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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A1BEC3 it is the complementary color #5E413C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A1BEC3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A1BEC3 shade: #A6BEBE, #B7D0D1, #C8E2E4, #D9F4F7 and #EAFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A1BEC3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A1BEC3 shade: #A1BEC3, #90ACB0, #7F9A9D, #6E888A and #5D7677

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A1BEC3 shade: #A1BEC3, #A1B5C3, #A1ACC3, #A1A3C3 and #A9A1C3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A1BEC3 shade: #A1BEC3, #A1B5C3, #A1ACC3, #A1A3C3 and #A1A1C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A1BEC3 shade matches the following richer shades: #A1BEC3, #95C7CF, #88CFDC, #7CD8E8 and #70E1F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A1BEC3 shade: #A1BEC3, #AEB5B6, #BAACAA, #C6A49E and #D39B91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A1BEC3 shade: #A1C3B5, #A1C3BE, #A1BEC3, #A1B5C3 and #A1ACC3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A1BEC3 shade: #6F9BA3, #88ACB3, #A1BEC3, #BACFD3 and #D4E1E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A1BEC3 shade: #A1BEC3, #ACA1C3 and #C3BAA1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A1BEC3 shade: #A1BEC3, #C3A1BE and #BEC3A1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A1BEC3 shade: #A1BEC3, #ACA1C3, #C3A6A1 and #B8C3A1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A1BEC3 shade: #A1BEC3, #B6A1C3, #C3A6A1 and #AEC3A1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 3 / 0 / 24

HEX #A1BEC3

RGB 161 190 195

HSL 188.82, 0.22%, 0.7%

LAB 75.04, -8.7, -5.8

 

Complementary color

CMYK 0 / 31 / 36 / 63

HEX #5E413C

RGB 94 65 60

HSL 8.82, 0.22%, 0.3%

LAB 30.61, 11.85, 8.07

 

CMYK 13 / 0 / 0 / 25

HEX #A6BEBE

RGB 166 190 190

HSL 180, 0.16%, 0.7%

LAB 75.23, -8.13, -2.77

 

CMYK 12 / 0 / 0 / 18

HEX #B7D0D1

RGB 183 208 209

HSL 182.31, 0.22%, 0.77%

LAB 81.72, -8.13, -3.34

 

CMYK 12 / 1 / 0 / 11

HEX #C8E2E4

RGB 200 226 228

HSL 184.29, 0.34%, 0.84%

LAB 88.1, -8.15, -3.89

 

CMYK 12 / 1 / 0 / 3

HEX #D9F4F7

RGB 217 244 247

HSL 186, 0.65%, 0.91%

LAB 94.38, -8.17, -4.43

 

CMYK 8 / 0 / 0 / 0

HEX #EAFFFF

RGB 234 255 255

HSL 180, 1%, 0.96%

LAB 98.52, -6.79, -2.34

 

CMYK 17 / 3 / 0 / 24

HEX #A1BEC3

RGB 161 190 195

HSL 188.82, 0.22%, 0.7%

LAB 75.04, -8.7, -5.8

 

CMYK 18 / 2 / 0 / 31

HEX #90ACB0

RGB 144 172 176

HSL 187.5, 0.17%, 0.63%

LAB 68.44, -8.71, -5.27

 

CMYK 19 / 2 / 0 / 38

HEX #7F9A9D

RGB 127 154 157

HSL 186, 0.13%, 0.56%

LAB 61.7, -8.72, -4.72

 

CMYK 20 / 1 / 0 / 46

HEX #6E888A

RGB 110 136 138

HSL 184.29, 0.11%, 0.49%

LAB 54.82, -8.76, -4.15

 

CMYK 22 / 1 / 0 / 53

HEX #5D7677

RGB 93 118 119

HSL 182.31, 0.12%, 0.42%

LAB 47.77, -8.81, -3.56

 

CMYK 17 / 3 / 0 / 24

HEX #A1BEC3

RGB 161 190 195

HSL 188.82, 0.22%, 0.7%

LAB 75.04, -8.7, -5.8

 

CMYK 17 / 7 / 0 / 24

HEX #A1B5C3

RGB 161 181 195

HSL 204.71, 0.22%, 0.7%

LAB 72.6, -3.9, -9.42

 

