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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A1C8A0 it is the complementary color #5E375F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A1C8A0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A1C8A0 shade: #A6C89B, #B7DAAE, #C8ECC1, #D9FED4 and #EAFFE7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A1C8A0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A1C8A0 shade: #A1C8A0, #90B68D, #7FA47A, #6E9267 and #5D8054

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A1C8A0 shade: #A2C9A1, #ACC9A1, #B7C9A1, #C2C9A1 and #C9C4A1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A1C8A0 shade: #A2C9A1, #A1C9AA, #A1C9B5, #A1C9C0 and #A1C6C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A1C8A0 shade matches the following richer shades: #A2C9A1, #96D495, #8BE089, #7FEC7D and #74F871

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A1C8A0 shade: #A2C9A1, #ADBDAD, #B8B1B9, #C4A5C4 and #CF99D0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A1C8A0 shade: #B7C9A1, #ADC9A1, #A2C9A1, #A1C9AA and #A1C9B5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A1C8A0 shade: #6EAA6C, #88B986, #A2C9A1, #BCD8BB and #D5E7D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A1C8A0 shade: #A1C8A0, #A1C2C9 and #C9A1B2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A1C8A0 shade: #A1C8A0, #A1A2C9 and #C9A1A2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A1C8A0 shade: #A1C8A0, #A1C2C9, #C7A1C9 and #C9A7A1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A1C8A0 shade: #A1C8A0, #A1B6C9, #C7A1C9 and #C9B3A1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 20 / 22

HEX #A1C8A0

RGB 161 200 160

HSL 118.5, 0.27%, 0.71%

LAB 76.93, -20.66, 15.83

 

Complementary color

CMYK 1 / 42 / 0 / 63

HEX #5E375F

RGB 94 55 95

HSL 298.5, 0.27%, 0.29%

LAB 29.26, 24.49, -16.64

 

CMYK 17 / 0 / 23 / 22

HEX #A6C89B

RGB 166 200 155

HSL 105.33, 0.29%, 0.7%

LAB 77.15, -19.78, 18.84

 

CMYK 16 / 0 / 20 / 15

HEX #B7DAAE

RGB 183 218 174

HSL 107.73, 0.37%, 0.77%

LAB 83.58, -19.67, 17.91

 

CMYK 15 / 0 / 18 / 7

HEX #C8ECC1

RGB 200 236 193

HSL 110.23, 0.53%, 0.84%

LAB 89.92, -19.57, 17.02

 

CMYK 15 / 0 / 17 / 0

HEX #D9FED4

RGB 217 254 212

HSL 112.86, 0.95%, 0.91%

LAB 96.16, -19.48, 16.17

 

CMYK 8 / 0 / 9 / 0

HEX #EAFFE7

RGB 234 255 231

HSL 112.5, 1%, 0.95%

LAB 97.95, -11.1, 9.14

 

CMYK 20 / 0 / 20 / 22

HEX #A1C8A0

RGB 161 200 160

HSL 118.5, 0.27%, 0.71%

LAB 76.93, -20.66, 15.83

 

CMYK 21 / 0 / 23 / 29

HEX #90B68D

RGB 144 182 141

HSL 115.61, 0.22%, 0.63%

LAB 70.39, -20.82, 16.77

 

CMYK 23 / 0 / 26 / 36

HEX #7FA47A

RGB 127 164 122

HSL 112.86, 0.19%, 0.56%

LAB 63.73, -21, 17.78

 

CMYK 25 / 0 / 29 / 43

HEX #6E9267

RGB 110 146 103

HSL 110.23, 0.17%, 0.49%

LAB 56.93, -21.2, 18.86

 

CMYK 27 / 0 / 34 / 50

HEX #5D8054

RGB 93 128 84

HSL 107.73, 0.21%, 0.42%

LAB 49.98, -21.41, 20.03

 

CMYK 19 / 0 / 20 / 21

HEX #A2C9A1

RGB 162 201 161

HSL 118.5, 0.27%, 0.71%

LAB 77.3, -20.64, 15.81

 

CMYK 14 / 0 / 20 / 21

HEX #ACC9A1

RGB 172 201 161

HSL 103.5, 0.27%, 0.71%

LAB 77.94, -17.17, 16.81

 

