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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A1C421 it is the complementary color #5E3BDE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A1C421. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A1C421 shade: #A6C41C, #B7D62F, #C8E842, #D9FA55 and #EAFF68

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A1C421. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A1C421 shade: #A1C421, #90B20E, #7FA000, #6E8E00 and #5D7C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A1C421 shade: #A1C421, #C4BB21, #C48F21, #C46321 and #C43721

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A1C421 shade: #A1C421, #75C421, #49C421, #21C425 and #21C451

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A1C421 shade matches the following richer shades: #A1C421 and #ABD60E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A1C421 shade: #A1C421, #96B133, #8C9F46, #818C58 and #76796B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A1C421 shade: #C48D21, #C4B921, #A3C421, #78C421 and #4CC421

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A1C421 shade: #677D15, #84A01B, #A1C421, #B7DC32 and #C4E255

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A1C421 shade: #A1C421, #21C462 and #A321C4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A1C421 shade: #A1C421, #21A3C4 and #C421A3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A1C421 shade: #A1C421, #21C462, #4121C4 and #C42183

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A1C421 shade: #A1C421, #21C493, #4121C4 and #C42152

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 83 / 23

HEX #A1C421

RGB 161 196 33

HSL 72.88, 0.71%, 0.45%

LAB 74.3, -31.81, 69.5

 

Complementary color

CMYK 58 / 73 / 0 / 13

HEX #5E3BDE

RGB 94 59 222

HSL 252.88, 0.71%, 0.55%

LAB 39.21, 56.24, -77.56

 

CMYK 15 / 0 / 86 / 23

HEX #A6C41C

RGB 166 196 28

HSL 70.71, 0.75%, 0.44%

LAB 74.62, -29.92, 71.03

 

CMYK 14 / 0 / 78 / 16

HEX #B7D62F

RGB 183 214 47

HSL 71.14, 0.67%, 0.51%

LAB 80.94, -30.8, 72.24

 

CMYK 14 / 0 / 72 / 9

HEX #C8E842

RGB 200 232 66

HSL 71.57, 0.78%, 0.58%

LAB 87.19, -31.52, 72.56

 

CMYK 13 / 0 / 66 / 2

HEX #D9FA55

RGB 217 250 85

HSL 72, 0.94%, 0.66%

LAB 93.35, -32.11, 72.32

 

CMYK 8 / 0 / 59 / 0

HEX #EAFF68

RGB 234 255 104

HSL 68.34, 1%, 0.7%

LAB 96, -26.57, 67.98

 

CMYK 18 / 0 / 83 / 23

HEX #A1C421

RGB 161 196 33

HSL 72.88, 0.71%, 0.45%

LAB 74.3, -31.81, 69.5

 

CMYK 19 / 0 / 92 / 30

HEX #90B20E

RGB 144 178 14

HSL 72.44, 0.85%, 0.38%

LAB 67.87, -30.82, 67.41

 

CMYK 21 / 0 / 100 / 37

HEX #7FA000

RGB 127 160 0

HSL 72.38, 1%, 0.31%

LAB 61.35, -29.61, 63.71

 

CMYK 23 / 0 / 100 / 44

HEX #6E8E00

RGB 110 142 0

HSL 73.52, 1%, 0.28%

LAB 54.72, -28.16, 58.19

 

CMYK 25 / 0 / 100 / 51

HEX #5D7C00

RGB 93 124 0

HSL 75, 1%, 0.24%

LAB 47.93, -26.7, 52.54

 

CMYK 18 / 0 / 83 / 23

HEX #A1C421

RGB 161 196 33

HSL 72.88, 0.71%, 0.45%

LAB 74.3, -31.81, 69.5

 

CMYK 0 / 5 / 83 / 23

HEX #C4BB21

RGB 196 187 33

HSL 56.69, 0.71%, 0.45%

LAB 74.44, -12.6, 70.67

 