CMYK 17 / 12 / 0 / 24

HEX #A1ACC3

RGB 161 172 195

HSL 220.59, 0.22%, 0.7%

LAB 70.19, 0.98, -13.03

 

CMYK 17 / 16 / 0 / 24

HEX #A1A3C3

RGB 161 163 195

HSL 236.47, 0.22%, 0.7%

LAB 67.81, 5.95, -16.62

 

CMYK 13 / 17 / 0 / 24

HEX #A9A1C3

RGB 169 161 195

HSL 254.12, 0.22%, 0.7%

LAB 67.92, 9.68, -16.39

 

CMYK 17 / 3 / 0 / 24

HEX #A1BEC3

RGB 161 190 195

HSL 188.82, 0.22%, 0.7%

LAB 75.04, -8.7, -5.8

 

CMYK 17 / 7 / 0 / 24

HEX #A1B5C3

RGB 161 181 195

HSL 204.71, 0.22%, 0.7%

LAB 72.6, -3.9, -9.42

 

CMYK 17 / 12 / 0 / 24

HEX #A1ACC3

RGB 161 172 195

HSL 220.59, 0.22%, 0.7%

LAB 70.19, 0.98, -13.03

 

CMYK 17 / 16 / 0 / 24

HEX #A1A3C3

RGB 161 163 195

HSL 236.47, 0.22%, 0.7%

LAB 67.81, 5.95, -16.62

 

CMYK 17 / 17 / 0 / 24

HEX #A1A1C3

RGB 161 161 195

HSL 240, 0.22%, 0.7%

LAB 67.28, 7.07, -17.42

 

CMYK 17 / 3 / 0 / 24

HEX #A1BEC3

RGB 161 190 195

HSL 188.82, 0.22%, 0.7%

LAB 75.04, -8.7, -5.8

 

CMYK 28 / 4 / 0 / 19

HEX #95C7CF

RGB 149 199 207

HSL 188.28, 0.38%, 0.7%

LAB 77.13, -14.38, -9.29

 

CMYK 38 / 6 / 0 / 14

HEX #88CFDC

RGB 136 207 220

HSL 189.29, 0.55%, 0.7%

LAB 79.06, -18.92, -13.47

 

CMYK 47 / 7 / 0 / 9

HEX #7CD8E8

RGB 124 216 232

HSL 188.89, 0.7%, 0.7%

LAB 81.41, -23.29, -16.4

 

CMYK 54 / 8 / 0 / 4

HEX #70E1F4

RGB 112 225 244

HSL 188.64, 0.86%, 0.7%

LAB 83.88, -27.04, -19.1

 

CMYK 17 / 3 / 0 / 24

HEX #A1BEC3

RGB 161 190 195

HSL 188.82, 0.22%, 0.7%

LAB 75.04, -8.7, -5.8

 

CMYK 4 / 1 / 0 / 29

HEX #AEB5B6

RGB 174 181 182

HSL 187.5, 0.05%, 0.7%

LAB 73.17, -2.24, -1.36

 

CMYK 0 / 8 / 9 / 27

HEX #BAACAA

RGB 186 172 170

HSL 7.5, 0.1%, 0.7%

LAB 71.45, 4.67, 2.83

 

CMYK 0 / 17 / 20 / 22

HEX #C6A49E

RGB 198 164 158

HSL 9, 0.26%, 0.7%

LAB 70.19, 11.52, 7.78

 

CMYK 0 / 27 / 31 / 17

HEX #D39B91

RGB 211 155 145

HSL 9.09, 0.43%, 0.7%

LAB 68.99, 19.54, 13.46

 

CMYK 17 / 0 / 7 / 24

HEX #A1C3B5

RGB 161 195 181

HSL 155.29, 0.22%, 0.7%

LAB 76.03, -14.2, 3.24

 

CMYK 17 / 0 / 3 / 24

HEX #A1C3BE

RGB 161 195 190

HSL 171.18, 0.22%, 0.7%

LAB 76.27, -12.37, -1.29

 

CMYK 17 / 3 / 0 / 24

HEX #A1BEC3

RGB 161 190 195

HSL 188.82, 0.22%, 0.7%

LAB 75.04, -8.7, -5.8

 

