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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A1C080 it is the complementary color #5E3F7F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A1C080. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A1C080 shade: #A6C07B, #B7D28E, #C8E4A1, #D9F6B4 and #EAFFC7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A1C080. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A1C080 shade: #A1C080, #90AE6D, #7F9C5A, #6E8A47 and #5D7834

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A1C080 shade: #A1C080, #B2C080, #C0BD80, #C0AB80 and #C09A80

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A1C080 shade: #A1C080, #90C080, #80C082, #80C093 and #80C0A4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A1C080 shade matches the following richer shades: #A1C080, #A2CF71, #A2DF62, #A3EE52 and #A3FD43

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A1C080 shade: #A1C080, #A1B18F, #A0A29F, #A092AE and #9F83BD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A1C080 shade: #C0BD80, #B2C080, #A1C080, #90C080 and #80C081

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A1C080 shade: #789F4E, #8DB364, #A1C080, #B6CE9C and #CADBB7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A1C080 shade: #A1C080, #80C0AC and #C080BB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A1C080 shade: #A1C080, #80A1C0 and #C080A1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A1C080 shade: #A1C080, #80C0AC, #9F80C0 and #C08094

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A1C080 shade: #A1C080, #80C0BF, #9F80C0 and #C08081

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 33 / 25

HEX #A1C080

RGB 161 192 128

HSL 89.06, 0.34%, 0.63%

LAB 74.08, -21.76, 28.91

 

Complementary color

CMYK 26 / 50 / 0 / 50

HEX #5E3F7F

RGB 94 63 127

HSL 269.06, 0.34%, 0.37%

LAB 32.85, 27.25, -31.3

 

CMYK 14 / 0 / 36 / 25

HEX #A6C07B

RGB 166 192 123

HSL 82.61, 0.35%, 0.62%

LAB 74.34, -20.57, 31.93

 

CMYK 13 / 0 / 32 / 18

HEX #B7D28E

RGB 183 210 142

HSL 83.82, 0.43%, 0.69%

LAB 80.8, -20.58, 30.81

 

CMYK 12 / 0 / 29 / 11

HEX #C8E4A1

RGB 200 228 161

HSL 85.07, 0.55%, 0.76%

LAB 87.16, -20.58, 29.74

 

CMYK 12 / 0 / 27 / 4

HEX #D9F6B4

RGB 217 246 180

HSL 86.36, 0.79%, 0.84%

LAB 93.43, -20.57, 28.72

 

CMYK 8 / 0 / 22 / 0

HEX #EAFFC7

RGB 234 255 199

HSL 82.5, 1%, 0.89%

LAB 97.28, -16.2, 24.53

 

CMYK 16 / 0 / 33 / 25

HEX #A1C080

RGB 161 192 128

HSL 89.06, 0.34%, 0.63%

LAB 74.08, -21.76, 28.91

 

CMYK 17 / 0 / 37 / 32

HEX #90AE6D

RGB 144 174 109

HSL 87.69, 0.29%, 0.55%

LAB 67.51, -21.8, 30.06

 

CMYK 19 / 0 / 42 / 39

HEX #7F9C5A

RGB 127 156 90

HSL 86.36, 0.27%, 0.48%

LAB 60.81, -21.82, 31.26

 

CMYK 20 / 0 / 49 / 46

HEX #6E8A47

RGB 110 138 71

HSL 85.07, 0.32%, 0.41%

LAB 53.97, -21.8, 32.5

 

CMYK 23 / 0 / 57 / 53

HEX #5D7834

RGB 93 120 52

HSL 83.82, 0.4%, 0.34%

LAB 46.99, -21.7, 33.72

 

CMYK 16 / 0 / 33 / 25

HEX #A1C080

RGB 161 192 128

HSL 89.06, 0.34%, 0.63%

LAB 74.08, -21.76, 28.91

 

CMYK 7 / 0 / 33 / 25

HEX #B2C080

RGB 178 192 128

HSL 73.13, 0.34%, 0.63%

LAB 75.28, -15.33, 30.71

 

CMYK 0 / 2 / 33 / 25

HEX #C0BD80

RGB 192 189 128

HSL 57.19, 0.34%, 0.63%

LAB 75.55, -8.32, 31.27

 

