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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A1C8CE it is the complementary color #5E3731. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A1C8CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A1C8CE shade: #A6C8C9, #B7DADC, #C8ECEF, #D9FEFF and #EAFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A1C8CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A1C8CE shade: #A1C8CE, #90B6BB, #7FA4A8, #6E9295 and #5D8082

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A1C8CE shade: #A1C7CD, #A1BBCD, #A1AFCD, #A1A4CD and #AAA1CD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A1C8CE shade: #A1C7CD, #A1BBCD, #A1AFCD, #A1A4CD and #A1A1CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A1C8CE shade matches the following richer shades: #A1C7CD, #95D0D9, #8AD8E4, #7EE1F0 and #73E9FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A1C8CE shade: #A1C7CD, #ADBFC2, #B8B6B6, #C4AEAB and #CFA59F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A1C8CE shade: #A1CDBC, #A1CDC7, #A1C7CD, #A1BCCD and #A1B0CD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A1C8CE shade: #6BA7B1, #86B7BF, #A1C7CD, #BCD7DB and #D7E7EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A1C8CE shade: #A1C8CE, #B0A1CD and #CDC1A1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A1C8CE shade: #A1C8CE, #CDA1C7 and #C7CDA1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A1C8CE shade: #A1C8CE, #B0A1CD, #CDA7A1 and #BECDA1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A1C8CE shade: #A1C8CE, #BDA1CD, #CDA7A1 and #B1CDA1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 3 / 0 / 19

HEX #A1C8CE

RGB 161 200 206

HSL 188, 0.31%, 0.72%

LAB 78.08, -11.54, -7.26

 

Complementary color

CMYK 0 / 41 / 48 / 63

HEX #5E3731

RGB 94 55 49

HSL 8, 0.31%, 0.28%

LAB 27.67, 16.64, 11.15

 

CMYK 17 / 0 / 0 / 21

HEX #A6C8C9

RGB 166 200 201

HSL 181.71, 0.24%, 0.72%

LAB 78.25, -11.07, -4.28

 

CMYK 17 / 1 / 0 / 14

HEX #B7DADC

RGB 183 218 220

HSL 183.24, 0.35%, 0.79%

LAB 84.68, -11.04, -4.83

 

CMYK 16 / 1 / 0 / 6

HEX #C8ECEF

RGB 200 236 239

HSL 184.62, 0.55%, 0.86%

LAB 91.01, -11.02, -5.37

 

CMYK 15 / 0 / 0 / 0

HEX #D9FEFF

RGB 217 254 255

HSL 181.58, 1%, 0.93%

LAB 97.17, -11.6, -4.46

 

CMYK 8 / 0 / 0 / 0

HEX #EAFFFF

RGB 234 255 255

HSL 180, 1%, 0.96%

LAB 98.52, -6.79, -2.34

 

CMYK 22 / 3 / 0 / 19

HEX #A1C8CE

RGB 161 200 206

HSL 188, 0.31%, 0.72%

LAB 78.08, -11.54, -7.26

 

CMYK 23 / 3 / 0 / 27

HEX #90B6BB

RGB 144 182 187

HSL 186.98, 0.24%, 0.65%

LAB 71.54, -11.58, -6.74

 

CMYK 24 / 2 / 0 / 34

HEX #7FA4A8

RGB 127 164 168

HSL 185.85, 0.19%, 0.58%

LAB 64.88, -11.62, -6.21

 

CMYK 26 / 2 / 0 / 42

HEX #6E9295

RGB 110 146 149

HSL 184.62, 0.16%, 0.51%

LAB 58.08, -11.68, -5.66

 

CMYK 28 / 2 / 0 / 49

HEX #5D8082

RGB 93 128 130

HSL 183.24, 0.17%, 0.44%

LAB 51.13, -11.76, -5.08

 

CMYK 21 / 3 / 0 / 20

HEX #A1C7CD

RGB 161 199 205

HSL 188.18, 0.31%, 0.72%

LAB 77.78, -11.24, -7.17

 

CMYK 21 / 9 / 0 / 20

HEX #A1BBCD

RGB 161 187 205

HSL 204.55, 0.31%, 0.72%

LAB 74.52, -4.91, -12.01

 