CMYK 17 / 7 / 0 / 24

HEX #A1B5C3

RGB 161 181 195

HSL 204.71, 0.22%, 0.7%

LAB 72.6, -3.9, -9.42

 

CMYK 17 / 12 / 0 / 24

HEX #A1ACC3

RGB 161 172 195

HSL 220.59, 0.22%, 0.7%

LAB 70.19, 0.98, -13.03

 

CMYK 32 / 5 / 0 / 36

HEX #6F9BA3

RGB 111 155 163

HSL 189.23, 0.22%, 0.54%

LAB 61.19, -12.84, -8.98

 

CMYK 24 / 4 / 0 / 30

HEX #88ACB3

RGB 136 172 179

HSL 189.77, 0.22%, 0.62%

LAB 68.02, -10.57, -7.61

 

CMYK 17 / 3 / 0 / 24

HEX #A1BEC3

RGB 161 190 195

HSL 188.82, 0.22%, 0.7%

LAB 75.04, -8.7, -5.8

 

CMYK 12 / 2 / 0 / 17

HEX #BACFD3

RGB 186 207 211

HSL 189.6, 0.22%, 0.78%

LAB 81.71, -6.24, -4.39

 

CMYK 7 / 1 / 0 / 11

HEX #D4E1E3

RGB 212 225 227

HSL 188, 0.21%, 0.86%

LAB 88.64, -3.95, -2.48

 

CMYK 17 / 3 / 0 / 24

HEX #A1BEC3

RGB 161 190 195

HSL 188.82, 0.22%, 0.7%

LAB 75.04, -8.7, -5.8

 

CMYK 12 / 17 / 0 / 24

HEX #ACA1C3

RGB 172 161 195

HSL 259.41, 0.22%, 0.7%

LAB 68.17, 10.67, -15.99

 

CMYK 0 / 5 / 17 / 24

HEX #C3BAA1

RGB 195 186 161

HSL 44.12, 0.22%, 0.7%

LAB 75.63, -1, 13.82

 

CMYK 17 / 3 / 0 / 24

HEX #A1BEC3

RGB 161 190 195

HSL 188.82, 0.22%, 0.7%

LAB 75.04, -8.7, -5.8

 

CMYK 0 / 17 / 3 / 24

HEX #C3A1BE

RGB 195 161 190

HSL 308.82, 0.22%, 0.7%

LAB 70.04, 17.51, -10.2

 

CMYK 3 / 0 / 17 / 24

HEX #BEC3A1

RGB 190 195 161

HSL 68.82, 0.22%, 0.7%

LAB 77.61, -7.59, 16.53

 

CMYK 17 / 3 / 0 / 24

HEX #A1BEC3

RGB 161 190 195

HSL 188.82, 0.22%, 0.7%

LAB 75.04, -8.7, -5.8

 

CMYK 12 / 17 / 0 / 24

HEX #ACA1C3

RGB 172 161 195

HSL 259.41, 0.22%, 0.7%

LAB 68.17, 10.67, -15.99

 

CMYK 0 / 15 / 17 / 24

HEX #C3A6A1

RGB 195 166 161

HSL 8.82, 0.22%, 0.7%

LAB 70.49, 9.77, 6.51

 

CMYK 6 / 0 / 17 / 24

HEX #B8C3A1

RGB 184 195 161

HSL 79.41, 0.22%, 0.7%

LAB 77.16, -9.79, 15.83

 

CMYK 17 / 3 / 0 / 24

HEX #A1BEC3

RGB 161 190 195

HSL 188.82, 0.22%, 0.7%

LAB 75.04, -8.7, -5.8

 

CMYK 7 / 17 / 0 / 24

HEX #B6A1C3

RGB 182 161 195

HSL 277.06, 0.22%, 0.7%

LAB 69.02, 14.02, -14.62

 

CMYK 0 / 15 / 17 / 24

HEX #C3A6A1

RGB 195 166 161

HSL 8.82, 0.22%, 0.7%

LAB 70.49, 9.77, 6.51

 

CMYK 11 / 0 / 17 / 24

HEX #AEC3A1

RGB 174 195 161

HSL 97.06, 0.22%, 0.7%

LAB 76.44, -13.4, 14.72

 

Description

Color code: HEX #A1BEC3 | qconv.com Color code: HEX #A1BEC3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 190 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 190 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 3 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 3% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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