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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A1C661 it is the complementary color #5E399E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A1C661. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A1C661 shade: #A6C65C, #B7D86F, #C8EA82, #D9FC95 and #EAFFA8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A1C661. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A1C661 shade: #A1C661, #90B44E, #7FA23B, #6E9028 and #5D7E15

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A1C661 shade: #A1C661, #BCC661, #C6B461, #C69961 and #C67E61

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A1C661 shade: #A1C661, #86C661, #6BC661, #61C673 and #61C68E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A1C661 shade matches the following richer shades: #A1C661, #A5D750, #AAE83E and #AFFA2D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A1C661 shade: #A1C661, #9CB472, #98A384, #939295 and #8E80A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A1C661 shade: #C6B361, #BDC661, #A3C661, #88C661 and #6DC661

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A1C661 shade: #789C38, #8FBB43, #A1C661, #B3D17F and #C5DC9E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A1C661 shade: #A1C661, #61C698 and #C161C6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A1C661 shade: #A1C661, #61A3C6 and #C661A3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A1C661 shade: #A1C661, #61C698, #8461C6 and #C6618E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A1C661 shade: #A1C661, #61C6B7, #8461C6 and #C66170

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 51 / 22

HEX #A1C661

RGB 161 198 97

HSL 81.98, 0.47%, 0.58%

LAB 75.34, -28.48, 46.16

 

Complementary color

CMYK 41 / 64 / 0 / 38

HEX #5E399E

RGB 94 57 158

HSL 261.98, 0.47%, 0.42%

LAB 33.51, 39.17, -49.26

 

CMYK 16 / 0 / 54 / 22

HEX #A6C65C

RGB 166 198 92

HSL 78.11, 0.48%, 0.57%

LAB 75.62, -27.04, 48.93

 

CMYK 15 / 0 / 49 / 15

HEX #B7D86F

RGB 183 216 111

HSL 78.86, 0.57%, 0.64%

LAB 82.02, -27.22, 47.83

 

CMYK 15 / 0 / 44 / 8

HEX #C8EA82

RGB 200 234 130

HSL 79.62, 0.71%, 0.71%

LAB 88.32, -27.35, 46.7

 

CMYK 14 / 0 / 41 / 1

HEX #D9FC95

RGB 217 252 149

HSL 80.39, 0.94%, 0.79%

LAB 94.54, -27.43, 45.57

 

CMYK 8 / 0 / 34 / 0

HEX #EAFFA8

RGB 234 255 168

HSL 74.48, 1%, 0.83%

LAB 96.75, -20.39, 39.36

 

CMYK 19 / 0 / 51 / 22

HEX #A1C661

RGB 161 198 97

HSL 81.98, 0.47%, 0.58%

LAB 75.34, -28.48, 46.16

 

CMYK 20 / 0 / 57 / 29

HEX #90B44E

RGB 144 180 78

HSL 81.18, 0.4%, 0.51%

LAB 68.84, -28.32, 47.24

 

CMYK 22 / 0 / 64 / 36

HEX #7FA23B

RGB 127 162 59

HSL 80.39, 0.47%, 0.43%

LAB 62.23, -28.05, 48.16

 

CMYK 24 / 0 / 72 / 44

HEX #6E9028

RGB 110 144 40

HSL 79.62, 0.57%, 0.36%

LAB 55.5, -27.65, 48.71

 

CMYK 26 / 0 / 83 / 51

HEX #5D7E15

RGB 93 126 21

HSL 78.86, 0.71%, 0.29%

LAB 48.64, -27.02, 48.4

 

CMYK 19 / 0 / 51 / 22

HEX #A1C661

RGB 161 198 97

HSL 81.98, 0.47%, 0.58%

LAB 75.34, -28.48, 46.16

 

CMYK 5 / 0 / 51 / 22

HEX #BCC661

RGB 188 198 97

HSL 65.94, 0.47%, 0.58%

LAB 77.25, -17.82, 48.88

 

CMYK 0 / 9 / 51 / 22

HEX #C6B461

RGB 198 180 97

HSL 49.31, 0.47%, 0.58%

LAB 73.23, -4.47, 44.29

 

