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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A1DCA3 it is the complementary color #5E235C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A1DCA3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A1DCA3 shade: #A6DC9E, #B7EEB1, #C8FFC4, #D9FFD7 and #EAFFEA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A1DCA3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A1DCA3 shade: #A1DCA3, #90CA90, #7FB87D, #6EA66A and #5D9457

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A1DCA3 shade: #A1DCA3, #AFDCA1, #BFDCA1, #CFDCA1 and #DCD9A1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A1DCA3 shade: #A1DCA3, #A1DCB3, #A1DCC3, #A1DCD3 and #A1D5DC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A1DCA3 shade matches the following richer shades: #A1DCA3, #97E69A, #8DF190 and #82FB87

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A1DCA3 shade: #A1DCA3, #ACD2AD, #B6C7B7, #C0BDC0 and #CBB3CA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A1DCA3 shade: #BFDCA1, #AFDCA1, #A1DCA3, #A1DCB3 and #A1DCC3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A1DCA3 shade: #65C668, #83D186, #A1DCA3, #C0E7C1 and #DEF2DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A1DCA3 shade: #A1DCA3, #A1CEDC and #DCA1B7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A1DCA3 shade: #A1DCA3, #A3A1DC and #DCA3A1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A1DCA3 shade: #A1DCA3, #A1CEDC, #DCA1DA and #DCAFA1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A1DCA3 shade: #A1DCA3, #A1BDDC, #DCA1DA and #DCC1A1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 26 / 14

HEX #A1DCA3

RGB 161 220 163

HSL 122.03, 0.46%, 0.75%

LAB 82.6, -29.88, 22.1

 

Complementary color

CMYK 0 / 63 / 2 / 63

HEX #5E235C

RGB 94 35 92

HSL 302.03, 0.46%, 0.25%

LAB 24.81, 35.15, -21.61

 

CMYK 25 / 0 / 28 / 14

HEX #A6DC9E

RGB 166 220 158

HSL 112.26, 0.47%, 0.74%

LAB 82.79, -29.05, 25

 

CMYK 23 / 0 / 26 / 7

HEX #B7EEB1

RGB 183 238 177

HSL 114.1, 0.64%, 0.81%

LAB 89.11, -28.85, 24

 

CMYK 22 / 0 / 23 / 0

HEX #C8FFC4

RGB 200 255 196

HSL 115.93, 1%, 0.88%

LAB 95.07, -28.2, 22.66

 

CMYK 15 / 0 / 16 / 0

HEX #D9FFD7

RGB 217 255 215

HSL 117, 1%, 0.92%

LAB 96.48, -19.46, 15.1

 

CMYK 8 / 0 / 8 / 0

HEX #EAFFEA

RGB 234 255 234

HSL 120, 1%, 0.96%

LAB 98.01, -10.59, 7.7

 

CMYK 27 / 0 / 26 / 14

HEX #A1DCA3

RGB 161 220 163

HSL 122.03, 0.46%, 0.75%

LAB 82.6, -29.88, 22.1

 

CMYK 29 / 0 / 29 / 21

HEX #90CA90

RGB 144 202 144

HSL 120, 0.35%, 0.68%

LAB 76.18, -30.11, 23.13

 

CMYK 31 / 0 / 32 / 28

HEX #7FB87D

RGB 127 184 125

HSL 117.97, 0.29%, 0.61%

LAB 69.66, -30.35, 24.23

 

CMYK 34 / 0 / 36 / 35

HEX #6EA66A

RGB 110 166 106

HSL 116, 0.25%, 0.53%

LAB 63.03, -30.59, 25.4

 

CMYK 37 / 0 / 41 / 42

HEX #5D9457

RGB 93 148 87

HSL 114.1, 0.26%, 0.46%

LAB 56.28, -30.82, 26.65

 

CMYK 27 / 0 / 26 / 14

HEX #A1DCA3

RGB 161 220 163

HSL 122.03, 0.46%, 0.75%

LAB 82.6, -29.88, 22.1

 

CMYK 20 / 0 / 27 / 14

HEX #AFDCA1

RGB 175 220 161

HSL 105.76, 0.46%, 0.75%

LAB 83.38, -25.51, 24.34

 