CMYK 21 / 15 / 0 / 20

HEX #A1AFCD

RGB 161 175 205

HSL 220.91, 0.31%, 0.72%

LAB 71.31, 1.59, -16.84

 

CMYK 21 / 20 / 0 / 20

HEX #A1A4CD

RGB 161 164 205

HSL 235.91, 0.31%, 0.72%

LAB 68.41, 7.67, -21.24

 

CMYK 17 / 21 / 0 / 20

HEX #AAA1CD

RGB 170 161 205

HSL 252.27, 0.31%, 0.72%

LAB 68.35, 12.2, -21.28

 

CMYK 21 / 3 / 0 / 20

HEX #A1C7CD

RGB 161 199 205

HSL 188.18, 0.31%, 0.72%

LAB 77.78, -11.24, -7.17

 

CMYK 21 / 9 / 0 / 20

HEX #A1BBCD

RGB 161 187 205

HSL 204.55, 0.31%, 0.72%

LAB 74.52, -4.91, -12.01

 

CMYK 21 / 15 / 0 / 20

HEX #A1AFCD

RGB 161 175 205

HSL 220.91, 0.31%, 0.72%

LAB 71.31, 1.59, -16.84

 

CMYK 21 / 20 / 0 / 20

HEX #A1A4CD

RGB 161 164 205

HSL 235.91, 0.31%, 0.72%

LAB 68.41, 7.67, -21.24

 

CMYK 21 / 21 / 0 / 20

HEX #A1A1CD

RGB 161 161 205

HSL 240, 0.31%, 0.72%

LAB 67.63, 9.35, -22.43

 

CMYK 21 / 3 / 0 / 20

HEX #A1C7CD

RGB 161 199 205

HSL 188.18, 0.31%, 0.72%

LAB 77.78, -11.24, -7.17

 

CMYK 31 / 4 / 0 / 15

HEX #95D0D9

RGB 149 208 217

HSL 187.94, 0.47%, 0.72%

LAB 79.9, -16.66, -10.53

 

CMYK 39 / 5 / 0 / 11

HEX #8AD8E4

RGB 138 216 228

HSL 188, 0.63%, 0.72%

LAB 81.9, -20.96, -13.48

 

CMYK 48 / 6 / 0 / 6

HEX #7EE1F0

RGB 126 225 240

HSL 187.89, 0.79%, 0.72%

LAB 84.27, -25.2, -16.34

 

CMYK 54 / 7 / 0 / 2

HEX #73E9FB

RGB 115 233 251

HSL 187.94, 0.94%, 0.72%

LAB 86.45, -28.44, -18.89

 

CMYK 21 / 3 / 0 / 20

HEX #A1C7CD

RGB 161 199 205

HSL 188.18, 0.31%, 0.72%

LAB 77.78, -11.24, -7.17

 

CMYK 11 / 2 / 0 / 24

HEX #ADBFC2

RGB 173 191 194

HSL 188.57, 0.15%, 0.72%

LAB 76.09, -5.53, -3.62

 

CMYK 0 / 1 / 1 / 28

HEX #B8B6B6

RGB 184 182 182

HSL 0, 0.01%, 0.72%

LAB 74.2, 0.71, 0.24

 

CMYK 0 / 11 / 13 / 23

HEX #C4AEAB

RGB 196 174 171

HSL 7.2, 0.17%, 0.72%

LAB 72.86, 7.42, 4.43

 

CMYK 0 / 20 / 23 / 19

HEX #CFA59F

RGB 207 165 159

HSL 7.5, 0.33%, 0.72%

LAB 71.34, 14.53, 8.98

 

CMYK 21 / 0 / 8 / 20

HEX #A1CDBC

RGB 161 205 188

HSL 156.82, 0.31%, 0.72%

LAB 78.97, -17.9, 3.72

 

CMYK 21 / 0 / 3 / 20

HEX #A1CDC7

RGB 161 205 199

HSL 171.82, 0.31%, 0.72%

LAB 79.25, -15.63, -1.77

 

CMYK 21 / 3 / 0 / 20

HEX #A1C7CD

RGB 161 199 205

HSL 188.18, 0.31%, 0.72%

LAB 77.78, -11.24, -7.17

 