CMYK 0 / 11 / 33 / 25

HEX #C0AB80

RGB 192 171 128

HSL 40.31, 0.34%, 0.63%

LAB 70.8, 1.19, 24.95

 

CMYK 0 / 20 / 33 / 25

HEX #C09A80

RGB 192 154 128

HSL 24.38, 0.34%, 0.63%

LAB 66.43, 10.43, 19.02

 

CMYK 16 / 0 / 33 / 25

HEX #A1C080

RGB 161 192 128

HSL 89.06, 0.34%, 0.63%

LAB 74.08, -21.76, 28.91

 

CMYK 25 / 0 / 33 / 25

HEX #90C080

RGB 144 192 128

HSL 105, 0.34%, 0.63%

LAB 73.01, -27.89, 27.3

 

CMYK 33 / 0 / 32 / 25

HEX #80C082

RGB 128 192 130

HSL 121.88, 0.34%, 0.63%

LAB 72.16, -32.97, 24.94

 

CMYK 33 / 0 / 23 / 25

HEX #80C093

RGB 128 192 147

HSL 137.81, 0.34%, 0.63%

LAB 72.49, -29.94, 16.31

 

CMYK 33 / 0 / 15 / 25

HEX #80C0A4

RGB 128 192 164

HSL 153.75, 0.34%, 0.63%

LAB 72.87, -26.56, 7.65

 

CMYK 16 / 0 / 33 / 25

HEX #A1C080

RGB 161 192 128

HSL 89.06, 0.34%, 0.63%

LAB 74.08, -21.76, 28.91

 

CMYK 22 / 0 / 45 / 19

HEX #A2CF71

RGB 162 207 113

HSL 88.72, 0.49%, 0.63%

LAB 78.17, -30.6, 41.83

 

CMYK 27 / 0 / 56 / 13

HEX #A2DF62

RGB 162 223 98

HSL 89.28, 0.66%, 0.63%

LAB 82.56, -39.53, 54.19

 

CMYK 32 / 0 / 66 / 7

HEX #A3EE52

RGB 163 238 82

HSL 88.85, 0.82%, 0.63%

LAB 86.77, -47.03, 65.59

 

CMYK 36 / 0 / 74 / 1

HEX #A3FD43

RGB 163 253 67

HSL 89.03, 0.98%, 0.63%

LAB 90.98, -54.18, 75.19

 

CMYK 16 / 0 / 33 / 25

HEX #A1C080

RGB 161 192 128

HSL 89.06, 0.34%, 0.63%

LAB 74.08, -21.76, 28.91

 

CMYK 9 / 0 / 19 / 31

HEX #A1B18F

RGB 161 177 143

HSL 88.24, 0.18%, 0.63%

LAB 70.18, -11.79, 15.56

 

CMYK 1 / 0 / 2 / 36

HEX #A0A29F

RGB 160 162 159

HSL 100, 0.02%, 0.63%

LAB 66.38, -1.28, 1.3

 

CMYK 8 / 16 / 0 / 32

HEX #A092AE

RGB 160 146 174

HSL 270, 0.15%, 0.63%

LAB 62.58, 10.62, -12.75

 

CMYK 16 / 31 / 0 / 26

HEX #9F83BD

RGB 159 131 189

HSL 268.97, 0.31%, 0.63%

LAB 59.23, 22.11, -26.37

 

CMYK 0 / 2 / 33 / 25

HEX #C0BD80

RGB 192 189 128

HSL 57.19, 0.34%, 0.63%

LAB 75.55, -8.32, 31.27

 

CMYK 7 / 0 / 33 / 25

HEX #B2C080

RGB 178 192 128

HSL 73.13, 0.34%, 0.63%

LAB 75.28, -15.33, 30.71

 

CMYK 16 / 0 / 33 / 25

HEX #A1C080

RGB 161 192 128

HSL 89.06, 0.34%, 0.63%

LAB 74.08, -21.76, 28.91

 

CMYK 25 / 0 / 33 / 25

HEX #90C080

RGB 144 192 128

HSL 105, 0.34%, 0.63%

LAB 73.01, -27.89, 27.3

 