CMYK 0 / 27 / 83 / 23

HEX #C48F21

RGB 196 143 33

HSL 40.49, 0.71%, 0.45%

LAB 62.92, 10.76, 60.88

 

CMYK 0 / 49 / 83 / 23

HEX #C46321

RGB 196 99 33

HSL 24.29, 0.71%, 0.45%

LAB 52.7, 34.6, 51.97

 

CMYK 0 / 72 / 83 / 23

HEX #C43721

RGB 196 55 33

HSL 8.1, 0.71%, 0.45%

LAB 45.05, 54.65, 45.08

 

CMYK 18 / 0 / 83 / 23

HEX #A1C421

RGB 161 196 33

HSL 72.88, 0.71%, 0.45%

LAB 74.3, -31.81, 69.5

 

CMYK 40 / 0 / 83 / 23

HEX #75C421

RGB 117 196 33

HSL 89.08, 0.71%, 0.45%

LAB 71.81, -48.38, 66.36

 

CMYK 63 / 0 / 83 / 23

HEX #49C421

RGB 73 196 33

HSL 105.28, 0.71%, 0.45%

LAB 70.18, -60.97, 64.28

 

CMYK 83 / 0 / 81 / 23

HEX #21C425

RGB 33 196 37

HSL 121.47, 0.71%, 0.45%

LAB 69.42, -67.38, 62.25

 

CMYK 83 / 0 / 59 / 23

HEX #21C451

RGB 33 196 81

HSL 137.67, 0.71%, 0.45%

LAB 69.75, -63.31, 45.88

 

CMYK 18 / 0 / 83 / 23

HEX #A1C421

RGB 161 196 33

HSL 72.88, 0.71%, 0.45%

LAB 74.3, -31.81, 69.5

 

CMYK 20 / 0 / 93 / 16

HEX #ABD60E

RGB 171 214 14

HSL 72.9, 0.88%, 0.45%

LAB 80.06, -36.49, 77.79

 

CMYK 18 / 0 / 83 / 23

HEX #A1C421

RGB 161 196 33

HSL 72.88, 0.71%, 0.45%

LAB 74.3, -31.81, 69.5

 

CMYK 15 / 0 / 71 / 31

HEX #96B133

RGB 150 177 51

HSL 72.86, 0.55%, 0.45%

LAB 68.14, -26.48, 58.03

 

CMYK 12 / 0 / 56 / 38

HEX #8C9F46

RGB 140 159 70

HSL 72.81, 0.39%, 0.45%

LAB 62.35, -20.29, 43.49

 

CMYK 8 / 0 / 37 / 45

HEX #818C58

RGB 129 140 88

HSL 72.69, 0.23%, 0.45%

LAB 56.22, -12.93, 26.47

 

CMYK 2 / 0 / 12 / 53

HEX #76796B

RGB 118 121 107

HSL 72.86, 0.06%, 0.45%

LAB 50.2, -3.85, 7.29

 

CMYK 0 / 28 / 83 / 23

HEX #C48D21

RGB 196 141 33

HSL 39.75, 0.71%, 0.45%

LAB 62.42, 11.85, 60.45

 

CMYK 0 / 6 / 83 / 23

HEX #C4B921

RGB 196 185 33

HSL 55.95, 0.71%, 0.45%

LAB 73.9, -11.58, 70.21

 

CMYK 17 / 0 / 83 / 23

HEX #A3C421

RGB 163 196 33

HSL 72.15, 0.71%, 0.45%

LAB 74.43, -31, 69.66

 

CMYK 39 / 0 / 83 / 23

HEX #78C421

RGB 120 196 33

HSL 87.98, 0.71%, 0.45%

LAB 71.95, -47.35, 66.54

 

CMYK 61 / 0 / 83 / 23

HEX #4CC421

RGB 76 196 33

HSL 104.17, 0.71%, 0.45%

LAB 70.26, -60.27, 64.39

 

