%

LAB 65.07, -5.13, -4.12

 

CMYK 13 / 2 / 0 / 43

HEX #7F8F92

RGB 127 143 146

HSL 189.47, 0.08%, 0.54%

LAB 58.26, -5.09, -3.55

 

CMYK 13 / 2 / 0 / 50

HEX #6E7D7F

RGB 110 125 127

HSL 187.06, 0.07%, 0.46%

LAB 51.28, -5.06, -2.96

 

CMYK 14 / 1 / 0 / 58

HEX #5D6B6C

RGB 93 107 108

HSL 184, 0.07%, 0.39%

LAB 44.13, -5.04, -2.35

 

CMYK 13 / 3 / 0 / 28

HEX #A1B3B8

RGB 161 179 184

HSL 193.04, 0.14%, 0.68%

LAB 71.74, -5.17, -4.67

 

CMYK 13 / 6 / 0 / 28

HEX #A1ADB8

RGB 161 173 184

HSL 208.7, 0.14%, 0.68%

LAB 70.12, -1.93, -7.07

 

CMYK 13 / 9 / 0 / 28

HEX #A1A7B8

RGB 161 167 184

HSL 224.35, 0.14%, 0.68%

LAB 68.52, 1.35, -9.46

 

CMYK 12 / 13 / 0 / 28

HEX #A2A1B8

RGB 162 161 184

HSL 242.61, 0.14%, 0.68%

LAB 67, 5, -11.71

 

CMYK 9 / 13 / 0 / 28

HEX #A8A1B8

RGB 168 161 184

HSL 258.26, 0.14%, 0.68%

LAB 67.48, 7.03, -10.94

 

CMYK 13 / 3 / 0 / 28

HEX #A1B3B8

RGB 161 179 184

HSL 193.04, 0.14%, 0.68%

LAB 71.74, -5.17, -4.67

 

CMYK 13 / 6 / 0 / 28

HEX #A1ADB8

RGB 161 173 184

HSL 208.7, 0.14%, 0.68%

LAB 70.12, -1.93, -7.07

 

CMYK 13 / 9 / 0 / 28

HEX #A1A7B8

RGB 161 167 184

HSL 224.35, 0.14%, 0.68%

LAB 68.52, 1.35, -9.46

 

CMYK 13 / 13 / 0 / 28

HEX #A1A1B8

RGB 161 161 184

HSL 240, 0.14%, 0.68%

LAB 66.92, 4.66, -11.84

 

CMYK 13 / 3 / 0 / 28

HEX #A1B3B8

RGB 161 179 184

HSL 193.04, 0.14%, 0.68%

LAB 71.74, -5.17, -4.67

 

CMYK 25 / 6 / 0 / 22

HEX #94BBC6

RGB 148 187 198

HSL 193.2, 0.3%, 0.68%

LAB 73.49, -10.49, -9.83

 

CMYK 36 / 8 / 0 / 17

HEX #87C2D3

RGB 135 194 211

HSL 193.42, 0.46%, 0.68%

LAB 75.1, -14.75, -14.56

 

CMYK 46 / 10 / 0 / 12

HEX #7ACAE0

RGB 122 202 224

HSL 192.94, 0.62%, 0.68%

LAB 77.14, -18.81, -18.58

 

CMYK 54 / 12 / 0 / 7

HEX #6DD1ED

RGB 109 209 237

HSL 193.13, 0.78%, 0.68%

LAB 79.02, -21.64, -22.74

 

CMYK 13 / 3 / 0 / 28

HEX #A1B3B8

RGB 161 179 184

HSL 193.04, 0.14%, 0.68%

LAB 71.74, -5.17, -4.67

 

CMYK 0 / 2 / 2 / 31

HEX #AFACAB

RGB 175 172 171

HSL 15, 0.02%, 0.68%

LAB 70.57, 0.88, 0.88

 

CMYK 0 / 13 / 16 / 26

HEX #BCA49E

RGB 188 164 158

HSL 12, 0.18%, 0.68%

LAB 69.26, 7.76, 6.32

 

CMYK 0 / 22 / 28 / 21

HEX #C99D91

RGB 201 157 145

HSL 12.86, 0.34%, 0.68%

LAB 68.44, 14.6, 12.54

 

CMYK 0 / 30 / 38 / 16

HEX #D69684

RGB 214 150 132

HSL 13.17, 0.5%, 0.68%

LAB 67.85, 21.81, 19.14

 

CMYK 13 / 0 / 4 / 28

HEX #A1B8B1

RGB 161 184 177

HSL 161.74, 0.14%, 0.68%

LAB 72.91, -9.26, 0.88

 

CMYK 13 / 0 / 1 / 28

HEX #A1B8B7

RGB 161 184 183

HSL 177.39, 0.14%, 0.68%

LAB 73.07, -8.04, -2.16

 