CMYK 0 / 23 / 51 / 22

HEX #C69961

RGB 198 153 97

HSL 33.27, 0.47%, 0.58%

LAB 66.25, 10.01, 35.73

 

CMYK 0 / 36 / 51 / 22

HEX #C67E61

RGB 198 126 97

HSL 17.23, 0.47%, 0.58%

LAB 59.7, 24.8, 27.36

 

CMYK 19 / 0 / 51 / 22

HEX #A1C661

RGB 161 198 97

HSL 81.98, 0.47%, 0.58%

LAB 75.34, -28.48, 46.16

 

CMYK 32 / 0 / 51 / 22

HEX #86C661

RGB 134 198 97

HSL 98.02, 0.47%, 0.58%

LAB 73.75, -38.37, 43.87

 

CMYK 46 / 0 / 51 / 22

HEX #6BC661

RGB 107 198 97

HSL 114.06, 0.47%, 0.58%

LAB 72.48, -47.05, 42.02

 

CMYK 51 / 0 / 42 / 22

HEX #61C673

RGB 97 198 115

HSL 130.69, 0.47%, 0.58%

LAB 72.34, -47.22, 32.76

 

CMYK 51 / 0 / 28 / 22

HEX #61C68E

RGB 97 198 142

HSL 146.73, 0.47%, 0.58%

LAB 72.81, -42.36, 19.23

 

CMYK 19 / 0 / 51 / 22

HEX #A1C661

RGB 161 198 97

HSL 81.98, 0.47%, 0.58%

LAB 75.34, -28.48, 46.16

 

CMYK 23 / 0 / 63 / 16

HEX #A5D750

RGB 165 215 80

HSL 82.22, 0.63%, 0.58%

LAB 80.28, -36.4, 59.48

 

CMYK 27 / 0 / 73 / 9

HEX #AAE83E

RGB 170 232 62

HSL 81.88, 0.79%, 0.58%

LAB 85.31, -43.23, 71.43

 

CMYK 30 / 0 / 82 / 2

HEX #AFFA2D

RGB 175 250 45

HSL 81.95, 0.95%, 0.58%

LAB 90.63, -49.79, 81.21

 

CMYK 19 / 0 / 51 / 22

HEX #A1C661

RGB 161 198 97

HSL 81.98, 0.47%, 0.58%

LAB 75.34, -28.48, 46.16

 

CMYK 13 / 0 / 37 / 29

HEX #9CB472

RGB 156 180 114

HSL 81.82, 0.31%, 0.58%

LAB 70.12, -19.56, 30.99

 

CMYK 7 / 0 / 19 / 36

HEX #98A384

RGB 152 163 132

HSL 81.29, 0.14%, 0.58%

LAB 65.39, -9.57, 14.82

 

CMYK 1 / 2 / 0 / 42

HEX #939295

RGB 147 146 149

HSL 260, 0.01%, 0.58%

LAB 60.72, 0.95, -1.46

 

CMYK 14 / 23 / 0 / 35

HEX #8E80A6

RGB 142 128 166

HSL 262.11, 0.18%, 0.58%

LAB 56.03, 13.09, -18.26

 

CMYK 0 / 10 / 51 / 22

HEX #C6B361

RGB 198 179 97

HSL 48.71, 0.47%, 0.58%

LAB 72.96, -3.94, 43.98

 

CMYK 5 / 0 / 51 / 22

HEX #BDC661

RGB 189 198 97

HSL 65.35, 0.47%, 0.58%

LAB 77.32, -17.41, 48.99

 

CMYK 18 / 0 / 51 / 22

HEX #A3C661

RGB 163 198 97

HSL 80.79, 0.47%, 0.58%

LAB 75.47, -27.71, 46.35

 

CMYK 31 / 0 / 51 / 22

HEX #88C661

RGB 136 198 97

HSL 96.83, 0.47%, 0.58%

LAB 73.86, -37.67, 44.02

 