CMYK 21 / 8 / 0 / 20

HEX #A1BCCD

RGB 161 188 205

HSL 203.18, 0.31%, 0.72%

LAB 74.79, -5.44, -11.61

 

CMYK 21 / 14 / 0 / 20

HEX #A1B0CD

RGB 161 176 205

HSL 219.55, 0.31%, 0.72%

LAB 71.58, 1.04, -16.44

 

CMYK 40 / 6 / 0 / 31

HEX #6BA7B1

RGB 107 167 177

HSL 188.57, 0.31%, 0.56%

LAB 64.91, -16.79, -11.3

 

CMYK 30 / 4 / 0 / 25

HEX #86B7BF

RGB 134 183 191

HSL 188.42, 0.31%, 0.64%

LAB 71.35, -14.17, -9.28

 

CMYK 21 / 3 / 0 / 20

HEX #A1C7CD

RGB 161 199 205

HSL 188.18, 0.31%, 0.72%

LAB 77.78, -11.24, -7.17

 

CMYK 14 / 2 / 0 / 14

HEX #BCD7DB

RGB 188 215 219

HSL 187.74, 0.3%, 0.8%

LAB 84.18, -8.12, -5

 

CMYK 8 / 1 / 0 / 8

HEX #D7E7EA

RGB 215 231 234

HSL 189.47, 0.31%, 0.88%

LAB 90.57, -4.72, -3.29

 

CMYK 22 / 3 / 0 / 19

HEX #A1C8CE

RGB 161 200 206

HSL 188, 0.31%, 0.72%

LAB 78.08, -11.54, -7.26

 

CMYK 14 / 21 / 0 / 20

HEX #B0A1CD

RGB 176 161 205

HSL 260.45, 0.31%, 0.72%

LAB 68.84, 14.13, -20.48

 

CMYK 0 / 6 / 21 / 20

HEX #CDC1A1

RGB 205 193 161

HSL 43.64, 0.31%, 0.72%

LAB 78.28, -0.94, 17.65

 

CMYK 22 / 3 / 0 / 19

HEX #A1C8CE

RGB 161 200 206

HSL 188, 0.31%, 0.72%

LAB 78.08, -11.54, -7.26

 

CMYK 0 / 21 / 3 / 20

HEX #CDA1C7

RGB 205 161 199

HSL 308.18, 0.31%, 0.72%

LAB 71.28, 22.61, -13.23

 

CMYK 3 / 0 / 21 / 20

HEX #C7CDA1

RGB 199 205 161

HSL 68.18, 0.31%, 0.72%

LAB 80.95, -9.42, 21.27

 

CMYK 22 / 3 / 0 / 19

HEX #A1C8CE

RGB 161 200 206

HSL 188, 0.31%, 0.72%

LAB 78.08, -11.54, -7.26

 

CMYK 14 / 21 / 0 / 20

HEX #B0A1CD

RGB 176 161 205

HSL 260.45, 0.31%, 0.72%

LAB 68.84, 14.13, -20.48

 

CMYK 0 / 19 / 21 / 20

HEX #CDA7A1

RGB 205 167 161

HSL 8.18, 0.31%, 0.72%

LAB 71.68, 12.98, 8.35

 

CMYK 7 / 0 / 21 / 20

HEX #BECDA1

RGB 190 205 161

HSL 80.45, 0.31%, 0.72%

LAB 80.28, -12.73, 20.25

 

CMYK 22 / 3 / 0 / 19

HEX #A1C8CE

RGB 161 200 206

HSL 188, 0.31%, 0.72%

LAB 78.08, -11.54, -7.26

 

CMYK 8 / 21 / 0 / 20

HEX #BDA1CD

RGB 189 161 205

HSL 278.18, 0.31%, 0.72%

LAB 69.98, 18.39, -18.65

 

CMYK 0 / 19 / 21 / 20

HEX #CDA7A1

RGB 205 167 161

HSL 8.18, 0.31%, 0.72%

LAB 71.68, 12.98, 8.35

 

CMYK 14 / 0 / 21 / 20

HEX #B1CDA1

RGB 177 205 161

HSL 98.18, 0.31%, 0.72%

LAB 79.38, -17.42, 18.85

 

Description

Color code: HEX #A1C8CE | qconv.com Color code: HEX #A1C8CE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 200 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 200 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 3 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 3% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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