CMYK 13 / 3 / 0 / 28

HEX #A1B3B8

RGB 161 179 184

HSL 193.04, 0.14%, 0.68%

LAB 71.74, -5.17, -4.67

 

CMYK 13 / 6 / 0 / 28

HEX #A1ADB8

RGB 161 173 184

HSL 208.7, 0.14%, 0.68%

LAB 70.12, -1.93, -7.07

 

CMYK 13 / 9 / 0 / 28

HEX #A1A7B8

RGB 161 167 184

HSL 224.35, 0.14%, 0.68%

LAB 68.52, 1.35, -9.46

 

CMYK 23 / 5 / 0 / 42

HEX #728D95

RGB 114 141 149

HSL 193.71, 0.14%, 0.52%

LAB 56.88, -7.65, -7.41

 

CMYK 17 / 4 / 0 / 35

HEX #8AA0A7

RGB 138 160 167

HSL 194.48, 0.14%, 0.6%

LAB 64.43, -6.15, -6.23

 

CMYK 13 / 3 / 0 / 28

HEX #A1B3B8

RGB 161 179 184

HSL 193.04, 0.14%, 0.68%

LAB 71.74, -5.17, -4.67

 

CMYK 8 / 2 / 0 / 21

HEX #B9C6CA

RGB 185 198 202

HSL 194.12, 0.14%, 0.76%

LAB 79.02, -3.64, -3.53

 

CMYK 5 / 1 / 0 / 14

HEX #D1D9DC

RGB 209 217 220

HSL 196.36, 0.14%, 0.84%

LAB 86.18, -2.13, -2.42

 

CMYK 13 / 3 / 0 / 28

HEX #A1B3B8

RGB 161 179 184

HSL 193.04, 0.14%, 0.68%

LAB 71.74, -5.17, -4.67

 

CMYK 7 / 13 / 0 / 28

HEX #ABA1B8

RGB 171 161 184

HSL 266.09, 0.14%, 0.68%

LAB 67.73, 8.05, -10.54

 

CMYK 0 / 2 / 13 / 28

HEX #B8B4A1

RGB 184 180 161

HSL 49.57, 0.14%, 0.68%

LAB 73.16, -1.9, 10.19

 

CMYK 13 / 3 / 0 / 28

HEX #A1B3B8

RGB 161 179 184

HSL 193.04, 0.14%, 0.68%

LAB 71.74, -5.17, -4.67

 

CMYK 0 / 13 / 3 / 28

HEX #B8A1B3

RGB 184 161 179

HSL 313.04, 0.14%, 0.68%

LAB 68.7, 11.61, -6.2

 

CMYK 3 / 0 / 13 / 28

HEX #B3B8A1

RGB 179 184 161

HSL 73.04, 0.14%, 0.68%

LAB 73.83, -5.86, 11.09

 

CMYK 13 / 3 / 0 / 28

HEX #A1B3B8

RGB 161 179 184

HSL 193.04, 0.14%, 0.68%

LAB 71.74, -5.17, -4.67

 

CMYK 7 / 13 / 0 / 28

HEX #ABA1B8

RGB 171 161 184

HSL 266.09, 0.14%, 0.68%

LAB 67.73, 8.05, -10.54

 

CMYK 0 / 10 / 13 / 28

HEX #B8A6A1

RGB 184 166 161

HSL 13.04, 0.14%, 0.68%

LAB 69.5, 5.67, 4.95

 

CMYK 5 / 0 / 13 / 28

HEX #AFB8A1

RGB 175 184 161

HSL 83.48, 0.14%, 0.68%

LAB 73.52, -7.32, 10.62

 

CMYK 13 / 3 / 0 / 28

HEX #A1B3B8

RGB 161 179 184

HSL 193.04, 0.14%, 0.68%

LAB 71.74, -5.17, -4.67

 

CMYK 3 / 13 / 0 / 28

HEX #B2A1B8

RGB 178 161 184

HSL 284.35, 0.14%, 0.68%

LAB 68.33, 10.46, -9.59

 

CMYK 0 / 10 / 13 / 28

HEX #B8A6A1

RGB 184 166 161

HSL 13.04, 0.14%, 0.68%

LAB 69.5, 5.67, 4.95

 

CMYK 9 / 0 / 13 / 28

HEX #A8B8A1

RGB 168 184 161

HSL 101.74, 0.14%, 0.68%

LAB 73.01, -9.84, 9.81

 

Description

Color code: HEX #A1B3B8 | qconv.com Color code: HEX #A1B3B8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 179 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 179 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 3 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 3% 0% 28% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

37% - Curiosidades sobre b...
Link: http://marcaporhombro.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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