CMYK 45 / 0 / 51 / 22

HEX #6DC661

RGB 109 198 97

HSL 112.87, 0.47%, 0.58%

LAB 72.56, -46.46, 42.14

 

CMYK 23 / 0 / 64 / 39

HEX #789C38

RGB 120 156 56

HSL 81.6, 0.47%, 0.42%

LAB 59.94, -28.21, 46.87

 

CMYK 24 / 0 / 64 / 27

HEX #8FBB43

RGB 143 187 67

HSL 82, 0.47%, 0.5%

LAB 70.72, -32.95, 54.2

 

CMYK 19 / 0 / 51 / 22

HEX #A1C661

RGB 161 198 97

HSL 81.98, 0.47%, 0.58%

LAB 75.34, -28.48, 46.16

 

CMYK 14 / 0 / 39 / 18

HEX #B3D17F

RGB 179 209 127

HSL 81.95, 0.47%, 0.66%

LAB 80.02, -23.54, 37.4

 

CMYK 10 / 0 / 28 / 14

HEX #C5DC9E

RGB 197 220 158

HSL 82.26, 0.47%, 0.74%

LAB 84.75, -18.16, 28

 

CMYK 19 / 0 / 51 / 22

HEX #A1C661

RGB 161 198 97

HSL 81.98, 0.47%, 0.58%

LAB 75.34, -28.48, 46.16

 

CMYK 51 / 0 / 23 / 22

HEX #61C698

RGB 97 198 152

HSL 152.67, 0.47%, 0.58%

LAB 73.02, -40.31, 14.16

 

CMYK 3 / 51 / 0 / 22

HEX #C161C6

RGB 193 97 198

HSL 297.03, 0.47%, 0.58%

LAB 56.05, 52.73, -36.14

 

CMYK 19 / 0 / 51 / 22

HEX #A1C661

RGB 161 198 97

HSL 81.98, 0.47%, 0.58%

LAB 75.34, -28.48, 46.16

 

CMYK 51 / 18 / 0 / 22

HEX #61A3C6

RGB 97 163 198

HSL 200.79, 0.47%, 0.58%

LAB 64.01, -11.31, -24.43

 

CMYK 0 / 51 / 18 / 22

HEX #C661A3

RGB 198 97 163

HSL 320.79, 0.47%, 0.58%

LAB 55.28, 48.31, -17.08

 

CMYK 19 / 0 / 51 / 22

HEX #A1C661

RGB 161 198 97

HSL 81.98, 0.47%, 0.58%

LAB 75.34, -28.48, 46.16

 

CMYK 51 / 0 / 23 / 22

HEX #61C698

RGB 97 198 152

HSL 152.67, 0.47%, 0.58%

LAB 73.02, -40.31, 14.16

 

CMYK 33 / 51 / 0 / 22

HEX #8461C6

RGB 132 97 198

HSL 260.79, 0.47%, 0.58%

LAB 48.92, 36.11, -47.87

 

CMYK 0 / 51 / 28 / 22

HEX #C6618E

RGB 198 97 142

HSL 333.27, 0.47%, 0.58%

LAB 54.56, 45.3, -5.87

 

CMYK 19 / 0 / 51 / 22

HEX #A1C661

RGB 161 198 97

HSL 81.98, 0.47%, 0.58%

LAB 75.34, -28.48, 46.16

 

CMYK 51 / 0 / 8 / 22

HEX #61C6B7

RGB 97 198 183

HSL 171.09, 0.47%, 0.58%

LAB 73.77, -33.16, -1.52

 

CMYK 33 / 51 / 0 / 22

HEX #8461C6

RGB 132 97 198

HSL 260.79, 0.47%, 0.58%

LAB 48.92, 36.11, -47.87

 

CMYK 0 / 51 / 43 / 22

HEX #C66170

RGB 198 97 112

HSL 351.09, 0.47%, 0.58%

LAB 53.73, 41.69, 10.64

 

Description

Color code: HEX #A1C661 | qconv.com Color code: HEX #A1C661 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 198 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 198 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 51 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 51% 22% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

44% - 南京app开发 南京多火网络科技有限公司...
Link: http://www.duohuo.net

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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