CMYK 18 / 0 / 83 / 51

HEX #677D15

RGB 103 125 21

HSL 72.69, 0.71%, 0.29%

LAB 49.01, -22.2, 48.99

 

CMYK 18 / 0 / 83 / 37

HEX #84A01B

RGB 132 160 27

HSL 72.63, 0.71%, 0.37%

LAB 61.76, -26.87, 59.36

 

CMYK 18 / 0 / 83 / 23

HEX #A1C421

RGB 161 196 33

HSL 72.88, 0.71%, 0.45%

LAB 74.3, -31.81, 69.5

 

CMYK 17 / 0 / 77 / 14

HEX #B7DC32

RGB 183 220 50

HSL 73.06, 0.71%, 0.53%

LAB 82.64, -33.46, 72.92

 

CMYK 13 / 0 / 62 / 11

HEX #C4E255

RGB 196 226 85

HSL 72.77, 0.71%, 0.61%

LAB 85.39, -29.16, 63.52

 

CMYK 18 / 0 / 83 / 23

HEX #A1C421

RGB 161 196 33

HSL 72.88, 0.71%, 0.45%

LAB 74.3, -31.81, 69.5

 

CMYK 83 / 0 / 50 / 23

HEX #21C462

RGB 33 196 98

HSL 143.93, 0.71%, 0.45%

LAB 69.95, -60.86, 37.99

 

CMYK 17 / 83 / 0 / 23

HEX #A321C4

RGB 163 33 196

HSL 287.85, 0.71%, 0.45%

LAB 42.55, 70.58, -56.73

 

CMYK 18 / 0 / 83 / 23

HEX #A1C421

RGB 161 196 33

HSL 72.88, 0.71%, 0.45%

LAB 74.3, -31.81, 69.5

 

CMYK 83 / 17 / 0 / 23

HEX #21A3C4

RGB 33 163 196

HSL 192.15, 0.71%, 0.45%

LAB 62.09, -21.92, -26.43

 

CMYK 0 / 83 / 17 / 23

HEX #C421A3

RGB 196 33 163

HSL 312.15, 0.71%, 0.45%

LAB 46.27, 71.73, -31.01

 

CMYK 18 / 0 / 83 / 23

HEX #A1C421

RGB 161 196 33

HSL 72.88, 0.71%, 0.45%

LAB 74.3, -31.81, 69.5

 

CMYK 83 / 0 / 50 / 23

HEX #21C462

RGB 33 196 98

HSL 143.93, 0.71%, 0.45%

LAB 69.95, -60.86, 37.99

 

CMYK 67 / 83 / 0 / 23

HEX #4121C4

RGB 65 33 196

HSL 251.78, 0.71%, 0.45%

LAB 29.9, 57.67, -77.94

 

CMYK 0 / 83 / 33 / 23

HEX #C42183

RGB 196 33 131

HSL 323.93, 0.71%, 0.45%

LAB 44.89, 67.87, -13.82

 

CMYK 18 / 0 / 83 / 23

HEX #A1C421

RGB 161 196 33

HSL 72.88, 0.71%, 0.45%

LAB 74.3, -31.81, 69.5

 

CMYK 83 / 0 / 25 / 23

HEX #21C493

RGB 33 196 147

HSL 161.96, 0.71%, 0.45%

LAB 70.81, -51.13, 13.53

 

CMYK 67 / 83 / 0 / 23

HEX #4121C4

RGB 65 33 196

HSL 251.78, 0.71%, 0.45%

LAB 29.9, 57.67, -77.94

 

CMYK 0 / 83 / 58 / 23

HEX #C42152

RGB 196 33 82

HSL 341.96, 0.71%, 0.45%

LAB 43.41, 63.57, 14.45

 

Description

Color code: HEX #A1C421 | qconv.com Color code: HEX #A1C421 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 196 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 196 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 83 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 83% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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