CMYK 13 / 0 / 27 / 14

HEX #BFDCA1

RGB 191 220 161

HSL 89.49, 0.46%, 0.75%

LAB 84.4, -19.89, 25.9

 

CMYK 6 / 0 / 27 / 14

HEX #CFDCA1

RGB 207 220 161

HSL 73.22, 0.46%, 0.75%

LAB 85.52, -14.06, 27.6

 

CMYK 0 / 1 / 27 / 14

HEX #DCD9A1

RGB 220 217 161

HSL 56.95, 0.46%, 0.75%

LAB 85.71, -7.69, 28.03

 

CMYK 27 / 0 / 26 / 14

HEX #A1DCA3

RGB 161 220 163

HSL 122.03, 0.46%, 0.75%

LAB 82.6, -29.88, 22.1

 

CMYK 27 / 0 / 19 / 14

HEX #A1DCB3

RGB 161 220 179

HSL 138.31, 0.46%, 0.75%

LAB 82.92, -27.04, 14.16

 

CMYK 27 / 0 / 11 / 14

HEX #A1DCC3

RGB 161 220 195

HSL 154.58, 0.46%, 0.75%

LAB 83.29, -23.95, 6.23

 

CMYK 27 / 0 / 4 / 14

HEX #A1DCD3

RGB 161 220 211

HSL 170.85, 0.46%, 0.75%

LAB 83.69, -20.62, -1.67

 

CMYK 27 / 3 / 0 / 14

HEX #A1D5DC

RGB 161 213 220

HSL 187.12, 0.46%, 0.75%

LAB 82.02, -15.11, -8.91

 

CMYK 27 / 0 / 26 / 14

HEX #A1DCA3

RGB 161 220 163

HSL 122.03, 0.46%, 0.75%

LAB 82.6, -29.88, 22.1

 

CMYK 34 / 0 / 33 / 10

HEX #97E69A

RGB 151 230 154

HSL 122.28, 0.61%, 0.75%

LAB 84.74, -39.16, 29.57

 

CMYK 41 / 0 / 40 / 5

HEX #8DF190

RGB 141 241 144

HSL 121.8, 0.78%, 0.75%

LAB 87.28, -48.48, 37.87

 

CMYK 48 / 0 / 46 / 2

HEX #82FB87

RGB 130 251 135

HSL 122.48, 0.94%, 0.75%

LAB 89.62, -56.88, 45.16

 

CMYK 27 / 0 / 26 / 14

HEX #A1DCA3

RGB 161 220 163

HSL 122.03, 0.46%, 0.75%

LAB 82.6, -29.88, 22.1

 

CMYK 18 / 0 / 18 / 18

HEX #ACD2AD

RGB 172 210 173

HSL 121.58, 0.3%, 0.75%

LAB 80.67, -19.62, 14.25

 

CMYK 9 / 0 / 8 / 22

HEX #B6C7B7

RGB 182 199 183

HSL 123.53, 0.13%, 0.75%

LAB 78.58, -8.8, 6.03

 

CMYK 0 / 2 / 0 / 25

HEX #C0BDC0

RGB 192 189 192

HSL 300, 0.02%, 0.75%

LAB 76.93, 1.6, -1.15

 

CMYK 0 / 12 / 0 / 20

HEX #CBB3CA

RGB 203 179 202

HSL 302.5, 0.19%, 0.75%

LAB 75.58, 12.66, -8.47

 

CMYK 13 / 0 / 27 / 14

HEX #BFDCA1

RGB 191 220 161

HSL 89.49, 0.46%, 0.75%

LAB 84.4, -19.89, 25.9

 

CMYK 20 / 0 / 27 / 14

HEX #AFDCA1

RGB 175 220 161

HSL 105.76, 0.46%, 0.75%

LAB 83.38, -25.51, 24.34

 

CMYK 27 / 0 / 26 / 14

HEX #A1DCA3

RGB 161 220 163

HSL 122.03, 0.46%, 0.75%

LAB 82.6, -29.88, 22.1

 

CMYK 27 / 0 / 19 / 14

HEX #A1DCB3

RGB 161 220 179

HSL 138.31, 0.46%, 0.75%

LAB 82.92, -27.04, 14.16

 

