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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A1C46D it is the complementary color #5E3B92. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A1C46D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A1C46D shade: #A6C468, #B7D67B, #C8E88E, #D9FAA1 and #EAFFB4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A1C46D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A1C46D shade: #A1C46D, #90B25A, #7FA047, #6E8E34 and #5D7C21

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A1C46D shade: #A1C36E, #B8C36E, #C3B86E, #C3A06E and #C3896E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A1C46D shade: #A1C36E, #8AC36E, #73C36E, #6EC380 and #6EC397

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A1C46D shade matches the following richer shades: #A1C36E, #A4D45D, #A7E44D and #ABF53C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A1C46D shade: #A1C36E, #9EB37E, #9AA28F, #97929F and #9481B0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A1C46D shade: #C3B86E, #B8C36E, #A1C36E, #8AC36E and #73C36E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A1C46D shade: #789E40, #8EB750, #A1C36E, #B4CF8B and #C7DBA8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A1C46D shade: #A1C46D, #6EC3A1 and #C36EC3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A1C46D shade: #A1C46D, #6EA1C3 and #C36EA1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A1C46D shade: #A1C46D, #6EC3A1, #906EC3 and #C36E90

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A1C46D shade: #A1C46D, #6EC3BB, #906EC3 and #C36E76

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 44 / 23

HEX #A1C46D

RGB 161 196 109

HSL 84.14, 0.42%, 0.6%

LAB 74.93, -26.19, 39.76

 

Complementary color

CMYK 36 / 60 / 0 / 43

HEX #5E3B92

RGB 94 59 146

HSL 264.14, 0.42%, 0.4%

LAB 33.1, 34.72, -42.62

 

CMYK 15 / 0 / 47 / 23

HEX #A6C468

RGB 166 196 104

HSL 79.57, 0.44%, 0.59%

LAB 75.19, -24.85, 42.65

 

CMYK 14 / 0 / 43 / 16

HEX #B7D67B

RGB 183 214 123

HSL 80.44, 0.53%, 0.66%

LAB 81.62, -24.95, 41.49

 

CMYK 14 / 0 / 39 / 9

HEX #C8E88E

RGB 200 232 142

HSL 81.33, 0.66%, 0.73%

LAB 87.94, -25.01, 40.35

 

CMYK 13 / 0 / 36 / 2

HEX #D9FAA1

RGB 217 250 161

HSL 82.25, 0.9%, 0.81%

LAB 94.18, -25.04, 39.24

 

CMYK 8 / 0 / 29 / 0

HEX #EAFFB4

RGB 234 255 180

HSL 76.8, 1%, 0.85%

LAB 96.95, -18.86, 33.65

 

CMYK 18 / 0 / 44 / 23

HEX #A1C46D

RGB 161 196 109

HSL 84.14, 0.42%, 0.6%

LAB 74.93, -26.19, 39.76

 

CMYK 19 / 0 / 49 / 30

HEX #90B25A

RGB 144 178 90

HSL 83.18, 0.36%, 0.53%

LAB 68.39, -26.13, 40.94

 

CMYK 21 / 0 / 56 / 37

HEX #7FA047

RGB 127 160 71

HSL 82.25, 0.39%, 0.45%

LAB 61.75, -26, 42.07

 

CMYK 23 / 0 / 63 / 44

HEX #6E8E34

RGB 110 142 52

HSL 81.33, 0.46%, 0.38%

LAB 54.98, -25.77, 43.07

 

CMYK 25 / 0 / 73 / 51

HEX #5D7C21

RGB 93 124 33

HSL 80.44, 0.58%, 0.31%

LAB 48.07, -25.37, 43.66

 

CMYK 17 / 0 / 44 / 24

HEX #A1C36E

RGB 161 195 110

HSL 84, 0.41%, 0.6%

LAB 74.66, -25.59, 38.92

 

CMYK 6 / 0 / 44 / 24

HEX #B8C36E

RGB 184 195 110

HSL 67.76, 0.41%, 0.6%

LAB 76.28, -16.63, 41.3

 