CMYK 9 / 0 / 20 / 21

HEX #B7C9A1

RGB 183 201 161

HSL 87, 0.27%, 0.71%

LAB 78.7, -13.24, 17.98

 

CMYK 3 / 0 / 20 / 21

HEX #C2C9A1

RGB 194 201 161

HSL 70.5, 0.27%, 0.71%

LAB 79.51, -9.22, 19.22

 

CMYK 0 / 2 / 20 / 21

HEX #C9C4A1

RGB 201 196 161

HSL 52.5, 0.27%, 0.71%

LAB 78.74, -4.02, 18.23

 

CMYK 19 / 0 / 20 / 21

HEX #A2C9A1

RGB 162 201 161

HSL 118.5, 0.27%, 0.71%

LAB 77.3, -20.64, 15.81

 

CMYK 20 / 0 / 15 / 21

HEX #A1C9AA

RGB 161 201 170

HSL 133.5, 0.27%, 0.71%

LAB 77.43, -19.36, 11.17

 

CMYK 20 / 0 / 10 / 21

HEX #A1C9B5

RGB 161 201 181

HSL 150, 0.27%, 0.71%

LAB 77.69, -17.26, 5.63

 

CMYK 20 / 0 / 4 / 21

HEX #A1C9C0

RGB 161 201 192

HSL 166.5, 0.27%, 0.71%

LAB 77.97, -15.05, 0.12

 

CMYK 20 / 1 / 0 / 21

HEX #A1C6C9

RGB 161 198 201

HSL 184.5, 0.27%, 0.71%

LAB 77.39, -11.59, -5.58

 

CMYK 19 / 0 / 20 / 21

HEX #A2C9A1

RGB 162 201 161

HSL 118.5, 0.27%, 0.71%

LAB 77.3, -20.64, 15.81

 

CMYK 29 / 0 / 30 / 17

HEX #96D495

RGB 150 212 149

HSL 119.05, 0.42%, 0.71%

LAB 79.47, -32.03, 25.03

 

CMYK 38 / 0 / 39 / 12

HEX #8BE089

RGB 139 224 137

HSL 118.62, 0.58%, 0.71%

LAB 82.17, -42.84, 34.69

 

CMYK 46 / 0 / 47 / 7

HEX #7FEC7D

RGB 127 236 125

HSL 118.92, 0.74%, 0.71%

LAB 84.99, -53.1, 44.12

 

CMYK 53 / 0 / 54 / 3

HEX #74F871

RGB 116 248 113

HSL 118.67, 0.91%, 0.71%

LAB 87.99, -62.17, 53.3

 

CMYK 19 / 0 / 20 / 21

HEX #A2C9A1

RGB 162 201 161

HSL 118.5, 0.27%, 0.71%

LAB 77.3, -20.64, 15.81

 

CMYK 8 / 0 / 8 / 26

HEX #ADBDAD

RGB 173 189 173

HSL 120, 0.11%, 0.71%

LAB 75.01, -8.53, 6.2

 

CMYK 1 / 4 / 0 / 27

HEX #B8B1B9

RGB 184 177 185

HSL 292.5, 0.05%, 0.71%

LAB 72.98, 3.97, -3.19

 

CMYK 0 / 16 / 0 / 23

HEX #C4A5C4

RGB 196 165 196

HSL 300, 0.21%, 0.71%

LAB 71.3, 16.77, -11.62

 

CMYK 0 / 26 / 0 / 18

HEX #CF99D0

RGB 207 153 208

HSL 298.91, 0.37%, 0.71%

LAB 69.9, 29.33, -20.27

 

CMYK 9 / 0 / 20 / 21

HEX #B7C9A1

RGB 183 201 161

HSL 87, 0.27%, 0.71%

LAB 78.7, -13.24, 17.98

 

CMYK 14 / 0 / 20 / 21

HEX #ADC9A1

RGB 173 201 161

HSL 102, 0.27%, 0.71%

LAB 78.01, -16.82, 16.91

 

CMYK 19 / 0 / 20 / 21

HEX #A2C9A1

RGB 162 201 161

HSL 118.5, 0.27%, 0.71%

LAB 77.3, -20.64, 15.81

 

CMYK 20 / 0 / 15 / 21

HEX #A1C9AA

RGB 161 201 170

HSL 133.5, 0.27%, 0.71%

LAB 77.43, -19.36, 11.17

 