CMYK 27 / 0 / 11 / 14

HEX #A1DCC3

RGB 161 220 195

HSL 154.58, 0.46%, 0.75%

LAB 83.29, -23.95, 6.23

 

CMYK 49 / 0 / 47 / 22

HEX #65C668

RGB 101 198 104

HSL 121.86, 0.46%, 0.59%

LAB 72.33, -47.81, 38.34

 

CMYK 37 / 0 / 36 / 18

HEX #83D186

RGB 131 209 134

HSL 122.31, 0.46%, 0.67%

LAB 77.37, -39.14, 29.84

 

CMYK 27 / 0 / 26 / 14

HEX #A1DCA3

RGB 161 220 163

HSL 122.03, 0.46%, 0.75%

LAB 82.6, -29.88, 22.1

 

CMYK 17 / 0 / 16 / 9

HEX #C0E7C1

RGB 192 231 193

HSL 121.54, 0.45%, 0.83%

LAB 88.07, -19.8, 14.35

 

CMYK 8 / 0 / 8 / 5

HEX #DEF2DE

RGB 222 242 222

HSL 120, 0.43%, 0.91%

LAB 93.58, -10.18, 7.4

 

CMYK 27 / 0 / 26 / 14

HEX #A1DCA3

RGB 161 220 163

HSL 122.03, 0.46%, 0.75%

LAB 82.6, -29.88, 22.1

 

CMYK 27 / 6 / 0 / 14

HEX #A1CEDC

RGB 161 206 220

HSL 194.24, 0.46%, 0.75%

LAB 80.12, -11.51, -11.75

 

CMYK 0 / 27 / 17 / 14

HEX #DCA1B7

RGB 220 161 183

HSL 337.63, 0.46%, 0.75%

LAB 72.31, 25.14, -2.69

 

CMYK 27 / 0 / 26 / 14

HEX #A1DCA3

RGB 161 220 163

HSL 122.03, 0.46%, 0.75%

LAB 82.6, -29.88, 22.1

 

CMYK 26 / 27 / 0 / 14

HEX #A3A1DC

RGB 163 161 220

HSL 242.03, 0.46%, 0.75%

LAB 68.35, 13.51, -29.61

 

CMYK 0 / 26 / 27 / 14

HEX #DCA3A1

RGB 220 163 161

HSL 2.03, 0.46%, 0.75%

LAB 72.22, 20.8, 9.31

 

CMYK 27 / 0 / 26 / 14

HEX #A1DCA3

RGB 161 220 163

HSL 122.03, 0.46%, 0.75%

LAB 82.6, -29.88, 22.1

 

CMYK 27 / 6 / 0 / 14

HEX #A1CEDC

RGB 161 206 220

HSL 194.24, 0.46%, 0.75%

LAB 80.12, -11.51, -11.75

 

CMYK 0 / 27 / 1 / 14

HEX #DCA1DA

RGB 220 161 218

HSL 302.03, 0.46%, 0.75%

LAB 73.39, 31.12, -20.33

 

CMYK 0 / 20 / 27 / 14

HEX #DCAFA1

RGB 220 175 161

HSL 14.24, 0.46%, 0.75%

LAB 75.11, 14.33, 13.4

 

CMYK 27 / 0 / 26 / 14

HEX #A1DCA3

RGB 161 220 163

HSL 122.03, 0.46%, 0.75%

LAB 82.6, -29.88, 22.1

 

CMYK 27 / 14 / 0 / 14

HEX #A1BDDC

RGB 161 189 220

HSL 211.53, 0.46%, 0.75%

LAB 75.54, -2.53, -18.63

 

CMYK 0 / 27 / 1 / 14

HEX #DCA1DA

RGB 220 161 218

HSL 302.03, 0.46%, 0.75%

LAB 73.39, 31.12, -20.33

 

CMYK 0 / 12 / 27 / 14

HEX #DCC1A1

RGB 220 193 161

HSL 32.54, 0.46%, 0.75%

LAB 79.57, 4.75, 19.64

 

Description

Color code: HEX #A1DCA3 | qconv.com Color code: HEX #A1DCA3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 220 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 220 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 26 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 26% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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