CMYK 0 / 6 / 44 / 24

HEX #C3B86E

RGB 195 184 110

HSL 52.24, 0.41%, 0.6%

LAB 74.2, -6.55, 38.89

 

CMYK 0 / 18 / 44 / 24

HEX #C3A06E

RGB 195 160 110

HSL 35.29, 0.41%, 0.6%

LAB 67.92, 6.25, 30.89

 

CMYK 0 / 30 / 44 / 24

HEX #C3896E

RGB 195 137 110

HSL 19.06, 0.41%, 0.6%

LAB 62.18, 18.85, 23.32

 

CMYK 17 / 0 / 44 / 24

HEX #A1C36E

RGB 161 195 110

HSL 84, 0.41%, 0.6%

LAB 74.66, -25.59, 38.92

 

CMYK 29 / 0 / 44 / 24

HEX #8AC36E

RGB 138 195 110

HSL 100.24, 0.41%, 0.6%

LAB 73.26, -33.99, 36.86

 

CMYK 41 / 0 / 44 / 24

HEX #73C36E

RGB 115 195 110

HSL 116.47, 0.41%, 0.6%

LAB 72.1, -41.57, 35.14

 

CMYK 44 / 0 / 34 / 24

HEX #6EC380

RGB 110 195 128

HSL 132.71, 0.41%, 0.6%

LAB 72.16, -40.18, 25.86

 

CMYK 44 / 0 / 23 / 24

HEX #6EC397

RGB 110 195 151

HSL 148.94, 0.41%, 0.6%

LAB 72.61, -35.83, 14.2

 

CMYK 17 / 0 / 44 / 24

HEX #A1C36E

RGB 161 195 110

HSL 84, 0.41%, 0.6%

LAB 74.66, -25.59, 38.92

 

CMYK 23 / 0 / 56 / 17

HEX #A4D45D

RGB 164 212 93

HSL 84.2, 0.58%, 0.6%

LAB 79.48, -34.3, 52.92

 

CMYK 27 / 0 / 66 / 11

HEX #A7E44D

RGB 167 228 77

HSL 84.24, 0.74%, 0.6%

LAB 84.09, -41.67, 64.77

 

CMYK 30 / 0 / 76 / 4

HEX #ABF53C

RGB 171 245 60

HSL 84, 0.9%, 0.6%

LAB 89.06, -48.51, 75.67

 

CMYK 17 / 0 / 44 / 24

HEX #A1C36E

RGB 161 195 110

HSL 84, 0.41%, 0.6%

LAB 74.66, -25.59, 38.92

 

CMYK 12 / 0 / 30 / 30

HEX #9EB37E

RGB 158 179 126

HSL 83.77, 0.26%, 0.6%

LAB 70.19, -16.61, 24.73

 

CMYK 5 / 0 / 12 / 36

HEX #9AA28F

RGB 154 162 143

HSL 85.26, 0.09%, 0.6%

LAB 65.51, -6.4, 8.91

 

CMYK 5 / 8 / 0 / 38

HEX #97929F

RGB 151 146 159

HSL 263.08, 0.06%, 0.6%

LAB 61.34, 4.39, -6.19

 

CMYK 16 / 27 / 0 / 31

HEX #9481B0

RGB 148 129 176

HSL 264.26, 0.23%, 0.6%

LAB 57.2, 16.76, -22.16

 

CMYK 0 / 6 / 44 / 24

HEX #C3B86E

RGB 195 184 110

HSL 52.24, 0.41%, 0.6%

LAB 74.2, -6.55, 38.89

 

CMYK 6 / 0 / 44 / 24

HEX #B8C36E

RGB 184 195 110

HSL 67.76, 0.41%, 0.6%

LAB 76.28, -16.63, 41.3

 

CMYK 17 / 0 / 44 / 24

HEX #A1C36E

RGB 161 195 110

HSL 84, 0.41%, 0.6%

LAB 74.66, -25.59, 38.92

 

CMYK 29 / 0 / 44 / 24

HEX #8AC36E

RGB 138 195 110

HSL 100.24, 0.41%, 0.6%

LAB 73.26, -33.99, 36.86

 