CMYK 20 / 0 / 10 / 21

HEX #A1C9B5

RGB 161 201 181

HSL 150, 0.27%, 0.71%

LAB 77.69, -17.26, 5.63

 

CMYK 35 / 0 / 36 / 33

HEX #6EAA6C

RGB 110 170 108

HSL 118.06, 0.27%, 0.55%

LAB 64.28, -32.16, 25.98

 

CMYK 26 / 0 / 28 / 27

HEX #88B986

RGB 136 185 134

HSL 117.65, 0.27%, 0.63%

LAB 70.63, -26.28, 20.81

 

CMYK 19 / 0 / 20 / 21

HEX #A2C9A1

RGB 162 201 161

HSL 118.5, 0.27%, 0.71%

LAB 77.3, -20.64, 15.81

 

CMYK 13 / 0 / 13 / 15

HEX #BCD8BB

RGB 188 216 187

HSL 117.93, 0.27%, 0.79%

LAB 83.65, -14.72, 11.2

 

CMYK 8 / 0 / 8 / 9

HEX #D5E7D5

RGB 213 231 213

HSL 120, 0.27%, 0.87%

LAB 89.91, -9.24, 6.71

 

CMYK 20 / 0 / 20 / 22

HEX #A1C8A0

RGB 161 200 160

HSL 118.5, 0.27%, 0.71%

LAB 76.93, -20.66, 15.83

 

CMYK 20 / 3 / 0 / 21

HEX #A1C2C9

RGB 161 194 201

HSL 190.5, 0.27%, 0.71%

LAB 76.3, -9.5, -7.2

 

CMYK 0 / 20 / 11 / 21

HEX #C9A1B2

RGB 201 161 178

HSL 334.5, 0.27%, 0.71%

LAB 70.26, 17.5, -3.16

 

CMYK 20 / 0 / 20 / 22

HEX #A1C8A0

RGB 161 200 160

HSL 118.5, 0.27%, 0.71%

LAB 76.93, -20.66, 15.83

 

CMYK 20 / 19 / 0 / 21

HEX #A1A2C9

RGB 161 162 201

HSL 238.5, 0.27%, 0.71%

LAB 67.75, 7.87, -20.04

 

CMYK 0 / 20 / 19 / 21

HEX #C9A1A2

RGB 201 161 162

HSL 358.5, 0.27%, 0.71%

LAB 69.84, 14.91, 5.09

 

CMYK 20 / 0 / 20 / 22

HEX #A1C8A0

RGB 161 200 160

HSL 118.5, 0.27%, 0.71%

LAB 76.93, -20.66, 15.83

 

CMYK 20 / 3 / 0 / 21

HEX #A1C2C9

RGB 161 194 201

HSL 190.5, 0.27%, 0.71%

LAB 76.3, -9.5, -7.2

 

CMYK 1 / 20 / 0 / 21

HEX #C7A1C9

RGB 199 161 201

HSL 297, 0.27%, 0.71%

LAB 70.77, 20.95, -15.16

 

CMYK 0 / 17 / 20 / 21

HEX #C9A7A1

RGB 201 167 161

HSL 9, 0.27%, 0.71%

LAB 71.3, 11.48, 7.75

 

CMYK 20 / 0 / 20 / 22

HEX #A1C8A0

RGB 161 200 160

HSL 118.5, 0.27%, 0.71%

LAB 76.93, -20.66, 15.83

 

CMYK 20 / 9 / 0 / 21

HEX #A1B6C9

RGB 161 182 201

HSL 208.5, 0.27%, 0.71%

LAB 73.06, -3.12, -12.03

 

CMYK 1 / 20 / 0 / 21

HEX #C7A1C9

RGB 199 161 201

HSL 297, 0.27%, 0.71%

LAB 70.77, 20.95, -15.16

 

CMYK 0 / 11 / 20 / 21

HEX #C9B3A1

RGB 201 179 161

HSL 27, 0.27%, 0.71%

LAB 74.34, 4.99, 12.07

 

Description

Color code: HEX #A1C8A0 | qconv.com Color code: HEX #A1C8A0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 200 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 200 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 20 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 20% 22% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

19% - 一澤信三郎帆布
Link: http://www.ichizawa.co.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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