CMYK 33 / 0 / 33 / 25

HEX #80C081

RGB 128 192 129

HSL 120.94, 0.34%, 0.63%

LAB 72.14, -33.13, 25.45

 

CMYK 25 / 0 / 51 / 38

HEX #789F4E

RGB 120 159 78

HSL 88.89, 0.34%, 0.46%

LAB 61.08, -27.5, 37.71

 

CMYK 21 / 0 / 44 / 30

HEX #8DB364

RGB 141 179 100

HSL 88.86, 0.34%, 0.55%

LAB 68.62, -26.59, 36.13

 

CMYK 16 / 0 / 33 / 25

HEX #A1C080

RGB 161 192 128

HSL 89.06, 0.34%, 0.63%

LAB 74.08, -21.76, 28.91

 

CMYK 12 / 0 / 24 / 19

HEX #B6CE9C

RGB 182 206 156

HSL 88.8, 0.34%, 0.71%

LAB 79.89, -16.92, 22.26

 

CMYK 8 / 0 / 16 / 14

HEX #CADBB7

RGB 202 219 183

HSL 88.33, 0.33%, 0.79%

LAB 85.32, -12.06, 15.8

 

CMYK 16 / 0 / 33 / 25

HEX #A1C080

RGB 161 192 128

HSL 89.06, 0.34%, 0.63%

LAB 74.08, -21.76, 28.91

 

CMYK 33 / 0 / 10 / 25

HEX #80C0AC

RGB 128 192 172

HSL 161.25, 0.34%, 0.63%

LAB 73.07, -24.85, 3.59

 

CMYK 0 / 33 / 3 / 25

HEX #C080BB

RGB 192 128 187

HSL 304.69, 0.34%, 0.63%

LAB 61.85, 34.14, -20.91

 

CMYK 16 / 0 / 33 / 25

HEX #A1C080

RGB 161 192 128

HSL 89.06, 0.34%, 0.63%

LAB 74.08, -21.76, 28.91

 

CMYK 33 / 16 / 0 / 25

HEX #80A1C0

RGB 128 161 192

HSL 209.06, 0.34%, 0.63%

LAB 64.87, -3.81, -19.62

 

CMYK 0 / 33 / 16 / 25

HEX #C080A1

RGB 192 128 161

HSL 329.06, 0.34%, 0.63%

LAB 60.97, 29.61, -7.44

 

CMYK 16 / 0 / 33 / 25

HEX #A1C080

RGB 161 192 128

HSL 89.06, 0.34%, 0.63%

LAB 74.08, -21.76, 28.91

 

CMYK 33 / 0 / 10 / 25

HEX #80C0AC

RGB 128 192 172

HSL 161.25, 0.34%, 0.63%

LAB 73.07, -24.85, 3.59

 

CMYK 17 / 33 / 0 / 25

HEX #9F80C0

RGB 159 128 192

HSL 269.06, 0.34%, 0.63%

LAB 58.62, 24.51, -29.02

 

CMYK 0 / 33 / 23 / 25

HEX #C08094

RGB 192 128 148

HSL 341.25, 0.34%, 0.63%

LAB 60.59, 27.58, -0.56

 

CMYK 16 / 0 / 33 / 25

HEX #A1C080

RGB 161 192 128

HSL 89.06, 0.34%, 0.63%

LAB 74.08, -21.76, 28.91

 

CMYK 33 / 0 / 1 / 25

HEX #80C0BF

RGB 128 192 191

HSL 179.06, 0.34%, 0.63%

LAB 73.58, -20.52, -6.01

 

CMYK 17 / 33 / 0 / 25

HEX #9F80C0

RGB 159 128 192

HSL 269.06, 0.34%, 0.63%

LAB 58.62, 24.51, -29.02

 

CMYK 0 / 33 / 33 / 25

HEX #C08081

RGB 192 128 129

HSL 359.06, 0.34%, 0.63%

LAB 60.1, 24.91, 9.63

 

Description

Color code: HEX #A1C080 | qconv.com Color code: HEX #A1C080 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 192 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 192 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 33 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 33% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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