CMYK 41 / 0 / 44 / 24

HEX #73C36E

RGB 115 195 110

HSL 116.47, 0.41%, 0.6%

LAB 72.1, -41.57, 35.14

 

CMYK 24 / 0 / 59 / 38

HEX #789E40

RGB 120 158 64

HSL 84.26, 0.42%, 0.44%

LAB 60.62, -28.48, 43.99

 

CMYK 22 / 0 / 56 / 28

HEX #8EB750

RGB 142 183 80

HSL 83.88, 0.42%, 0.52%

LAB 69.61, -30.34, 47.16

 

CMYK 17 / 0 / 44 / 24

HEX #A1C36E

RGB 161 195 110

HSL 84, 0.41%, 0.6%

LAB 74.66, -25.59, 38.92

 

CMYK 13 / 0 / 33 / 19

HEX #B4CF8B

RGB 180 207 139

HSL 83.82, 0.41%, 0.68%

LAB 79.72, -20.62, 30.89

 

CMYK 9 / 0 / 23 / 14

HEX #C7DBA8

RGB 199 219 168

HSL 83.53, 0.41%, 0.76%

LAB 84.81, -15.47, 22.91

 

CMYK 18 / 0 / 44 / 23

HEX #A1C46D

RGB 161 196 109

HSL 84.14, 0.42%, 0.6%

LAB 74.93, -26.19, 39.76

 

CMYK 44 / 0 / 17 / 24

HEX #6EC3A1

RGB 110 195 161

HSL 156, 0.41%, 0.6%

LAB 72.84, -33.72, 9.12

 

CMYK 0 / 44 / 0 / 24

HEX #C36EC3

RGB 195 110 195

HSL 300, 0.41%, 0.6%

LAB 58.69, 46.18, -30.3

 

CMYK 18 / 0 / 44 / 23

HEX #A1C46D

RGB 161 196 109

HSL 84.14, 0.42%, 0.6%

LAB 74.93, -26.19, 39.76

 

CMYK 44 / 17 / 0 / 24

HEX #6EA1C3

RGB 110 161 195

HSL 204, 0.41%, 0.6%

LAB 63.95, -7.92, -22.79

 

CMYK 0 / 44 / 17 / 24

HEX #C36EA1

RGB 195 110 161

HSL 324, 0.41%, 0.6%

LAB 57.39, 40.37, -12.76

 

CMYK 18 / 0 / 44 / 23

HEX #A1C46D

RGB 161 196 109

HSL 84.14, 0.42%, 0.6%

LAB 74.93, -26.19, 39.76

 

CMYK 44 / 0 / 17 / 24

HEX #6EC3A1

RGB 110 195 161

HSL 156, 0.41%, 0.6%

LAB 72.84, -33.72, 9.12

 

CMYK 26 / 44 / 0 / 24

HEX #906EC3

RGB 144 110 195

HSL 264, 0.41%, 0.6%

LAB 52.97, 31.09, -39.65

 

CMYK 0 / 44 / 26 / 24

HEX #C36E90

RGB 195 110 144

HSL 336, 0.41%, 0.6%

LAB 56.85, 37.83, -3.7

 

CMYK 18 / 0 / 44 / 23

HEX #A1C46D

RGB 161 196 109

HSL 84.14, 0.42%, 0.6%

LAB 74.93, -26.19, 39.76

 

CMYK 44 / 0 / 4 / 24

HEX #6EC3BB

RGB 110 195 187

HSL 174.35, 0.41%, 0.6%

LAB 73.5, -27.69, -4.03

 

CMYK 26 / 44 / 0 / 24

HEX #906EC3

RGB 144 110 195

HSL 264, 0.41%, 0.6%

LAB 52.97, 31.09, -39.65

 

CMYK 0 / 44 / 39 / 24

HEX #C36E76

RGB 195 110 118

HSL 354.35, 0.41%, 0.6%

LAB 56.15, 34.48, 10.46

 

Description

Color code: HEX #A1C46D | qconv.com Color code: HEX #A1C46D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 196 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 196 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 44 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 44% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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